19th Century Vases and Vessels

French Victorian monumental turquoise Sevres porcelain vase with cupids in relief on round pedestal base (signed JOSEPH CHERET)

Pair of porcelain Medici vases set on high, square bases. All sides of the vases are decorated with bouquets of multicolored flowers on white background with accents of gold foliage ...

Our important parcel-gilt and patinated silver and glass-mounted vase and matching oil lamp were designed by Paul Legrand (1840-1910) and crafted by the silversmith, Charles Glachant, for Boucheron of Paris, circa 1878-1880. 21 in tall and 16.5 in wide (53.4 by 41.9 cm). 28.56 lbs, 457 oz, 14,210 g. Provenance: presented to or purchased by Jean-Baptiste Pezon (1827-1897); acquired by a European private collector, perhaps on the death of Jean-Baptiste Pezon in 1897, by descent; acquired by YM Antiques, 2017. This double walled vase has an amphora form, with body and foot with silver, gilt and patinated and stylized flowers, anthemions and sprays of cherries against an etched and matted ground pierced to reveal a gilt inner wall. The upper body is detachable via a slip-lock, and mounted on both sides with arched panels formed of hexagonal beveled glass tiles. One glass panel applied with bacchic infants taunting a rearing goat and the other side with infants feeding grapes to a lioness under a looming bust of a satyr. The patinated and gilt upswung loop bifurcated handles are mounted with fully modeled figures of Pan bearing a syrinx and thyrsus and a draped maenad playing two flutes, both above roaring lion heads, the rim inset with a slip-lock detachable gilt bowl etched with masks of various representations of Bacchus spaced by ribbons and trophies and with scrolling fruiting vines. The base of interior with detachable base metal drip pan to accommodate the removable oil lamp designed to illuminate the glass tiles from within. The lamp is raised on four hoof feet, the upturned ends cast underneath with masks and with detachable cover mounted with two infant satyrs and flanked by gilt loop handles. The bacchic themed design featuring cartouches depicting infants taunting a goat and lion, plus prominent lion masks at the handles, certainly appealed to Boucheron's customer, Jean-Baptiste Pezon (1827-1897), who is believed to have commissioned the piece. Pezon was the celebrated lion tamer and headliner of the Grande Menagerie whose profession brought him great fame and fortune in Paris. Born a shepherd boy in Lozere, he is said to have left his home at the age of seventeen in the company of a wolf he had captured and trained years earlier. He headed to Paris and by the age of twenty-one purchased his first lion who he named Brutus. The animal is said to have inspired the Lion of Belfort, the monumental red standstone sculpture by Frederic Bartholdi erected in Belfort in 1880. Toulouse-Lautrec was among his admirers and friends, visiting Pezon's Great Lozerian Menagerie to sketch animals. A large bronze sculpture of Pezon atop a female lion adorns the Pezon family tomb in the Pere Lachaise Cemetery in Paris, as seen in our image here. The vase and detachable bowl are marked on the underside with the silversmith's mark of Charles Glachant. The underside and upper rim of the lower body is engraved "Fic Boucheron Paris". The lamp is marked on underside and flange of cover for Glachant. Boucheron archives indicate the vase was inspired by the amphora vases created by the Greek potter, Nikosthenes, 550-510 BC. The Nikosthenic amphora vases are a form of Attic vase recognized for their angular amphora form with broad flat handles. Potted of bright orange-red clay, they were decorated with plant and animal motifs within distinct friezes, with the most significant defining feature being the black figure painting, often highlighted with white accents. In this vase Legrand re-imagines the striking contrast of the black figures against a warm ground through the use of patina and gilding. His inventive use of piercing and double-wall construction create additional levels of texture and depth throughout the body. The same combination of ornamentation was employed in a ewer designed by Legrand in 1880 in the Islamic taste. (See lot 77 of Christie's sale in New York on October 22, 2009.) Edmé Bouchardon (1698-1762), royal sculptor to Louis XV, may have provided Legrand with inspiration for the vase's iconography. The panel featuring bacchic infants taunting a rearing goat is very similar to a bas relief representation of Winter designed by Bouchardon for the Fontaine des Quarte-Saisons on rue de Grenelle, Paris. Bouchardon debuted his plaster model for the bas relief in 1741, and the fountain was completed in 1745. The Boucheron firm, founded by the celebrated jeweler, Frédéric Boucheron...

Exquisite Hand-Decorated White and Blue Opaline Glass Vases with Gold, Enamel, and Jewel Beads – France, Circa 1860 These stunning white and blue opal glass...

