Late 18th Century Decorative Objects

A fine pair of flat cut boat shaped bowls with vandyke rims.

This antique covered jar or pot was made by the well known Meissen factory of Germany in approximately 1750 in the period Louis XV style. This lidd...

Each urn with a cone finial, the collar carved with interlaces and a tapered fluted body on a spreading socle. Formerly with spigots. Provenance: Ginsburg & Levy, Inc., New York Bos...

Beautiful antique wooden Corpus Christi (body of Christ) statue, sculpture, from around the beginning of the 18th century probably Flemish Beautiful wood carving and polychrome (pai...

Neoclassical gilt decorated plate with mythological figure. Naples Real Fabbrica Ferdinandea white porcelain painted and gilt decorated saucer dish wi...

A period Louis XVI Ormolu black and white marble mantel clock made in the last quarter of the 18th century. The white enamel dial with bl...

A very fine small Georgian longcase domestic regulator. Twelve inch silvered dial signed ‘John Byard, London’, with original blued steel hands and subsidiary seconds dial. M...

Hallmarked in Sheffield in 1792 by John Parsons & Co., this handsome pair of George III period, Antique Sterling Silver Candlesticks, are round in shape, and feature reed detailing, ...

Qing Dynasty pair of antique 18th century Chinese blue and white porcelain jars and covers, 2 of five sacrificial utensil...

Small bird plate. Hand-painted small dish / vide-poche with birds and insects in a landscape with soft gold rim. Underglaze blue crown marks for Ludwigsbur...

18th Century Louis XVI Gilt Bronze Female Mask Wall Clock, sign. "Juhel à Paris" The ormolu cartouche-shaped case surmounted by a twin-handled neoclas...

A Louis XV style marble mantel clock. Enamel dial with Roman numerals, signed with a red inscription "Seigneurez A Paris", finely pierced, engraved gold-plated hands, a broken arch (...

By Wedgwood, England. This pair of Chestnut Baskets and underplates was one of Wedgwood's most intricate handmade designs, circa 1790s. Redolent of the Georgian period, this color co...

English penwork box Wooden box handpainted in a handsome black with white floral design and decoration. The interior of the cover signed and dated 'Emily...

Polished basalt, decorated with Victoria, Goddess of Victory, in her chariot; possibly after a Roman model such as the wall paintings at Herculaneum. T...

Italian neoclassical parcel-gilt clock. Roman military Empire period mantel clock of obelisk form topped by an extraordinary eagle with outs...

