Cast Sculptures

Hermes is the messenger god in Greek mythology. He is the quickest and most clever of the gods. The original is displayed in the Side Museum. Hermes, a descendant of the Titans, is ...

N.003 Floor Lamp from the Biomorphic Series by Studio Chora is inspired by the nature of human experience. This is a second-generation light sculpture that is hand crafted from a com...

Contemporary American ceramic artist Richard Hirsch's "Bronze Tripod Vessel and Ceramic Stand #3B" is part of his Line series. The tripod is cast bronze ...

Building a safe space. As if my heart were held together by strings, like a package. A safe space where to flourish, to express emotions. Come, I welcome you to my safe place. *80% ...

A very fine and Monumental French 19th century patinated bronze group Titled "The Abduction of the Sabine Women" after a model by Pierre Loison (French, 1816-1886), depicting a young scantily maiden being carried away on the arms of a Roman soldier, raised on circular ebonized wood and brass revolving pedestal stand. Signed at the base: P. Loison, circa: Paris, 1870-1880. Overall height (Sculpture and Pedestal): 91 inches (231.2 cm). Sculpture height: 54 3/4 inches (139.1 cm). Sculpture width: 24 inches (61 cm). Pedestal height: 36 inches (91.5 cm). Pedestal width (Widest): 25 1/2 inches (64.8 cm). Pierre Loison was a French sculptor of the 19th century born in the seaside town of Loir-et-Cher on July 5, 1816 and died in Cannes on February 3, 1886. In 1841, he joined the Pierre-Jean David d'Angers workshop where he became one of his favorite pupils. A year later he attended the School of Fine Arts in Paris. He exhibited for the first time at the Salon des artistes Français where in 1845 he was awarded third-class medal. In 1853 he was awarded First Place medal and at the Universal Exhibition of 1955 he received an honorable mention and another medal award in 1859. On 12 July 1859 and by decree, he was made "Chevalier de la Légion d’Honneur". Pierre Loison is buried at The Montparnasse Cemetery in Paris. Works by Pierre Loison "Femme assise": Terre cuite (1843) au musée Gustave-Moreau à Paris "Jeune fille portant un vase": Statue en marbre blanc, (h. 1,25 m) datée de 1857 et présentée au Salon de 1859 ; la statue fut d’abord placée au Palais-Royal (appartements du prince Napoléon) ; elle est actuellement au musée des Beaux-arts de Dole ; une réplique de taille réduite est au Musée des arts décoratifs de Paris. "La Halle aux grains de Mer": Chaque façade de ce bâtiment, classé à l’inventaire supplémentaire des monuments historiques, comporte un fronton triangulaire et celui de la façade ouest représentant « L’Agriculture distribuant des couronnes aux enfants de Beauce et de Sologne » a été sculpté gracieusement par P. Loison, natif de la commune. "La Justice assise": Allégorie de la Justice au fronton du Palais de justice de Blois (1847). "Buste d’Achille Fould": Au musée du Château de Blois 8; "Nausicaa": Statue en plâtre présentée au Salon de 1874, au musée des Beaux-arts de Vendôme. "Statue de J-B. Pigalle sur la façade de l’hôtel de ville de Paris "Sculptures extérieures du Palais du Louvre": Pierre Loison est l’auteur de neuf statues qui décorent les façades du Louvre "Figure" (1878) au deuxième étage du Pavillon Marsan10; "La Navigation" (1868) sur la balustrade du premier étage du Pavillon des États11; "Pandore" (1861) sur l’aile Est12; « Vénus » (1865) Aile Marsan13; "l’Histoire et la Vérité" (1857)14; "La Poésie et la Philosophie" (1857)15 deux oculi du Pavillon Mollien, coté cour Napoléon ; "Concordet" (1857) sur la balustarde du premier étage de la Rotonde de Beauvais, coté cour Napoléon. "Statue de Sappho sur le rocher de Leucade : datée de 1859, (h. 1,85 m) sur la façade nord de la cour carrée du Palais du Louvre à Paris ; le modèle en plâtre, offert par Mme Loison, est au musée des Beaux-arts de Blois. "Vierge à l’enfant": Statue en marbre en l’église Saint-Pierre de Dampierre-en-Yvelines. "Jeune romain enlevant une Sabine": Groupe présenté au Salon de 1863 qui a été reproduit en bronze par la fonderie d’art Raingo frères. "Sépulture de la famille Hautoy : Au cimetière du Père-Lachaise, deux bas-reliefs en marbre représentant l’un "La vie de Famille," l’autre 'Le chantier," datés de 1880. "Demoiselle d’honneur de la Cour de François Ier": Statue en pierre exposée au Salon des artistes vivants en 1870 ; acquise par l’État à ce Salon, elle a été déposée en 1891, devant la mairie d’Aubin. "La Paix distribuant des palmes aux génies des Beaux-arts": Fronton du Château de Compiègne (1866). "Daphnis et Naïs": Groupe en marbre (1869) au musée de Picardie à Amiens. "Jean-Baptiste Pigalle": Statue en pierre (1881) sur la façade principale, au rez-de-chaussée de l’Hôtel de ville de Paris. "Gisant de Ferdinand-Philippe d'Orléans: dans la chapelle royale de Dreux en collaboration avec Ary Scheffer. "La Grace": Statue en marbre (1875) dans le grand foyer de l’opéra Garnier. The Abduction of the Sabine Women The Abduction of the Sabine Women is an episode in the legendary history of Rome, traditionally dated to 750 BC, in which the first generation of Roman men acquired wives for themselves from the