Mid-20th Century Figurative Sculptures

Sculpture of a girl in Bronze R. Scarpelli head of a girl in bronze with a black granite base Circa 1950 Origin Italy Signed in bronze R. Scarpelli art deco style Italian sculptor ex...

An elegant mid 20th century frosted and opalescent glass figure of a naked kneeling lady with fine hand finished detail and good sky blue colour, signed Lalique France ADDITIONAL INFORMATION Height: 8 cm Condition: Excellent Condition circa: 1960 Materials: Opalescent Glass SKU: 20011 ABOUT Lalique Floreal Originally designed by René Lalique this vibrant model of a seated Art Nouveau beauty with flowers in her hair was originally produced between 1942 and 1947 and later re-issued by Marc Lalique in clear and opalescent coloured crystal glass...

Elegant Goldscheider Art Deco ceramic figure of the 1930's: Dancer with shoulder-length hair in a long, wide, gray skirt with floral decoration and a pink...

Ceramic sculpture of 2 horses by Ronzan, 1940s. Packaging with bubble wrap and cardboard boxes is included. If the wooden packaging is needed (fumigated crates or boxes) for US and ...

Naked woman with long hair, creation of Mrs. Lucille Sevin in 1932. Signed Etling France In perfect condition Measures: Height: 22.5cm Diameter: 6.2cm Weight: 700 Grams Lucille Sévin is a French sculptor, active from 1920 to 1940. Lucille Sévin made many chryselephantine sculptures in the Art Deco style, using materials such as bronze, silver or gold, and ivory. His work was skillfully implemented and distributed by art publisher Edmond Etling. For a time, Sévin was artistic director of the Etling company. Her husband, the sculptor Jean Théodore Delabassé, also worked for Etling. Sévina also worked with glass, ceramics and porcelain. Her sculptures of dancers in frosted and iridescent milky glass like Isadora Duncan of 1925 were made for Etling in a glass factory in Choisy-le-Roi. Sévin exhibited at the Salon of the Society of French Artists in Paris and became a member of the Society. Lucille Sévin won the bronze medal in 1932 and the gold medal at the Universal Exhibition in Paris 1937. She also exhibited her works at the Society of the Salon d'Automne in Paris. Edmond Laurent Etling (before 1909 – around 1940) was a French art dealer, gallery owner, designer, and a manufacturer of high-quality decorative objects made of bronze, ceramics and art glass in the Art Deco style. He owned La Societe Anonyme Edmond Etling (English: Edmond Etling Limited Company) for manufacturing, his foundry was named Edmond Etling & Cie, and sometimes the products are referred to as "Etling Glass...

Art Deco 1930 porcelain figure by Karl Tutter (1883-1969) for Hutschenreuther. This piece has been created in Bavaria, Germany back in the 1930. This was designed by the artist Karl Tutter-one of the premiere porcelain modelers of his day!-and made by the Lorenz Hutschenreuther depicting a naked women, with the arms open in direction to the sun, this pose called Sun Child. The main body is decorated with delicate skin cream color, with accents of black, red and light gilding. all mounted in a ball on a round pedestal base. This piece have a height measure of 12.75 inches (32.40 Cm) and the base have a diameter of 3 inches (7.6 Cm). Signed at the base, with the company maker's logo for "HUTSCHENREUTHER GERMANY" and the incised inscription "K TUTTER...

A striking example of Art Deco ceramic sculpture, this female head was made by David Seyler for the Harold Bopp Pottery in northern Kentucky, in the brief period before it became the...

Superb statue of a young woman in motion, dressed in antique style, and holding a tambourine in her right hand. Joe Descomps was renowned for his female nudes. In our sculpture, the ...

