Walnut Sculptures

A fun solid walnut sculptural jewelry box by Eric Arcese, circa 2000s. The piece is in very good vintage condition and measures 5.75"W x 4.25"D x 4"H. The box's lid pivots in two pl...

Jan De Swart (1908-1987) mixed woods abstract sculpture of ebony, rosewood, and ash. The sculpture is based on the form of a sail boat in the abstract construct resting on a square b...

The initial inspiration for the elemental top collection by Alvaro Uribe for Wooda was wooda’s iconic logo of a tree. We felt it captured the company’s synergy for working with wood ...

The initial inspiration for the elemental top collection by Alvaro Uribe for Wooda was wooda’s iconic logo of a tree. We felt it captured the company’s synergy for working with wood ...

New old stock stainless steel miniature model or sculpture of the St. Louis Arch on walnut base. These models are based on the St. Louis Gateway Arch designed by Eero Saarinen that w...

Beautifully carved black forest stag with antlers. Clearly carved by a master craftsman, the stag shown in a naturalistic striding pose. The lovely grain of the black walnut adds ano...

Sweet little Black Forest carving of a stag standing near a pine tree next to a brass lined nut or candy dish. Some writing bottom front in white is too worn for me to make out, prob...

A Organic Modern sculpture with presence in both scale and level of skill by Northern California artist Trent Williams. Handcarved walnut with intricate detail with various organic f...

19th century Austrian cold painted bronze hound fashioned as a paper clip, mounted on a walnut base. These were whimsical pieces that were made int the late Victorian era and early ...

A 1980s bronze sculpture of a helmeted figure on a solid walnut base by Louisiana artist William Ludwig (1935-2011).. Although New England born in Hartford, CT., he was known as a so...

A dark-grey, vintage Mid-Century modern Thai buddha head made of hand crafted metal, in good condition. The detailed décor piece is by supported by a pyramidal Walnut base. Minor fad...

Design inspired on an artwork by Salvador Dali´: Interpretation project for a stable-library, 1942 Stuffed lamb, elaborated with a technique by a taxidermist. Drawer and table top i...

Premium Craftsmanship for Sophisticated Strength Training These exclusive dumbbells are designed by kenko and manufactured in Berlin, Germany. Made from finely machined stainless ste...

Very unusual grand tour tiebacks. Portraits of Greek or Roman men. Carved walnut with some gilding. 19th century.

Wharton Esherick important sofa for Lawrence and Alice Seiver. We are pleased to offer this exceptional item, the epitome of the Americ...

A lovely quality 19th Century black forest centre piece, having an ornate carved trunk at the centre with a removable glass stem with out swept scalloped edge, a large hunting dog st...

Ceramic masks on walnut and oak frame, Tom R PORTER, London. Walnut frame 26.5 x W17 cm Ceramic Mask H12 x W8.5 cm Ceramic Mask H3 x W2 cm From the series Countenance or Cara, pre...

Wonderful vintage Table Decoration - hand-carved Walnut Music Box Trivet with Art Nouveau Motifs. Colorful hand-painted Ceramic Art Pottery ...

The initial inspiration for the elemental top collection by Alvaro Uribe for Wooda was wooda’s iconic logo of a tree. We felt it captured the company’s synergy for working with wood ...

Design inspired on an artwork by Salvador Dali´: Interpretation project for a stable-library, 1942 Stuffed lamb, elaborated with a technique by a taxidermist. Drawer and table top i...

Inspired by the painting "Interpretation Project for a stable-library" (1942) by Salvador Dalí, by BD Barcelona and Deyrolle, the taxidermist from Paris who maintained an intense rel...

A sublime African tribal stool or headrest sculpture by Evert Sodergren, comprising gently carved legs supporting a bent lamination seat punctuated by visible joinery. This design wa...

Article: modernist metal and walnut veneer stand element Origin: ITALY Decade: 1950s Description: This original modernist stand element was produced in the 1950s in ITALY. ...

