Sculptures

A very fine pair of French 19th century Louis XV style figural gilt bronze and rouge marble six-light candelabra, each with a figure of a standing cherub holding the ornate scrolled arm candelabra, crowned with a gilt bronze candle snuffer...

A fine pair of French 19th-20th century Louis XV style figural gilt bronze Putti torchere table lamps on a Rouge Royal base. Each figure representi...

A pair of large French Napoleon III style metal thirteen-light figural torchières.depicting two winged cherubs holding up a thirteen-light torchère, standing on bases with gold highl...

Ernestine Sirine-Real (1899-1994) "Bust of a man". Signed and dated 44, plaster.

A fine pair of French 19th century Rouge-Royal marble and figural gilt bronze-mounted flambeaux urns surmounted with four ormolu figures of dolphins supporting the center urn with th...

French Louis XV style (19th Cent) painted and gold trimmed figure of cupid with hammer and chisel.

Ernestine Sirine-Real (1899-1994) "Bust of a woman". Unsigned plaster. Measures: H. 61cm.

Small 19th century patinated female bronze figure of the allegory of manufacture featuring a spindle, a hammer and a gear-wheel. The female figure holding up her light tunic and look...

This young minstrel troubadour and his flirtatious companion figure with her fluttering fan add diminuative and romantic "scene galante" to any room. Each is ...

Monumental pair of French 19th century figural gilt and patinated bronze Rosso Granite marble Flambeaux Urns Torcheres, each depicting a pair of allegorical Putti (Children) holding ...

A carved marble figure of a reclining nude, 19th century Measures: Height 16 1/4", Width 25", Depth 11".

Alabaster, 19th century, woman with a flute beside the fountain, bronze flute. Measures: H 78 cm, L Basic: 30 cm x 23 cm.

French Louis XV style (18/19th Century) large gilt wall plaque with cupid heads and sunburst center.

Beautiful pair of 18th century Louis XV silvered bronze musical cherubs on columns. The silvering on these delightful and elegantly sculpted pair exhibits the most wonderful aged col...

This is a charming pair of period 18th century. Louis XV gilt bronze figural chenets that have been mounted on impressive and hefty Lucite plinths and fitted as lamps. The opposing b...

French patinated bronze sculpture of a hound on the scent, mounted on a black marble base, and signed "J. Moigniez" (by the 19th century well-known sculptor, Jules Moigniez (1835-1894).

A very fine and large Museum Quality french, 19th century Versailles Style Figural Torchère with two side-by-side Putti in a Brown and Parcel-Gilt Patina Holding a Four-Light gilt bronze Candelabrum with Frosted glass flame shades, by Lacarrière Delatour...

Monumental 19th Century French Bronze Depicting Prince Hamlet & the Gravedigger, from Act V, scene i. of shakespeare's tragedy. Cast by Victor Thiebaut, Paris. Signed on base: Par Vor Thiebaut 1865. and Costa de B. Height: 51" (129.5 cm) Width: 33" (83.8 cm) Depth: 23" 58.4 cm) Victor Adolphe Thiébaut , born in 1828 and died in 1888 was one of the most illustrious founders of French art. He was the creator of the Art Foundry Thiebaut Brothers ,one of the largest and most prestigious art foundries in France during the 19th and 20th centuries. His achievements are visible throughout the world and especially in Paris. In 1849, after being associated with him, his father Charles Antoine Floréal left him the reins of the family foundry " Thiébaut & Fils ", a company manufacturing loops and medals, cylinders for printing canvas and paper, machine parts steam and other industrial objects made of bronze and copper. Two years later, in 1851, Victor Thiébaut decided to start a new activity of art foundry. He created the "Thiébaut Frères Art Foundry". It is from this time that the house will experience great prosperity and international artistic renown. Victor Thiébaut was a perfectionist. He believed that the perfection of cast iron was the main point of making a work. This way of thinking earned him the trust, the friendship and the advice of the sculptors of the time. The first works of Victor Thiébaut are exhibited throughout Europe. The London Exhibition in 1862 gave him the Knight's Cross of the Legion of Honor . That same year, he was elected mayor of the 10th arrondissement of Paris . Over the years, the fame of the Thiébaut Frères Art Foundry enabled the company to produce more and more important works in collaboration with prestigious artists. In 1860, Victor Thiébaut realized his first Parisian work: the fonts of "Agriculture" and the "Work" of Gumery. These works are visible on one of the fountains of the square-Émile Chautemps. In 1861, he produced a monumental work for the city of Paris: the bronze group "Saint Michael slaying the devil" by Duret, installed on the fountain Saint Michel. In 1863, another monumental work installed in the heart of the capital. Victor Thiebaut performs the statue of Napoleon I er , installed at the top of the Vendôme column . The statue was shot down in 1871 and repaired in 1875 by the Thiébaut Frères Art Foundry. Between 1864 and 1899, Victor Thiébaut realized many monumental works, still today, throughout the capital, including " The Triumph of the Republic ", place de la Nation , the "monument to Joan of Arc", place the Pyramids , the "Lioness of the Sahara", the Louvre palace , many works present in the Luxembourg gardens , the Tuileries gardens , the Jardin des Plantes , and in many other places. In 1878, the "Thiébaut Frères Art Foundry" cast the work " Charlemagne and its Leudes ", installed on parvis Notre-Dame . Victor Thiébaut died in 1888, leaving his sons Victor and Jules with orders for the family business. Until his last days, Victor Thiébaut worked on two monumental orders that will be completed and installed after his death. One of the most visible works made by the "Fonderie Thiébaut Frères" was undoubtedly the replica of the "Statue of Liberty", installed on the bridge of Grenelle ( Swan...