Ceramic Sign: Made in Austria Keramos 2051 19/M Wiener Keramos, later Keramos AG or Keramos KG , was a Viennese ceramics manufacturer that made a name for itself especially in the interwar period . In addition to their own designs, designs from the dissolved Wiener Werkstätte were also produced from 1932 onwards. In over 60 years of company history, around 3000 model designs have been produced by around 60 ceramists. Keramos also carried out commissions from the Wiener Werkstätte, such as vases by Dagobert Peche . History The origins of the Keramos company lie in two companies with the same name. The company Keramos – Invalid Society for Viennese Art Ceramics was founded at the end of 1919 on the initiative of the three ceramists Rudolf Wolf, Heinrich Wolf and Ludwig Rys, who had become invalids in World War I. Production started in September 1920. Art-ceramic lamps, figures, vases and boxes were produced. The company Keramos – Viennese art ceramics and porcelain manufactory was founded in 1920. Josef Hoffmann was a shareholder of Keramos for a long time, as was the sculptor Rudolf Podany, who was engaged from the start and created a large number of designs. From 1921 Anton Klieber was employed, who was also responsible for most of the models. Around 1924 both companies were merged and converted into an AG, commercial director became Otto Köller, the technical directors were the brothers Rudolf and Heinrich Wolf. "Some war invalid ceramists founded a workshop with the help of some artists, which was subsequently financed by the state and later enlarged with its participation and converted into a joint-stock company." The company's headquarters were in the Hofburg , Schwarze-Adler-Stiege, the factory in the 10th district of Vienna, Schleiergasse 17. Artistic collaborators at that time were Eduard Klablena , Otto Prutscher , Karl Perl , Karin Jarl-Sakellarios , IDA Schwetz- Lehmann and Grete Fucik-Fischmeister. On February 23, 1928, the triangular mark was entered in the trademark register. It was now also produced for the Wiener Werkstätte. Difficulties for the company arose from the Great Depression . Around 1932, 50 people were employed and a large number of models from Eduard Klabena and the dissolved Wiener Werkstätte were taken over. The works created by Keramos were labeled with their company brands until after 1941. From 1939 the economic situation of the company was better managed by taking over the production of ceramic winter welfare organization badges, the so-called WHW badges. Before 1941 the company is converted into a KG named Keramos, Wiener Kunstkeramik und Porzellanmanufaktur Brüder Wolf KG . Otto Köller was no longer active from this point on. After the end of World War II, Robert Obsieger recommended Robert Mathis as the new head of Keramos, who took over the management of the ceramics manufactory in 1945. In 1949 Mathis introduced a new company logo, which was used alongside the existing triangle mark, the so-called coat of arms mark. Anton Klieber and Rudolf Podany continued to work as ceramists, and new artists such as Josef Lorenzl and Stephan Dakon , both of whom had previously worked for Goldscheider , as well as Rudolf Chocholka, Karl Grössl and Ina Eisenbeisser were engaged. New models such as dancers, children's figures, animals and nudes were created, as well as the well-known wall masks, young people and poodles from the mid-1950s, which corresponded to the trend at the time. In addition, however, traditional designs such as Madonna statues and busts, saints and angels were still made. Utility ceramics such as crockery, vases, lamp bases, candle holders and flower pots also became an important branch of production, and cooperation with the German manufacturer Carstens at the beginning of the 1960s was just as lucrative. In the course of the 1960s, the sales markets for figurative ceramics became increasingly difficult. So until 1982, production was increasingly shifted to everyday ceramics, since ceramic figures were no longer modern due to changing tastes and the spirit of the times. Ultimately, the economic situation at Keramos became more and more difficult and Klaus Mathis, the son of Robert Mathis and then director, who succeeded his father at the helm of the company at the beginning of the 1970s, initiated the liquidation of the company at the end of 1982 . Staff The following artistic collaborators have worked for Keramos over the years: Hans Adametz , Franz Barwig the Elder , Franz Barwig the Younger , Andreas Beck, Hans Bolek, Angelo Bortolotti, Hertha Bucher , Rudolf Chocholka, Stephan Dakon , Ferdinand Doblinger, Eckstein, Franz Eggenberger , Ina Eisenbeisser, English, Stephan Erdös, Alois Feichtinger, Feyslitz, Hans Friedberger, Grete Fucik-Fischmeister, Kurt Goebel, Anton Grath, Karl Grössl, M. Günther, Otto Hafenrichter, Arnold Hartig , Friedrich Herkner, Trude Hillinger, Leopold Hohl, Hostasch, Karl Jamök, Karin Jarl-Sakellarios , Eduard Klablena, Klar, Anton Klieber, Maria Klinger, Josef Kostial, Josef Lorenzl , Wilhelm Otto Lugerth, Viktor Matula, Gusty Mundt-Amman, Novotny, Carl Perl, Rudolf Podany, Friedrich Pollak, Hugo Postl, Adolf Prischl, Otto Prutscher , Max Rieder , Elisabeth Rieger-Hofmann, Walter Ritter , Willibald Russ, Karl Sailer, Schönberg, Schwarz, Ida Schwetz-Lehmann , Sult, Robert Ullmann , Otto Weigand, IDA Weiss-Moricz, Rudolf Wolf. Exhibitions • Jubilee exhibition of the Wiener Kunstgewerbeverein, Austrian Museum , Vienna 1924. • Arts and Crafts Exhibition, Paris, 1925. • Exhibition of Austrian arts and crafts...

