Lighting

Its name is French for “armadillo,” the unassuming animal whose brilliant structure keeps it protected and makes it unique. Designer Patricia Urquiola conceptualized this table lamp to play on the filtration of light, with remarkable results. The Tatou-T offers diffused light and has an exterior diffuser in PC (polycarbonate). Its internal diffuser is injection-printed opal PC. The support and base are painted steel. Inspiration behind the design: “The process began by looking for different ways to reconstruct membranes, conceived like Japanese armor...

Achille and Pier Giacomo Castiglioni are renowned Italian designers known for their innovative and functional designs, particularly in lighting. One of their standout creations is th...

Amazing midcentury "Light Ball' sconce in white metal and opaline glass. This fantastic item was designed by Achille Castiglioni and manufactured in Italy by Flos during the 1970s. ...

Italian modern Carrara marble and metal Arco floor lamp by Castiglioni Brothers, for Flos, 1962. Arco model floor lamp with direct light, with base in white Carrara marble and telesc...

Based on the original Taraxacum created in 1960, the Taraxacum 88 reflects the iconic design’s 1988 update and includes a mixture of deep incandescent lig...

At first glance, Serena appears to be in motion—it is a leaf blown by a gentle breeze, dancing through a current of wind. Inspired by the simple beauty of nature, this piece features...

It is a traditional shape magically recreated in the mind of Marcel Wanders: A glance at the Zeppelin reveals its inner self—a traditional chandelier—within the stunning cocoon that ...

"Plisse" flush mount by Achille Castiglioni for Flos. Designed and made in Italy in 1960s. Pleated skirt of enameled metal - "plisse" and glass shade. Takes 1 Edison bulb. Compliment...

Stunning pair of first edition Gatto cocoon table lamps designed by Achille and Pier Giacomo Castiglioni and produced by Flos in Italy in the 1960s. The lamps are signed on the insid...

FLOS - Foglio, a historic piece from the Flos catalog designed by Tobia Scarpa, is a wall lamp with direct/indirect and partially diffused light with a steel structure. Born in Venic...

BLACK 'GRIP' FLOOR LAMP BY ACHILLE CASTIGLIONI FOR FLOS, 1980S Looking for a statement piece to elevate your home decor? Look no further than the Black 'Grip' Floor Lamp by Achille ...

A pair of piccolo 'Gatto' table lights by Castiglioni for Flos c1960. Lovely patina with no rips or tears.

This well-known design gets a technological twist thanks to artist Ron Gilad, who created the Goldman to feature diffusers made of clear methacrylate and an aluminum frame. There is ...

The Fior di Loto suspension lamp was designed by Tobia Scarpa and made by Flos. It provides mainly indirect lighting through the detailed perforations on both sides of the lamp as yo...

A stunning illusion from award-winning designer Patricia Urquiola, the Chasen pendant lamp enchants with an unexpected presentation of diffused light. The diffuser is borosilicate and the body is chemically photo-etched stainless steel, and it features liquid-paint protection. The lamp’s base is die-cast aluminum. The ceiling rose is 30% fiberglass-reinforced polyamide and is attached to a pressed and galvanized steel ceiling fixture...

Gino Sarfatti Model #548 table lamp in blue and polished brass. Designed in 1951, this is an authorized re-edition by Alessandro Sarfatti, grandson of Gino Sarfatti, who applies hi...

Romeo soft F dimmable floor lamp with fabric shade designed by Philippe Starck in 1998 for Flos By touching the rod at the top of the base of the lamp, it ...

Tobia Scarpa Tamburo Green Indoor / Outdoor Wall Lamp for Flos 1970s Old New Stock. Excellent condition.

Table Lamp

'Giovi' Sconces by Achille Castiglioni for Flos. Designed and manufactured in Italy, circa 1970s. Whimsical circular sconces in an enamele...

Beautifully shaped "Quarto 453" wall lamps designed by Tobia Scarpa for Flos, Italy 1970. These stunning lamps feature a quarter-sphere design made from brass, showcasing a luxurious...

Afra and Tobia Scarpa for Flos, table lamp, model 'Abatina 1160', Italy, 1980s, Lamp with a steel frame, with two paper lampshades with a light fabric cover and contrasting edges, eq...

Seeming to defy gravity, the Mod 265 wall lamp by designer Paolo Rizzatto is in a category all its own. The lamp head—which rotates 360-degrees so that it can ...

Designed in 1958 by Gino Sarfatti, pair of '2097' 50 bulb suspension chandeliers. An ultra-modern, Mid-Century take on the traditional chandelier. The light's architectural lines mak...

