Molded Vases and Vessels

Perfume Bottle "Bouchon Cassis" made in clear glass with original black heated enamel and black glass by Rene Lalique in 1920.  Molded signature on bottom.  Perfect condition.  ...

Vase "Margaret" made in frosted glass by René Lalique in 1929. Stamped signature on bottom. Perfect condition. Rare model. height: 22,5 cm Félix Marcilhac, René Lalique - Catalogu...

Wonderful Mid-Century Modern German vases by Ingrid Glass, circa 1970. These beautiful purple colored and clear vases bring a touch of elegance and fantasy to any room. Tallest one i...

This striking cobalt blue glass perfume bottle, designed by the renowned René Lalique for the Worth fragrance “Dans la Nuit”, is an exceptional example of Art Deco design from the 19...

A fine French Art Deco glass vase hand-enameled art glass vase decorated with Chestnut stems and dating from around 1930. This stylish vase is molded in frosted glass and hand applie...

Wonderful Mid-Century Modern German vase by Ingrid Glas, circa 1970. This beautiful bright red vase brings a touch of fun and fantasy to any room with it's whimsical textured 'tree b...

Cenedese vintage midcentury modern tall and rare pair of Murano solid light blue colored / coloured faceted glass obelisks, made circa 1970. Wonderful Italian glass and perfect as an...

Tiara Perfume Bottle "Leurs Ames" made in glass by Rene Lalique in 1913 for D'Orsay Molded signature on bottom. Perfect condition. Exceptional and extremely rare bottle. height :...

Vase "Baies" made in frosted glass with original heated brown enamel by Rene Lalique in 1924. Molded signature on bottom. Perfect condition. Exceptional enamel. height : 26,5 cm ...

Large sized art nouveau caged glass vase by Kralik glasswork. Frosted clear glass, blown and encased in a metal cage. In very good vintage condition without damage.

A dramatic black glass vase decorated with striking satin finished enamel swirls against a polished background, signed Lalique France. ADDITIONAL INFORMATION Height: ...

Wonderful Mid-Century Modern German vase by Ingrid Glas, circa 1970. This beautiful bright blue and clear vase brings a touch of fun and fantasy to...

Cast iron cauldron with unmatching Lid from Galicia at the northern part of Spain, circa 1940s Made in molded/cast iron, originally used for cooking...

Vase "Ronces" made in cased butterscotch yellow opalescent glass with sepia patina by René Lalique in 1921. Molded signature. Perfect condition. Exceptional color. height: 23.5 cm ...

Émile Gallé (1846-1904) Rare and Important Galle French Cameo Glass Vase Cased glass, opalescent, colorless, yellow and blue, acid-etched design with the Basilica of St Nicolas de P...

Vase "Picardie" made in cased opalescent with sepia patina by René Lalique in 1927. Engraved signature on bottom. Perfect condition. Exceptional model. Extremely rare. height: 24 ...

