Animal Sculptures

French art deco sculpture from the 1930s in patinated Zamak. The base is made of two types of marble. The sculpture is unsigned. Maker unknown.

Dimensions: 8cm W, 6.5cm H, 2.5cm D Condition: Mint Period: 1990’s Material: Glass Color: Orange

In creamware, with moonstone glaze. The mould sculpted by John Skeaping. Signed for both Wedgwood and Skeaping. Skeaping was commissioned by Wedgwood to produce a series of animal s...

Bertil Vallien for Kosta Boda miniature sculpture Bird , 1990’s

Dimensions: 9cm W, 4.5cm H, 2.5cm D Period: 1990’s Condition: Mint Material: Glass

French Art Deco polar bear by Dax, France, 1930s. Width: 16.3"(41.5cm), Height: 8.4"(21.4cm), Depth: 4.8"(12.2cm). Excellent condition

Gunnar Nylund "Iller" Stonewear Weasel with stand for Rörstrand Sweden 1960's A beautiful vintage weasel in stoneware by Gunnar Nylund for Ro¨rstrand, Sweden, circa 1960 in perfec...

Art Deco sculpture of a panther by Demetre Chiparus. Art metal with beautiful patina on a marble base with inlay. France 1930. This panther is illustrated in: Chiparus master of Art Deco, A. Shayo. General information: Art Deco and other figures, Brian Catley. Art Deco sculpture, Victor Arwas, Academy. Bronzes, sculptors and founders, H. Berman, Abage. Dictionnaire des peintres, sculpteurs, dessinateurs et graveurs, E. Benezit. Gründ Dictionnaire illustré des sculpteurs animaliers & fondeurs de l’antiquité à nos jours, Jean Charles Hachet. Argus Valentines; The dictionary of sculptors in bronze, James Mackay...

Art Deco French Figural Bakelite Bulldog Cane/Walking Stick with Solid Gold Ferrel  France, circa 1920s A true advanced collector/connoisseur's French Art Deco solid high-karat gol...

French Art Deco sculpture by Enrique MOLINS-BALLESTE, France, ca.1925. Spelter and marble. Marble base. "Young lady and fans". Width: 17.6"(44.8cm), Height: 8.1"(20.5cm), Depth: 5.2"...

Gilt bookends of two tropical fish on marble bases circa 1930. They are patinated in an interesting combination of silver bodies with gold tails and fins. The bodies of the fish, nat...

Curious bronze sculpture patina representing a stylized rooster, made in Japan in the 1930s. Unidentified mark under the base.

Emile Bregeon (French, circa l. 19th to early 20th century), C. 1920's. German Shepherd Mascot Signed E Bregeon French 1920s Hood Ornament Radiator Cap.
Approx: 4" h.

This Scandinavian Modern earthenware hedgehog from the 1960s exudes charm with its glazed zigzag pattern on beige fur. The unglazed brown face adds a distinctive touch to its feature...

Gorgeous small art glass bird paperweight / sculpture by Nuutajarvi of Finland, circa 1980s. The sculpture is mouth blown and is in great vintage condition with no chips or cracks. T...

A hard to find porcelain owl sculpture by Lillemor Mannerheim for Arabia of Finland, circa 1980s. Signed on the underside by the artist, the p...

Charles Lemanceau Cubist Elephant and its cracked offspring. Art Deco cream Crackle glaze ceramic. Saint-Clement, France ca. 1930 Bibliography: 'Craqueles - Les animaux en céramiq...

Art Deco Panther Sculpture, France, 1938. black glazed ceramic.

A gorgeous black crystal Zeila panther designed Designed by Marie-Claude Lalique. Signature: Lalique #544

French Art Deco couple of does by Charles LEMANCEAU at Saint-Clément's for Le Bon Marché, France, ca.1925. Illustrated in the Saint-Clément's catalog, 1925, page #1 under the number ...

Art Deco silver plated bronze sculpture of a rabbit hare. Lovely paperweight. Edouard Marcel Sandoz (1881-1973). Signature/ Marks: Ed.M. Sandoz - Susse Fre'...

Life-size Art Deco Panther, Manner of Loet Vanderveen Offered for sale is a dramatic life-size Art Deco-style panther sculpture in the manner of Loet Vanderveen. The sculpture has...

A real vintage classic - the elephant by Kay Bojesen. Made in Denmark. Early example from the second half of the 20th century.

