European Ceramics

This is a rare shape jug or pitcher made by Mason's Ironstone pottery in the Bandana pattern and made for the 1851 Great Exhibition of London, as supported by the printed mark on the...

French Art Deco ceramic skye terrier sculpture by Santiago Rodriguez Bonome, France, 1920s. Height: 9.65"(24.5cm) , Width: 14.2"(36cm), Depth: 5.1"(13cm). Inciseded signature "SR BONOME PARIS" under the belly (see photo). Many works are exhibited in different museums: Paris, National Museum of Modern Art - National Center of Art and Culture Georges-Pompidou La Rochelle Spain, Valle-Inclan Foundation Spain, Museum of Lugo Spain, Caixanova Collection... Spain, Prado Museum in Madrid Born in Santiago de Compostela (Spain) in 1901, son of Evaristo Rodriguez Bréa and Antonia Bonome Pérez, he worked very young in his father's humble cabinetmaking workshop. Little attracted by this job, when his father asks him what he wants to do: "sculptor" he answers. He therefore entered, at the age of 13, in the religious imagery workshop of José Rivas, at the foot of this cathedral which he admired so much, then at the age of 18 in that of Enrique Carballido. "Because he is so, so young, Bonome! Ridiculously young said a critic, who probably did not know that these years of apprenticeship, of real apprenticeship as an apprentice in a real workshop (a saint a day and strongly, for all the processions, all the chapels and all the devotees of the province) are each worth four years -at least- of study in an academy..." Margarita Nelken (Madrid 1932) In 1924, he left for Madrid where he exhibited at the Galician Center, at the National Exhibition and then in La Coruña. In 1925, at the Galicia Center in Buenos Aires he sold almost 30 of his works. From 1926 to 1927 he exhibited in Barcelona, at the Venice Biennale then in Monza (Italy) where he met Pirandello, then in Havana. In 1929 he arrived in Paris where Lucas Moreno...

An extraordinary addition to a contemporary decor for a stunning visual allure, this incense holder features a raw, porous shape deftly handcrafted and fire with the Raku Japanese...

Two ceramic sculptures designed by Bertil Lundgren at Rörstrand in 1970s. The sculptures are in excellent condition and stamped Rörstrand BL. They are all in excellent condition.

This rare and the most sought after collectibles vintage Piero Fornasetti porcelain lithographically-decorated and hand painted ceramic zodiac plate have a white background with word...

Mid 20th C. Italian, a large charger made of glazed ceramic signed "Nino Parrucca" at lower right. Numbered #155 and marked Made in Italy to underside. The plate features a lively scene of grape harvesting, a common theme in Mediterranean art...

A superb example of Art Deco craftsmanship, produced by one of the world's finest workshops in the 1930s, this vase depicts a deer with lifted head, flanked by a weeping willow tree,...

Glazed ceramics with lustre-painted decoration This is glazed ware, i.e. it is glazed with a white enamel bath, very pure in the best examples, which is fired in the kiln. The cooled...

Traditionally shaped fruit dish by contemporary French ceramist and colorist Claire de Lavallée.   

This is a hard paste porcelain Tea Bowl and Saucer by New Hall, dating to the turn of the 18th century, George 111rd period, circa 1800. Both pieces are decorated over-glaze with ...

This is a large 10.5 inch diameter, Ironstone dinner plate in the distinctive flying bird pattern, made by Mason's of Lane Delph, Staffordshire, England, during the mid 19th century,...

