Early 20th Century Figurative Sculptures

An antique Asian Buddha offers carved soapstone figure of standing female with flower, seated on carved hardwood base, c1910 Measures: 13.25" ...

Large terracotta sculpture by Auguste Gilbert Privat (1892-1969), 1920s, France. Bather with a child. Measures: H 64.4 cm, 25.4 in, W 18.8 cm, 7.4 in, D 16.7 cm, 6.6 in. Signed on th...

A vintage Tuscan clay head of Dionisio Etrusco Bacco made of hand crafted terra cotta, in good condition. Minor fading, scratches due to age. Wear consistent...

Guiraud-Rivière 1881-1947 A tall, exquisite, original French Art Deco sculpture in silvered bronze with parcel gilt accents. This largest rendition of the sculpture is truly a rarit...

An Art Deco period bronze sculpture by J. Steinel from France circa 1920. The classical female figure stands on a black marble cube and grasps a bouquet of flowers in her right hand....

A Meiji period netsuke depicting a formidable figure of an oni (demon) with a golden face and red hair. Onis were thought to ward off evil spirits and were often depicted on netsuke ...

Marble Sculptures After Michelangelo Buonarroti – "Day" and "Night" – Early 20th Century Magnificent pair of large marble sculptures, inspired by Michelangelo Buonarroti's masterpie...

Art Deco Figurine of Young Dancer in Motion, Bronzed Metal and Marble, 1920-30s Showcasing the period's fascination with motion and the grace of youth, this piece of Art Deco statue...

This elegant Italian hand carved marble figure was made on early 20th century, and is a copy of the famous Venus De Milo marble sculpture (Aphorid...

Guanyin in carved wood and polichrome, China, early 20th century, Asian art Measures: H 56cm, W 16cm, W 15cm.

French bronze sculpture by Henri Désiré GAUQUIE (1858-1927), France, ca.1910. The sower. Height : 18.25"(46.4cm), Width : 7.9"(20cm), Depth : 8.1"(20.5cm). A sharp line, an indisputa...

An iconic early 20th Century Art Deco bronze figure of Diana the huntress dressed in a tunic with her hand lifted above her head releasing her bow. Exhibiting excellent rich green pa...

For your consideration is an antique pair of Homer's Iliad bronze bookends. It's made around 1924, yet still has its beautiful original colors. Please note this is an original antique by Pompeian Bronze...

Large chimney Art Deco plaster. The base is black lacquered with extensive patina. The woman is laying with a swan and a bowl. The were originally white painted but now it is more li...

Magnificent Italian Torso Carrara Marble Early 20th Century H: 127cm The height is including the base good conditions weight: 800kg This sculpture needs export certificate Delivery t...