An impressive early 20th Century American iridescent glass vase of slender form with green hearts shining through an attractive golden iridescence, signed L C Tiffany Favrile and numbered to base. ADDITIONAL INFORMATION Height: 23 cm Condition: Very Good Condition Circa: 1905 Materials: Iridescent Coloured Glass SKU: 6667 ABOUT Louis Comfort Tiffany Louis Comfort Tiffany (February 18, 1848 – January 17, 1933) was an American artist and designer who worked in the decorative arts and is best known for his work in stained glass. He is the American artist most associated with the Art Nouveau and Aesthetic movements. Tiffany was affiliated with a prestigious collaborative of designers known as the Associated Artists, which included Lockwood de Forest, Candace Wheeler, and Samuel Colman. Tiffany designed stained glass windows and lamps, glass mosaics, blown glass, ceramics, jewellery, enamels and metalwork. Early Life He was born in New York City, New York, the son of Charles Lewis Tiffany, founder of Tiffany and Company; and Harriet Olivia Avery Young. He attended school at Pennsylvania Military Academy in West Chester, Pennsylvania, and Eagleswood Military Academy in Perth Amboy, New Jersey. His first artistic training was as a painter, studying under George Inness in Eagleswood, New Jersey and Samuel Colman in Irvington, New York. He also studied at the National Academy of Design in New York City in 1866-67 and with salon painter Leon-Adolphe-Auguste Belly in 1868-69. Belly’s landscape paintings had a great influence on Tiffany. Career Louis started out as a painter, but became interested in glassmaking from about 1875 and worked at several glasshouses in Brooklyn between then and 1878. In 1879, he joined with Candace Wheeler, Samuel Colman and Lockwood de Forest to form Louis Comfort Tiffany and Associated American Artists. The business was short-lived, lasting only four years. The group made designs for wallpaper, furniture, and textiles. He later opened his own glass factory in Corona, New York, determined to provide designs that improved the quality of contemporary glass. Tiffany’s leadership and talent, as well as his father’s money and connections, led this business to thrive. In 1881 Tiffany did the interior design of the Mark Twain House in Hartford, Connecticut, which still remains, but the new firm’s most notable work came in 1882 when President Chester Alan Arthur refused to move into the White House until it had been redecorated. He commissioned Tiffany, who had begun to make a name for himself in New York society for the firm’s interior design work, to redo the state rooms, which Arthur found charmless. He worked on the East Room, the Blue Room, the Red Room, the State Dining Room and the Entrance Hall, refurnishing, repainting in decorative patterns, installing newly designed mantelpieces, changing to wallpaper with dense patterns and, of course, adding Tiffany glass to gaslight fixtures, windows and adding an opalescent floor-to-ceiling glass screen in the Entrance Hall. The Tiffany screen and other Victorian additions were all removed in the Roosevelt renovations of 1902, which restored the White House interiors to Federal style in keeping with its architecture. A desire to concentrate on art in glass led to the breakup of the firm in 1885 when Tiffany chose to establish his own glassmaking firm that same year. The first Tiffany Glass Company was incorporated December 1, 1885 and in 1902 became known as the Tiffany Studios. In the beginning of his career, he used cheap jelly jars and bottles because they had the mineral impurities that finer glass lacked. When he was unable to convince fine glassmakers to leave the impurities in, he began making his own glass. Tiffany used opalescent glass in a variety of colors and textures to create a unique style of stained glass. He developed the “copper foil” technique, which, by edging each piece of cut glass in copper foil and soldering the whole together to create his windows and lamps, made possible a level of detail previously unknown. This can be contrasted with the method of painting in enamels or glass paint on colorless glass, and then setting the glass pieces in lead channels, that had been the dominant method of creating stained glass for hundreds of years in Europe. (The First Presbyterian Church building of 1905 in Pittsburgh, Pennsylvania is unique in that it uses Tiffany windows that partially make use of painted glass.) Use of the colored glass itself to create stained glass pictures was motivated by the ideals of the Arts and Crafts movement and its leader William Morris in England. Fellow artists and glassmakers Oliver Kimberly and Frank Duffner, founders of the Duffner and Kimberly Company and John La Farge were Tiffany’s chief competitors in this new American style of stained glass. Tiffany, Duffner and Kimberly, along with La Farge, had learned their craft at the same glasshouses in Brooklyn in the late 1870s. In 1889 at the Paris Exposition, he is said to have been “Overwhelmed” by the glass work of Émile Gallé, French Art Nouveau artisan. He also met artist Alphonse Mucha. In 1893, Tiffany built a new factory called the Stourbridge Glass Company, later called Tiffany Glass Furnaces, which was located in Corona, Queens, New York, hiring the Englishman Arthur J. Nash to oversee it. In 1893, his company also introduced the term Favrilein conjunction with his first production of blown glass at his new glass factory. Some early examples of his lamps were exhibited in the 1893 World’s Fair in Chicago. At the Exposition Universelle (1900) in Paris, he won a gold medal with his stained glass windows The Four Seasons He trademarked Favrile (from the old French word for handmade) on November 13, 1894. He later used this word to apply to all of his glass, enamel and pottery. His first commercially produced lamps date from around 1895. Much of his company’s production was in making stained glass windows and Tiffany lamps, but his company designed a complete range of interior decorations. At its peak, his factory employed more than 300 artisans. Recent scholarship led by Rutgers professor Martin Eidelberg suggests that a team of talented single women designers – sometimes referred to as the “Tiffany Girls” – led by Clara Driscoll played a big role in designing many of the floral patterns on the famous Tiffany...

