Post-Modern Serveware, Ceramics, Silver and Glass

Japanese Postmodern Stainless Steel Kettle, Set of 2, in Very Good conditions. Designed 1980 to 1989 Additional information: Materials: Metal, Pla...

1990s Post Modern Memphis Michael Graves and Swid Powell Handblown Glass Wine Decanter with Interior Blue Bird Aerator by Alessi. Italy A remarkably delicate and clever design. The poetic glass blue bird serves as an aerator for the wine. The cross shaped acacia wood foot as used by again by Swid Powell im his coffee set. A stylistic signature that makes a pleasing come back with this decanter. Other recurring figure across Michael Graves' career, the blue glass bird...

Black Stoneware Pinakio Plate by Elena Vasilantonaki Unique Dimensions: ⌀ 34 x H 10 cm (Dimensions may vary) Materials: Stoneware Available finishes: With\without handles - Black, Wh...

Lollipop vases are the most iconic art-pieces by Anna Jozova. It's a humorous reaction to expensive and demanding technique of Murano glass. Lollipops are glued from inside of the ha...

Lollipop vases are the most iconic art-pieces by Anna Jozova. It's a humorous reaction to expensive and demanding technique of Murano glass. Lollipops are glued from inside of the ha...

Mirage Contenitore Alto by Studio Intervallo Dimensions: D 30 x H 6.2 cm Materials: green Guatemala marble. Available in other stones. The Mirage collection comes from the mono...

Lollipop vases are the most iconic art-pieces by Anna Jozova. It's a humorous reaction to expensive and demanding technique of Murano glass. Lollipops are glued from inside of the ha...

Lollipop vases are the most iconic art-pieces by Anna Jozova. It's a humorous reaction to expensive and demanding technique of Murano glass. Lollipops are glued from inside of the ha...

Postmodern German Ceramic Fantasia Series Salt and Pepper Shaker by Matteo Thun for Arzberg, 1980s, Set of 2, in Very Good conditions. Designed 1980 to 1989 This piece has an attribu...

C-015 White Stoneware Vase by Moïo Studio Dimensions: D14 x W14 x H30 cm Materials: White crawl glaze on tan stoneware Made by hand on the whee...

Tea Set of 3 pieces from Marco Zanini for Bitossi from Hollywood collection in early ‘80. Tea pot named Marylin Butter dish named Greta And small sugar bowl.

A lowball glass of an atypical shape, inspired by Postmodern architecture. Each piece is handmade in Italy by Master glassblowers, using high-quality borosilicate glass. The ribbed g...

Lollipop vases are the most iconic art-pieces by Anna Jozova. It's a humorous reaction to expensive and demanding technique of Murano glass. Lollipops are glued from inside of the ha...

Lollipop vases are the most iconic art-pieces by Anna Jozova. It's a humorous reaction to expensive and demanding technique of Murano glass. Lollipops are glued from inside of the ha...

Franco Bucci coffee service for six with coffee pot, cups, saucers, sugar and creamer. We love this service for its bold, elegant, robust Italian design, typical of the 1970s. Curvacious, chunky, innovative, attractive, lovely to use and to hold - it's got it all. Bucci designed ceramics for high quality manufacture. During the 1970s, he produced this 'budget' household crockery service for mass production which proved very popular. This set can be viewed in the Bucci archive, listed as item 805. It was produced serially by Arte Ceramica...

Italian Postmodern Euclid Series Salad Bowl by Michael Graves for Alessi, 1980s, in Very Good conditions. Designed 1980 to 1989 This piece has an attribution mark. Additional inform...

German Postmodern Flying Objects Series Plates by David Palterer and Sieger Design for Arzberg, 1990s, Set of 8, in Very Good conditions. Designed 1990 to 1999 This piece has an attr...

Serena Confalonieri continues her research in the field of self-production and craftsmanship. The subject, once again, is hand-blown borosilicate glass. After her Calypso floral glasses collection and Arabesque vases...

A set of 5 blown glass tumblers by Oakland, CA glass artist, Esteban Prieto. Each with a beautiful iridescent bronze coloring to the glass and an applied serpent design wrapping arou...

This large and striking bowl by Masuo Ojima (b 1949) has a beautiful deep emerald green glaze on the exterior and gunmetal on the interior. The wonderful physical presence makes it a...

A beautiful set of four (4) dark green marble coasters with traces of white and light green veining, Postmodern design period, circa late-20th century. Excellent condition as shown i...

A lidded post modern Memphis ice bucket for Taste Seller, c.1980s, Japan. The bucket features and geometric black red and teal pattern with cream outlining. The black lid has three tiers and is finished with a teal globe pull...