A very fine early 20th Century Art Deco cold painted bronze figure of a naked beauty in the midst of a graceful movement, with excellent colour and fine hand finished detail, raised on a shaped onyx base and signed Lorenzl ADDITIONAL INFORMATION Height: 21 cm Width: 15 cm Depth: 7 cm Condition: Excellent Original Condition Circa: 1925 Materials: Bronze and Onyx Book Ref Art Deco and Other Figures by Bryan Catley Page No: 214 SKU: 8698 ABOUT Lorenzl Veronica Josef Lorenzl, Austrian 1892 ~ 1950 Lorenzl Veronica – When looking to the designs of the Art Deco period one talented sculptor and ceramist that cannot be ignored is Josef Lorenzl. A master designer, his bronze statuettes and ceramic figural work epitomise the era perfectly. As with Preiss, Chiparus and Colinet the other great sculptors from this period, Lorenzl was inspired by the female form and the new found freedom that women enjoyed, which he executed beautifully both in his bronze and ceramic designs. Pictured right: A Josef Lorenzl Cold-Painted Art Deco Bronze and Ivory Deco Lady with Decoration by Crejo – Circa 1930 – Modelled cast and carved as a young woman adopting a stylish pose, her costume decorated with enamelled flowers, onyx plinth, base signed Lorenzl, dress signed Crejo 10.5/8 in. (27 cm.) high. Sold for £6,250 at Christies, London (Feb 2014). Josef Lorenzl Cold-Painted Art Deco Bronze and Ivory Deco Lady with Decoration by Crejo – Circa 1930 Although very little is known about Lorenzl’s early life we are aware that he was born in Austria in 1892 and was soon to become one of the most talented sculptors of the Art Deco Period. He started by working for a bronze foundry in Vienna Arsenal where he produced stunning Art Deco bronze statuettes. The majority of his works in bronze and ivory were of singular slim female nudes with long legs which conveyed elegance. His preference was for dancing poses which were not only evident in his singular statuettes but also in those attached to marble clocks, lamp bases and bookends. Like his contemporaries Lorenzl work was created in bronze or by using “Chryselephantine”, a Greek word which refers to the combination of various materials such as bronze, ivory, gold and silver. He signed his pieces in various ways sometimes abbreviating his name to ” R Lor”, “Lor” or “Enzl” but on some of the statuettes you will find an additional signature by Crejo. A talented painter who worked alongside Lorenzl, Crejo would paint decoration onto the statuettes such as flowers and these are the figures which bear his signature. Far more desirable with Crejo’s painting these can command a premium at auction. Recently Bonhams sold an example of Lorenzl’s work with Crejo decoration for £10,500 but the pieces created by Lorenzl alone generally fetch in the region of £2,000 – £12,000 depending on the subject matter and size. A Josef Lorenzl (1892-1950) Cold-Painted Art Deco Bronze and Onyx Timepiece with Deco Lady ~ Circa 1920. Pictured left: A Josef Lorenzl (1892-1950) Cold-Painted Art Deco Bronze and Onyx Timepiece with Deco Lady ~ Circa 1920. Modelled and cast as a crouching nude female figure holding a dial with onyx face, on onyx plinth raised on slate base, apparently unsigned11½ in. (31.7 cm.) high. Sold for £4,700 at Christies, London (Nov 2013). From his designs in bronze and ivory Lorenzl went on to work for the Austrian ceramics company Goldscheider. Again creating stunning sculptures of the female form collector’s are more aware of this period and his sculptures in ceramic than they are of his earlier bronze and ivory statuettes. Inspired by shape and bold colours Lorenzl’s sculptures had clean lines and geometric shapes. Although each piece possess great movement there was no intricacy or attention to detail and most of his figures wore their hair in the boyish bob which was fashionable at the time, making these simplistic and stylish figurines the epitome of Art Deco Bronze design. One of Lorenzl’s friends Stephan Dakon who he had met whilst working at the bronze foundry had the same vision and style as Lorenzl so it was the obviously thing for Lorenzl to recommend Dakon to Goldscheider when he started to work for them. Taken on as a freelance designer Dakon was of the same mindset as Lorenzl and so much of their work was very similar. People at the time even believed that the two were in fact the same person. Both the artists had an interest in the female form, dance and theatrical costume. This was enhanced with Lorenzl when he took a trip to Paris and visited Folies Bergeres. Famous dancer Josephine Baker was on stage with her chorus dancers, all wearing extremely flamboyant costumes, Lorenzl was captivated by the glamour and outlandishness of the dancers and so on his return to Austria reproduced gorgeous figurines wearing vibrant coloured costumes and in various dance poses. He was also able to use his skill as an Art Deco bronze sculptor to use the earthenware to his advantage. Carving delicate fingers and enhancing the women’s female form Lorenzl set about producing some stunning sculptures. “Captured Bird” was one of his most popular and was created in many different colours and sizes. This particular piece is of a dancing girl with a gossamer winged dress which was inspired by a dance performed by Niddy Impekoven and was also captured onto a lamp base with three figures of this elegant lady dancing around the stand.. Other dancing Deco Lady girl figurines which were created by Lorenzl include “Butterfly Wings,” “Spider-Web Dress...

A Fine and Large French Early 20th Century Bronze of Napoleon Marching in Waterloo Cast after a model by Marius-Jean-Antonin Mercié (French, 1845-1916). The impressive bronze sculptu...

The Mermaid belongs to the Car Mascots R.Lalique introduced in the 1920tys . As the luxury car industry was vastly moving forwards, the sculptors decided to adorn the motors of the ...

Style: Art Deco Material: marble and bronze Country: Italy We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All From Seller'. And you can see more objects to the style for sale. Joseph D...

A Fine Italian Cast 19th Century Bronze Group Titled "La Tempête" (The Tempest) Probably after Mathurin Moreau (French, 1822–1912), Cast by The Alessandro Nelli Foundry in Rome. The ...