Beautiful, antique, early Murano hand blown Sommerso red, controlled bubbles and gold leaf Italian art glass fish sculpture on clear base. Created in the manner of designer Flavio Po...

"Stag, doe and fawn" also know as "Deer family" Art deco bronze depicting a doe and its fawn on a black marble base. Weight 28 lbs - 13 kg.

Amazing huge German Shepherd sculpture by Louis-Albert Carvin, France, ca.1930. Spelter, marble and onyx. Spelter dog. Marble and onyx base. Height: 16.9"(43cm), width: 19.6"(49.8cm)...

Kristian Solmer Vedel Family of Oak Birds, circa 2006. Measures: Large: 4.88" Deep x 4" Wide x 4" Tall Medium: 4.38" Deep x 2.75" Wide x 4.75" Tall Small: 2.63" Deep x 1.75...

Deco panther sculpture made in France with silver casting in the 1930s Ø 36 cm Ø 10 cm h 13 cm

Magnificent pair of life-size+ bronze Goliath Heron fountain sculptures from the Art Deco era. What sets these apart from all others is their silver pl...

Thomas François Cartier, born on January 3, 1879, in Marseille, France, and passing away on December 27, 1943, was a notable French sculptor celebrated for his masterful depictions o...

Thomas François Cartier, born on January 3, 1879, in Marseille, France, and passing away on December 27, 1943, was a notable French sculptor celebrated for his masterful depictions o...

Art Deco bronze sculpture of a panther by Demetre Chiparus. Patinated bronze sculpture on a Portor marble base. Signed and with founders signature Editions Reveyrolis Paris, marked...

This art deco period sculpture of two art metal hounds, with one hound standing while the other drinks from a pool of water, is set on a naturalistic sandstone base, conceived and cr...

Eagle: spelter sculpture with dark green patina, on a green marble base Very stylized sculpture, art deco, signed Janle and published by Max le Verrier Good condition, old restorat...