Maiolica sugar bowl Antonio Ferretti Manufacture Lodi, Circa 1770-1780 Maiolica polychrome decorated “a piccolo fuoco” (third fire). It measures 3.54 x 4.52 x 3.54 in (9 x 11,5 x 9 cm) Weight: 0.394 lb (0.179 kg) State of conservation: small and slight chips on the edges. The small sugar bowl has a swollen and ribbed body resting on a flat base. The cap-shaped lid follows the rib of the container and is topped with a small knob in the shape of a two-colored fruit. The sugar bowl is painted “a piccolo fuoco” (third fire) with the characteristic floral motif of bunches and isolated semis. An example which closely corresponds to this one is kept at the Civic Museum in Lodi (G. Gregorietti, Maioliche di Lodi, Milano e Pavia, Catalogo della Mostra, Milano, 1964 n. 137). This decorative style represented a strong point of the Lodi factory, which established itself thanks to the vivid nature of the colors made possible by the introduction of a new technique perfected by Paul Hannong in Strasbourg and later introduced by Antonio Ferretti to Italy. The production process, called “piccolo fuoco” (third fire), allowed the use of a greater number of colors than in the past; in particular, the purple of Cassius, a red made from gold chloride, was introduced. Its use allowed for many more tones and shades, from pink to purple. The Ferretti family started their maiolica manufacturing business in Lodi in 1725. The forefather Simpliciano started the business by purchasing an ancient furnace in 1725 and, indeed, we have evidence of the full activity of the furnaces starting from April of the same year (Novasconi-Ferrari-Corvi, 1964, p. 26 n. 4). Simpliciano started a production of excellence also thanks to the ownership of clay quarries in Stradella, not far from Pavia. The production was so successful that in 1726 a decree of the Turin Chamber came to prohibit the importation of foreign ceramics, especially from Lodi, to protect internal production (G. Lise, La ceramica a Lodi, Lodi 1981, p. 59). In its initial stages, the manufacture produced maolicas painted with the “a gran fuoco” (double fire) technique, often in turquoise monochrome, with ornamentation derived from compositional modules in vogue in Rouen in France. This was also thanks to the collaboration of painters like Giorgio Giacinto Rossetti, who placed his name on the best specimens next to the initials of the factory. In 1748 Simpliciano made his will (Gelmini, 1995, p. 30) appointing his son Giuseppe Antonio (known as Antonio) as universal heir. After 1750, when Simpliciano passed away, Antonio was directly involved in the maiolica factory, increasing its fortunes and achieving a reputation on a European level. Particularly important was the aforementioned introduction in 1760 of the innovative “a piccolo fuoco” (third fire) processing, which, expanding the ornamental repertoire with Saxon-inspired floral themes, was able to commercially compete with the German porcelains that had one of its most renowned offerings in the naturalistic Deutsche Blumen. Antonio Ferretti understood and promoted this technique and this decoration, proposing it in a fresher and more corrective version, less linked to botanical tables, both with or without contour lines, as well as in purple or green monochrome. After efforts to introduce more industrial production techniques to the sector succeeded, even the Ferretti manufacture, in the last decade of the eighteenth century, started heading towards decline despite its attempts to adapt production to neoclassical tastes. In 1796 the Napoleonic battle for the conquest of the Lodi bridge over the Adda definitively compromised the furnaces. Production resumed, albeit in a rather stunted manner, until Antonio's death on 29 December 1810. (M. L. Gelmini, pp. 28-30, 38, 43 sgg., 130-136 (for Simpliciano); pp. 31 sgg., 45-47, 142-192 (for Antonio). Bibliography G. Gregorietti, Maioliche di Lodi Milano e Pavia Catalogo della Mostra, Milano, 1964 n. 137; C. Baroni, Storia delle ceramiche nel Lodigiano, in Archivio storico per la città e i comuni del circondario e della diocesi di Lodi, XXXIV (1915), pp. 118, 124, 142; XXXV (1916), pp. 5-8; C. Baroni, La maiolica antica di Lodi, in Archivio storico lombardo, LVIII (1931), pp. 453-455; L. Ciboldi, La maiolica lodigiana, in Archivio storico lodigiano, LXXX (1953), pp. 25 sgg.; S. Levy, Maioliche settecentesche lombarde e venete, Milano 1962, pp. 17 sgg.; A. Novasconi - S. Ferrari - S. Corvi, La ceramica lodigiana, Lodi 1964, ad Indicem; Maioliche di Lodi, Milano e Pavia (catal.), Milano 1964, p. 17; O. Ferrari - G. Scavizzi, Maioliche italiane del Seicento e del Settecento, Milano 1965, pp. 26 sgg.; G. C. Sciolla, Lodi. Museo civico, Bologna 1977, pp. 69-85 passim; G. Lise, La ceramica a Lodi, Lodi 1981; M. Vitali, in Storia dell'arte ceramica...

Rare set of three late mid century "paper bag" stoneware vases by Tapio Wirkkala produced by Rosenthal Studio in Germany, 1970s. In good original condition. All signed. Dimensions: ...

Majolica asparagus platter in two pieces signed longchamp, circa 1890. Measures: two pieces / the platter 13.3" on 9", H / 1.8". cradle / ...

