Busts

Beautifully executed hand carved marble buddha head fragment of Quan Yin. The youthful face is peaceful and serine framed by an intricately carved headdress. A striking art object wi...

Julien Dillens (Belgian 1849-1904), 'Bacchus', 1881, patinated terracotta, bust depicting the Greek god of wine, also known as Dionysus, signed to right of figure, on a peach marble ...

Buste depicting Mother Mary. Made from straw and plaster. Great patina and delicate expression.

19th century life-size wood carving of a male torso. On a black steel base. h 148 x w 42 x d 33 cm

Graceful bust sculpture made of rich carrara white marble, finely depicting a Roman emperor. Made in Italy in the late 19th Century. Dimensions: 31"H x 23"W x 14"D

Little girl alabaster bust sculpture by Emilio FIASCHI (1858-1941), France, 1890s. Direct carving. The details of the small corset and the lace collar are very finely done. The remarkable work of an outstanding sculptor. Height : 14.5"(37cm), Width : 7"(18cm), Depth : 5.1"(13cm). Very good condition. P. Emilio Fiaschi (1858 – 1941), also called Emiliano Fiaschi, was an Italian sculptor. He was born in Volterra and died in Florence, Italy. From 1883 to 1885, he studied at Accademia di Belle Arti di Firenze and spent most of his career in Florence, Italy. He was skilled in sculpting both marble and alabaster and most often produced female nudes, usually smaller than life-size figures. His female nudes featured highly polished skin and emphasized the curves of hips and waistlines. A partial list of his works include Le Printemps (marble on black marble pedestal), Beatrice (marble), Courting Boy and Girl (white marble), Female nude partially draped (marble), A Good Book (marble), Reclining Beauty and Admirer (alabaster), Seated Maiden (Carved alabaster and marble), Standing Semi-Nude (marble), A Young Girl...

A wonderfully modelled bust of a French lady showing off her amazing coiffeured hair of curls with a large bow, wearing a gathered intricate lace top and sitting on a deeply waisted ...

A Massive Pair of 19th Century French Terracotta Sculptures of Royal Sphynxes, raised on Wooden Bases. Resting on wooden bases, these impressive, superb-quality sphinxes epitomize t...

19th Century Italian Grand Tour Marble Bust of Augustus Caesar by Antonio Frilli. White marble bust is on a black plinth. Antonio Frilli was a Florentine sculptor who specialized in ...

Early to Mid 20th Century Italian Cast Bronze Bust of Roman Emperor. Hollow antiquity, possibly of Julius Caesar, no marks. Italy, circa 1...

Busto in pietra raffigurante il ritratto del celebre poeta rinascimentale Francesco Petrarca, epoca XIX secolo, altezza 56 cm, dimensioni massime 48x24 cm. Il busto è probabilmente s...

A Fine Large Wedgwood Black Basalt Library Bust of the Ancient Greek Epic Poet Homer Impressed Wedgwood Mark 1780–1812 Early 19th Century Size: 59cm high – 23¼ ins high Provenance: Ex Finch and Co...

A fine quality late 19th Century patinated bronze sculpture entitled 'The Breeze' by Auguste Moreau. Auguste Moreau (1834 – 1917) was a French sculptor born in Dijon. The third and ...

Rare 19th Century Hand Painted Over Papier Mache Gentleman’s Bust A rare and very unusual example dated from mid to late 19th Century, hand crafted papier Mache. In the form of a Fr...

Embark on a journey through the artistry of the 19th century with our captivating sculpture, "David Defeating Goliath." This remarkable patinated bronze piece hails from France and e...

Step into the enchanting world of the "Winter Terracotta Figurine," a captivating piece from the early 19th century that beautifully embodies the essence of the season. Originally pa...

This handsome parian bust is of Robert Stephenson(1803-1859- England),. It is documented on the back shoulders in embossed letters with the name of subject, sculptor, publisher, an...