Danish Modern stainless steel pitcher, contemporary stainless steel water jug. Elevate your barware collection with this modern style water pitcher set. The slanted top design adds a...

Dansk Silver-Plated Brass Tea Set Designed by V. Lorenzo Porcelli Offered for sale is a silver-plate on brass tea set designed by V. Lorenzo Porcelli (American, b. 1933) for Dansk i...

Object 1 Atlantis Collection by Angeliki Stamatakou One of a kind, 2022 Dimensions: H 7 x W 12 cm. Materials: Stoneware, handmade glaze. Colors: blue, pink, ivory. Angeliki St...

Great set of post modern colorful tableware: Designer: Steven Harris, American, born 1950 Designer: Lucien Rees Roberts, English, born 1952 Retaile...

Twosidestory bowl by Lisette Rützou Dimensions: D 20 cm Materials: Onyx Lisette Rützou’s design is motivated by an urge to articulate a story. Inspired by the beauty of materia...

Atlantis Collection centerpiece by Angeliki Stamatakou One of a kind, 2022 Dimensions: H 12 x W 26 cm. Materials: Stoneware, handmade glaze. Colors: blue, pink, ivory. Angelik...

Alessandro Mendini, totem "Stoa", Ed. Superego, Milan 12 Colonne series Limited Edition 50 signed and numbered pieces. 10/50 Edizioni Superego, Milan, 2008 Measures : H72...

Martini glass by Kickie Chudikova Limited Edition of 5 pieces each - 3 of each in stock Handmade in Czech Republic, won’t be producing another editio...

Mohs large tabernacle by Studio Intervallo. Dimensions: W 30 x D 53 x H 145 cm. Materials: Wooden structure, covered with marbled cotton paper. Mohs is a special element, which ...

This is a beautiful set of 5 black glass tea cups, saucers, and a cake plate with glass dome cover from the renowned French manufacturer Arcoroc. Part of the much loved Octime range ...

Set of 2 Steppe Plate by Güler Elçi Dimensions: Small: D 14 cm, Large: D 18.2 cm Materials: Stoneware Ceramic, Food Safe Glaze. Güler Elçi is a ceramic artist based in Istanbul. In ...

Postmodern Cupola Series Sugar Pot from Rosenthal, 1980s, in Very Good conditions. Designed 1980 to 1989 This piece has an attribution markIt is completely authentic Additional inf...

Amazing set of 3 vintage plates. Each have a hand painted design of flowers on them.

Medium Le Sud vase by Olivia Cognet Dimensions: D 30 x H 40 cm Materials: Ceramic. Each of Olivia’s handmade creations is a unique work of art, the snapshot of a precious moment ca...

Remissus vide-poche by Vilde Hagelund Current Production Dimensions: W 12 x D 12 x H 1.5 cm Materials: Birch wood. Remissus is inspired by the wat...

Old fashioned glass by Kickie Chudikova Limited Edition of 5 pieces each - 3 of each in stock Handmade in Czech Republic, won’t be producing anothe...

La Bocca bowl by Marcela Cure. Dimensions: W 32 x D 22 x H 26 cm. Materials: resin and stone composite. Our La Bocca bowl is inspired by the fascinating and provocative figure o...

Vintage Terra Series Bowl by Wolf Karnagel for Rosenthal, 1980s, in Very Good conditions. Designed 1980 to 1989 This piece has an attribution mark. Additional information: Materials...

Great design on this Memphis era coffee carafe, designed by K Shigeto Milano for Zohirushi Japan circa 1980's great condition, with top switch for open/c...

