Early 19th Century Folk Art

American carved wood and painted bench with grape vine motif, one board seat, scrolled arms, spindle carvings, and ending on turned painted legs. Fancy Furniture...

Silver tested but not stamped.

A beautifully carved early 19th Century Chinese mask with traces of original color. From Hunan Province.

American Fancy floral painted cane seat settee with flanking scrolled arms, central turned spindles, and resting on turned bulbous ringed legs with or...

American White Pine hand painted floral blanket chest with original wrought iron strap hinges, interior till, and locking mechanism with key. New York,...

Pair of Italian gilt carved wood demilune wall brackets with scrolled foliage acanthus motif. All original. Early 19th Century.

Early hand made and carved dough bowl or trencher. This bowl has wonderful old tin repairs and wonderful old grungy surface. There is a old early crack that ...

This wonderful worn dough bowl or trencher is in wonderful condition with a beautiful mellow patina. It has a small old tin repair on the right handle and a minor crack that runs thr...

This folky gentleman looks like a soldier or a officer of the military. The carving is quite good and he is mounted on a custom iron Stand. The patina is the best with minor chips fr...

Wonderful 19th century deep blue sponge serving platter in pristine condition. The dark blue is fantastic.

This amazing all handmade and hand quilted early 19th century trapunto sham with a wonderful interesting swag inner border. The hand tied fringe border is also in great as found cond...

The form of this amazing little wonder is just fantastic. The condition is very good with a wonderful aged patina. The construction is early wood pegs and small square nails. The leg...

Chrome yellow, paint-decorated settee in an unusual triple-back-slat design with bold, shield-shaped spindles, circa 1820-1830.

Most unusual early 19th century Scottish carved Folk Art tea caddy, the lid with foliate carving and knob finial, the body taking its design from the more hi style sarcophagus form b...

Pair of English Regency serpentine splat back hand painted arm chairs with floral ribbon, swags, tassels, and medallion motif. Pair has scrolled ar...

Very pretty, richly and finely carved coconut dating from the Empire period. With rotating decoration, it partly represents an admiral surrounded by two cupids holding the laurels of...

A charming folk art pen, ink and watercolour collection of sketch's of Native Oceania individuals, beasts and sailors. Likely to be of been penned in Papua New Guinea as the male tri...

A charming folk art pen and ink sketch of a Native Oceania gent by the shoreline, with a large vessel in the back ground. Likely to be of been penned in Papua New Guinea as the tribe...

A spectacular and fine, dovetailed poplar, rosewood grain painted and ebonized document box. The gold stenciling is of a very fine quality. Retains the original fire gilded steel bai...

A beautiful cabinet from the rural south of germany, dating from 1812. The cabinet was probably given as a wedding present. This cabinet is made of solid pine and is hand painted in ...

Danish early 19th century iron weather-vane with rose finial, dated 1821.

An interesting 19th century primitive French cupboard. Mazed furniture like this were used for safekeeping of food so the air could keep it fresh. Now they are great for storing shoe...

19th Century Italian Baroque Painted Console Side Table This is a fantastic looking piece of furniture it dates from the early 19th centu...

A terrific set of two early 19th century bowling balls in wood and metal. Great objects to decorate a bookcase or tabletop. The larger ball measures 10 1/4" 9 7/8" diameter. The smal...

EXTRAORDINARILY EARLY (1806) PRINTED LINEN KERCHIEF GLORIFYING GEORGE WASHINGTON, PRINT WORKS, GERMANTOWN, PENNSYLVANIA Printed in blue ink on coarse, white linen, this patriotic kerchief shows a standing portrait of George Washington, above which is a swag valance and the words “The Effect of Principle, Behold the Man”. The portrait is based on a mezzotint after Gilbert Stuart’s very famous painting of Washington in his later years, most often referred to as the Landsdowne portrait. Stuart painted three versions of it in oil on canvas, one of which was completed in 1796 for a wealthy merchant by the name of William Constable, who commissioned the work for Alexander Hamilton. The kerchief is interesting because it is both American-made and documented. This is exceptionally unusual for any printed textile of the 19th century or prior and the earlier the time period the more unlikely an object is to be identified. This kerchief and a companion piece entitled “The Love of Truth Mark the Boy” (also glorifying Washington, through the fabled story of the cherry tree), were made circa 1806 by Germantown Print Works in Germantown, Pennsylvania. To the left of Washington's image is a portion of his infamous farewell address to his troops at the end of the Revolutionary War. To the right is a short excerpt from his eulogy. Below these are three images. In the center is a square-rigged tall ship with “Commercial Union” above it, flanked by the American eagle on the left and the British lion on the right. It is reasonable to assume that the textile may have been produced in demonstration of the maker's desire, and/or that of others, to advance trade with England. Commercial printers were very influential in early America, as they possessed the means by which to disseminate information. This kerchief and its companion piece are documented in Threads of History, Americana Recorded on Cloth, 1775 - the Present, by Herbert Ridgeway Collins (1979, Smithsonian Press), p. 63, items 38 & 39.* The two pieces pictured are in the collection of Cornell University, but the Collins text also cites an uncut pair to be present in the collection of the Western Reserve Historical Society, Cleveland, OH. The name "Germantown Print Works" is printed on the Western Reserve examples. Another example of the textile in question is documented in "Running for President, The Candidates and Their Images, 1789-1896" by Schlesinger, Israel, and Frendt, (1994, Simon & Schuster), p. 15. I have seen three different color variations of this textile, including sepia, mulberry red, and blue. This particular example has a hand-sewn binding along the top, lower, and left edges. Mounting: The textile was mounted and framed within our own conservation department, which is led by expert staff. We take great care in the mounting and preservation of flags and have framed thousands of examples. The gilded molding has a rippled profile and dates to the period between 1825 and 1850.The background is 100% cotton twill, black in color. The glazing is U.V. protective plexiglass. Feel free to contact us for more details. Condition: There is an all-over golden oxidation of the white fabric and there is very minor staining. There are tiny tack holes in each corner and there are minor nicks around the perimeter. * Collins relates that Germantown Printworks was operated by the Hewsons. In doing so he cites one of Worthington Chauncey Ford's books on George Washington, but it isn't clear which one (there are many) and no page numbers are given. John Hewson was an Englishman who came to America and opened his printing business on the advice of Benjamin Franklin. He was one of the first “calico printers” and is the earliest documented to have advertised printed kerchiefs. His ads for bandanas appear as early as June 20th, 1774. He is suspected of having produced the very first American kerchief that pictured an American president, which is documented in Collins as item 1 on page 48. Linda Eaton, curator at Winterthur, in 2012, is currently doing in depth research on the three printers of fabrics that were operating in Germantown in early America. She discovered that the owner and/or operator of Germantown Print Works, while not currently known, was not John Hewson. This information is not yet published. She also noted that Winterthur possessed examples of the two George Washington textiles...

19th century maple swift with expandable arms to help yarn workers wind yarn. Arms expand to 30".