Gilded bronze bust of Louise Brongniart by Houdon. Sculpture of a bust of Louise Brongniart by Jean-Antoine Houdon (1741-1828), reproduction of the XIXth century.     h: 23cm , w: 1...

Beautiful Italian Bronze bust of a lady in a hat. Signed by sculptor Gabriele Parente (see photo) (1875-1899). This is a classic, but whimsical twist on bronze busts that would be pe...

19th Century Parian ware portrait bust of Roman Emperor Julius Caesar in draped toga. Parian ware is a type of biscuit porcelain which imitates the style of carved marble. Gaius Julius Caesar...

Walking stick: ivory carved handle depicting a refined portrait of Louis Philippe, King of France. Malacca wood shaft. Silver gilt engraved ring. Metal ferrule. France circa 1870. ...

This late 19th century carved stone bust made of "Grisaglia' in Italian, a mix of stone powder and lime stones, depicts Marcus Aurelius Caracalla, the roman emperor from 198 to 217 A...

Antonio PANDIANI (1838-1928, Italy) : "Menestrello" Exceptionnal nuanced dark brown patinated bronze cast Dimensions Height = 72 cm Width = 47 cm Depth = 30 cm Very good condi...

Masterfully carved Italian Vanitas / Memento Mori bust in solid marble from late 19th century. White Carrara marble skull combined with masterfully...

Rare and top quality carved monk bust. Nowadays, anyone capable of making a detailed drawing of a human face is considered an artist (and rightly so). For a...

This late 19th Century bust was executed by French painter and sculptor Louis-Robert Carrier-Belleuse (1848–1913), son and pupil of renowned sculptor Albert-Ernest Carrier-Belleuse. ...

Marianne is the embodiment of the French Republic. Marianne represents the permanent values that found her citizens' attachment to the Republic: "Liberty, Equality, Fraternity".

We are delighted to offer for sale this stunning Art Nouveau bronze by great Belgian designer Georges Van Der Straeten. This astonishing and original bust and gilt patinated, Summer...

Beautiful patinated plaster sculpture after Apollo di Belvedere made during the late 19th Century. Provenance from Lennartsnäs Castle, near Stockholm, Sweden, Baron af Ugglas. The ...

"Cavalier Sans Tête", carved antique carved wooden torso mounted on a black lacquered custom base. Behold a piece of enigmatic allure, the "Cavalier Sans Tête" – a headless, armless,...

Buste in relief from a young Roman emperor. On the head the emperor wears a laurer wreath.

Leonard W. Volk Plaster Bust of Abraham Lincoln The Leonard W. Volk Plaster Bust of Abraham Lincoln is a remarkable 19th-century piece of art. Crafted from white plaster, the bust d...

Late 19th century carved stone bust of Marcus Aurelius Antoninus (born Lucius Septimius Bassianus, 4 April 188 – 8 April 217), better known by his nickname Caracalla was Roman emperor from 198 to 217 AD. He was a member of the Severan dynasty, the elder son of Emperor Septimius Severus and Empress Julia Domna...

Now on a Sevres porcelain socle dated 1849.