Arrebol Escalonado by Studioroca. Dimensions: 18 x 18 x 30.5 cm. Materials: volcanics rocks essential oils diffuser. Studioroca is a Mexico City design studio focused on architecture, interior design and contemporary furniture. Its penchant for collaboration, the promotion of local talent, artisanal skills and natural materials, and its ever-present pull toward sustainable practices have seen the studio create highly emotive environments and unique functional pieces that speak of a forward-thinking, borderless approach to design. Intro Through architecture, interior design and furniture, STUDIOROCA portrays a distinct Mexican aesthetic, where sophisticated, elegant designs become bold statements of strong masculine lines and dark moody shades that contrast dramatically with elongated curves and highly textured surfaces. Based in Mexico City, the studio has, since its inception, offered much more than simple design solutions, its impetus always being to meaningfully improve lives through design. By promoting, supporting and offering a platform for other Mexican designers in its two stores in Polanco and Condesa, STUDIOROCA has been at the forefront of the modern-day Mexican design movement for over 15 years. The studio’s ability to artfully blend its own architecture and interior design with both local and international product is testament to its glocal outlook. While proudly Mexican and inherently influenced by the country’s culture and craftsmanship, its designs talk to a cosmopolitan, international sense of style. STUDIOROCA’s respect for the environment and reverence of traditional skills has led to the pursuit of sustainable practices, while its affinity for collaboration and promotion of artisanal skills has seen the studio produce work in conjunction with countless talented designers and craftspeople. Its confidently utilitarian designs are the result of risk-taking, boundary-pushing processes that emerge from STUDIOROCA’s constant quest to establish innovative solutions, while simultaneously respecting each of its projects’ unique locations, incorporating the surrounding environment into the design language. Working closely with clients, a personal rapport ensures delving into the core of every design requirement, leading to the ultimate achievement of deeply embedded needs. Ultimately, what STUDIOROCA presents is a fresh iteration of Mexican design, a version which is at once moving, intoxicating and comforting. History STUDIOROCA was founded by Carlos Acosta and Rodrigo Alegre. When, in 2002, the two independent Mexico City architects were commissioned to work collaboratively on the architecture and interiors of a new spa, they were frustrated by the lack of affordable furniture available, and embarked on designing their own pieces for the project. And so STUDIOROCA was born. Initially a furniture store in the heart of the then up-and-coming leafy suburb of Condesa, it has developed into a fully fledged architecture and interior-design studio, with another store in the city’s high-end design district of Polanco, which opened in 2011. Its line of furniture, all designed and manufactured in Mexico, had humble production beginnings in a small kitchen-design factory, a foundation that has carried through into the studio’s current philosophy of small-scale, high-quality production. In conjunction with its own range of functional pieces, STUDIOROCA has always invited other local designers to showcase their work in its two stores, and, what started with three additional designers’ pieces in 2002, has led to collaborations with many more, now presenting the limited-edition work of 28 Mexican designers through its UNION- brand, while continuing to retail exclusive international brands such as Tom Dixon, Moooi and GAN. 2 More recently, the studio’s architectural and interior projects have included large housing developments and hotels, fully employing STUDIOROCA’s 360-degree approach to design. Founders and team Architects by training, founders Carlos Acosta and Rodrigo Alegre prefer to follow an unconventional, integrated model of design that incorporates its many varied facets, allowing their two unique approaches to complement one another. Rodrigo, who graduated from Universidad Anáhuac Norte, is able to envision how color and texture will combine as he explores the emotive nuances he wishes to create within a new environment. His abstract thoughts are brought to life by Carlos, the rational half of the design duo. Trained at Universidad Iberoamericana, with a student exchange to the University of Texas, Carlos’ ability to grasp volumes and spaces brings dreams to fruition through the perfect positioning of wall divisions, furniture pieces and light-streaming windows. Their small dedicated team of designers and architects plays an integral role in realizing the studio’s ambitious visions, with over 200 projects having been completed by this intimate team. Beyond designing, these passionate professionals offer practical solutions, bringing their experience in all forms of design to manifest in big-picture thinking that pays attention to detail, celebrates collaboration and goes the extra mile. The approachable, personal style with which the STUDIOROCA team works is a reflection on the responsibility its people place on themselves as architects and designers who venture beyond the drawing board. Sustainability STUDIOROCA’s focus on sustainability has seen the company establish itself as a trailblazer in the realization of buildings and furniture pieces that are produced with a sense of conscience and responsibility, taking into account the full production chain, from material source to distribution of wealth. The studio has done away with environmentally harmful varnishes on its furniture pieces, and now only use FSC-certified hardwood. It also pledges to keep materials to a minimum, a consideration most appreciated in its 77 range of furniture, where only the necessary functional structures have been designed, and where small leftover pieces of wood from bigger cuts are utilized, rather than sourcing new pieces. This approach continues in its architecture and interior designs, with 80% of materials sourced locally. This, coupled with its use of solar panels, the harvesting of rainwater, and the inclusion of indigenous gardens in its projects, has led to STUDIOROCA’s application for Leadership in Energy and Environmental Design (LEED) certification, which is currently under review. For the studio, sustainability has a much further reach than the natural environment, however. Its projects take into account social, cultural and economic sustainability too, by ensuring its production chain – from the craftspeople producing hand-worked elements, to its low-environmental-impact manufacturing line – all sits within Mexico so that the 3 communities benefiting financially are those who have been an integral part of the process. Architecture In STUDIOROCA’s architectural projects, authentic materials that are true to their Mexican origin, such as local mountain rocks, regional marble and indigenous wood, are utilized in new ways to highlight their natural rawness, deep texture and prized imperfections, imbuing buildings with unique character. It’s through such character that every structure portrays its personality, suited to the people who live, work and relax within it. This unpretentious use of materials follows through to metals, which are encouraged to rust and patinate as the building interacts with nature’s elements and becomes part of the environment surrounding it, giving projects an essential sense of place, where the here and now is as important as the then and there. Interior design STUDIOROCA’s interior style leans toward textured materials and dark hues contrasted with paler wood and lighter accent tones. These evocative, luxurious interiors are enlivened by carefully considered lighting that enhances the tonality of moody dark browns, deep blues and a spectrum of blacks, and highlights textures through illuminated reflections. Where environments dictate a paler palette, textures and materials make up the necessary contrast. Local willow wood on wall panels, flooring made from recinto volcanic rock, and countertops decorated with Mexico’s retapado marble become talking points, made even more appealing with plant life and greenery introduced indoors. Furniture Combining its deep respect for handcrafted, artisanal product, and its future-forward approach to technology and innovation, STUDIOROCA’s range of furniture places emphasis on high-quality offerings, producing its ranges in low quantities, often customized to suit the specific requirements of its varied projects. Veering away from industrialized production lines, it employs sophisticated hand-worked machinery, in line with its approach to sustainability and simplicity. The studio’s premiere collection (2002-2008) was shaped by a groundbreaking application of materials and forms, resulting in award-winning designs that set contemporary Mexican design on the map. Pieces from this collection were shown at Fabrica Mexicana and Museo de Arte Moderno in Mexico City and in the MoMA store in New York. The 2008 Eco collection initiated a change in the production of STUDIOROCA’s furniture pieces, adapting a sustainable view regarding design – a philosophy that continues to guide the studio’s practices today. Sourcing FSC-certified wood, eliminating varnishes, and using local materials wherever possible, this collection was the start of a conscious undertaking to work with local artisans and support local industry, an outlook that was celebrated at the launch of the Eco range at the Mexican Gallery...