This woman bust is in Plaster. It is an Art Deco sculpture, made circa 1930, in France. In a white color.

Limousin Art Deco sculpture named "A Woman and her Two Dogs" was created circa 1930s. This very attractive sculpture by the French Art Deco master...

Rare Goldscheider Art Deco ceramic figurine: Depiction of a seated dancer in a blue, strapless ball gown with lace flounces, the right leg folded over the left and the left arm on the knee, holding a ball mask...

Art Deco bronze statue of two young women facing each other resting on a solid marble base. Dressed in the fashion of the day with curled bob hair cuts.

French Model Propeller Airplane Wood Metal Art Deco. Mixed wood with lots of metalwork. Wings, propeller, tail, and windows. Fashioned after The Dewoitine which was an Art Deco 1930s...

Pair of ceramics Sign: Ceramic with enamel : Catherine Barjansky Made in Belgica Boch Ceramic White: Sign: BFK made in Belgium The Boch manufacture was established in Belgian La Louvière by Jean-François Boch, one of main owners of another known company, Villeroy & Boch. The direction of Boch Freres SNC was in 1844 taken by Victor Boch. Production could be started immediately thanks to other Boch family ceramic businesses that sold Victor ready-to-use copperplates. This faience manufacture developed very fast. In 1847 the company won a gold medal at the exhibition of the Belgian industry. In 1855 they already employeed 300 workers in La Louvière (Keramis) and 100 in Tournai (Boch Freres) factory. Around 1860 the production of polychrome pieces was started. In 1904 the first in Europe tunnel kiln was launched. Problems started in 1970s. The company went bankrupt in 1985 and was reactivated as Novoboch and MRL Boch. In 2015 was started Keramis Center, just two rooms showing Royal Boch history. One of the most important designers for Boch Frères Keramis was Charles Catteau. He was French but in 1906 moved to La Louvière. Patterns designed by Catteau were created in following years: The Boch Frères Kéramis factory (Belgium, province of Hainaut, La Louvière) is now well known thanks to the work of the very dynamic Charles Catteau. That of the sculptor Catherine Barjansky is much less so, even if her career is international: Rome, Berlin, New York, Vienna, Paris, Brussels... Catherine is from Odessa, a Ukrainian city located in the Soviet Empire. At the age of twenty, she studied sculpture in Monaco where she met her husband, Alexandre Barjansky, the famous violinist whose name is now inseparable from a Stradivarius! Thanks to her husband's job, she travels a lot. Witnesses to his exchanges with the intellectual milieu of the time, his portraits of personalities dominate his work: a bust of Einstein, kept at the Solvay Institute in Brussels; a bust of Freud; or even Colette, author who prefaced her first exhibition in Brussels. She made a bust of Queen Elisabeth of Belgium...

Superb 1930s Art Deco large female nude figure made from underwired plaster, Totally authentic. This is NOT a modern reproduction . A lovely lady who...