A stunning and unique stoneware rooster sculpture with amazing glaze. Made by Tyra Lundgren. Executed in her own studio in Sweden, 1955. Great condition, but with a couple of chips to the base (pictured). Signed by the artist in two places, and dated 1955-06-20. Provenance: bought from the estate of the artist in 1979. Tyra Lundgren (1897-1979) was one of the most multifaceted artists and modernists of the twentieth century. She was a painter, drawer, sculptor, ceramist, glass- and textile designer, as well as an author and an art critic. She was the first woman who designed glass for Paolo Venini at Murano in Venice and she also served as the artistic leader at Arabia in Helsinki at a time when men tended to hold those kinds of positions. Tyra Lundgren grew up in Djursholm, near Stockholm. Her parents were John Petter Lundgren, professor at Veterinärinstitutet (institute of veterinary sciences) in Stockholm, and Edith Lundgren née Åberg, who was a housewife and raised their six children. The bourgeois home also comprised a nanny and a female cook. The family were very socially active, travelled often, and enjoyed the outdoor lifestyle. Tyra Lundgren’s schooling began at Djursholm coeducational school, where her teachers included Natanael and Elsa Beskow and Alice Tegnér. Her school friends included Greta Knutson-Tzara, Stellan Mörner, and Ingrid Rydbeck-Zuhr. Tyra Lundgren knew from the time she was five years old that she wanted to be an artist. She first became aware of the profession through Axel Fahlcrantz, who rented a studio on the plot of land where she lived with her family. In 1913 she began to attend Högre konstindustriella skolan (HKS, now known as Konstfack, college of arts, crafts and design) where she studied decorative art as well as handicrafts in various forms until 1917. One of her fellow students and friends there was Estrid Ericson, who later founded Svenskt Tenn AB in 1924. Whilst attending HKS Tyra Lundgren also took painting lessons at the Althin school of painting. In 1917 she was accepted as a candidate at the Royal Swedish Academy of Fine Arts where, apart from breaks during which she undertook studies abroad, she remained until 1922. She spent a couple of months taking lessons from Anton Hanak in Vienna and from 1920–1923 she was a student of André Lhote in Paris. Tyra Lundgren was primarily active in four countries: Sweden, Finland, France, and Italy. She spent much of her professional life travelling and considered herself to be a European. Greece and Mexico also formed important centres in her artistic life, as did the USA. She had an extensive social network which included focal individuals within twentieth century-European and American artistic and cultural circles. Tyra Lundgren’s main artistic motifs were birds, fish, and people which she depicted through different techniques and materials. Her artistic expression involved a variety of different directions and styles. She was a pioneer of the 1920s Swedish Grace style, the name of which had been coined by the art critic Morton Shand at the Stockholm Exhibition of 1930. This was a Swedish Art Deco style, characterised by elegance and traditional art which contrasted with the current artistic ideals of functionalism. Tyra Lundgren made her debut at a group exhibition held at Kungliga Akademien för de fria konsterna in 1921. She went on to show her work at various exhibitions throughout the 1920s. After that period she only very rarely exhibited her paintings. Tyra Lundgren’s painted output can be divided into different periods or stylistic directions. The first of these, and the most extensive, was her post-Cubist period which began in 1920 on her arrival in Paris. Her paintings from this time and right up to the mid-1930s typically comprise portraits, self-portraits, live-model painting, still-lifes, interiors, and landscapes in the Cubist style. Many of the great number of self-portraits she painted were produced in the New Objective style, displaying broad variation in terms of clothes, poses and techniques. Two of these – Huvud med vit duk and Självporträtt both from 1921 – can be seen at Moderna Museet in Stockholm, although the majority of these works are at Gotlands Museum. Tyra Lundgren’s second artistic period comprises the years of 1927 to 1929 and is characterised by the New Objective style inspired by medieval techniques and materials (Giotto, Piero della Francesca). Her motifs were still-lifes and landscapes. At this point she was living in Rome and was close to the circle involved in the Valori plastici: rivista d’arte art journal. This period saw a breakthrough in her development as a painter. From the 1950s through the 1970s her work can almost be described as belonging to the Concrete style. Using light pastel colours her paintings sought light in a sometimes non-figurative expression, but often depicting abstract bird-shapes or other nature-inspired imagery. Her paintings from this period are outsized and display powerful colours, in yellows, reds, and blues. Tyra Lundgren maintained a constant production of drawings, both in terms of individual artworks and sketches for patterns and designs. She also produced the illustrations for her book Fagert i Fide. Årstiderna på en gammal gotlandsgård, published in 1961. During her early years she also produced advertising illustrations. She spent the final years of her life primarily working with lithographs which were printed at Galleri Prisma and depicted images of doves, swallows, magpies and crows. Tyra Lundgren is meanwhile best known for her work as a ceramist and in this sphere she was one of Sweden’s leading exponents. She worked in the porcelain industry as a designer and as an artisan and ceramic sculptor. Her first job was at St Eriks Lervarufabrik in Uppsala from 1922–1924, she then worked at Arabia from 1924–1937, and at Rörstrand and Lidköping Porslinsfabrik. She was the artistic leader at Arabia ahead of the 1930 Stockholm Exhibition and she exhibited her work at the World’s Fairs. During the 1934–1938 period she was connected to the Manufacture nationale de Sèvres porcelain factory in Paris. Tyra Lundgren was a pioneer when it came to giving ceramic art a public space in Sweden. She produced around 20 outsized reliefs in stoneware, so-called monumental reliefs. One of these is Märkeskvinnor, from 1947, for the former girls’ school at Bohusgatan in Stockholm. From the 1940s onwards Tyra Lundgren produced sculptural objects in Chamotte clay and stoneware, with various glazings. Her small birds are well-known and popular with many. When her ceramic efforts became too much for her during the 1970s she then produced models for sculptures in bronze. There are six of these in various places around the globe, including Solfågel in Almedalen, Visby. Tyra Lundgren began to work as a glassware designer at Moser in Karlsbad in 1922 where she designed new table services and modernised older ones. She also worked freelance for Riihimäki factory in Finland during the 1924–1929 period. From 1934 to 1938 she was employed by Kosta glass factory where she mainly designed thick-walled bowls and vases, engraved with classical motifs. She was introduced to the glassmaker Paolo Venini at Murano during the Triennale di Milano of 1936 and they began a collaboration that lasted into the 1950s. As part of this collaboration Tyra Lundgren became the first woman to design glassware and, in conjunction with the glassblower Arturo Biasutto, she developed new techniques of glass production. Her motifs at this point were birds, fish, snail-shaped designs and leaf-patterned bowls using traditional techniques as well as in new designs. It was during this time that she created the so-called tissue-shaped bowls and it remains unclear as to who specifically came up with the design but Tyra Lundgren claimed it was of her making. Tyra Lundgren was active as textile designer for Licium (now HV Licium), the sacred textiles...