Green serpentine marble sculpture Late 19th century Height approx. 88 cm. The flying mercury and the bronzes While he was still busy working on the fountain in piazza Maggiore, the papal delegate Cesi asked Giambologna for a statue to be placed in the courtyard of the Archiginnasio, seat of the ancient and prestigious Bolognese university; he should have painted a bronze depicting the god Mercury with his index finger stretched towards the sky, a symbol of the divine origin of knowledge, which would have served as a warning to all students. The project was never completed, but Giambologna elaborated a model preserved at the Civic Museum of Bologna, which is only the first of the numerous bronzes with the same subject made by the artist, defined precisely as flying Mercury. In later versions, the sculptor transformed Mercury into a much more dynamic figure reaching upwards, as if ready to take flight, giving it an unprecedented freedom of movement and lightness. When he returned to Florence, the sculptor certainly proposed it to the Medici, who enthusiastically immediately ordered one to be sent to Emperor Maximilian II of Habsburg, as a diplomatic gift for the ongoing negotiations of the wedding between Francesco and Giovanna, sister of the sovereign. Giambologna replied with the two bronzes preserved in Vienna and Dresden and in 1580 cast the large Mercury now exhibited in the Bargello, originally intended for the loggia of the villa of Cardinal Ferdinando dei Medici to crown a fountain placed in the center of a magnificent decorative complex; the only variant with respect to the previous examples is constituted by the head of Zephyr placed under the foot of the god and from which a breath of wind blows it upwards, accentuating the sense of immateriality. In addition to the successful invention of the flying Mercury, Giambologna acquired immense fame by making numerous other bronzes for the Florentine collectors of the time; his first patron, Bernardo Vecchietti must certainly have owned many, given to him in part by the sculptor in exchange for his protection, but around the 1880s it can be said that there was no collector who did not aspire to own a work by Giambologna, especially those of small format. The development of this trend in Florence is largely due to the artistic passions of the Grand Duke Francesco I, who with the creation of environments such as the Studiolo in Palazzo Vecchio and the Tribuna degli Uffizi, provided new criteria for the exhibition of the works, pushing all collectors to imitate his extraordinary collection. In the Studiolo, in addition to the painted tables that decorated the doors of the cupboards filled with all kinds of things, there were 8 niches containing bronze figures of divinities; Giambologna painted the one depicting Apollo (1573-75), with the characteristic serpentine pose and beautifully finished. The placement of the statuette in the niche was no longer an impediment to the plurality of views as Giambologna endowed it with a sort of mechanism that allowed it to rotate. For the Tribune he instead created the six Labors of Hercules (1576-1589), small silver sculptures...

Polychromed cast aluminium “Art Nouveau” bust of a young woman dressed in a ruffled bustier. Entitled “Strawberries with Champagne”, it is signed on the left side with the sculptor...

Fine Example of Classical Grand Tour Patinated Bronze Diana Robing after Praxiteles, an Elegant Classical Patinated French Bronze Female Standing Figure...

FRENCH SCHOOL 4th qtr, 19th century Bust of Greek Warrior Patinated bronze unsigned cast circa late 19th century Item # 304KEX30P A fine ca...

Anton Nelson (Austrian, ac. 1880-1910) gilt bronze portrait bust, "Floreal" retailed by Tiffany & Co, circa 1900. Gilt bronze portrait bust of a woman wearing a hat, foliate decorati...

Bronze alloy sculpture. Signed E. Blot, France, late 19th century. Orientalist style. Attributed to Anatole-Jean Guillot (1865-1911).

Bust of the Zingara or Fortune Teller, finely carved out of marble. The Zingara is depicted with a cloth tied around her chin, which wraps around her elaborately braided hair and end...

Antique Elegance with an Art Nouveau Twist ! Embrance the timeless beauty of the 19th century French School with this exquisite Art Nouveau bust sculpture. A captivating bust of a w...

Pair of very decorative French 19th Century Apollo and Diana Bronze Busts or Neoclassical Clad Busts. Mounted on black marble square shaped bases these b...

Superb bamboo sculpture with glass eyes of a Japanese monk. Japan, 19th century, Edo period. In good condition. Slight wear and small dent seen in photos. Dimensions in cm (H x L x...

We present you this beautiful large bronze patinated sculpture from 1900, depicting a young woman and signed by Jules Blanchard (1833-1916). The foundry mark is present on the back, ...

A set of antique statuettes Italian Poets left to right Ludovico Ariosto, Torquato Tasso, Dante Alighieri, in good condition. The three busts of thes...

Pair of 19th Century French Busts

This stunning huge sculpture is a life-size antique bust and is a copy of that by the French nobleman Le Comte 1783, crafted in 1900 using painted plaster and carved by hand. The pi...