A blue ground pilgrim flask-shaped vase by famed English designer Christopher Dresser for Minton, circa 1870s. The foliage motif was most likely hand-painted by William Mussill...

Pair of vases bronze and porcelain blue cobalt with bronze women,s heads on the sides .the bronze of these vases are of great quality Not sign but they wa...

A Garniture de Chemineé in the Louis XVI taste By Arnold & Lewis (late Simmons) The mantle clock, and its two matched vases, are constructed in jewelled 'Sèvres' style porcelain, hand and polychrome decorated, with gilt highlights and finely gilt bronze. The clock, rising from toupie feet, supports a rectangular base frame with rounded ends, set with cast stiff leaf decoration, and having inset Roi de Bleu and gilt work panels; over, the circular porcelain dial, signed by the maker (qv) has Roman numerals and blued steel hands, and is set over a central porcelain panel with a bucolic scene, and flanked by elliptical female portraits; the ends are curved and conformingly polychrome and gilt decorated; the whole is surmounted by a decorated twin handled urn, having a pine cone finial, set on an addorsed acanthi gilt bronze base. The two train clock...

A large pair of Louis XVI style marble (Hauteville) urns with extra ordinary ormolu mounts. The mounts (excellent condition and color) supported putti's, flame tips on the caps, to t...

Antique Bing & Grøndahl porcelain vase with hand-painted butterflies and flowers. Handles modelled as snakes from Medusa's hair. 1870s. Measures: 24 x 15.5 cm. In excellent origi...

This superb quality pair of French Empire classical twin handled urns is very stylish and cast in very heavy solid bronze with alternate sections highlighted with original ormolu whi...

Late 19th century solid brass 1870 English single shoe spill vase with incised detail and a rear holder from a private collector who traveled the world buy and selling...

A Fine Quality Early 19th Century French Porcelain Miniature Ewer A splendid small French porcelain ewer, circa 1830 exquisitely hand painted w...

This is a pair of Art Nouveau Coffee pots dating from around 1900. They are not an identical pair but I am selling them as a pair. Hand made in ...

Loetz Rubin Matte Iris - 1898 (aka: rubin metall) Registered Model: PM I-7875 Ruby ground; metallic-bronze iridescent finish (iris) with purple highlights. Measures: Height 7.75 inches Width 4.25 inches Condition: Excellent AVANTIQUES is dedicated to providing an exclusive curated collection of Fine Arts, Paintings, Bronzes, Asian treasures, Art Glass and Antiques. Our inventory represents time-tested investment quality items with everlasting decorative beauty. We look forward to your business and appreciate any reasonable offers. All of our curated items are vetted and guaranteed authentic and as described. Avantiques only deals in original antiques and never reproductions. We stand behind our treasures with a full money back return if the items are not as described. In 1836, Johann Eisner established a glassworks in the Southern Bohemian town of Klostermühle, today part of the Czech Republic and called Klášterský Mlýn. His heirs sold the glassworks to Martin Schmid in 1849, and two years later Schmid sold it to Frank Gerstner, attorney-at-law, and his wife Susanne. Susanne was the widow (‘Witwe’ in German) of Johann Loetz, a glassmaker about whom we know very little. Gerstner transferred sole ownership to Susanne shortly before his death in 1855, and she successfully led and expanded the company during the subsequent 20 years, manufacturing mainly crystal, overlay and painted glass. In 1879, Susanne transferred the company – now called ‘Johann Loetz Witwe’ – to Maximilian von Spaun, the son of her daughter Karoline. One year later, von Spaun hired Eduard Prochaska and the two of them modernized the factory and introduced new, patented techniques and processes. The Historicist Period The first fruits of this collaboration were exciting innovations in Historicism glass, including Intarsia and Octopus glass and the very popular marbled (‘marmorisierte’) glass which imitated semi-precious stones like red chalcedony, onyx and malachite. Success at exhibitions in Brussels, Munich and Vienna were crowned by awards at the Paris World’s Exposition in 1889. In 1897, von Spaun first saw Tiffany Favrile glass exhibited in Bohemia and Vienna, and this convinced him that the art nouveau style was also the way to go for Loetz Witwe. The next eight years were to be the most artistically significant and profitable period in the entire history of the company. The Art Nouveau Period – the Glory Years Loetz Paris-Expo1900Loetz Paris-Expo1900The glassworks created large numbers of its own new designs of iridescent, trailing art nouveau glass, sometimes in collaboration with well-known artists and designers like Marie Kirschner and Franz Hofstötter (aka Franz Hofstätter). The zenith of Loetz art nouveau glass was epitomized by the so-called Phänomen series of designs, much of it designed by Hofstötter, which won a Grand Prix (alongside Tiffany, Gallé, Daum and Lobmeyr) at the Paris World’s Exposition in 1900. The company’s success during this period had two prime drivers – the technical expertise of Prochaska and the business acumen of von Spaun. Loetz Witwe created many of its own designs, and also supplied glass commissioned by major customers like E. Bakolowits (Vienna) and Max Emanuel...

