1700s-1860s Japanese Pottery Jar Edo Period Tsubo Ceramic Vase Wabisabi

A Japanese glazed ceramic jar with a lacquered wood lid circa 19th century of late Edo to early Meiji Period. The stoneware tsubo was used as a storage vessel for produce such as tea...

An absolutely stunning Bizen ware stoneware vase/jar/vessel - produced sometime during the late Momoyama period (1568-1600) / Early Edo Period (1603-1867). Bizen yaki...

This is a green and red flower vase made in Japan around 1860 in Edo era. It is designed with a dragon and flowers. This style made with copper is ca...

An antique Japanese stoneware storage jar, known as tsubo from Shigaraki kiln, circa 17th-18th century (early Edo possibly Momoyama period)....

This is a paper-lined Pottery vase (jar) made in Japan. It was made during the Meiji period (1860s-1900s) and was used to store and transport tea leaves at that time. To protect the ...

Lovely Japanese Edo Period (1603-1867) Imari Porcelain Vase in a European form. Created with a vertical scalloped surface, hand painted and hand thrown . Decorated with a medallion i...

Vintage Japanese Shigaraki jar in shimmering metallic black glaze, circa early/mid 20th century. Measures: 16" high. 13" diameter. Small chip at inner ri...

A Japanese solid bronze Mimikuchi handled vase with crisply detailed spiral design on a beautifully rounded body. This rare piece dates from the early to mid 1800's. A very fine example of Japanese Edo period...

A antique Japanese late Edo Period lidded enamel jar. The jar has a globular shaped body. The exterior of the vase is adorned with medallions ...

A massive and magnificent ceramic Tsubo jar by Japanese potter Tsujimura Yui (1975-). Inspired by the techniques and aesthetics of the early medieval Sue ware, the artist hand builds an impressive voluminous oviform, irregular by intention, from a combination clay from both Shigaraki and Iga, coarse by nature and rich in feldspar. Fired on their sides horizontally, the surface of the thick wall tsubo is covered with streaks and drips of natural ash glazes in shades of green and blue, forming an abstract and mesmerizing pattern that resembles geothermal earth activity. Additional ashes are blown during the firing to accentuate the textures. Most recognizably, there are many circular marks scattered on the surface of his archaic looking vessels. That is resulted from using stacked tea bowls to prevent the conjoining of the vessels. After the firing, the stacked vessels are chipped away, leaving behind those circular impression, as well as deep pools of glaze which gather where they were placed. Born in 1975, Tsujimura Yui is the first son of the contemporary ceramic artist Tsujimura Shiro...