neighboring Sabine families. Recounted by Livy and Plutarch (Parallel Lives II, 15 and 19), it provided a subject for Renaissance and post-Renaissance works of art that combined a suitably inspiring example of the hardihood and courage of ancient Romans with the opportunity to depict multiple figures, including heroically semi-nude figures, in intensely passionate struggle. Comparable themes from Classical Antiquity are the Battle of the Lapiths and Centaurs and the theme of Amazonomachy, the battle of Theseus with the Amazons. The Abduction is supposed to have occurred in the early history of Rome, shortly after its founding by Romulus and his mostly male followers. Seeking wives in order to found families, the Romans negotiated unsuccessfully with the Sabines, who populated the area. Fearing the emergence of a rival society, the Sabines refused to allow their women to marry the Romans. Consequently, the Romans planned to abduct Sabine women, during a festival of Neptune Equester and proclaimed the festival among Rome's neighbours. According to Livy, many people from Rome's neighbours including folk from the Caeninenses, Crustumini, and Antemnates, and many of the Sabines attended. At the festival Romulus gave a Signal, at which the Romans grabbed the Sabine women and fought off the Sabine men. The indignant abductees were soon implored by Romulus to accept Roman husbands. Livy says Romulus offered them free choice and promised civic and property rights to women. According to Livy, Romulus spoke to them each in person, declaring "that what was done was owing to the pride of their fathers, who had refused to grant the privilege of marriage to their neighbours; but notwithstanding, they should be joined in lawful wedlock, participate in all their possessions and civil privileges, and, than which nothing can be dearer to the human heart, in their common children." Responsibility of the men for meeting the needs of the children thus conceived was not included. War with the Sabines and other tribes Outraged at the occurrence, the King of the Caeninenses entered upon Roman territory with his army. Romulus and the Romans met the Caeninenses in battle, killed their king, and routed their army. Romulus later attacked Caenina and took it upon the first assault. Returning to Rome, he dedicated a temple to Jupiter Feretrius (according to Livy, the first temple dedicated in Rome) and offered the spoils of the enemy king as spolia opima. According to the Fasti Triumphales, Romulus celebrated a triumph over the Caeninenses on 1 March 752 BC. At the same time, the army of the Antemnates invaded Roman territory. The Romans retaliated, and the Antemnates were defeated in battle and their town captured. According to the Fasti Triumphales, Romulus celebrated a second triumph in 752 BC over the Antemnates. The Crustumini also started a war, but they too were defeated and their town captured. Roman colonists subsequently were sent to Antemnae and Crustumerium by Romulus, and many citizens of those towns also migrated to Rome (particularly the families of the captured women). The Sabines themselves finally declared war, led into battle by their king, Titus Tatius. Tatius almost succeeded in capturing Rome, thanks to the treason of Tarpeia, daughter of Spurius Tarpeius, governor of the citadel on the Capitoline Hill. She opened the city gates for the Sabines in return for "what they bore on their arms", thinking she would receive their golden bracelets. Instead, the Sabines crushed her to death with their shields, and her body was thrown from a rock known ever since by her name, the Tarpeian Rock. The Romans attacked the Sabines, who now held the citadel. The Roman advance was led by Hostus Hostilius, the Sabine defence by Mettus Curtius. Hostus fell in battle, and the Roman line gave way, They retreated to the gate of the Palatium. Romulus rallied his men by promising to build a temple to Jupiter Stator on the site. He then led them back into battle. Mettus Curtius was unhorsed and fled on foot, and the Romans appeared to be winning. At this point, however, the Sabine women intervened: [They], from the outrage on whom the war originated, with hair dishevelled and garments rent, the timidity of their sex being overcome by such dreadful scenes, had the courage to throw themselves amid the flying weapons, and making a rush across, to part the incensed armies, and assuage their fury; imploring their fathers on the one side, their husbands on the other, "that as fathers-in-law and sons-in-law they would not contaminate each other with impious blood, nor stain their offspring with parricide, the one their grandchildren, the other their children. If you are dissatisfied with the affinity between you, if with our marriages, turn your resentment against us; we are the cause of war, we of wounds and of bloodshed to our husbands and parents. It were better that we perish than live widowed or fatherless without one or other of you." The battle came to an end, and the Sabines agreed to unite in one nation with the Romans. Titus Tatius jointly ruled with Romulus until Tatius's death five years later. The new Sabine residents of Rome settled on the