Ceramics

Gracefully posing dancer in a predominantly red costume: bustier and floor-length, wide, high-slit skirt with butterfly-wing-like decoration in blue and yellow, holding it up with ou...

This is a very decorative Burleigh Ware pottery jug or pitcher made by Burgess and Leigh of Burslem, Staffordshire Potteries, England during the Art Deco...

Clearly influenced by Matisse and other European modernists, this large and deep ceramic bowl with sgraffito decoration depicts a female nude and seated m...

French Art Deco ceramic vase, France, 1931. Ceramic vase made especially for the 1931 International Colonial Exhibition in Paris. The first time we see it. Height: 9.4"(23.8cm), Diam...

A fine early vintage Danish Royal Copenhagen porcelain dish molded with a lobster dating from circa 1924. The shallow dish is heavily made and formed as a basket with a moulded baske...

A very fine and well sculpted French Sevres turquoise glazed ceramic figure of an elephant by renowned French ceramist Paul Milet (French, 1870-1950) and da...

Art Deco Sgraffito vase decorated with a floral motif, by Josef Ekberg for Gustavsberg. Sgraffito is a way of combining two layers into a pattern, the second layer is scraped of and ...

A good antique Art Deco Belgian blue glazed pottery vase, by Royal Crown pottery, circa 1925. The vase is decorated with a very attractive mottled glue glaze, the flared neck of the...

A rare handcrafted glazed Studio Pottery tile depicting the pottery in St Ives, Cornwall by renowned English potter Bernard Leach CBE (British, 1887-1979) and made at the Leach Potte...

Dating to the 1930's this very attractive and rare Art Deco trinket box is made by a German company. Rare and in excellent condition, I couldn't f...

French Art Deco gull crackle glaze ceramic sculpture by GEO CONDE at Saint-Clement, France, 1920s. Width: 10"(29cm), Height: 6.1"(20cm), Depth : 3.5"(17cm). Marked in the mold...

Ceramic: Sign: Made in Belgium, Boch F. La louviere Fabrication Belge The Boch manufacture was established in Belgian La Louvière by Jean-François Boch, one of main owners of another...

Tan France Auction Pick We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authentic...

A very fine Art Deco pottery figure of a North American Native figure of a kneeling girl made by Van Briggle Art Pottery in the 1930’s. Van Briggle Art p...

Wilhelm Kåge (1889-1960) is one of the most well-known representatives of the illustrious Swedish ceramic design of the 20th century. This piece is signed with sticker "Gustavsberg A...

Green Majolica Fish Saucer Sarreguemines, circa 1930.

Unusual Majolica platter with 3 fishes signed Choisy le Roi, circa 1880.

A very rare and stylish Doulton Lambeth Marqueterie Ware blue and brown marbled art pottery saucer with gilded designs by Lambeth’s first Art Director Wilton Parker Rix (Doulton Lamb...

A rare glazed hand crafted studio pottery tile decorated with a running deer by renowned English potter Bernard Leach CBE (British, 1887-1979) and made at the Leach Pottery in St Ive...

A superb example of Art Deco craftsmanship, produced by one of the world's finest workshops in the 1930s, this vase depicts a deer with lifted head, flanked by a weeping willow tree,...

Exceptional and spectacular French Art Deco pair of ceramic vases by Revernay (Digoin), France, ca.1920. Each - Height 37.5cm, 14.8 inches, diameter 18cm, 7 inches. Marked "Revernay ...

A ceramic liquor set designed and manufactured in the Thirties by Rometti Umbertide, it'is in good conditions overall with normal signs of use and age, it's signed on the bottom Rome...

French Art Deco ceramic skye terrier sculpture by Santiago Rodriguez Bonome, France, 1920s. Height: 9.65"(24.5cm) , Width: 14.2"(36cm), Depth: 5.1"(13cm). Inciseded signature "SR BONOME PARIS" under the belly (see photo). Many works are exhibited in different museums: Paris, National Museum of Modern Art - National Center of Art and Culture Georges-Pompidou La Rochelle Spain, Valle-Inclan Foundation Spain, Museum of Lugo Spain, Caixanova Collection... Spain, Prado Museum in Madrid Born in Santiago de Compostela (Spain) in 1901, son of Evaristo Rodriguez Bréa and Antonia Bonome Pérez, he worked very young in his father's humble cabinetmaking workshop. Little attracted by this job, when his father asks him what he wants to do: "sculptor" he answers. He therefore entered, at the age of 13, in the religious imagery workshop of José Rivas, at the foot of this cathedral which he admired so much, then at the age of 18 in that of Enrique Carballido. "Because he is so, so young, Bonome! Ridiculously young said a critic, who probably did not know that these years of apprenticeship, of real apprenticeship as an apprentice in a real workshop (a saint a day and strongly, for all the processions, all the chapels and all the devotees of the province) are each worth four years -at least- of study in an academy..." Margarita Nelken (Madrid 1932) In 1924, he left for Madrid where he exhibited at the Galician Center, at the National Exhibition and then in La Coruña. In 1925, at the Galicia Center in Buenos Aires he sold almost 30 of his works. From 1926 to 1927 he exhibited in Barcelona, at the Venice Biennale then in Monza (Italy) where he met Pirandello, then in Havana. In 1929 he arrived in Paris where Lucas Moreno...