A hand carved wooden female figure torso. This sculptural figure is made out of Walnut tree which has been meticulously hand carved in the shape of a female torso. It's large in size with 24.5" inches height, 12" inches wide, and 9" inches depth (at the bust), 5" inches depth from the base. The bottom is the base is signed. In overall good condition, it has some signs of wear on the such as scratches or slight damage on wood. (Plinth used...

Hand-carved Napoleon Bonaparte in walnut on a colorful marble base. You often see sculptures of Napoleon Bonaparte in bronze, rarely in wood.

The Mini Executive is kinetic art merged with luxury design. Assembled with premium quality hardwood, and specially selected veneer hand applied by a skilled artisan, the Mini Execut...

Pair of Italian Renaissance style (19th Century) walnut life-size carved figures of the Devil and his wife standing on pedestal bases. (PRICED AS Pair)

Provenance : In the same private collection for several generations, Burgundy. The canonical Gospels describe briefly the episode of the Nativity. It comprises three parts : • The Preludes : the Journey to Bethlehem, the Census • The Nativity • The Announce to the Shepherds and the Adoration of the Magi Only the Gospel according to Matthew (2, 1-12) speaks about the Adoration of the Magi. Staying vague about their number it does say they brought the newborn gold, incense and myrrh. The apocryphals, the fathers of the Church and many other authors have filled in the gaps of the evangelic tale. The sobriety and symbolic of the story have been a huge inspiration to artists. Although one of the oldest depictions of the Adoration of the Magi dates from the 2nd century the theme became very popular in Christian art during the late 14th century. One of the reasons explaining this success is that it celebrates both the Virgin and Christ at the same time. This important walnut panel is carved in a strong relief and depicts the different steps of the story of Jesus’ birth. On the left, the donkey and ox that have accompanied Mary and Joseph from Bethlehem are depicted behind a trough. On the thatch roof appears the star that would guide the magi to the place of birth of Jesus. Mary is wearing a veil and is seating on a bed. She holds her baby at arm’s length to present him to the magi. Saint Joseph is by her side. The old man is holding a cane in his left hand while from the right hand he seems to uncover himself to greet the visitors. A woman assists to the scene. In front of the holy family the three magi stand behind one another to pay their homage to the newborn. The first magi has a pointed beard. He is already kneeling out of deference and has placed his crown to his feet. He gives the baby a hanap filled with gold coins. This is Melchior as the legend describes him with white hair and a long beard. Caspar, the second magi bears a cup of incense. He is looking at the third magi and with his right hand he points to the star that has guided them there. He has a short beard and wears crakow shoes, breeches and a wide sleeved doublet. Finally Balthazar, the elegant last magi proceeds proudly towards the holy family with his one hand on the saber’s hilt and the other holding a cup. He brings the divine child the myrrh. He probably just dismounted as the horse can be seen behind him. The scene is set in a very detailed and narrative decor. In the right part of the panel the shepherd receive the announce of Jesus’ birth. An angel comes down from heaven with a scroll bearing the good news in his hands. The herding dog sleeps peacefully while sheeps graze. At the top of the cliff we notice the gilded sheeps enclosure. The panel’s moulded frame is carved with a foliated decor. In it’s centre appears a coat-of-arms. It is the alliance of the three magi’s arms. Indeed as it was common for legendary figures the three of them received imaginaries coat-of-arms. Thus, on a field of azure stands a star for Melchior, a crescent for Caspar and a pennon for Balthazar. This high-relief panel is undeniably the work of a very skilled and imaginative artist. This key moment in the New Testament is transposed to a contemporary environment thanks to the figures’ clothing and the rural daily life scene. This way the universal dimension of the episode is highlighted allowing a better understanding for the contemporaries. The sculptor has represented the episodes of the Adoration of the Magi and the Announce to the Shepherd with great talent and numerous details giving life to a picturesque and narrative scene. The important traces of polychromy give those already very animated scenes a stronger pictorial power and a rich dynamism. Because of the picturesque and familiar realism so dear to the artists of the late Medieval era, of the didactic function of this type of panel as well as the quality of the sculpture this piece is an astounding example of Burgundian art of the 15th century. Literature Louis Réau, Iconographie de l’Art chrétien...