Art Déco czech Blue art glass vase decorated with nude figures from the 'Ingrid' collection by Curt Schlevogt By: Curt Schlevogt Material: art glass, glass Technique: molded Dimensi...

A large and powerful Chinese famille rose enameled porcelain "Five Dragon" meiping vase, modern, China. The oversized vase of traditional meiping form, with a splayed foot supporting a baluster shaped body with high shoulders, short, narrow neck, and rolled mouth rim. The large vase decorated with five dragons molded in relief. Their bodies painted in vibrant overglaze famille rose enamels of reds, greens, yellows and turquoise. The dragons portrayed dancing in the sky among flames and clouds. Their bodies twisting and writhing, claws extended, tails coiled, some with mouths open in triumphant roars. The main dragon in red, and portrayed to more directly face the viewer. The dragons dance against a white ground sky. The blank sky broken up by overglaze red painted stylized clouds and flames. The foot decorated with a band of crashing waves. A stylized lotus blossom surrounds the base of the neck. The neck with a band of scrolling flowers and vines against a yellow ground. The underside of the large vase with an apocryphal "Da Qing Qianlong Nian Zhi...

This is a Lalique Crystal Mesange flower vase. It depicts a vase with an hexagonal base followed by a stem shaped as a wreath. The wreath is made of periwinkles flowers decorated in the center by two chickadees birds...

Émile Gallé (1846-1904) French Art Nouveau Cameo Mold Blown Glass Vase « Fleurs de Pommier » circa 1910 Beautiful and very rare Art Nouveau molded-blowned g...

A very fine and palatial French 19th-20th century Christofle & Cie Louis XV style silvered figural centrepiece with a cut-glass scalloped centre-dish, attributed to Baccarat, and fla...

Émile Gallé (1846-1904), Art Nouveau Cameo Glass Vase « Gladioli Flowers » Large piriform vase on heel with long collar in dark blue and blue multi-layered glass Cased glass, opales...

Perfume Bottle"Elegance" made in clear and frosted glass with sepia patina by René Lalique in 1923 for D'Orsay. Molded signature "R.LALIQUE" signature on bottom and molded "D'ORSAY"...

Rare pair of Cenedese vintage midcentury modern clear green colored / coloured Murano glass round Apothecary jars or storage containers with lids made circa 1970s. Wonderful Italian ...

Decanter "Pouilly" with fishes made in glass with blue patina by René Lalique in 1931. Stamped signature. Perfect condition. Very beautiful model. Height: 29 cm Félix Marcilhac, R...

The Cyclamen perfume bottle is a strong Art Nouveau example of R.Lalique ‘s style in the begin of the 20th Century. The butterfly Ladies are represented on the different surfaces of...

Maria Vessel in Brick Designed by Project 213A in 2020 Handmade Stoneware This vase is inspired by the Greco-Roman period, having a timeless appearance and finished with a contempor...

Westite Glass Company #302 bow tie flower pot. Green and cream slag. Tapering traditional form flower pot with rim. Embossed on base: "WESTITE" (in bow tie shape) "302 WESTON, W. VA....

A striking mid-century modern 1950s fat lava vase by the renowned West German pottery maker Jasba Keramik. The company was founded in 1926 by Jakob Schwaderlapp in Ransbach-Baumbach ...

Vase "Jaffa" made in frosted glass with turquoise patina by René Lalique in 1937. Stamped signature. Perfect condition. Fabulous patina. height: 19.5 cm length: 31 cm Félix Marcil...

The Formose vase is one of the vases lalique created in many colors. The vase was a big success as the study of the fishes swimming all around the vase's body are a real study of th...

Perfume Bottle "Au Coeur des Calices" made in light blue glass by René Lalique in 1913 for Coty. Molded signature. Perfect condition. Sublime and extremely rare bottle. height: 7 c...

Wonderful deep blue René Lalique "Soucis" vase designed in 1930. "R.LALIQUE FRANCE" signature (see image). This piece was made before 1946. Great condition, no issues! 17.9cm hi...

Vase "Escargot" made in frsoted glass with grey patina by Rene Lalique in 1920. Engraved signature. Perfect original condition. Rim is off-centered from production. Height : 21 cm...

René Lalique (1860-1945) Vase les “Bacchantes” (1927) in opalescent molded pressed blown white glass. THE ARTWORK: In 1927, René Lalique created the famous Bacchantes vase, a coni...