Beautiful female mannequin head made from plaster servings as an advertising bust in a shop. It was used to be displayed at a shopcounter or vitrine....

This graceful dancer in bronze was done by the distinguished and highly regarded Austrian sculptor, Josef Lorenzl. Many of his other works are shown in the book "Art Deco and Other F...

An Art Deco Bronze Statue by Armand Godard, produced by the Parisian foundry of Edmond Etling. This is an example of a high style rendered in the highest quality. Nothing is more emb...

The Cobbler working on Boots and the Nobleman protecting his Money. Bookends by “Max Le Verrier”, signed Original French Art Deco, 1930s Bookends made in “Régule” (spelter) S...

Italian Art Deco terracotta sculpture signed U. Cipriani. Italian Art Deco terra cotta sculpture of a male athlete artist signed, Ugo Cipriani. This terra cotta...

Wooden sculpture of a dancer with brass details, Werkstaette Hagenauer Wien, circa 1950 Today, the Werkstaette Hagenauer is rightfully among the most important Austrian Arts & Cra...

French ceramic statue of a lady with a pair of baskets, made in the 1940s Ø cm 37 Ø cm 17 h cm 35.

Depiction of a dancer in Spanish costume: she wears a mantilla, a veil cloth that covers the head and neck down to the shoulders. Often, as here, a high comb is also tucked underneath, the peineta. The cloth is still worn today for festive costumes and is mostly made in lace technique. In addition, the dancer wears an elaborately decorated with floral patterns asymmetrical ruffled skirt. On oval, black-beige marbled base in rare execution. This figure also exists as a group 'Spanish Dance' with dance partner, model number 7557, a more frequent version. Designed by Josef LORENZL (1892 - 1950), an Austrian sculptor and ceramic modeler. His bronze statuettes often show graceful dancers with long...

Bookends Pierrot and lady with fan White bronze with original patina on a base of Portor marble Original Art Deco, France 1930s Dimensions: Width: 22 cm Height: 19 cm Dept...

Very Rare Goldscheider Vienna Figurine of the 1930s: Standing young, unclothed lady with chin-length blond hair, loosely holding in front of her the leash of the German shepherd sit...

Art Deco Ibex or Ram bookends, signed by the sculptor Max Le Verrier. The bookends are in green and black patinated art metal, France 1930. Literature: Art Deco sculpture by Vic...

This gorgeous Mid-20th century bronze sculpture represents a poetic hunting scene. The young and strong subject is being at one with the rock he is standing on as he aims with his sp...

Dancer with hat and fan by Marcel Bouraine (1886-1948), signed on the base bronze, silver plated detailed decorated base made of Portor marble Original Art Deco, France 1930s...

Massive "Spirit of Ectasy" cast aluminum sculpture of the Rolls Royce hood ornament by Charles Sykes, circa 1970s. The piece is 30.5"H x 25.5"D x 19.5"W and sits on a 13"D round marb...

A delightful and finely made English Art Deco porcelain figure titled The Thief in Middle Eastern dress made by Royal Worcester and dated 1936. The figure of...

A very fine Art Deco pottery figure of a North American Native figure of a kneeling girl made by Van Briggle Art Pottery in the 1930’s. Van Briggle Art p...

Beautifully Pair of French Art Deco Porcelain By Sue et Mare sculpted with an abundant overflow with low and high relief design, featuring high-fired earthenware with thick glazed in...

Paperweight" Taureau Sacre" made in frosted glass with sepia patina by René Lalique in 1938 for the Royal Dutch Mail. Acid-stamped signature and entitling on bottle. Edition limi...

Wooden sculpture signed “G.G. Ysen”. Rare piece of art from The Netherlands. Height 45 cm width 19 cm depth 13 cm.