This very stylish floor lamp is a fine piece of early 20th century craftsmanship. If you have a home or an office that dates from the early 1900s or if you are a collector of stylis...

Bronze with marble base by the Italian sculptor Pietro Piraino (1878-1950). Very good conditions. This artwork is shipped from Italy. Under existing legislation, any artwork in I...

Atlas bronze of excellent casting and definition standing in and unusual pose with hands on his hips and normally with a globe on his shoulders in this depiction it is Atlas alone. A...

Magnificent Italian Torso Carrara Marble Early 20th Century H: 48cm The height is including the base Good conditions.

A carved standing figure of King Tutankamun wearing the royal headdress topped by the double uraeus. This compelling carving depicts the slender boy king standing with arms crossed h...

A fine antique miniature bronze. A miniature portrait bust of Molière, the alias of the playwright Jean Baptiste Poquelin. Modeled after the original by Jean-Antoine Houdon. ...

Porcelain Sculpture by DRESDEN modeled and painted entirely by hand. ORIGIN Germany PERIOD Early twentieth century MARK Manufacture of DRESDEN MATERIALS Molded porcelain and hand...

Sculptural group porcelain Cupid punished from Venus. ORIGIN Meissen PERIOD Early twentieth century MATERIALS Molded porcelain and hand-painted DIMENSIONS Height: 26.5cm Width- 2...

1920-1930 three Hindu deities of the Siam, hand-carved exotic hardwood n. 1 measures cm: H 150, W 35, D 25 n.2 measure cm: H 102, W 35, D 25.

Superb and extremely rare art deco sculpture by Jean Verschneider (29 August 1872 – 20 December 1943) of a girl giving out golden apples. This sculpture is particularly rare because ...

Antique Henri (Proszynski) Prozinski (1887-1968, France) "Pekingese" French Bronze Figural Show Dog Sculpture, Circa 1935. Item is signed PROZINSKI and bearing the foundry stamps SUS...

A fabulous early 20th Century cold painted bronze figure of a female Art Deco beauty in a running pose holding a large harvest of grapes under her arm, with fine colour and excellent...

Magnificent and extremely rare Antoine-Louis Barye sculptural bronze titled "Peace". Beautiful and rich nuance of red and green patina on a representation of a resting shepherd and a...

A typically Italian Art Deco Triart Bassano pottery figure of a seated nude dating between 1930 and 1950. The lightly potted figure sits on a moulded ro...

Vintage Chinese serpentine sculpture is a traditional decorative object realized in china in the early 20th century. Serpentine m...

This sculpture depicts a female wakeboarder in a dynamic pose, holding strongly the handle attached to the wakeboard on the waves. The figure is dressed in a tight-fitting swimsuit w...