Produced to promote the Richard Ginori firm's exhibition at the Milan Triennial V exposition in 1933, this exceedingly rare glazed tile depicts Bellerophon taming the wild Pegasus. ...

This is a cup & saucer duo in the hand painted "Ravel" Pattern by the renowned Art Deco designer Clarice Cliff. This piece dates to the Art Deco period Circa 1936. The Ravel pattern was first introduced in 1929 and was one of Clarice's most popular designs. The pattern shows "Cubist" flowers and leaves in jade green and orange. The pieces are potted in the "Athens" shape Both pieces have the the Clarice Cliff, Wilkinson's England Lithograph marks in black, dating them to circa 1936, all fully documented in the book ; Clarice Cliff The Bizarre Affair, written by Leonard Griffin and Louis K. and Susan Pear Meisel...

French Art Deco ceramic sculpture by BERLOT-MUSSIER (Vierzon), France, 1920s. Young Lady among flowers in the style of René Buthaud in colored crackle glaze ceramic. Measures: Height...

Crackle glaze ceramic sculpture by Lejan at Orchies, France, 1920s. "BOUNTY". One of the largest Art Deco crackle glaze ceramic pieces. Measures: Width 15" (38cm), height 18.9" (48cm...

The large and rare Majolica group consisting of a nude male figure riding a horse was sculpted by Else Bach for the famous Karlsruhe ceramic works in...

A highly unusual vase by Jean Mayodon, one of France's leading artists in the Art Deco era, this piece depicts two scenes of nude male hunters with several deer. One of the hunters i...

This stunning sculpture of an Art Deco Pouncing Tiger is realized in a pale terra-cotta glaze ceramic .It features a stylized Tiger on a stepped geometric base echoing the design of ...

Known for his long career spanning a range of 20th Century movements, Jean Luce's Art Deco vase is a gilt orb etched with a motif of overlapping, matte black rectangles in intaglio. ...

A Wedgwood Majolica earthenware pottery match holder and striker, Staffordshire, England – circa 1869. For the hearth, kitchen or bedside, the holder is ribbed for lighting strike...

Black lion, France, 1920s ceramic. This lion has been made in black, green, and red. This is the black one! Same period as Charles Lemanceau, François Pompon, Lejean, Jean & Jacques ...

Art Deco female face in hand painted glazed ceramics, Germany, 1950s. Measures: 18.5 x 13 cm. In very good condition. Stamped.

French Art Deco crackle glaze ceramic fox by Louis Fontinelle, France, 1920s. Rare piece by Louis Fontinelle. Was sold in Les Magasins du Louvre in Paris. Measures: Width: 15"(38cm),...

Delicate Goldscheider Art Déco Ceramic Figurine of 1930s: Gracefully posing dancer in blue costume standing next to an octagonal pedestal: dotted bustier and short front skirt with l...

French Art Deco ceramic panther at Sainte-Radegonde's, France, 1920s. Width: 19.6"(50cm), Height: 9.4"(23.8cm), Depth: 4.5"(11.5cm). Sainte-Radegonde's label.

Very Rare Goldscheider Vienna Figurine of the 1920s: Standing pierrette leaned forward and holding her hands together behind her back, in a white costume with a multi-layered, pine-c...

Wilhelm Kåge & Josef Ekberg for Gustavsberg, Sweden. A set of six ceramic dishes in different sizes. Flower motifs inlaid in silver. Approximately from the 1940s. Marked. In perfect...

Circa 1860 Japanese Imari pair of plates. Scalloped edge; reserves representing Spring & Summer. Note the thistles. Superb colors. Nicely decorated en verso...

Art Deco pin cushion doll by Fasold & Stuach wonderful 1930s Art Deco German porcelain pin cushion half doll related brush topper. Manufactured by th...

A beautiful Art Deco tea pot with lid, dated circa 1940, made of pottery / stoneware with lovely brown glaze, designed by Vally Wieselthier. In very good ...

Beautiful Goldscheider Dancer Sculpture Very detailed glazed ceramic sculpture in great condition! Original Art Deco, Vienna (Austria) 1930s Di...

Exquisite porcelain figurine of the 1930: Aparte dancer in a tight-fitting red costume with short trouser legs and ruff, gymnastic shoes on her feet, balancing on the ball of her rig...

Please read the entire description carefully, as we strive to provide detailed technical and historical information to ensure the authenticity of our items. This distinctive and intr...

art deco huge Ø33cm! fruit bowl hand made in France ar. 1930 - very rare in perfect condition

Rare Goldscheider Art Déco figurine of around 1930: Dancer with brown hair pinned up at the nape of her neck in a dress flared like a fan with flounces and floral decoration, leaning...