Rene Lalique "Leurs Ames" tiara perfume bottle made in 1913 for D'Orsay in molded clear glass with sepia patina. Molded signature on bottom. Exceptional and extremely rare bottle...

A very attractive early 20th Century French cameo glass slender shaped vase decroated with deep burgundy and red flowers against a vibrant yellow field, signed Gallé. ADDITIONAL INF...

This antique set of four stoppered scent or perfume bottles was made in France in circa 1880 in the period Victorian style by an unknown maker. The uniquely shaped three sided bottle...

Perfume Bottle Tiara "Pâquerettes" (Daisies) made in clear and frosted glass with blue patina by René Lalique in 1913 for Roger and Gallet. Molded sig...

An attractive late 19th Century French cameo glass souffle vase decorated with raised deep red and burgundy flowers against a variegating yellow field. Exhibiting excellent detail an...

"Paysage de Printemps" by Daum Frères A stunning late 19th Century French cameo glass vase etched and enamelled with a vibrant spring landscape, exhibiting excellent colour and de...

Val Saint Lambert vase Charles Graffart, catalogue, 1950s. Beautiful signed Val Saint Lambert circular crystal vase, handcut-to-clear, the glass is thick, deeply and evenly cut, ...

The Ceylan is a very popular vase R.Lalique has created in 1926 . Till now, the Ceylan vase has remained a best seller and a hearstopper. The vase has been created in white glass...

Rene Lalique Tulipes vase opalescent glass highlighted with blue/black patina. A really interesting and good sized vase having bulbous blown out tulip heads with staining bring out t...

Perfume Bottle “Panier de Roses” made in frosted glass with sepia patina by René Lalique in 1912. Engraved signature. Perfect condition. Very beautiful patina. Rare model. height: ...

Sabino art deco vase circa 1930 in opalescent molded glass. Frieze decoration of a dancing woman and birds. In perfect condition. Height: 22.8 cm ...

Val Saint Lambert, Sculpted Crystal core Vase , Belgium. Heavy Val Saint Lambert crystal vase catalogued in the 1950s. The central amethyst color (a traditional favorite for VSL) h...

Val Saint Lambert vase Charles Graffart, catalogue, 1950s. Beautiful signed Val Saint Lambert circular crystal vase, handcut-to-clear, the glass is thick, deeply and evenly cut, Sig...

Émile Gallé (1846-1904) Gallé French Cameo Glass Vase Cased glass, opalescent, light amber brown and olive green Acid-etched design with olive branches Signed Gallé Circa 1910 Émi...

Vase “Formose” (Fishes) made in agate glass (cased grey and opalescent) by René Lalique created in 1924. Molded signature on bottom. Perfect condition. Wonderful model and extremely...

Late 18th Century french glazed porcelain apothecary/pharmacy jar with lid - 'UNG: SULPH' By: Charles-Antoine Acloque Material: ceramic, porcelain, paint, enamel Technique: molded, ...

Perfume Bottle "Fleurs Vives" made in glass with grey patina by René Lalique in 1920 for Volnay. Molded signature. Perfect condition. Rare model. height : 12.7 cm Félix Marcilhac...

Val Saint Lambert,Signed sculpted crystal vase with amethyst core, Belgium. Heavy Val Saint Lambert crystal vase catalogued in the 1950s. The central amethyst color (a traditional f...

An unusual and striking mid-century modern 1950s fat lava floor vase by the renowned West German pottery maker Jasba Keramik. The company was founded in 1926 by Jakob Schwaderlapp in...

Maria Vessel in Midnight Blue Designed by Project 213A in 2020 Handmade Stoneware This vase is inspired by the Greco-Roman period, having a timeless appearance and finished with a contemporary textured shiny glaze. Each piece develops its own distinctive character with shades of black as it goes through the firing process. No two pieces will look alike...

Just in, this Pair of Large Solid Brass Nautilus Shell Bottle Coolers or Planters These large solid brass nautilus shells are from the 1970s. This pair has been recently polished ....

Vase "Araignée et Ronces" made in white, black, pink and green pate de verre cameo glass by Gabriel Argy-Rousseau in 1920. Molded signature. Perfect condition. Height 12 cm Janine...