Art Deco bronze with green and brown patina around 1930. Bronze clown on Portor marble base. Signed Roland Paris on the embankment. Notes of micro scratches on the marble. Total height: 53cm Base: 13cm x 46.5cm Weight: 16 Kg Friedrich Richard Roland Paris (March 18, 1894 in Vienna, Austria-Hungary - May 4, 1945 in Swinemünde, Germany) was a German caricaturist, writer of satirical verse, graphic designer, painter and Art Deco sculptor. Roland Paris attended the Grand-Ducal Realgymnasium in Weimar from 1905. From 1909, he was a student at the Saxon Grand-Ducal School of Applied Arts in Weimar. Here, in 1912, he received second and third prizes as well as 25 points in a competition for the design of emblems for student associations, which he continued to produce for two or three years. Some of these works showed the influence of Art Nouveau, others included more modern approaches. In 1912, Paris took a course in sculpture at the Saxon Grand-Ducal School of Art in Weimar with the sculptor Gottlieb Elster. He then went to Munich, where he completed internships with several sculptors. In 1913, he returned to the school of Fine arts in Weimar and studied painting with Walther Klemm. In June 1915 he received his call up order for the Eastern Front of World War I and served first in a commando unit and then in the Air Force Inspectorate (IdFlieg) . After his return in 1919, he settled in Berlin. In 1924 he married Elisabeth Lisl Austen (b. 1897), a dancer at the Théâtre des Westens who modeled most of his female characters; he depicted himself for the facial parts of his male characters. The marriage remained childless. Their shared one-bedroom apartment in the backyard of Xantener Strasse 11 in Berlin-Wilmersdorf was also the Paris Studio, where he designed and made many of his sculptures, as well as graphics and paintings...

Rarest Goldscheider Figure Group of the 1930s. The young lady in a blue trouser suit with a short brunette hairstyle sits on a large stool with a low backrest. With both hands, she ...

Very stylish and rare matching pair of Art Deco bookends. These are a great find and in exceptional condition. Originating from France and dating to the 1930s both stand on marble ba...

Borch for Just Andersen. Art Deco sculpture of a young nude woman. In good condition with minor signs of use. Excellent patina. 1940s. Model number D2017 Marked. Dimensions: H 1...

This remarkable pair of "faun" and "nymph" sculptures memorializes the legendary performance of Vaslav Nijinsky as the Faun in Ballets Russes' renowned production of "Afternoon of a Faun" in 1912. Sculpted by Fred Press several decades later -- in the 1930s or 1940s -- the Faun captures the bold and sensual costume and headpiece of Nijinsky's character as designed by Léon Bakst, complete with spotted, form-fitting tights, a bare torso and a headpiece with horns in gold. Press was a kind of Renaissance...

Le Bertetti Sculpture depicting a bicaudate mermaid by Le Bertetti, 1920s-1930s. Model no. 40. Sculpture dated and signed.

A large figurative Art Deco table lamp with eight lights and a blue iridescent glass bowl, Germany, 1930s. This stunning and unique Art Deco table lamp is crafted from brass and bro...

Very rare Goldscheider Vienna ceramic figure of the 1930s: Young pretty lady, chin-length hair fastened with a hair band, posing in a long green dress with a wide, high-slit skirt decorated with flowers, which she holds up with both arms stretched out to the side, her head turned to the side with a straight look. On a cream-colored oval base shaded on the side. Manufactory: Goldscheider Vienna / Austria Technique: handcrafted ceramics, finest hand painting, glossy finish Designer: Claire Weiss /= Klára Herczeg (1906-1997) Sculptor, childhood in Vienna, apprenticeship as a sculptor at the Vienna Arsenal Foundry, studies at the Budapest Art...

This Lying woman is in Plaster. It is an Art Deco Sculpture, made circa 1930, in France. In a white color. In the Style of Jan and Joël Martel.

Stunning French Art Deco bronze patina spelter figure gracefully kneeling and decorated in two colors: bronze patinated blue color for her dress and gilt col...

Erotically stylized small sculpture from Just Andersen designed 1930-40 by female sculptor and artist Elna Borch. Its Composed of Just Andersens own al...