Statue with patina damaged by time, dual signature Moreau, Raingo, circa 1890, in good condition despite a lack in hand.

A white carved marble figure of Napoleon Bonaparte standing with one hand in his jacket, raised on a gilt bronze mounted white marble pedestal. Overall height: 75" Sculpture height...

A fine pair of mid-18th century French bronze cherubs standing contrapposto, one playing an instrument and the other holding a knife opening a oyster shell. Both standing besides tre...

After Clodion. Pair of bronze ewers with two patinas representing bacchanalia scenes after Clodion. Circular base with gadroon piedouche decora...

Pair of French Victorian patinated bronze busts of Louis XVI and le Titien each on a square rouge marble base (signed: Chardigny/1858)

A fine 19th Century French Patinated Bronze Sculpture - "Gloria Patria" (Homeland Glory) by Eugene Marioton. Titled on the front of the base: Gloria Patria Signed: Marioton Dimens...

French Sevres biscuit porcelain bust after Versailles original signed "1703-1768 Coustou." The bust portrays King Louis XV's Queen consort Mar...

Two girandoles in gilded bronze with crystal pendants on a round "red griotte" marble base, representing a nymph and a satyr in a very young age. Very fine work in the style of the...

Pan and cubs: bronze sculpture with brown patina, on a green marble and bronze base The young faun is lying on his stomach and teases with 2 cubs Signature of the artist Emmanuel F...

Sculpture of Napoleon in alabaster, Early 20th century. Statue, alabaster sculpture of Napoleon, early 20th century.     h: 65cm , w: 21cm, d: 18cm

" The Sphinx " French Sculpture 19th Century in Gilded Plaster Napoleon III Gilded plaster Height 36 cm. Length 10. Depth 20 cm. good condition

Pair of bronzes of a dancer and a musician, on a Paris porcelain base, model of sculptures after Canova Restored bases, normal wear to the patina and decoration XIXth century Heig...

"One hour of the night" Bronze sculpture with black brown patina depicting a stretching woman. It rests on an oval base imitating the rock. Signed on the terrace "Pollet". Signature of the founder "Gautier & Cie". Total height: 35.5 cm. 13.9in width: 25cm. 9.8in depth: 13cm 5.1in Weight: 3.5 Kg In very good condition, note a small patina wear on the elbow. Joseph-Michel-Ange Pollet born in Palermo on March 11, 1814 and died in Paris on January 1, 18711 is a French sculptor. Born in Palermo to French parents, Joseph-Michel-Ange Pollet studied sculpture in Italy with Bertel Thorwaldsen, Valerio Villareale and Pietro Tenerani. He came to Paris in 1836, then stayed in Ghent in 1838. After another stay in Italy from 1843 to 1845, he settled permanently in Paris and exhibited for the first time at the Salon of 1846. He won a medal of third class in 1847, a second class medal in 1848 and a first class medal in 1851. In 1855 he was awarded a second class medal at the Universal Exhibition. He was named Knight of the Legion of Honor by decree of June 14, 18563. Of neoclassical formation, the work of Pollet oscillates between this current and that of romanticism. In 1840, for the bicentenary of his death, he produced the bust of Rubens, the original plaster of which is kept at the Royal Museums of Fine Arts of Belgium. In 1848, he presented at the Salon a large plaster statue...