Antique Meissen lidded jar in hand painted porcelain with romantic scene and gold decoration, 19th century. Measures: 9 x 6.5 cm. In very good condition. 2nd factory quality. Stam...

On offer is a Korean ceramic bottle vase circa 19th century made in the late Joseon dynasty (1392-1910). The vase is of a classic bottle form with a bulbous body and a long neck with...

A Fabulous and Monumental Pair of 19th Century French Louis XVI Style Baccarat White Opaline Crystal Baluster Form Flower Decorated Vases Mounted as Lamps. Each of these crystal lamp...

Sage green and lilac jasperware. Each pyriform vessel decorated with figural medallions beneath floral garlands, further decorated with leaf and palmette bands, the domed cover with ...

A very decoration and stylish pair of late 19th Century Chinese Famille Verte vases, having inset hand painted panels depicting Classical Chinese interior scenes, set among floral an...

A Fine Pair of Gilt-Bronze Mounted Sèvres Style Porcelain Vases and Covers. The painted reserves signed 'G. Poitevin.'. This fine pair of pair of vase...

An antique Japanese, late Meiji Era, lidded and footed enamel over brass censer koro or jar. Circa: late 19th century to early 20th century. The sphere form jar is enameled with imag...

A fine pair of French ormolu and patinated bronze vases, baluster shaft with relief decoration of swallows and vegetation. Both artist names are signed, Henry Cahieux (1825-1854) and...

Decorate a shelf or a table top with this beautiful antique majolica set! Crafted in France, circa 1880, the colorful ceramic set includes a cent...

These large, gilt bronze tripod stands have been designed in a majestic French Neoclassical style. Both stands serve to support bowls, raising t...

English Victorian bamboo hanging fernery/planter with six sided tole liner and three supports (19/20th century).  

A very fine French 19th-20th century Christofle & Cie Louis XV style silvered figural centerpiece with a circular scalloped cut-glass bowl attributed to Baccarat, the center-dish fla...

This stoneware vase of a jar form was finely decorated with low relief carving and delicate colored glazes depicting bundles of peony flowers. It was made by Ito Tozan I (1846-1920) circa 1890-1900s in the late Meiji Period. The color pallet was both bold and subtle, with dark green and rusty leaves with golden outlines and white and light yellow peony petals covering much of the surface. Impressed with potter's mark on the base. Examples of two pieces by Ito Tozan I were in the collection of MNAAG (Guimet) Paris. Inventory no. MG 13790 an 13792. A vase with similar shape and decoration techniques is featured as Lot 1340 Fine Japanese Art, 13 Sep 2017 Bonhams New York Tozan Ito I established his ceramic business in Kyoto 1867. His studio made both porcelain and stoneware in a style some considered Satsuma while they retained a sophistication of Kyoto ware...

A pair of 19th century French Gien faience urns with hand-painted floral decoration. Nice form with double handles and square pedestal base. Lids with str...

A most impressive and large scale pair of French mid 19th century Louis XVI st. Brèche Violette marble and ormolu lidded urns. Each urn is raised by a thick square mottled base with ...

Belgian Arts & Crafts glazed beige porcelain vase with cover having an open black finial and trimmed with black decoration and various heads (signed: S HUBLET, marked 213D)

A Dutch 'doofpot' was a pot to store the not yet burned wood or other fuel. Because the jar was sealed airtight, the burning would soon stop due to lack of oxygen. The remaining residual fuel could be reused. Burning wood in a 'doofpot' becomes for example charcoal. In a medieval Dutch...

These Japan porcelain vases are original decorative objects realized in Japan at the end of the 19th century. Very good conditions. This refined couple of vases was made by Jap...

A Japanese glazed ceramic jar with a lacquered wood lid circa 19th century of late Edo to early Meiji Period. The stoneware tsubo was used as a storage vessel for produce such as tea...

A 19th century French Sevres style turquoise porcelain vase. Front hand-painted with a romantic scene and the back with a landscape. Hei...