Two pairs of maiolica baskets Antonio Ferretti Manufacture Lodi, circa 1770-1790 Maiolica polychrome decorated “a piccolo fuoco” (third fire). Measures: A) Height 3.54 x 6.69 x 9.84 in (9 x 17 x 25 cm); B) Height 3.93 x 7.48 x 11.02 in (10 x 19 x 28 cm). Total weight 4.85 lb (2.200 kg) State of conservation: A) One of the smaller baskets has some areas of restoration, the other slight chipping from use; B) One of the larger baskets is intact and the other shows a clearly glued break. The mold with which the baskets were forged simulates a wicker weave. The two larger works have high, vertical walls, with branch-shaped handles penetrating the weave. The painted decorations, small polychrome flowers applied only externally, highlight the points where the weaves intersect. The decision to leave the center of the basket devoid of decoration is highly unusual, but given the size and complexity of the shape, as well as the quality of the enamel, it is possible to hypothesize that it represents a precise choice in manufacturing or for a particular client. The two smaller baskets have small, twisted handles and, on the outside, reproduce more decisively the characteristic wicker weave, obtained through thin molded lines. The interior exhibits a rich, typical decoration of naturalistic flowers: a bunch centered around a main flower and secondary stems accompanied by small “semis”. The exterior of these works is also adorned with small little flowers where the weaves intersect. The size and morphological characteristics of the baskets confirm their attribution to the Lodi factory of Antonio Ferretti between 1770 and 1790, during its most successful period; by this point his original reworking of the "Strasbourg" decoration, known as "old Lodi", had achieved great fame even outside Italy. This decorative choice represented a strong point of the Lodi factory, which established itself thanks to the vivid nature of the colors made possible by the introduction of a new technique perfected by Paul Hannong in Strasbourg and which Antonio Ferretti introduced in Italy. This production process, called “piccolo fuoco” (third fire), allowed the use of a greater number of colors than in the past; in particular, the purple of Cassius, a red made from gold chloride, was introduced. Its use allowed for many more tones and shades, from pink to purple. The Ferretti family had started their maiolica manufacturing business in Lodi in 1725. The forefather Simpliciano had started the business by purchasing an ancient furnace in 1725 and, indeed, we have evidence of the full activity of the furnaces from April of the same year (Novasconi-Ferrari-Corvi, 1964, p. 26 n. 4). Simpliciano had started a production of excellence also thanks to the ownership of clay quarries in Stradella, not far from Pavia. The production was so successful that in 1726 a decree of the Turin Chamber came to prohibit the importation of foreign ceramics, especially from Lodi, to protect internal production (G. Lise, La ceramica a Lodi, Lodi 1981, p. 59). In its initial stages, the manufacture produced maolicas painted with the “a gran fuoco” (double fire) technique, often in turquoise monochrome, with ornamentation derived from compositional modules in vogue in Rouen in France. This was also thanks to the collaboration of painters like Giorgio Giacinto Rossetti, who placed his name on the best specimens next to the initials of the factory. In 1748 Simpliciano made his will (Gelmini, 1995, p. 30) appointing his son Giuseppe Antonio (known as Antonio) as universal heir. After 1750, when Simpliciano passed away, Antonio was directly involved in the maiolica factory, increasing its fortunes and achieving a reputation on a European level. Particularly important was the aforementioned introduction in 1760 of the innovative “a piccolo fuoco” (third fire) processing, which, expanding the ornamental repertoire with Saxon-inspired floral themes, could commercially compete with the German porcelains that had one of its most renowned offerings in the naturalistic Deutsche Blumen. Antonio Ferretti understood and promoted this technique and this decoration, proposing it in a fresher and more corrective version, less linked to botanical tables...

A slice and flute cut glass spirit decanter engraved with the prince of Wales feathers fitted with target stopper. England, circa 1795.

With hinged slanted lids with inlaid shells opening to fitted cutlery slots. Compass inlay on underside of lid. Conforming case with key holes.

Antique George III grandfather clock from Newton Abbot England (Newton Abbot) Mahogany circa 1790 Dimensions: H x W x D: 207 x 50 x 27 ...

Hallmarked in Sheffield in 1786 by John Parsons & Co., this handsome set of 4 George III period, Antique Sterling Silver Candlesticks, are round in shape, and feature panelled sides,...

Delft blue and white "Rappe" urn-shape tobacco jar with lid, Netherlands, circa 1800. Inscribed “Rappe” within a floral leafy bordered cartouche. Rappe was a coarse kind of snuff mad...

Hallmarked in London in 1778 by William Plummer, this delightful, George III, Antique sterling silver basket, features engraved and pierced decoration, and bead borders. The basket m...

Wax portrait of Queen Charlotte of Great Britain, Attributed to John Flaxman, Late 18th century. A large and rare portrait of Queen Charlotte, i...

A fine pair of Paris porcelain vases on pedestal bases, featuring landscape scenes within acid-etched gilt borders. The body of each vase with a green ground, above and below with gi...

Two maiolica pharmacy flasks Milan, Felice Clerici Manufacture, 1770-1780 They each measure 9.44 in (24 cm) in height x 6.10 in (15.5 cm) in diameter l...

France Late 18th century silver carriage shape box in Regency Style This magnificent piece of art of silver jewelery. It is an example of h...

Dimensions - H: 1 3/4in W: 3 1/2in D: 2in This Mid 18th Century Porcelain and Bronze Box by Meissen is truly a spectacular piece and is of the highest quality! If you look at the p...