René Buthaud (1886-1986). "Amphitrite", a ceramic low relief depicting the Greek mythological sea-goddess as a young girl riding a sea horse...

A stunning French Art Deco ceramic vase signed by Louis Auguste Dage. The light gray surface has a fine structure, the body displays various hand pa...

A large and stunning Danish Royal Copenhagen porcelain sculptural figure of a Puma by renowned animal artist Khud Kyhn (Danish, 1880-1969) conc...

An unusual Austrian art pottery sculptural figure of St Christopher carrying the Christ child across a river attributed to renowned Austrian sculptor, Ceramist, designer and teacher Michael Powolny (Austrian, 1871-1954) and probably dating between 1920 and 1930. The hand-crafted figure shows St Christopher with the Christ child on his shoulder and a wooden staff...

art deco huge Ø32cm! rosé colored glass Bohemian Fruit Bowl

Goldscheider Art Deco figure of nude woman in partially glazed red clay, 1920s-1930s. In very good condition. Measures: 35 x 11.5 cm. S...

French Art Deco antelope sculpture by Charles Lemanceau at Sainte-Radegonde, France, 1920s. Ceramic sculpture named "Antelope standing". Illustrated in the Sainte-Radegonde catalogue...

Antique Art Deco Monumental hand-painted pottery Bizarre Ware wall charger by Clarice Cliff, circa 1930. This very large pottery charger at 18.5"...

A fine and quality antique French Majolica plate with a pheasant set within a wooded landscape signed Hippolyte Choisy le Roi and dating ...

FAPG 20247D John Bennett (1840-1907), New York Plaque with pink and blue phlox, circa 1881-1882 Earthenware, painted and glazed Measures: 14 7/8 in. diameter, 1 13/16 in. high Signed and inscribed (on the back): J B[monogram] ENNETT / E 24 NY. / MC [or] CM If the Herter Brothers was the most distinguished and successful cabinet making and decorating firm in New York in the 1870s-1880s, the transplanted Englishman John Bennett was probably the most gifted ceramicist working in New York in the Aesthetic period. (Bennett was included in The Metropolitan Museum of Art’s landmark exhibition, In pursuit of beauty: Americans and the Aesthetic Movement, in 1986–87, and Alice Cooney Frelinghuysen’s chapter, “Aesthetic Forms in Ceramics and Glass,” pp. 216–19, significantly informs this essay). Born in England, the son of a potter who worked in the Staffordshire district, Bennett came under the influence of John Sparkes, head of London’s Lambeth School of Art. Soon thereafter, he was hired by Henry Doulton of the eponymous firm to teach artisans there the new art of underglaze faience decoration, which was part of a revival of the sixteenth-century interest in hand-painted ceramics. A number of Bennett’s works for Doulton were shown in the Doulton display at the Centennial Exposition in Philadelphia in 1876, and the considerable success enjoyed by Bennett and Doulton from an American audience undoubtedly played an important role in Bennett’s decision to leave Doulton and England and set up shop in New York in 1877. By the next year, he had already established a studio in New York, where he produced his own pottery in the tradition of the Arts & Crafts innovators, William Morris and William De Morgan, and also taught classes at the new Society of Decorative Art to the growing band of women who had taken up china painting, both professionally and avocationally. Bennett’s pottery developed a very serious following among students and collectors, and was offered for sale at such leading retail establishments as Tiffany & Company in New York. Typically, his work was brilliantly colored, with carefully drawn naturalistic flowers against a monochromatic background. Bennett’s fully developed American work, particularly pieces of larger scale, is exceedingly rare, as he worked in New York only from 1877 to 1883, in which year he withdrew to a farm in rural West Orange, New Jersey, where his production continued on a limited basis. He remained listed as a ceramicist there until 1889. While in New York City, Bennett maintained a studio at 412 East 24th Street. The present charger, boldly featuring pink and blue phlox, is signed by Bennett, and is inscribed “E 24 NY,” indicating its manufacture during Bennett’s time in New York. Although it is not dated, this piece is closely related stylistically to various dated pieces from 1881–82, which would place its production toward the end of Bennett’s New York years. Although we do not know whether Bennett worked out of this 24th Street studio from the outset, he was indeed working there by 1879 when he made (and signed, inscribed, and dated) a charger with white and red flowers now in the collection of the Art Institute of Chicago, which specifically points to “412 East 24 / NY” (acc. no. 1998.317). Additionally, the U.S. Census of 1880 lists Bennett as a ceramicist located at that same address, married to Mary Bennett with whom he had had six children. There are several other examples from Bennett’s time in New York City, which also give his studio address on East 24th Street, including a covered jar in cadmium yellow with indigo and green flowers made in 1881; an undated footed vase with lilac...

Gustave Asch Art deco white and greeen ceramic cup or basket Original perfect condition Realised circa 1940 Signed Height 13 cm Large 22 cm