A Mochaware mug decorated with bands of slip in light and midnight brown. Between the midnight and light brown slip bands are three bands of inlaid rouletting decoration in geometric patterns. Although made circa 1815, the inlaid rouletting gives the mug a surprisingly modern look. The applied handle has exceptionally crisp acanthus leaf terminals. Dimensions: 4.9" tall x 4.9" deep from spout to handle, 3.25" diameter Condition: Excellent Price $1600 Background of Mochaware: Mocha decorated...

Vintage glass in very good condition. Lightly used - as shown on pictures. No damages or cracks. Only one unique piece.

Hand painted ceramic by Juliette Belarti. This wall sculpture is made from hand painted ceramic tiles. Beautiful colors and a minimalistic black iron frame. Stands in a good condition.

Article: Ceramic wall plate Decade: 1960s Producer: Atelier Schäffenacker, Ulm Germany Design: Helmut Schäffenacker This original vintage ceramic wall plate...

Add a touch of charm to your table with our hand-made ceramic plates from our Daisy collection, crafted in Italy with meticulous attention to detail. Available in white, green, and p...

Very rare complete 94 piece matching set of Arabia Ruska stoneware service. Finnish Design, 1970s. Among others 2 coffee pots, 2 tea pots with matching filters, plates, dishes, cu...

A beautiful set of three French ceramics by Robert Picault, consisting of small versatile vessels that can be used as candle holders or salt cellars. Each piece features distinctive ...

Björn Wiinblad Face Vase for Rosenthal Studio Linie 1970s

Beautiful large ornamental centerpiece dish in ceramic by Giovanni De Pascalis contemporary sculptor painter, 1973.

A pair of large lion ceramic sculptures by Lisa Larson for the Africa Series made by Gustavsberg. This size is the largest of the series. Signed at bottom. Whimsical interpretation a...

A matching pair of large terra cotta planters with winged gargoyle feet by Dini E Cellai Company. Stamped DINI E CELLAI SIGNA on the bottom. ...

Color Number 1 showtime vase by Jaime Hayon Dimensions: Diameter 19 x H 33 cm Materials: Made in two pieces in enameled stoneware porcelain; mono-color (interior and external in ...

An impressive, large Doulton Lambeth vase made ca. 1885-1900 by Mark V. Marshall, assisted by Florrie Jones. Mark V. Marshall’s vase fuses and contrasts Medieval Gothic art with Belle Epoque Art...

Add a pop of color with this beautiful set of six (6) Italian Murano art glass candy pieces, Italy, circa late-20th century. In the style of Modern/Pop Art. Candies resemble saltwate...

Robert Picault (1919 - 2000) French ceramist in Vallauris Robert Picault has contributed to the revival of culinary ceramics by updating traditional local forms decorated with lines and geometric designs. His identity style has been a great success and continues to decorate the table today. His personal pieces are sought after by art collectors. A former student of the School of Applied Arts in Paris, Robert Picault arrived in Vallauris in 1946. He created with his school friends Roger Capron (1922-2006) and Jean Derval (1925-2010), the Callis workshop. In this village of a hundred potters, they met the neighboring ceramists André Baud, the 4 potters and among others the Madoura workshop, where he frequented the famous painter Picasso from 1949 to 1955. He also became friends with Jean Cocteau, Fernand Léger, Louis Aragon...

Beautiful vase made from Murano glass in perfect condition. The vase looks like it has just been taken out of the box. No jags, defects etc. Only one unique piece. Venetian glass (...

A stunning Aesthetic Movement William Brownfield plate with a stylised panel and floral design by Christopher Dresser (British, 1834-1904) dating from around 1876. Christopher Dr...

A really large bottle / vasein rustic stoneware in brown & gray color designed by Annikki Hovisaari at Arabia in Finland in the Mid 20th century. It is 42 cm (16.8") high and in exce...

This is a large ironstone Jug or Pitcher in the Blue Hawthorne and Fence & Bowl pattern, made by Mason's Ironstone of Lane Delph, Staffordshire, En...

Italian Riccardo Gatti faenza "Antelope” sculpture Animalier glazed “lustre” ceramic Signed under the base 1950s.  Every item of our Gallery, upon reques...