A set of eight beautiful dumbbells made out of walnut and a metal core inside. The dumbbells come with a minimalistic and elegant shape, refined with brass rings. Matching with every...

Hand carved wooden mother and child statue. Or Madonna and child. Mid Century modernist in style. Nice rich wood patina with intricate craftsme...

Buddha Hand Fragment on Walnut Stand from a 19th Century Bronze Buddha Statue

Petite Sculpture by Chandler McLellan Dimensions: D 7.5 x W 10.2 x H 30.5 cm. Materials: Walnut. Sculptures will be signed and numbered on the bottom of the base. Wood grain will v...

Bronze heron by American sculptor Wayne Williams. Signed and dated 1993. Edition 2/2. Mounted on a walnut base. From Finger Lakes Magazine 2001: Art is everywhere in the Finger Lakes. Inspired by the region’s diverse scenery and lifestyles, artists pursue their creativity outdoors, in studios and in workshops. In the many well-established museums and galleries or at the newer fledgling arts organizations, a wide array of artistic styles and talents are represented. Often the artists, like Wayne Williams, share their artistic skill and passion through teaching at local colleges. Williams, who is retired after a 35-year career at Finger Lakes Community College, found his calling there. “I didn’t want to teach in public schools,” explains Williams of his career choice. “I wanted to be at the college level. CCFL (the Community College of the Finger Lakes, as it was then known) was literally creating a college, right from scratch.” The year was 1968 and Williams was charged with coordinating the new college’s art program. Rand Darrow, a CCFL student in that first year, remembers attending Williams’ art classes in a commercial building on Main Street just south of the railroad tracks in Canandaigua. Darrow appreciated his instructor’s relaxed manner. “He was a great teacher,” recalls Darrow, “cracking jokes all the time.” Darrow graduated with a major in Liberal Arts and continued on to SUNY Oswego where he earned a BA in fine arts. He taught art to elementary and middle school students for 30 years. These days Williams and Darrow typically cross paths at the Wayne County Arts Council in Newark where Williams and his wife, Marleen, are heavily involved. Williams offers classes in figure drawing and sculpture and hangs the gallery’s shows, including his former student’s “Slavic Tales of Novgorod” this past August. “I’d like to take a sculpture class from him,” says Darrow. In 2003 when Williams retired, the college honored him and another retiring art professor, Tom Insalaco, by renaming its art gallery the Williams-Insalaco Art Gallery. It was known formerly as Gallery 34 to recognize its origins at 34 North Main Street in Canandaigua. Williams held professor’s rank from 1976 and served as director of the art gallery beginning with its opening in 1983. Williams, who was born and raised in Newark, New York, says he began doing art at about age 8. By the time he was in junior high school his career direction seemed clear. He received local and national awards for his art and a scholarship to Syracuse University, from which he graduated in 1958 with a Bachelor of Fine Arts in sculpture. He continued with graduate work at Syracuse, receiving an MFA in sculpture in 1962. He worked full time as a sculptor until he began teaching. At one point Williams admits he wanted to be a painter, but didn’t want to adopt the abstract expressionist style in vogue in the 1950s, preferring to pursue the realist tradition. He advises any would-be artist to “do what you do because you love it.” After graduation he traveled abroad, spending time in Belgium, the land of his ancestors. “My family’s name was originally Willems,” explains the 73-year old who still relishes the time spent in the Flemish countryside. Williams speaks excitedly about art, referencing the lives of great artists. He acknowledges that American artists do not have the same stature as those in Europe, where Old Masters like Brueghel and Rembrandt are national heroes. These days the energetic Williams, known primarily as a sculptor, is active at the Phelps Arts Center where he is on the board of directors. In mid-September when a group of visitors on a motor coach tour explored artworks displayed in the beautiful church-turned- gallery, they were treated to a large number of Williams’ bronze and metal sculptures, along with his charcoal drawings. “I’ve always loved his work because he deals with things, people, and animals you understand,” says the center’s Director Emeritus Marion Donnelly, who has known him for many years. Outside the Phelps Community Historical Society, Williams’ life-size figure of a farmer raises his pitchfork above a colorful flower garden on the front lawn. Inspired by the peasants working the fields in Europe, the metal figure is shown with wooden shoes. This is Williams’ largest copper piece, loaned to the Phelps museum in connection with Artistry in Sculpture, a community exhibition in 2009. Williams added a new base using a metal wagon...