Capitoline Hill, which they had captured in the battle. Artistic representations: The Rape of the Sabine Women by Johann Heinrich Schönfeld The subject was popular during the Renaissance as symbolising the importance of marriage for the continuity of families and cultures. It was also an example of a battle subject in which the artist could demonstrate his skill in depicting female as well as male figures in extreme poses, with the added advantage of a sexual theme. It was depicted regularly on 15th-century Italian cassoni and later in larger paintings. A comparable opportunity from the New Testament was afforded by the theme of the Massacre of the Innocents. Giambologna The sculpture by Giambologna (1579–1583) that was reinterpreted as expressing this theme depicts three figures (a man lifting a woman into the air while a second man crouches) and was carved from a single block of marble. This sculpture is considered Giambologna's masterpiece. Originally intended as nothing more than a demonstration of the artist's ability to create a complex sculptural group, its subject matter, the legendary rape of the Sabines, had to be invented after Francesco I de' Medici, Grand Duke of Tuscany, decreed that it be put on public display in the Loggia dei Lanzi in Piazza della Signoria, Florence. True to mannerist densely packed, intertwined figural compositions and ambitious overinclusive efforts, the statue renders a dynamic panoply of emotions, in poses that offer multiple viewpoints. When contrasted with the serene single-viewpoint pose of the nearby Michelangelo's David, finished nearly 80 years before, this statue is infused with the dynamics that lead towards Baroque, but the tight, uncomfortable, verticality— self-imposed by the author's virtuosic restriction to a composition that could be carved from a single block of marble— lacks the diagonal thrusts that Bernini would achieve forty years later with his Rape of Proserpina and Apollo and Daphne, both at the Galleria Borghese, Rome. The proposed site for the sculpture, opposite Benvenuto Cellini's statue of Perseus, prompted suggestions that the group should illustrate a theme related to the former work, such as the rape of Andromeda by Phineus. The respective rapes of Proserpina and Helen were also mooted as possible themes. It was eventually decided that the sculpture was to be identified as one of the Sabine virgins. The work is signed OPVS IOANNIS BOLONII FLANDRI MDLXXXII ("The work of Johannes of Boulogne of Flanders, 1582"). An early preparatory bronze featuring only two figures is in the Museo Nazionale di Capodimonte in Naples. Giambologna then revised the scheme, this time with a third figure, in two wax models now in the Victoria and Albert Museum, London. The artist's full-scale gesso for the finished sculpture, executed in 1582, is on display at the Accademia Gallery in Florence. Bronze reductions of the sculpture, produced in Giambologna's own studio and imitated by others, were a staple of connoisseurs' collections into the 19th century. Nicolas Poussin Nicolas Poussin produced two major versions of this subject, which enabled him to display to the full his unsurpassed antiquarian knowledge, together with his mastery of complicated relations of figures in dramatic encounter. One, now at the Metropolitan Museum of Art, was executed in Rome, 1634–35. It depicts Romulus at the left giving the Signal for the abduction. The second version, of 1636–37, now at the Louvre Museum, shows that, though some of the principal figures are similar, he had not exhausted the subject. The architectural setting is more developed. Peter Paul Rubens Peter Paul Rubens painted a version of the subject about 1635–40. It is at the National Gallery, London. Jacques-Louis David Jacques-Louis David painted the other end of the story, when the women intervene to reconcile the warring parties. The Sabine Women Enforcing Peace by Running Between the Combatants (also known as The Intervention of the Sabine Women ) was completed in 1799. It is in the Louvre Museum. David had worked on it from 1796, when France was at war with other European nations after a period of civil conflict culminating in the Reign of Terror and the Thermidorian Reaction, during which David himself had been imprisoned as a supporter of Robespierre. After David’s estranged wife visited him in jail, he conceived the IDEA of telling the story, to honor his wife, with the theme being love prevailing over conflict. The painting was also seen as a plea for the people to reunite after the bloodshed of the revolution. The painting depicts Romulus's wife Hersilia — the daughter of Titus Tatius, leader of the Sabines — rushing between her husband and her father and placing her babies between them. A vigorous Romulus prepares to strike a half-retreating Tatius with his spear, but hesitates. Other soldiers are already sheathing their swords. The rocky outcrop in the background is the Tarpeian Rock. John Leech The English 19th century satirical painter John Leech included in his Comic History of Rome a depiction of the Rape of the Sabine Women, where the women are portrayed, with a deliberate anachronism, in Victorian costume...