A Bust of Marcus Tulles Cicero, Roman Consul in 63 B.C. completed in ebonized plaster, circa 1880. Marcus Tullius Cicero was a Roman statesman, orator, lawyer and philosopher, who served as consul in the year 63 BC. He came from a wealthy municipal family of the Roman equestrian order, and is considered one of Rome's greatest orators and prose stylists. (Wikipedia) Provenance: Collection of Brigadier General Alfred Douglas Miller...

A large bronze bust showing a beautiful young woman depicted as a Bacchante, the Greek Goddess of Wine, her head festooned with grape branches. The bust is supported by an integral bronze plinth that at the back is inscribed with the name of the sculptor, J. Clesinger Rome 1857 dating the bronze to the time when the sculptor was 33 years old. The sculptor whose full name was Jean Auguste Baptiste Clesinger was born in 1813 in Besancon in Southern France. His father, Georges-Philippe, was a sculptor and trained Auguste in art. Auguste first exhibited at the Paris Salon in 1843 with a bust of Vicomte Jules de Vaidahon. At the 1847 Salon, he created a sensation with his Woman bitten by a serpent, produced from life-casts from his model Apollonie Sabartier who was a notorious Parisian and the mistress of many perhaps even of Clesinger himself. Later he also produced this bust of her as Bacchante. In private life, the sculptor was awarded one of France’s highest honour, the knight’s cross...

Direct carving of a portrait of a smiling young woman in white Carrara marble from the Art Nouveau period. The sculptor uses a clever technique to bring out the face, allowing the fi...

Incredible natural size italian old black bronze bust of "Roman Emperor" circa 1800 with rare marble base.

Crafted in France circa 1890, this antique marble sculpture stands on a square base, and depicts a young girl with a guitar draped in front of...

This superb Grand Tour bronze study portrays a bust of Diana of Versailles or Diana the Huntress, considered in Roman and Hellenistic mythology as goddess and patroness of countryside, nature, hunters, wildlife and childbirth. This fine example is French, circa 1860. It is raised onto a sophisticated base with a thin bronze foot with a turned black slate plinth and above there is a highly decorative cast...

A very well execute female bust in the late 19th century taste, by Florentine sculptor Giovanni Focardi ( signed and dated). Born in Florence and studied under Enrico Pazzi. He moved to London in 1875 ( explaining bust marked Florence not Firenze) and was a portrait sculptor. Focardi was commisioned by Pears...

A large bust of a noble man from the end of the 19th century in carrara marble signed by French sculptor, Joseph Vallet, who born in La Boisiére du Doré on August 6, 1841, and died i...

This impressive bronze table bust of the Duke of Wellington is in the form of a classical tribute. He is portrayed wearing Roman leather armour, the breastplate with a central lion’s mask radiating lightning bolts. This is set on a turned socle and square plinth which in turn is raised on a curved simulated marble pedestal, with two recumbent lions above superb quality borders of classical motifs and flowerhead arabesques. The reverse states ‘Wellington L. Gahagan Fecit & Pub’d June 12. 1811’. Height: 22in (56 cm) Width: 25in (63 cm) Depth: 11in (28cm) Provenance: Major Hon Denis Gomer Berry and Lady Pamela Wellesley Berry Richard Gomer Berry, 3rd Viscount Kemsley Lawrence Gahagan (1735-1820) was born in Dublin to a family of talented stone masons and sculptors. He was based in London from around 1757 and exhibited regularly at the Royal Academy between 1798 and 1817. He was involved in a major project to help update the interiors of Castle Howard from 1801 to 1811 but he is most famous for his portrait busts. In addition to the Wellington busts...

A Roman style gesso over plaster carved head of the god Jupiter on circular base. Emanating the grandeur of ancient Rome, this verist representation of the god Jupiter, intricately c...