Large and whimsical jewelry chest made of hand-carved stacked laminated walnut, with spring loaded drawers. Signed, dated and in excellent condition.

A fine & large antique 17th Century French carved walnut statue of Saint Peter, circa 1680. The statue is finely carved from walnut and depicts Saint Peter holding a bible in his ha...

Timber Mazer 900 Sculpture by Tom Fereday Dimensions: W 90 x D 90 x H 35 cm Materials: Solid Oak & Walnut. MAZER COLLECTION: Mazer represents a series of geometric sculptures, each a celebration of the fundamental beauty and natural variation of stone. Strict brutalist forms of the table and seating collection are juxtaposed by soft organic cutaways carving through the porous stone surfaces, revealing the natural beauty and character of travertine. Named after the medieval term ‘Mazer’ meaning bowl, the collection presents subtle organic forms proportioned for table and seating function designed for permanence. Porous formations of the stone’s structure act as an intentional disruption to the clean geometric forms of the series adding character and intrigue. The limited edition series was crafted from travertine and locally produced in Italy from a combination of machine and traditional hand made processes, each piece exhibiting its own unique characteristics and form with no one piece alike. Mazer is designed by Australian designer Tom Fereday exemplifying Fereday’s desire to honour materiality, combining form and function to produce enduring works. Tom Fereday develops products based on the principle of honest design, conveying a design process which celebrates the materials and manufacturing processes behind furniture and products, to design from the inside out. By using the materials and environment as a positive design constraint we guide intelligent and thoughtful design outcomes which connect with people through natural materials, tactile finishes and unique design. We strive to create enduring designs which are meaningful to people and their environment. Born in Australia, Tom Fereday grew up in England studying at the Wimbledon School of Art before moving to Sydney to complete an honours in Industrial Design at the University of Technology Sydney. Working across europe and Australia Tom Fereday went onto found his sole practice in 2012. Affiliations Society for Responsible Design (SRD) Design Institute of Australia (DIA) Awards 2019 - House & Garden style awards - ETO Desk 2018 - Idea Awards - SIA Chair - Highly Commended 2018 - LAMP International lighting competition - Winner established designer 2018 - Lane Crawford creative callout - Winner 2018 - Good Design Awards - SIA chair - Gold winner 2017 - Mercedes-Benz Design Award - SIA Chair - Winner 2017 - International Design Award - SP01 collection - Honoree 2017 - International Darc Awards - Mito Lamp - Winner best floor lamp 2017 - ICFF NYCxDESIGN - Emerging Designer - Honoree 2017 - A+Awards - Bow Chair - Finalist 2017 - Archiproducts Design Selection - Stockholm Furniture Fair 2016 - Good Design Award Chicago - Bow Chair - Winner 2016 - Timber Design Awards - Pieman Collection - Winner excellence in timber design 2016 - Good Design Award - MW1 Watch - Finalist 2015 - Good Design Award - 3000 Collection 2015 - Good Design Award - Best in category NTR Microphone 2015 - Red Dot Design Awards - Best of the Best NTR Microphone 2014 - Space + Moooi 2014 Design Residency 2011 - H&G Style Awards 2011 2011 - Interior Design Excellence Awards 2011 - Finalist 2011 - One Good Chair Competition Allt Chair 2010 - Nominated by Triple J and ABC News as top 25 young achievers 2010 - Australian Design Awards - Design Mark - Pebble Ottoman 2010 - Launch Pad 10 with the Spli Stool - Finalist 2009 - SOYA Awards including mentorship with Marc Newson 2009 - SRD09 prize winner awarded by the Society for Responsible Design 2009 - NSW Travelling Scholarship - Top three finalists 2009 - International CIFIAL Awards ‘Feel the Planet Earth 08’ - Finalist 2009 - Greenland Travelling Scholarship 2008 - GOTYA Awards - Runner up 2008 - Breville Young Designer Awards - Top three Finalist 2008 - Electrolux Competition - Highly Commended 2008 - Freedom Furniture Competition 2007 - Treegugger + I.D. Magazine Award - Finalist 2007 - Cormack Packaging Awards - Finalist Exhibitions 2018 - Orgatec - SIA chair launch by NAU - Cologne Germany 2018 - Makers Take - SIA + Jeanette chair - Brisbane 2018 - Alt Material - Hull lounge - Melbourne 2018 - AGM - SIA chair + Jeanette chair - Melbourne 2018 - MADE Tom Fereday X Fiona Susanto solo exhibition - Melbourne 2018 - Den Fair - Launch ETO / MITO / SIA / NOLA - Melbourne 2018 - Good Design Vivid Festival - SIA Chair - Sydney 2018 - ICFF - SIA chair launch NAU - New York 2018 - Caroma collaboration - Alexandria flagship store - Sydney 2018 - SP01 Outdoor Collection - Archiproducts showroom - Milan Design Week - Italy 2018 - SIA chair limited edition - Local Milan - Milan Design Week - Italy 2018 - Australian Design Centre - Interpretations Exhibition Pieman chair - Sydney 2018 - Melbourne Design Week - SIA Chair - Melbourne 2018 - Sydney Design Festival - Bow Bench - Sydney 2018 - Cologne IMM - MITO + Bailey light - Rakumba Lighting...