A very pleasing 19th century French Bacchus influenced bronze group, depicting two putti playing with a ram, garlands of vine leaves and grapes. Signed.

A cast brass Finial from Turkey, mounted on a circular base. Measures: 18 1/4" High, 7" Wide, on 6 3/4" Diameter base.

A freestanding sculpture over six feet in height in the style of Curtis Jere from the 1970s. An interesting marsh vignette of copper and brass seagrass with cast bronze cattails and ...

Decorate a library shelf or office with this set of antique miniature monkey sculptures. Created in France circa 1920, each Chimp is seated on a stool and playing an instrument with ...

A large bronze bust showing a beautiful young woman depicted as a Bacchante, the Greek Goddess of Wine, her head festooned with grape branches. The bust is supported by an integral bronze plinth that at the back is inscribed with the name of the sculptor, J. Clesinger Rome 1857 dating the bronze to the time when the sculptor was 33 years old. The sculptor whose full name was Jean Auguste Baptiste Clesinger was born in 1813 in Besancon in Southern France. His father, Georges-Philippe, was a sculptor and trained Auguste in art. Auguste first exhibited at the Paris Salon in 1843 with a bust of Vicomte Jules de Vaidahon. At the 1847 Salon, he created a sensation with his Woman bitten by a serpent, produced from life-casts from his model Apollonie Sabartier who was a notorious Parisian and the mistress of many perhaps even of Clesinger himself. Later he also produced this bust of her as Bacchante. In private life, the sculptor was awarded one of France’s highest honour, the knight’s cross...

Lovely piggy bank with inscription aiming to collect money for the society for children’s footwear. This union was established in 1889 and was still active ...

Cast resin sculpture "La mort de l'Automobile" of the work of Fernand Flausch Visual Art - Cadillac - Sculpture Fernand Flausch, born July 6, 1948 in Liège and died July 5, 2013 in t...

Part of Marcin Rusak’s signature Flora collection, the wall-hanging Flora Lens 65 constitutes a unique decorative piece that works well in a variety of settings. Based on discarded flowers carefully submerged in resin, this convex piece is entirely handmade in a labour-intensive process, in which everything, from collecting and processing the flowers to encapsulating them in cast resin, and to setting the material on an aluminium wall hanging system...

100% Beeswax, Organic Hemp wick and coloring, unscented. The Tusk candle takes its inspiration from natural motifs : Ivory, tusks, canines, teeth and o...

Nude female standing on top a wave. Mounted on absolute black marble base. Cast from an original, Artist is Harriet Frishmuth. Modern cast. Has the s...