This antique large perfume bottle, with its stopper, is a beautiful example of 19th-century Bohemian overlay glass. Crafted with a double-layer de...

A very impressive late 19th Century French Louis XVI Sevres style porcelain lidded vase. Having a classical Cobalt blue ground, gilded sc...

Sumida ware vase with two men on rocky ledge seeking bird eggs by Inoue Ryosai in the mid-Meiji Period and continued on by two generation potters by the same name until the Showa Per...

"Antique Chinese (Late 19th Century) large off-white, porcelain urn with a blue peacock amid florals and two blue scrolled handles along the neck. Light wear."

Vintage Small Black Olive Pot - 19th Century Discover the timeless charm of our Vintage Small Black Olive Pot, a testament to the beauty of rustic elegance. Crafted with meticulou...

Pair of fine quality bronze-mounted Sèvres style porcelain champlevé enamel vases. The hand painted medallions depicting cherubs and floral motifs surrounded by raised gilt enamel. T...

Pair of 19th Century French Gilt Bronze and Champleve Enamel Urns

Wilhelm Kåge designed the Farsta series for Gustavsberg in the 1930s. The series was introduced in the late 1930s and continued into the 1940s and 1950s. The pieces were known for th...

A remarkable hand painted Japanese Imari porcelain trumpet vase with ribbed body and profuse decoration. This vase is very rare and unique...

A charming Chinese green glazed pottery censer or incense burner, Qing Dynasty, late 19th century. Now suitable for use as a jardiniere or vase. The incense burner in glazed a deep green, in imitation of bronze models, and set on four tapered legs attached to a rectangular stand...

French gilt bronze-mounted Verde marble Urns decorated with open Pomegranate and foliage ornamentation. Date: Late 19th C Dimensions: 8.6 x 21.

An exemplary pair of 19th century Samson porcelain urns with ormolu bronze mountings. Each urn is covered with a hand painted porcelain lid matching the body of the vessel surrounded by a ormolu bronze rim and topped with finial in an intricate foliate motif. The vessels are hand painted with floral motifs comprising red, pink, green, blue and purple flowers over a vibrant green background among other decorative elements. Each urn is mounted with intricate ormolu bronze handles and bases each in a foliate motif. Provenance John Nelson Antiques...

French 19th Century Louis XVI gilt bronze garnitures mounted on fluted white Carrara marble and black marble bases with ram's head and flame moti...

Pair of beautiful silver and vases with gorgeous bows and flowers decorating the surface, three three-dimensional ram heads by each leg and hooved feet from the late 19th/ early 20th...

A magnificent large scale 19thC French "bleu celeste"and gold Sevres porcelain vase mounted with decorative gilt bronze handles and gilt bronze base. The 'bleu celeste' coloured porc...

A unique pair of marble urns with decorative ormolu bronze mountings. The combination of the reddish pink marble and superb bronze work creates a striking contrast, emphasizing the d...

Large cup made of red marble from Vitrolles turned foot, garnished with shells. Composition of shells including a leopard cone (conus leopardus), a horned helmet (cassis cornuta), tw...

Early Emile Gallé vase in clear frosted art glass with thistle pattern. Carved with motifs in the form of flowers and leaves. Wavy bottom and top. Enamel work and gilt. Museum qu...

Beautiful late 19th century (circa 1880) lacquered vase in orange and black color. Lovely floral design throughout the piece.

Exceptional pair of portrait vases of two beautiful women; one has blonde Hair and the other dark hair. They are set on a dark blue cobalt bac...

Quality antique Victorian porcelain clam vase having a quality antique Victorian porcelain clam vase hand painted in wonderful white, orange, red and green c...

A very impressive pair of Japanese Meiji (1868-1912) period Blue and white porcelain vases, each with wonderful classical motif decoration to the neck and base. Blossom trees to the ...

A Fine Pair of Early 19th Century French Grand Tour Bronze and Siena Marble Tazzas of Interesting Design French Circa 1830 These beautiful tazzas stand on round bronze bases, cast...

A large Paris porcelain vase of good quality, almost two feet in height. The body with painted figural and landscape vignettes on opposing sides, contained by acid-etched gilt border...

Pair of bronze and dore bronze compote/tazas with finely chased details. Can be used to hold a topiary or a thick candle. Base is 7" Top is 11.5".

Pair of French neoclassical style lapis and gilt bronze vases French, late 19th century Measures: Height 46cm, diameter 19cm Each vase in this pair, crafted from gilt bronze mou...