Two good Franz Bergmann Austrian cold painted bronze figures now mounted in highly architectural Moroccan Moorish style carved and inlaid wood brackets, early 20th century, Austria a...

The initial inspiration for the elemental top collection by Alvaro Uribe for Wooda was Wooda’s iconic logo of a tree. We felt it captured the company’s synergy for working with wood ...

A pair of resting bronze lions on shaped walnut painted plinths modeled on the original marble sculpture by Antonio Canova. Reduction from the originals created by Antonio C...

Timber Mazer 350 Sculpture by Tom Fereday Dimensions: W 35 x D 35 x H 55 cm Materials: Solid Oak & Walnut. Weight: 76 Kg. MAZER COLLECTION: Mazer represents a series of geometric sculptures, each a celebration of the fundamental beauty and natural variation of stone. Strict brutalist forms of the table and seating collection are juxtaposed by soft organic cutaways carving through the porous stone surfaces, revealing the natural beauty and character of travertine. Named after the medieval term ‘Mazer’ meaning bowl, the collection presents subtle organic forms proportioned for table and seating function designed for permanence. Porous formations of the stone’s structure act as an intentional disruption to the clean geometric forms of the series adding character and intrigue. The limited edition series was crafted from travertine and locally produced in Italy from a combination of machine and traditional hand made processes, each piece exhibiting its own unique characteristics and form with no one piece alike. Mazer is designed by Australian designer Tom Fereday exemplifying Fereday’s desire to honour materiality, combining form and function to produce enduring works. Tom Fereday develops products based on the principle of honest design, conveying a design process which celebrates the materials and manufacturing processes behind furniture and products, to design from the inside out. By using the materials and environment as a positive design constraint we guide intelligent and thoughtful design outcomes which connect with people through natural materials, tactile finishes and unique design. We strive to create enduring designs which are meaningful to people and their environment. Born in Australia, Tom Fereday grew up in England studying at the Wimbledon School of Art before moving to Sydney to complete an honours in Industrial Design at the University of Technology Sydney. Working across europe and Australia Tom Fereday went onto found his sole practice in 2012. Affiliations Society for Responsible Design (SRD) Design Institute of Australia (DIA) Awards 2019 - House & Garden style awards - ETO Desk 2018 - Idea Awards - SIA Chair - Highly Commended 2018 - LAMP International lighting competition - Winner established designer 2018 - Lane Crawford creative callout - Winner 2018 - Good Design Awards - SIA chair - Gold winner 2017 - Mercedes-Benz Design Award - SIA Chair - Winner 2017 - International Design Award - SP01 collection - Honoree 2017 - International Darc Awards - Mito Lamp - Winner best floor lamp 2017 - ICFF NYCxDESIGN - Emerging Designer - Honoree 2017 - A+Awards - Bow Chair - Finalist 2017 - Archiproducts Design Selection - Stockholm Furniture Fair 2016 - Good Design Award Chicago - Bow Chair - Winner 2016 - Timber Design Awards - Pieman Collection - Winner excellence in timber design 2016 - Good Design Award - MW1 Watch - Finalist 2015 - Good Design Award - 3000 Collection 2015 - Good Design Award - Best in category NTR Microphone 2015 - Red Dot Design Awards - Best of the Best NTR Microphone 2014 - Space + Moooi 2014 Design Residency 2011 - H&G Style Awards 2011 2011 - Interior Design Excellence Awards 2011 - Finalist 2011 - One Good Chair Competition Allt Chair 2010 - Nominated by Triple J and ABC News as top 25 young achievers 2010 - Australian Design Awards - Design Mark - Pebble Ottoman 2010 - Launch Pad 10 with the Spli Stool - Finalist 2009 - SOYA Awards including mentorship with Marc Newson 2009 - SRD09 prize winner awarded by the Society for Responsible Design 2009 - NSW Travelling Scholarship - Top three finalists 2009 - International CIFIAL Awards ‘Feel the Planet Earth 08’ - Finalist 2009 - Greenland Travelling Scholarship 2008 - GOTYA Awards - Runner up 2008 - Breville Young Designer Awards - Top three Finalist 2008 - Electrolux Competition - Highly Commended 2008 - Freedom Furniture Competition 2007 - Treegugger + I.D. Magazine Award - Finalist 2007 - Cormack Packaging Awards - Finalist Exhibitions 2018 - Orgatec - SIA chair launch by NAU - Cologne Germany 2018 - Makers Take - SIA + Jeanette chair - Brisbane 2018 - Alt Material - Hull lounge - Melbourne 2018 - AGM - SIA chair + Jeanette chair - Melbourne 2018 - MADE Tom Fereday X Fiona Susanto solo exhibition - Melbourne 2018 - Den Fair - Launch ETO / MITO / SIA / NOLA - Melbourne 2018 - Good Design Vivid Festival - SIA Chair - Sydney 2018 - ICFF - SIA chair launch NAU - New York 2018 - Caroma collaboration - Alexandria flagship store - Sydney 2018 - SP01 Outdoor Collection - Archiproducts showroom - Milan Design Week - Italy 2018 - SIA chair limited edition - Local Milan - Milan Design Week - Italy 2018 - Australian Design Centre - Interpretations Exhibition Pieman chair - Sydney 2018 - Melbourne Design Week - SIA Chair - Melbourne 2018 - Sydney Design Festival - Bow Bench - Sydney 2018 - Cologne IMM - MITO + Bailey light - Rakumba Lighting...

Pedro Friedeberg Moon Face / Half Moon Table top Sculpture. Walnut and wood with gold leaf. Very good condition. Few if any signs of handling. Signed to the back "Pedro Friedebe...

This wooden sculpture embodies hyper-verticality, a hallmark of many African sculptural traditions. Its elongated form eschews anatomical realism, instead striving to evoke a presenc...

This unique iron sculpture from Mexico, circa 1970´s. Solid walnut base holding iron puzzle with the purpose of getting free the large ring out of the puzzle.   

A Very Large Virgin and Child in walnut wood, carved in the round, trampling on Eve biting into the apple. The theme of the Virgin and Child is the most represented in all Christian...

A Thai bronze head of the Buddha. Sukothai period, late 16th-early 17th century. His face with serene expression, arched eyebrows above incised eyes a...