This handcrafted and hand painted parrot was designed by Luise Terletzki Scherf. She was a master of capturing the character of the animals and has created a menagerie of animals for...

Standing man is an abstract sculpture in bronze titled 'Compass' with a green patina by the Dutch sculptor Lies Gronheid, 1982. His profile is divided into in four directions like a ...

This French bronze group conceived as a pair of animals dressed as people playing cards exhibits many subtle details and a dramatic satirical story. The fox's nature clever and craft...

This antique cast Continental silver sculpture is hallmarked by an unknown maker, but is presumed to have been made in Europe, likely Austria or Italy, and done in a very realistic A...

Pair of French 18th Century Louis XVI Bronze Sculpture of Faun and Bacchante Rare pair of bronze sculptures depicting Bacchante and Faun after a design by Jean-Hugues Taraval in 177...

This unique sculpture is composed of three cast-aluminum sharks (representative of a family of sharks given the size disparity between the three) displa...

Late 19th century french patinated bronze sculpture of violinist 'Sans Souci' with marble base by Léon Tharel for Susse Frères By: Léon Tharel, Susse Frères Material: bronze, metal, marble Technique: cast, patinated, hand-crafted, metalwork Dimensions: 6.5 in x 9 in x 9.5 in Date: late 19th century, circa 1890 Style: Belle Époque, Romanticism Place of origin: France Antique reclining...

A Belle Époque bronze spelter sculpture titled “Queen of the Fields” signed by Auguste Moreau, featuring a graceful young woman clutching a bundle of wheat, mounted on a fluted colum...

A rare and unusual Chinese Ming Dynasty bronze figure of the Buddha as an infant. The young Prince Siddhartha, who would grow up to become the Buddha, is portrayed standing, one hand pointing to the sky, the other to the ground. He is naked, save for a baby apron...

This large and substantial antique cast spelter sculpture is unsigned but presumed to have been made in France in circa 1880 in the neoclassical style. This very detailed cast sculpture depicts a robed neoclassical woman...

L'Inconnue de la Seine or The Unknown Woman of the Seine (1900 - 1920) The bronze likeness of a young girl found drowned in the Seine r...

Japanese Bronze standing duck. Standing neck raised and mouth open with detailed feathers. 14.5 high.

This pair of antique candlesticks are unsigned, but presumed to have originated from Austria and date to approximately 1900 and done in a Neoclassical Revival style. These sculptural candlesticks are composed of spelter with a patinated finish and are quite detailed. The figures stand on a very sturdy cast pedestal base...

This listing features a brass figural sculpture balancing two selenite balls, on top of a marble circular base. Selenite is a captivating crystal known for its luminous glow, and its...

Impressive large early 20th Century Austrian bronze study of a stag with outstretched neck as he is 'calling' to dominate his ground. The surface of the bronze with rich cold painted...

This listing features a patinated bronze sculpture of an African elephant by the artist David Schaefer. Signed 'D. Shaefer' to base, copy 306/450. Thi...

Cast in England in the 1900s using reconstituted stone, this charming pig and four piglets statue has developed a lovely weathered patina from exposure to the elements. Reconstituted stone is organic stone that has been crushed into small bits (if you look closely, you can still see pebble inclusions within the casting). These fragments are then combined with cement and sometimes coloring pigments are added to the mix. The resulting aggregate is poured into a mold where it is left to harden. After the blend has set, the mold is removed, rendering a durable work of art. Our weathered cast stone pig...

Pair of English diminutive solid cast iron whippets laying in resting position. Pair have been powder coated in the color of Charleston green , Earl...

Nymphenburg is the porcelain manufactory of the Bavarian royal family. These cherubs are hand crafted and hand painted in Nymphenburg by artisians with execellent expertise. They are...

One of the most finely sculpted and executed bronzes we have ever offered, this 22-inch sculpture portrays David as a handsome, lithe young man, with a small stone in his hand, ready...

Set of 4 Classical cast sterling silver figures. Made by Buccellati in Italy. Adroitly draped Bacchus babes wave garlands and leaves. Vaguely allegorical and wholly buck naked with c...

A beautiful cast bronze and black marble sculpture of flower with woman by McLean from 1986. The sculpture is signed McLean and dated 1986. Dim: ...