Beautifully styled is this 1930s Art Deco French Bonbonniere. Typical Art Deco colouring which is as bright and crisp as when first manufactured. Th...

Beautiful Majolica ceramic leaf serving set from France, 1970s. Lovely ceramic leaves in a glossy green glaze. Set includes 1 platter, 3 plates, 1 small plate, 1 small dish, and 2 bu...

A Wedgwood Majolica earthenware pottery match holder and striker, Staffordshire, England – circa 1869. For the hearth, kitchen or bedside, the holder is ribbed for lighting strike...

Birger Kaipiainen (1915-1988) was the master of decorative ceramics, known for his ornamental dishes, rich, colourful and with themes from the fantasy world and fairytales, which fought against idealism of minimalism in 1950s. He was inspired by the early Renaissance, Byzantine ornamentation and Orthodox art...

A stunning French Art Deco ceramic vase signed by Louis Auguste Dage. The light gray surface has a fine structure, the body displays various hand pa...

Beautiful artichoke and leaves 8 pieces crockery /tableware / serveware set. Spain, 1960s This serving set is made in dark green glazed ceramic and it is comprised by: 1 artichoke sugar bowl / sauce tureen with lid+ 1 small serving spoon+ 1 small plate 1 serving small bowl 2 leaf shaped small plates 1 artichoke salt shaker+ 1 artichoke pepper...

container bowl, centerpiece in polychrome ceramic, Dante Baldelli production, 1940s, città di castello - Italy leaf-shaped, in shades of black, light...

French Art Deco Lion Statue by Moulin-des-Loups (Orchies), France, 1920s.This rare and striking ceramic lion statue, crafted by the renowned Moulin...

Largest collection of Portuguese tiles in the world 18th century Portuguese "Vases" Measures: 312 cm x 210 cm Important note: This panel is with the tiles restored 18th century. ...

A fine Belgian large figurative swan planter or vase featuring an elegantly modeled swan in white with hand painted accents.

Bjørn Wiinblad (1918–2006) Rare, large unique ceramic dish, hand-painted by Bjørn Wiinblad himself, making it a valuable collector’s piece and an outstanding example of his more pers...

Bruno Gambone tall stoneware or ceramic vase or bottle in dark brown and matte off-white glaze with incised line around upper area below the bottle neck, Italy, 1970s. Marked with gl...

Incredible Spanish 19th century Fajalauza Lebrillo bowl in blue and white from Granada. Beautiful handcrafted original terracotta bowl with mil...

Aldo Londi for Bitossi Vase, Ceramic, Orange, Brown, Signed. Small ball form vase with orange glazed body and raw clay collar. Signed on underside of base: 4208 B Italy.

Largest collection of Portuguese tiles in the world 18th century Portuguese " Azulejos " Panel "Battle Scene" 126cm x 140cm 330 tiles Important note: This panel is with the tiles ...

Bouteille de décoration whisky Jean de Lespinasse en céramique bleu. Une petite grenure à signaler au pied visible sur la photo sinon elle est en top état. Jean de Lespinasse(1896-...

A large lovely blue vase with a stunning crystalline glaze designed by Isak Isaksson in Sweden. The vase is 17.5 cm (7") tall and about 16.5 cm (6.6") wide and it is in excellent con...

Small polychrome glazed ceramic figure of a small seated figure with curly black hair and chain with peace sign.

A rare and possibly unique Ridgway Royal Porcelain plate c.1850. The central reserve very finely decorated with a bouquet of flowers, the border decorated with a deep cobalt blue gro...

This is a fine example of an English George III period, porcelain serving platter or large oval dish, made by Spode and hand painted in candlelight Pattern 967, during the early 19t...

A pretty scalloped dinner plate by Clarice Cliff for Royal Staffordshire. Created from porcelain, this pretty floral motif plate is glazed in c...

Ceramic hand painted vase, circa 1960. Manufactured in Spain. In original condition, with minor wear consistent of age and use, preserving a beautiul patina. Material: Cerami...

This is a beautiful stoneware vase by S. Hublet, made in Belgium. It has a granite like beige, pink and black surface accented by freeform chevrons on the top and the bottom. The center of this magnificent oversized art pottery tea pot...

Painted ceramic, very good original vintage condition. No damages or cracks. Beautiful and unique decorative mini sculpture. Mini White Dalmatian Dog Sculpture was produced in Italy....