François-Emile Decorchemont Pate-de-Verre Glass Mold Of A Female Ladies Face. A rare, large and very heavy sculpture of either a mask or a modeled face. At 3.5 inches thick in glass with a peach, pink or rose color; this statue was exhibited in the Brooklyn Museum, New York in 1971. With much research; I haven’t seen or heard of a similar form by Decorchemont. The original Brooklyn Museum loan sticker is on verso with the Decorchemont stamp on her left cheek. For serious collectors or rare Art Deco, Art Nouveau glass. Circa 1910 Molded Signature DECORCHEMONT Height: 7 Inches (13.3 cm) Width:. 5.2 Inches (16.5cm). AVANTIQUES is dedicated to providing an exclusive curated collection of Fine Arts, Paintings, Bronzes, Asian treasures, Art Glass and Antiques. Our inventory represents time-tested investment quality items with everlasting decorative beauty. We look forward to your business and appreciate any reasonable offers. All of our curated items are vetted and guaranteed authentic and as described. Avantiques only deals in original antiques and never reproductions. We stand behind our treasures with a full money back return if the items are not as described. François-Emile Décorchemont French, 1880-1997 François Décorchemont, originally an accomplished painter and potter of recognized ability, turned to the making of glass in 1904. Pâté de verre was the medium in which he excelled and for which he is best known. After studying decorative art in Paris, François Décorchemont returned to his native Conches in 1910 to develop new techniques in stained glass, particularly in the use of crystal to give multicolored and faceted panes. After 1909, while continuing to produce fine glass paste pieces, Francois Decorchemont began to experiment with a new casting technique. François Decorchemont, Emile's son and also an artist, helped out in his father’s studio, in particular helping him to research the possibilities of creating jeweled adornments in pates d'email (enamel pastes) for Gerome's polychrome sculptural creations. Francois Décorchemont, a potter and painter at the outset of his career, became fascinated with the IDEA of developing and utilizing a thin translucent glass material in his work. It was in essence the revival and an adaptation of a long forgotten Egyptian glass-making process using colored crystal powdered glass, metallic oxides and an adhesive paste. This "new" material, known as pâte de verre was developed around the turn of the century, principally at the Sevres porcelain factory, by a number of artists working there, notably Henri Cros and Albert Dammouse. The end of the 19th century was an illuminated period in the history of art. Impressionist painting appeared and created an interest in glass as material. Traditional sculpting materials such as bronze and marble made way for glass with its possibilities of light and color. Henry Cros and François Décorchemont became the leaders of French pâte de verre and facilitated the proliferation of this colorful glass. His first major work, in 1934, was inn the Eglise Sainte-Odile near Porte Champerret in Paris, some 300 square meters of brilliant colors. After the war, he devoted his work to churches in the Eure, including of course Beuzeville where, thanks to the generosity of the local council, the church is lit at night so that his work can be admired from outside. During the first half of the 20th century a number of French artists became famous for their work in pâte de verre, and Francois Decorchemont among them. March 2014, 20th Century’s Greatest Art Dealer Felix Marcilhac’s Collection Privee at Sotheby’s - Chang Yi Entrusts Antoine Leperlier in the Bidding of a Francois Decorchemon's Original. It has been reported that Felix Marcilhac’s Collection Privee auction at Sotheby’s brought in 33,125 Euros (28,000 RMB), three times the estimated price. Marcilhac is considered the greatest Art Deco dealer...

Rare Vienna bronze sculpture by Franz Xaver Bergmann with excellent detail throughout depicting a young exotic dancer swirling her skirt hinged to lift and reveal her naked body stan...

Pierre Le Faguays (1892-1962) An Impressive and very large 43" high French Art Deco bronze figure of a young athletic man, adorned in scanty attire, almost nude, standing proudly atop a lofty and stylized rocky plinth. His stance exudes strength and confidence as he balances himself gracefully. With arms outstretched in a fluid movement, the sculptor portrays a sense of dynamic energy and prowess. Beautifully cast in a dark green, brown /black variegated patina. In his elevated grasp, the man holds a laurel wreath, raised high above his head. This symbol of victory and triumph represents the pinnacle of achievement. Through the artists eyes, it further conveys the athlete's exceptional skill and dedication to his craft. The artist's attention to detail and skillful execution breathe life into the sculpture, capturing the essence of athleticism and the human form. This remarkable bronze figure epitomizes the grace, power, and triumphant spirit of Olympic competition. It stands as a testament to the artistic brilliance and mastery of Pierre Le Faguays and serves as a timeless tribute to the pursuit of excellence in art as well as in sports. Bibliography : Bronzes, sculptors and founders by H. Berman, Abage, Vol 11, pg 425 Art Deco and other figures,by Bryan Catley,pgs 192-201 Art Deco sculpture by Victor Arwas, Academy Editions, 1992 pgs.121-127 Art Deco sculpture by Victor Arwas, Academy Editions,1975 pg. 38 Dictionnaire des peintres, sculpteurs, dessinateurs et graveurs” by E. Benezit. Gründ 1999, pg 426 The dictionary of sculptors in bronze” by James Mackay, Antique collectors club Dictionnaire illustré des sculpteurs animaliers & fondeurs de l’antiquité à nos jours, by Jean Charles Hachet. --------------------------- Pierre Le Faguays, born 1892 in Nantes, France, gained renown for his innovative approach to sculpting dancers, drawing inspiration from the Tanagra statues. In 1927, he received a prestigious medal of honor for his exceptional work. A close companion of Max Le Verrier, Pierre collaborated extensively with the Le Verrier foundry, which produced numerous pieces of his art. In addition to his given name, he also employed two pseudonyms, Fayral and Guerbe, which were derived from the surnames of his mother and wife respectively. As a leading sculptor, Pierre's creations earned consistent praise for their exceptional craftsmanship and meticulous attention to anatomical precision. His artistic endeavors extended beyond sculpture, as he also designed pieces for Goldscheider in Paris, working under the label "La Stele." Pierre's versatility encompassed various mediums, including ivory, bronze, spelter, stone, wood, alabaster, and ceramics. Notably, he received artistic education alongside his friend Max Le Verrier, studying together at the Beaux Arts in Geneva. Throughout their lives, Pierre maintained strong friendships with both Marcel Bouraine and Max Le Verrier, with the latter's foundry being instrumental in producing many of Le Faguays' statues. The bond formed...