Presenting a magnificent pair of French Maurin green marble urns and covers exuding opulence and grandeur in the Louis XVI style, dating from the late 19th to early 20th century. Ea...

A fine Scottish inlaid mahogany tall clock by Eben (Ebenezer) Anderson, Auchtermuchty, with a swans neck split pediment top with brass rosettes and ball & spire finial, and pierced f...

This elegant bust of Marie Antoinette was sculpted in Paris, France, circa 1790. The sculpture, signed in the back by French sculptor Lecomte, depicts the queen with her elaborate well-known coiffure, numerous Fleur-de-Lys on her dress, and a Louis XVI portrait...

This rare set of three creamware plates was made in England by Wedgwood in the 18th century, circa 1780. Each plate is decorated with a finely detailed black transfer-printed landsca...

This elegant set of eight antique English creamware plates dates to circa 1785. Each plate features a delicately pierced border with hearts, dots, and diamonds arranged in eight even...

This important antique "Tian" (Provencal term for serving bowl), was crafted in Provence, southern France circa 1780. The round handmade terracotta bowl has a subtle green glaze on t...

Signed: Joseph Gay Horloger du Roy A Turin The movement is contained in a white marble obelisk which is surmounted by an armillary sphere finial. The front with a panel chased wit...

An extremely rare mantel clock with a figured mahogany-veneered case by A-L Breguet Abraham-Louis Breguet (1747-1823), who was of Swiss origin, is undoubtedly the most celebrated clockmaker of the late eighteenth and early nineteenth centuries in France. He is responsible for the invention of the self-winding watch, the tourbillon and the sympathetic watch ( a watch that is placed in a cradle of a special clock. It is then linked by means of a pin fixed behind the clock dial. Built into the motion work which, when released by the clock, automatically sets the hands to the clock's time as well as correcting the watch's regulator necessitated by any degree of inaccuracy registered at the moment of synchronisation) and many other horological improvements and developments. Around the year 1807 Breguet brought in his son, Antoine-Louis (born 1776), as a business partner, and from this point, the firm became known as Breguet et Fils. Breguet had previously sent his son to London to study with the great English chronometer maker John Arnold...

Rare and unusual George III tea caddy in the form of a ribbed bucket. The tea caddy of beautiful shape with a ribbed exterior carved from alternating panels of plain Sycamore and...

An important and rare table clock from the workshop of David Roentgen. The case with an oval stepped plinth top with gilt bronze handle, decoration of the case with ormolu mille raie banding, beaded edges and brass fluted columns to the front flanking the square brass dial, foliate engraved spandrels to the corners, centred by the white enamel Arabic chapter ring, signed Delolme, pierced brass hands, convex glazed bezel, square plated eight-day movement with four back-pinned pillars, verge escapement, silk suspension, rack and count wheel strike, striking the hours and quarters on two bells above, the back plate also signed, glazed side panels. There is only a small series of comparable table clocks from the workshop of David Roentgen known. The present clock seems to be the first example of the cooperation between David Roentgen and the court clockmaker Delolme in Brunswick. The case is meticulously crafted and both case and movement are of superb quality. David Roentgen, called the "most celebrated ébéniste in Europe" by his contemporaries, was a successful entrepreneur who transformed the business founded by his father, Abraham Roentgen...

A fine mahogany bracket alarm clock by John Taylor, the rectangular case enclosing an arched gilt and steel face with a clock-face, a silent/strike...

Scottish mahogany eight day tall case clock with three sphere brass finials, a swan neck satinwood inlay patera pediment, intricately carved fretwork, over an arched door with flanki...

Late 18th century Georgian Battersea enamel box. A beautiful antique English Battersea Bilston table snuff box, created in the district of Bat...

"Justice and Peace" Undglazed group of Terre de Lorraine Perhaps a work of Paul Louis Cyfflé since it has the same typology of those manufactured in the Luneville factory by this cr...