Bronze with beautiful brown patina representing King David victorious over Goliath. It rests on a circular base, decorated with oriental motifs. Signed hollow on the base: "A. Merc...

This clock presents a reduced reproduction in statuary white marble of "Phryne before its judges" of Pierre Campagne placed on a base in peach flower marble and gilded bronze. The painted enamel dial, underlined by a torus of laurel leaves is presented on a peach flower marble base set...

A late 19th century equestrian bronze of thoroughbred racehorse with saddle by Jules Moigniez (1835-1894) signed "J. MOIGNIEZ" on the bronze base and...

An Exquisite and Rare French Louis XVI Style Ormolu-Mounted Bloodstone Inkwell, circa 1875. A truly exceptional and jewel like quality inkwell encrier, made with the finest ormolu, mounted on bloodstone. A true collectors and one of a kind piece. Revival of the ancient régime in the late 19th century was paramount to the French furniture and bronze casting firms of the Belle Epoque. Imitation in the highest regard and replication of those tastes and styles was prevalent throughout the Paris Faubourg, where the most talented bronziers and ébénistes established their workshops. The present inkwell encrier recalls the late 18th century's obsession with hardstones - a taste expounded above all by the duc d'Aumont and, subsequently Marie-Antoinette. Such hardstone-mounted pieces, reminiscent of Renaissance schatzkammer objects, enjoyed a revived popularity at the end of the 18th century through the impetus of both the marchands-mercier and, more importantly, the hôtel des Menus-Plaisirs, where the duc d'Aumont himself established a workshop in 1770 specializing in the cutting and polishing of precious hardstones. This exceptional inkwell encrier, sumptuously-mounted with finely chased gilt-bronzes, incorporates a highly-prized material such as bloodstone. Sometimes called the Sunstone, the meaning of Bloodstone comes entangled in fascinating history. The Ancient Greeks held the Bloodstone as a gem with glorious powers. They referred to it as Heliotrope, which directly translates to Sunstone. It was believed to have heavenly healing powers gifted by the gods and most certainly when it came to healing all things related to the blood. Even as we move forward into the Middle Ages, the Bloodstone takes another mystical story under its wing. It was believed to be formed from Christ's blood. It was said that during the Crucifixion, a few red spots of his blood dripped...

A palatial, extremely rare, and important Napoleon III French ormolu and patinated bronze regulateur de parquet clock, by Louis-Constantin Detouche, Paris, circa 1850. The clock case made form the finest French ormolu, with 2 very large patinated bronze seated putti The white enamel dial Signed C. DETOUCHE/ PARIS. The clock movement is numbered 7064 and stamped with maker’s stamps C. Detouche RUE st. MARTIN and C. DETOUCHE 158 R. St MARTIN 160, with medaille d’argent stamp, on a serpentine part ebonized mahogany plinth. At over six feet tall, the present clock is impressive in scale and rare in Detouche’s oeuvre. While other large clocks were produced by the firm, few of this scale are so overtly decorative and usually incorporate greater mechanical complication. For example, a gilt bronze astronomical regulator clock...

Late 19th century Paris porcelain standing statue of Napoleon Bonaparte, circa 1880. White porcelain with gilt decoration. Contrasting bisque face wi...

Antique zinc finial has small scallops around the bottom with holes for nails or screws when it was once attached to a building. Great as garden e...

Crafted in France, circa 1880, the antique clay composition features three cheerful children in traditional clothing and boots; they are sitting on a bench, laughing and talking with...

19th century French Majolica bust in the figure of a woman. Lovely detail in sculpture, glaze is vibrant, some glaze drips. Great molding detail. Slight nibbles around base of statue...