Bronze sculpture with green and dark brown patina image of a young woman embracing a lamb, signed by Ary Bitter, on a green black marble stand. Ary Bitter (1883–1973) was a French artist, best known for his animal sculptures. He was a designer, painter, and sculptor in various mediums including plaster, stone, terracotta and bronze. His work was also produced in biscuit by the Sèvres factory. Ary Jean Léon Bitter was born in Marseille in 1883. In 1895 he enrolled at the Marseille Beaux Arts and was taught by Émile Aldebert...

One of a kind original and unique female Nude signed and dated ( August 1957 )in the terra-cotta by the artist on the base. Ary Jean Léon Bitter Marse...

Art Deco bronze sculpture of a panther by Maurice Prost. Signed M. Prost and Susse frères Editeurs Paris. Bronze with black patina on a Belgian Black Marble base. This bronze is...

Sculptural mid-century Italian espresso maker from the 1940's. Incredible industrial design with fluted bakelite handle and accents. To open, un...

Ceramic sculpture of a woman by C.I.A. Manna Manna Torino, 1940s Packaging with bubble wrap and cardboard boxes is included. If the wooden packaging is n...

Rare Goldscheider Art Deco Ceramic Figure Of The 1930: Young dancer with chin-length, dark blonde hair in a form-fitting, short, light-blue dress with a long train attached to the back with white-blue floral decoration, holding it up on both sides with outstretched arms and taking a step to the left. On a beige, slightly curved, stepped oval base with light green painting. Designed by Josef Lorenzl (1892 - 1950), was an Austrian sculptor and ceramic modeler. His bronze statuettes often show graceful dancers with long legs and closed eyes. Lorenzl designed numerous ceramics for Friedrich Goldscheider and Keramos and was one of the most popular artists...

Ceramic wall mask by Goldscheider. Vienna, circa 1950.

Superb Demosthenes bust in green hued patinated bronze by the artist René André Varnier. Excellent capture of the oratory prowess of Demosthenes considered...

An Art Deco patinated at metal figural table lighter of Boy Golfer on an Onyx base. Made by the austrian sculpture Joesef Lorenzl. The striker wand is miss...

Bigi Torino Bust of a maiden in ceramic, the dress and the headdress are in the romantic style of the 19th century, the sweet and well made face expresses sweetness and serenity, th...

This is an eye-catching Vintage Art Deco Revival bronze dancing girl dating from the mid 20th century. This beautiful piece is a 20th Century recast of a sculpture created by the famous Romanian sculptor Demetre Chiparus. Made by the classical lost wax, or 'cire perdue', method, the stautue stands on a black marble base. Condition: In excellent condition, please see photos for confirmation. Dimensions in cm: Height 50 x Width 22 x Depth 16 & Weight 6 kg Dimensions in inches: Height 1 foot, 8 inches x Width 9 inches x Depth 6 inches & Weight 13.2 lbs Lost Wax Method sometimes called by the French name of cire perdue or the Latin, cera perduta is the process by which a bronze or brass is cast from an artists sculpture. In industrial uses, the modern process is called investment casting. An ancient practice, the process today varies from foundry to foundry, but the steps which are usually used in casting small bronze sculptures in a modern bronze foundry are generally quite standardised. Demetre H. Chiparus was born in Romania in 1886, attended school in Italy, then, shortly before World War I moved to Paris. He attended school at the Ecole des Beaux Arts under two talented sculptors Anonin Mercier and Jean Boucher, who provided him the opportunity to learn the trade. He later began to experiment with small bronze sculptures and produce small bronze works, exhibiting his small sculptures and, in 1914, was awarded an honorable mention at the Salon of the Societe des Artistes Francais. Many of Paris’ most affluent began to take notice of his work after World War One and the demand for his sculptures quickly increased. Chiparus was captivated by dancers, in particular influenced by Diaghiley’s Ballets Russes and Leon Bakst’s stage designs. A few of his famous sculptures were Starfish Dancer...

French Art Deco peacock sculpture by Gabriel Beauvais. We offer this rare French modernist glazed ceramic peacock sculpture by Gabriel Beauvais, 1930....