This Bronze is very attractive, featuring a traveling youth looking into the distance, He has a sun-hat staff and water canteen and sits on a rocky outcr...

A very rare mid 19th Century Animalier bronze study of a doe drinking by the side of a lake, the bronze with fabulous rich brown patina and very fine hand chased surface detail, rais...

A nice size bronze casting of a Semi-nude girl seated with small child and a dog holding a bunch of Flowers. The Artist name is visible in the dress at the bottom ( Delandre). A Larg...

Sterling Silver Bust of Winston Churchill (London, 1969) Material: Sterling Silver (.925) Dimensions: 3 inches (7.6 cm) height × 2.5 inches (6.4 cm) width Weight: 488 grams (unweight...

Cast Bronze work by Paris based artist and sculptor Manuel Fernandez entitled “The Walker” cast in 2001. The original single work, done in 2000, has a solid cast bronze slab base as ...

Crocodile wearing black heels. Bronze sculpture. Numbered IX / X. Signed by Pedro Friedeberg, Limited 10-pieces edition. Certificate included. Pedro Friedeberg is a Mexican artist a...

Highly animated bronzes of Apollo (left) and Vulcan (right). 17th century bronze copies of 16th century Venetian marbles by Alessandro Vittoria. Patina is a rich nut brown. Apollo...

A great looking nude lady hanging on the side of a vase pulling in a fishing net. Good size at 16" in height and 11" wide. Very heavy casting, and with great details in hi-quality lo...

Late 19th century french bronze sculpture of a boy with a sword by Louis Kley By: Louis Kley Material: bronze, alabaster, copper, stone, metal Technique: cast, patinated, molded, me...

Great abstraction sculpture for the well known Colorado artist Gail Folwell, all measures are including marble base. This Piece is numbered 4/9 and signed.Title Synaptic Gap

By Cast Editions Designed By Vic Wright Cast Editions is Vic Wrights latest series of sculptures. The shapes interact and connect with each other making adaptable collections. All ...

Cast in brass with a rich patina, this seated figure is a Lama, a spiritual master and teacher of the Dharma in Tibetan Buddhism. The figure likely de...

In the first century, Livia was decribed as Rome’s strongest woman. She is proudly depicted in ancient sources as suitable to be empress, faithful to the emerpor and a good wife, and always balanced and level headed. It is said that she successfully filled the roles of wife, mother, widow and elderly woman. Livia was the wife of Augustus, the first emperor of the Roman Empire; she was his regent and was also his faithful adviser. Livia, the most powerful woman of her time, has written her name in history as a loyal, proud and dignified woman. The original bust of Livia is exhibited in the Ephesus Museum...

Small figure of a little girl marching with a flag made of solid bronze. Good condition with appropriate wear from age, with patina and minor discoloration. One available. Please not...

DIMENSIONS Height: 9.5 inches Width: 6.5 inches Depth: 3.75 inches MARKINGS Brown-patinated bronze, inscribed on base: H. Scholter

Hungry. An individual writhes and howls, silent cries, empty and insatiable. Hungry for love and attention. The extremely suffering individual is disconnected from the surroundings. ...

Mid-Century Modern bronze goose bird fighting reflection in mirror on quartz by Curtis Jere. Signed (original label bottom of stone) the stone base 8" X ...

Man at the effort Expressionist cast iron dated and signed 1976 with a height of 28 cm for a width of 21 c and a depth of 10 cm. Additional information: Material: cast iron (iron...

This Buddha sculpture is cast in bronze and has gilting. The Buddha sits in a position of meditation. The position can be seen as Feng Shui. It sits on a gilted Bronze base. The scul...

Signed Mid-Century Modern solid bronze ballerina dancer sculpture on an oval Lucite base. Dated 1975 and signed by the Artist. Simply a graceful table sculpture. O-634-335      

Early 20th century Art Déco small bronze sculpture of girl with skirt dancing By: unknown Material: bronze, copper, metal Technique: patinate...

An attractive early 20th century French Art Deco bronze figure of a resting beauty reclining on a daybed with a shawl delicately draped over her. The bronze exhibiting attractive dee...

A very fine limited edition modernist bronze bust by noted Spanish artist Pedro Pruna O'Cerans, impressed with limited edition number 3 of 8, together with the artists signature, and...