5 Atamante Glass Vase, by Ettore Sottsass from Memphis Milano

About the Item

5 Atamante vase is in blown glass, and originally designed in 1986 by Ettore Sottsass. Signed on the base, for further information please see authenticity info below. Ettore Sottsass was born in Innsbruck in 1917. In 1939 he graduated in architecture at the Politecnico di Torino One of the most influential and important figures of the last century, Architect and Designer, he has participated in all radical movements whether created from the 1970s and 1980s. In 1981 he founded the Memphis Group, a group that has radically changed the scenario of Italian and world design. Honored with numerous international awards, was winner of the Golden Compass in 1959. He designed the first laptop "Valentina" by Olivetti. He died in 2007 at the age of 90 years, however Memphis Milano continues and is the representation or Sottsass's great work and memory. Memphis Milano is the great cultural phenomenon of the 80s that revolutionized creative and commercial logics in design. Born from the idea of Ettore Sottsass and a group of young designers and architects, in Milan, coupled in the years by famous designers from the international scene, Memphis turned upside down all of the existing parameters on living. Ettore Sottsass as the backbone of the group, design gained a new concept and expression through new shapes, materials and patterns, expanding the creative limits of the industry. Memphis became a symbol of New Design. Its influence is still clear in various sectors of production and beyond. Additional Info: - Dimensions: H 20 inches - Materials: Blown glass - Pricing: Prices do not include VAT. For inquiries regarding products pricing with VAT. - Purchased products are shipped with forms of authenticity by Memphis Milano. Glass and Silver items as well, contain an engraving which shows the signature of the designer, and the year which the product was originally designed in.

Creator:

Ettore Sottsass (Designer),Memphis Milano (Manufacturer)

Dimensions:

Height: 19.69 in (50 cm)Diameter: 5.01 in (12.7 cm)

Style:

Modern (In the Style Of)

Materials and Techniques:

Blown Glass

Place of Origin:

Italy

Period:

21st Century

Date of Manufacture:

Contemporary

Production Type:

New & Custom(Current Production)

Estimated Production Time:

1-2 weeks

Condition:

Seller Location:

La Morra, IT

Reference Number:

Seller: 350860311stDibs: LU4830117349812

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Shop All Ettore Sottsass

Ettore Sottsass

An architect, industrial designer, philosopher and provocateur, Ettore Sottsass led a revolution in the aesthetics and technology of modern design in the late 20th century.

Sottsass was the oldest member of the Memphis Group — a design collective, formed in Milan in 1980, whose irreverent, spirited members included Alessandro Mendini, Michele de Lucchi, Michael Graves and Shiro Kuramata. All had grown disillusioned by the staid, black-and-brown “corporatized” modernism that had become endemic in the 1970s. Memphis (the name stemmed from the title of a Bob Dylan song) countered with bold, brash, colorful, yet quirkily minimal designs for furniture, glassware, ceramics and metalwork. They mocked high-status by building furniture with inexpensive materials such as plastic laminates, decorated to resemble exotic finishes such as animal skins. Their work was both functional and — as intended — shocking. Even as it preceded the Memphis Group's formal launch, Sottsass's iconic Ultrafragola mirror — in its conspicuously curved plastic shell and radical pops of pink neon — embodies many of the collective's postmodern ideals.

Sottsass's most-recognized designs appeared in the first Memphis collection, issued in 1981 — notably the multihued, angular Carlton room divider and Casablanca bookcase. As pieces on 1stDibs demonstrate, however, Sottsass is at his most imaginative and expressive in smaller, secondary furnishings such as lamps and chandeliers, and in table pieces and glassware that have playful and sculptural qualities.

It was as an artist that Ettore Sottsass was celebrated in his life, in exhibitions at the Los Angeles County Museum of Art, in 2006, and the Philadelphia Museum of Art a year later. Even then Sottsass’s work prompted critical debate. And for a man whose greatest pleasure was in astonishing, delighting and ruffling feathers, perhaps there was no greater accolade. That the work remains so revolutionary and bold — that it breaks with convention so sharply it will never be considered mainstream — is a testament to his genius.