"Pässi" sculpture by Kaija Aarikka in charcoal-painted wood, an emblematic piece of Finnish design created in 1973, vintage Aarikka edition. "In 1954, Aarikka co-founded together wi...

Striking and hard-to-find pair of charging ram bookends by Hagenauer. These beautifully executed bookends are made of carved wood and chrome-plated bronze...

Art Deco bronze car mascot French bulldog signed by Gaston H. Bourcart. The hood ornament is in gilt bronze and stands on a marble base. France 1925. This mascot is illustrated plate nr. 329 Mascottes passion, Michel Legrand, Antic show éditions. More information: Mascottes automobiles...

Exquisite pair of antique Art Deco bookends model: ''Gazelle" by Hippolyte François Moreau 1930. Magnificent Art Deco style with great sense of movement and elegance. Hippolyte Morea...

French Art Deco period hand crafted sculpture of a sneaking panther with textured surface on black colour base by Gabriel Beauvais for Edition Kaza. Edition Kaza is known about there...

Art Deco sculpture of two deer. Measures: Width 75 cm. height 38 cm. Weight 17 kg.

Pair of Cats in Black Lacquered Wood by Laurids Lønborg, 1960's Additional Information: Material: Black lacquered wood Style: Mid century, Scandinavian Produced in Denmark Dimension...

Cute Gold Painted Metal Bulldog Money Bank . This Moneybox Bulldog Dog Figurine has Big Eyes which are looking into yours, so you can't say no to him. It's a Detailed Bulldog Figuri...

Porcelain eagle perfume light circa 1930s. A great looking perfume lamp in the shape of an eagle bird. A perfume lamp of a porcelain eagle sculpture with glass eyes. This animal st...

Sculpture 'Puppy in the World' by Sonja Petterson, Sweden, 2000. Signed. Sonja Petterson was a Swedish sculptor. She studied at Konstfack—the Stockholm University of Arts, Crafts a...

An Art Deco sculpture with three deer on a marble base. Measures: Width:43 cm. Depth:15 cm. Height:37 cm. Weight:10 kg.

Art Deco bronze bookends wild boar by Louis Riche. Bronze with green patina on Belgian Black marble base. Ca. 1930. Literature: Les bronzes de XIXe siècle, Pierre Kjellberg, Le...

EDOUARD DROUOT French, 1859-1945 "Indien à Cheval" [Native American on Horseback] Patinated, burnished and polychromed bronze signed in base "E. Drouot", engraved to edge "ETLING ...

A Rene Lalique Frosted and Polished Coq Nain Car Mascot, Designed 1928 Additional Information: Heading : Rene Lalique Coq Nain car mascot, Marci...

French Art Deco stoneware bear by Paul MILET, 8, rue Troyon, Sèvres, France, 1930s. Height : 32.5cm - 12.8 in. , Width : 34cm - 13.4 in., Depth : 13.5cm-5.3in. A pinhead lack of cove...

Sculpture of a panther from Art Deco period France made of metal with a black marble base. This figure is in a natural walking pose and is quite eye catching. It features the origina...

Swedish glass artist. Four Dala horses in clear mouth-blown art glass. Approximately from 1970. Perfect condition. The largest measures: H 16.0 cm x L 14.5 cm. The smallest measures:...

Beautiful pair of decorative blown glass sculptures. Italy, 1960s.

An exquisite duck figurine in sparkling Baccarat crystal, etched with their trademark seal on its base, along with 'La Tour d'Argent, Paris'. This model of duck was created exclusive...

Sabino, France. A fish in Art Deco opaline art glass with a bluish tint. Approximately from the 1930s. In good condition, with a small nick and a slightly...

Rene Lalique Perche Car Mascot - Marcilhac 1158, Designed 1929 Additional Information: Heading : Rene Lalique Perche car mascot Date : Designed 1929 O...

Sabino, France. Two fish in Art Deco opaline art glass with a bluish tint. Approximately from the 1930s. In good condition, with a small nick and a slightl...

This is a vintage early example of the largest production monkey, designed by Kay Bojesen in 1951. Constructed from teak and limba wood, the joints are articulated allowing the monk...