Calypso collection investigates new ways of conviviality: fed by imaginary worlds, this tableware pieces make possible to dream of exotic and uncontaminated landscapes. Calypso synth...

Perhaps Michael Graves’ (1934-2015) most well-known design for Swid Powell, The Little Dripper (1986) is a 10-cup coffee pot born from Graves’ preference for drip coffee and a lack o...

Postmodern Tac Series Box with Lid from Rosenthal, 1980s, in Very Good conditions. Designed 1980 to 1989 This piece has an attribution mark. Additional information: Materials: Glass...

Huge 16" / 41cm wide signed minimalist / modernist studio art pottery bowl by German ceramic artist Angelika Jansen-Meints. The proportions of this bowl are spectacular and most defi...

Vintage German Postmodern Fantasia Series Sugar Pot by Matteo Thun for Arzberg, 1980s, in Very Good conditions. Designed 1980 to 1989 This piece has an attribution mark. Additional ...

Postmodern Ceramic Salt and Pepper Shakers by Gallo Design for Villeroy & Boch, Set of 2, in Flawless conditions. Designed 1980 to 1989 This piece has an attribution mark. Additiona...

Postmodern Cutlery Salad Spoons from Conran, 1990s, Set of 2, in Very Good conditions. Designed 1990 to 1999 This piece has an attribution mark. Ad...

Postmodern Minimalist Swiss Salad Servers, Set of 2, in Very Good conditions. Designed 1970 to 1979. Additional information: Materials: Plastic Styles: Minimalist, Postmodern Color:...

Vintage Black Glass Ashtray, 1980s, in Very Good conditions. Designed 1960 to 1969. Additional information: Materials: Glass Color: Black Styles: Postmodern Item Type: Vintage, Anti...

Postmodern Art Glass Ashtrays by Hans Jürgen Richartz for Richartz Art Collection, 1980s, Set of 2, in Very Good conditions. Designed 1980 to 1989 This piece has an attribution mark....

Handmade IOS P. Structure by Le Meduse Unique piece Dimensions: W 75, D 60, H 60 cm Materials: Plaster Each model is unique because it is handmade, it can be reproduced in a similar but not identical way. Request customization. Each model is part of a limited edition collection. I investigated the bone structures a wonderful microcosm revealing the amazing harmony hidden in the small, sometimes invisible natural forms. These structures have always been considered the element that most tells the story of a people and their settlement. This magnificent spongy structure is a work of art of nature...

Thick textured glass ashtray by Stephen Schlanser, c.1996, USA. This piece features a deep well with textured glass and one metal divot at one side to place a cigarette or other smok...