'Takamaka Opal', is a unique glass sculpture by the Austrian artist Sandra A. Fuchs, created in aqua, deep red and vibrant orange glass. Fuchs creates her own multi-colored and complex glass canes, which are then cut to create small 'murrina'. These she composes to create her flat sheet 'canvas' glass artworks, which are fired again, to fuse the pieces together. The detail is breathtaking and testament to these labour intensive unique works. The dimensions above are for the glass panel and European Walnut wood base. Sandra A. Fuchs lives and works in Mautern, a small town located on the Danube within the Wachau, a UNESCO World Heritage Site, in Austria and in Murano, Italy. Specializing in the areas of cold working, fusing and flameworking, Fuchs has undertaken additional advanced training for glassblowing at the Technical College of Glass for Design and Craft (Kramsach, Tyrol, Austria) Abate Zanetti (Scuola del Vetro, Murano, Italy) and at Cam Ocagi (The Glass Furnace Istanbul, Turkey). Her artistic approach and style has also been developed through attending numerous master classes with artists predominantly from Italy and the USA. Since 2014 and after much time abroad, Fuchs is now focused on working exclusively as an independent glass artist in her own studio. Fuchs’ artworks share a common ‘spirit’ and ‘organic’ aesthetic. The themes which run through her pieces are inspired by the beauty and power of nature; of rising, elevating and growth, which she also interprets from a spiritual influence. She feels creativity and vision are born by traveling, connecting with people from around the world and through cultural exchange. Her signature fused panels have an inner life which is captured in dense and complex patterns which are formed from many unique pieces of ‘murrine’, which Fuchs designs and makes by herself. Traditionally ‘murrine’ all possess the same pattern, however by employing a different kiln formed technique, Fuchs makes each ‘murrina’ unique by having more control during the stretching process whilst working with her hot molten glass. With her blown art works, Fuchs combines this new special manufacturing technique of 'kiln formed murrine’ (which has only been in existence since 1992) with centuries old traditional Muranese glassblowing knowledge, resulting in pieces that are the only ones of their kind worldwide. In the artist’s own words; "Offering me every possible way to express myself, glass became my ‘partner in crime...

A very cool hand-carved solid walnut white rhino sculpture, circa 1980s. The piece is in great condition and measures 4.25"W x 15"D x 5.5"H. Cool piece! #4216

The Amalia Totem is a force of nature, a modern home accessory that can elevate any interior. It embodies the empowerment of femininity, emerging gracefully in any interior design pr...

the hand-carved and finely detailed recumbent mother Retriever with raised head and glass eyes giving a direct gaze to a distant object; wearing a knotted leash attached to a thick c...

This amazing handmade crystal and gemstone work is set into a stunning Claro Walnut specimen. It is a standout, one of a kind piece including the finest of crystal and gemstone speci...

Period 1970's Brutalist sculpture depicting a stylized female figure executed in cast brass, mounted on a stepped walnut plinth base. Well crafted work, in excellent original condit...

A fun solid mixed woods puzzle box with double gravity lock, circa 1999. The piece is in very good vintage condition and measures 6"W x 3.25"D x 2"H. ...

Stunning craftsmanship! This pair of 19th century Black Forest hunting Trophy plaques from Brienz Switzerland. Fully carved from solid ...

Exceptional virgin and child in majesty or “Sedes Sapientiae”, throne of wisdom Origin: southwestern France. Period: late 12th - early 13th cen...

Design inspired on an artwork by Salvador Dali´: Interpretation project for a stable-library, 1942 Stuffed lamb, elaborated with a technique by a taxidermist. Drawer and table top...

Still Stand Abstract Wood Sculpture, Chainsaw Carved, Walnut

A beautiful antique black forest standard, fine carved chestnut wood. The center is covered with green fabric. Small objects can be displayed on this. The standard comes with three c...

Large Black Forest Carved Eagle A large piece superbly carved in walnut, he or she has bright piercing glass eyes with up reaching wings ha...