An 18th century French Louis XVI marquetry secretaire, or secretary desk with bookcase. Beautifully made with book matched veneer of mahogany and fine inlay of walnut and mahogany. I...

Pair of monumental 18th century Italian prickets made in the Rococo style of carved and polychromed wood. These altar candlesticks feature a three footed base and a floral motif with...

Pair of 18th century French Architectural carvings, ca. 1780.

 A wonderful late C18th Ormolu mounted Blue John urn, attributed to the workshop of Matthew Boulton. The acorn finial with rope twist border, above pale veining and rich purple marb...

A beautiful 'as is' late 18th or early 19th century example of 'Marqueterie de Paille', or straw marquetry, work box. The top inlaid with a wonderful cityscape, with early architectu...

English late 18th-early 19th century red chinoiserie grandfathers clock. Brass dial inscribed Jan Chater. Working condition. Beautiful detail and paint. Wonderful condition.

A late 18th-early 19th century full size wooden sculpture of a horse, with tail made from horse hair, resting on a rectangular wooden base mounted on four castors.

France / 1800 / vase / wood / Rustic / Antique Handmade French solid wooden vase from the late 18th or early 19th century. This decorative antique piece was crafted from warm dark b...

This exquisite Louis XVI table clock showcases the neoclassical elegance of its time, crafted by renowned clockmaker Antoine Crosnier in Paris around 1780. The clock features a strik...

Gorgeous small statuette depicting a silver cherub from the Baroque period, late 1700s. The statue is made entirely of gilded silver and depicts a music...

This exquisite 18th-century Meissen porcelain figurine depicts a touching scene of motherhood, showcasing the exceptional craftsmanship of one of the oldest and most revered European porcelain manufacturers. The finely detailed figure is mounted in luxurious French Louis XV-style gilt bronze, enhancing the elegance and rarity of the piece. The combination of Meissen's delicate porcelain artistry with the opulence of French gilt bronze mounts exemplifies the refinement and beauty of 18th-century decorative arts. The scene features a tender moment of a mother with her child, rendered with meticulous attention to detail, from the soft expressions to the intricately modeled folds of fabric. The gilded bronze mounts, in the ornate Louis XV style, complement the figurine’s refined design and add a regal touch, making this piece a remarkable example of Rococo elegance. This rare and beautifully crafted Meissen porcelain figurine, adorned with French Louis XV gilt bronze mounts, captures a tender motherhood scene in the Rococo style. An outstanding piece for collectors of fine European porcelain...

Herb Box (Yerbera), Upper Peru, possibly Potosí, c. 1775–90, cast, repoussé, and chased silver, the design is very intricate, with lions, cats and some other animals, and a women on the lid, it is made in a shell shape with a classical women on top of the lid, the body is all hand made with lions and wild cats with leafs designs, the inner part is divided into two compartments, as usually in this type of boxes. lock is not working but it is very nice and "primitive" looking. Boxes have a long history across cultures and time. In Spanish America, containers of many types, styles, and materials were cherished as gifts. Known today as yerberas (herb boxes) or coqueras (coca boxes...

A self-framing portrait medallion of William of Orange. The mixed-vase mark dates this example firmly in the 1780s. Wedgwood produced a number of co...

Spanish colonial pair of wonderfully carved, painted and giltwood angel candleholders. Late 18th century.  

Pocket watch, engraved André Hessen. Gold, enamel. Paris, France, towards the last third of the 18th century. Has faults. Pocket watch in a case decorated with enamels on the back (inside a pearl band you can see a composition with a clear classicist influence with a female figure, perhaps an allegory of the arts...

Oval painted with a mat black and red palette in the classical taste in imitation of ancient Greece. Side handles.

Crafted in France during the late 18th century, around 1790-1800, the "Venus Et Amour" mantel clock epitomizes the elegance of the Louis XVI style. Carved from pristine white marble ...

Antique Meissen figure in hand-painted porcelain. Boy playing the flute. Marcolini period 1774-1814. Measures: 20 x 9 cm. In excellent condition. Stamped.