Serena Confalonieri continues her research in the field of self-production and craftsmanship. The subject, once again, is hand-blown borosilicate glass. After her Calypso floral glasses collection and Arabesque vases...

A lowball glass of an atypical shape, inspired by Postmodern architecture. Each piece is handmade in Italy by Master glassblowers, using high-quality borosilicate glass. The ribbed g...

Half half vase by Jung Hong Unique Piece Dimensions: W 22 x D 22 x H 23 cm Materials: Porcelain. I use the technique of 'sang-gam' (=inlay work) with my special tool, which I made myself, and create delicate and exact lines, which are all handmade, although they are often mistakenly considered manufactured. In the notched hollow lines, I delicately place the subtle different colors one by one, just as hyperrealist painters do. It took me about a year to get a detailed "moon" pattern on the porcelain "moon jar". I am a Berlin-based ceramic artist from Korea and these are very early works made in Berlin, Moon jar is a type of traditional Korean white porcelain...

Rodney Alan Blumenfeld South African B.1953. Round earthenware platter, 1995. Earthenware clay, press moulded, with metalic oxides and matt glazes. Rodney Alan Blumenfeld South African B.1953. creates deeply textured, sensual and motif-laden ceramic forms. Each innovative and unique art piece strives to maintain a traditional tribal identity transposed into contemporary art,craft and design. Within each singular expression of creativity lies a precious reminder of ritual and custom, exuding presence of age-old mystery while spontaneously arousing vital powers of the imagination. Training Bachelor of Architecture – University Natal South Africa, 1980. Ceramic Science – Technikon, Durban, Natal, 1986. Awards Judges Award – Ceramic Artists Association of W.A. Annual Exhibition – September 2009. City of Melville Art Awards – Highly Commended 2009 – WA. Longhouse Reserve – New York – USA. Klenot/Dekora – Palace of Culture, Prague – Czechoslovakia 2000. Art for Asia – Hong Kong – China 1997. Design Award National Ceramics Biennale 1996 – South Africa. 1st Prize Corobrik Ceramic Expo – South Africa 1989. Private Collections Bill Clinton – Former President USA. Nelson Mandela – Former President of South Africa. Tina Turner – Singer and song writer. Peter Gabriel – Musician. King Goodwill Zwelitini – King of the Zulu Nation Sir Niall Fitzgerald – Global Chairman Unilever – UK. Public & Corporate Collections K.H. Eberle Museum – Basel Switzerland Longhouse Reserve – New York Museum of Modern Art – Montreal Canada Fort Lauderdale Airport – Florida USA Durban Art Gallery – Johannesburg Art Gallery Hilton Hotel – Johannesburg Hyatt Regency Hotel – Johannesburg Unilever Corporate Headquarters – South Africa U.S. Embassy – Pretoria, South Africa Ernst & Young – La Lucia Ridge – South Africa Sibaya Casino Complex – Natal, South Africa Exhibitions T.V.H.Gallery – Sydney – September 2009 Fremantle Contemporary Art Gallery – Fremantle W.A. Margaret River Gallery – Margaret River W.A. Aspects of Kings Park – Perth W.A. “Klostere” Gallery – Freiburg – Germany 2002 Longhouse Reserve – The Hamptons – New York – USA Klenot / Dekora – Palace of Culture – Prague – Czechoslovakia 2000 The Westminster Craft Show – London – UK 1999 Art for Asia – Hong Kong – China 1997 Casa Nova...

Regina Heinz B. 1957 SUNRISE 1998 Regina's award winning work has been purchased by the National Art Collector's Fund and is presented in collections worldwide, including the Fitzwilliam Museum in Cambridge, the Museum of Contemporary Ceramics in Gifu, Japan, the International Ceramics Museum in Faenza, and the Yingge County Ceramics Museum in Taipei. With degrees in painting from the Academy of Fine Arts in Vienna and in ceramics from Goldsmiths’ College, London, Regina combines in her work the sensibility of a fine artist with outstanding expertise in ceramics. As an artist, Regina draws on her love for her native countryside and her background as a painter. Her passion for colour, form and beautiful ceramic surfaces led her to set up her architectural ceramics practice in 2011 to explore the integration of art, architecture and landscape. Regina regularly works with international interior designers, art consultants and private clients world-wide. Her portfolio includes an exclusive 3D tile line for the American tile retailer Ann Sacks...

Unique Arq 009 vase by Raquel Vidal and Pedro Paz Dimensions: Ø 15 x H 23 cm Materials: hand-sculpted glazed stoneware. The Arq series emerged from our own past production. Draw...