Art Nouveau patinated bronze and ivory sculpture of a girl on a marble plinth by austrian author Ferdinand Lugerth By: Ferdinand Lugerth Material: bronze, ivory, marble, copper, met...

The only example we have ever seen, this large (33 inch high) bronze sculpture of a superbly-conditioned athlete about to put the shot was made by Louis Marie Jules Delapchier in the...

Vintage Polychrome Plaster Bust of Ippolita Maria Sforza in the Renaissance Style After Francesco Laurana. Circa Early 20th Century. Measurements: 19" H x 19" W x 9" D.

One of the most boldly and superbly carved nude male figures in carved marble we have seen outside a museum, this classic depiction of the figure shows the man with one arm up and on...

Amazing Italian Mercury gilded table mirror produced during the 20th century in Italy. This unique piece is a an art masterpiece with two main elements: - a wonderful two pieces adjustable mirror; - a lost-wax casting bronze sculpture representing the Deposition of Christ...

A beautiful pair of monumental biscuit porcelain figures made by renowned Royal Dux Bohemia, depicting a girl and boy, each one at a well. Stamped with the pink, triangular Royal Du...

A fabulous early 20th Century Art Deco cold painted silver and enamel bronze figure of a dancer holding a garland of flowers in her arms, raised on a circular stepped onyx and marble...

French 1930s Art Deco sculpture made of hand painted plaster with engraving on the pedestal "DEPOSE ARNOVA". The sculpture shows a representation of the Greek / Roman goddess of hunting called Artemis...

the first was modelled as a female nude with a robe draped over her shoulder, 44cm high, signed R Cameron Like Asian Yin and Yang, this large erotic sculpture merges masculine Renais...

Meissen rarest Art Nouveau item: The wave Size: Height 3.34 inches Depth 6.10 inches Width 8.26 inches Manufactory: Meissen Hallmarked: Blue Meissen sword mark (glazed bott...

A very fine French 19th century neoclassical style silver-plated figural centerpiece, in the manner of Christofle and a design by Mathurin Moreau (French, 1822-1912). The circular or...

Bronze statue of young goatherder by Oscar Gladenbeck. circa 1900. Signed "Oscar Gladenbeck Friedrichshagen". # nude male Grand Tour.

Painted ceramic "Aida Odalisque" by Josef Lorenzl signed Goldscheider. Art Deco period, Vienna, circa 1925.

This most impressive large scale Black Forest limewood figure is beautifully carved and depicts the full standing figure of a portly monk dressed in a simple habit cheerfully enjoyin...

EUGENE MARIOTON French, 1857-1933 "Vainqueur" Reddish-brown patinated bronze signed "E. Marioton", foundry cachet for Siot-Decauville cast circa 1910 Item # C104801 An exquisit...

Henri Godet (French, 1863-1937) "La Reveil de L'Aurore" [The Awakening of Dawn] Patinated Bronze Sculpture, early 20th century, on a circular base with applied plaque "La Reveil de L...

This is a cold painted bronze figurine of a Turkish dancer with a Parrot, by or after Paul Philippe, made in France in the Art Deco period, circa 1920 ....

Exceptional Goldscheider Art Deco ceramic figure of the 1920's: Depiction of a standing lady proudly looking to the side in oriental garb, wrapped in a large blue-green cloth reachin...

A tall original French Art Deco bronze sculpture of a semi-nude, female dancer holding a bow with arrow. The striped cloth which drapes dramatically around the woman's body creates an interesting dialogue and complement to the graceful position of her arms and the movement it creates. The entirety resting on the original onyx base is accented by a touch of gold plated decoration on the statue's earrings, pearls, arm bracelets...