This pivotable table lamp was designed by Afra e Tobia Scarpa in 1965 for Flos. It is made from laquered light orange metal with a black plastic base. Thanks to its chrome-plated metal joints the shade can be adjusted. Good vintage condition: original Flos paper...

Achille & Pier Giacomo Castiglioni Snoopy table lamp. Dimmer operated lamp from 1967, with marble base and enameled metal shade. Up to 150 watts E27...

Taccia Flos specimen dating from the late 1970s. The lamp base is original 1970s with patina of time the glass and metal diffuser was replaced with a new one so it is as good as new ...

Incredible mid-century "Light Ball large size" applique in smatised ivory metal and opal glass for Flos. This fantastic lamp was designed by Achille Castiglioni and produced in Italy for Flos in the 1960s. This fantastic light is unique because of the materials, made of ivory white enameled metal and opal glass. Requires an E27 bulb. A fantastic piece that will grace a mid-century living room or bathroom. Measures (cms): diameter - 42 height - 31 Literature: Casa Amica, 27 June 1972, p. 105 Octagon 30 September 1973, p. 149 Sergio Polano, Achille Castiglioni all the works, Electa, Milano, 2001, p. 224 Giuliana Gramigna, repertoire 1950-2000, Allemandi, Torino, 2003, p. 121. The beginnings of Flos (meaning “flower” in Latin) blossomed from a brilliant idea: to create objects, starting with a light bulb, that would change the way of life for both the Italian market and the foreign markets. Dino Gavina and the small Eisenkeil manufacturing facility in Merano, had already been creating furniture alongside design masters such as Achille and Pier Giacomo Castiglioni, Afra and Tobia Scarpa. But by the early 1960s, Gavina became convinced the time had come to create new lamps. Using the same technology – conceived in the USA and tested at Eisenkeil – used for the Cocoon lampthe Castiglioni brothers and the Scarpa duo began creating lamps such as the Taraxacum or the Fantasma, with many other beautiful and surprising lamps to follow. And so, from day one, Flos was already reinventing the idea of artificial lighting. Achille Castiglioni (born February 16, 1918, Milan–died December 2, 2002, Milan) was a prolific furniture, lighting, and product Italian designer renown for his ironic, joyful, creative and functional designs that, at times, intersected with ideas explored by conceptual artists. Achille Castiglioni was born into a family with deep appreciation for the arts, as he was the third son of sculptor and coin engraver Giannino Castiglioni and his wife Livia Bolla. He first studied the classics at the Liceo Classico Giuseppe Parini, but then switched to study art at the Accademia di Belle Arti di Brera in Milan. In 1937, he decided to follow the steps of his two elder brothers, architects Livio and Pier Giacomo Castiglioni, by enrolling in the Faculty of Architecture at the Politecnico di Milano, graduating in 1944–after having to interrupt his studies when he was stationed in Greece and Sicily during World War II. In 1944, immediately after graduating, Achille Castiglioni joined his brothers Livio and Pier Giacomo in the design studio that they had founded with Livio’s classmate Luigi Caccia Dominioni in 1937 in Milan. Fortunately for Achille, from the very beginning Livio and Pier Giacomo decided to focus almost entirely on designing exhibitions, furniture, housewares, and appliances since architectural commissions were difficult to come by during the war. This product-design focus, and the deep fraternal bound among the three brothers, would later allow the young Achille to experiment early in his career with emerging techniques and new materials that could communicate a fresh aesthetic sensibility suited for the positive outlook of the post-war European market. The Castiglioni brothers’ important collaboration with Phonola and Brionvega In 1940, Pier Giacomo Castiglioni, Livio Castiglioni, and Luigi Caccia Dominioni, in collaboration withe the Phonola company, presented in the VII Triennale di Milano (Milan Triennial), titled Exhibition of the Radio, a research study of radio devices that included the Fimi Phonola 547 radio, the first radio encased in Bakelite instead of wood. Shortly after the exhibition, Luigi Caccia Dominioni suspended his professional activity to serve in the military during World War II and left the studio. The development of the FImi Phonola 547 radio would prove fruitful for the three brothers, as it allowed Livio Castiglioni to cement his role as the leading design consultant for Phonola from 1940 until 1960, and for Brionvega, from 1960 until 1964. These relationships brought in further collaboration among the three brothers, and would eventually result in several designs for radio and sound appliances with innovative materials and shapes for which Achille Castiglioni played a key role, such as the RR 226 stereo system for Brinovega (1965), the radio phonograph...

Taraxacum S1 hanging light designed by Achille Castiglioni for Flos, 1988. Taraxacum S1 is known as a variation of the famous Taraxacum 1 which Castiglioni designed for Flos alre...

Gorgeous white Light Ball, designed by Achille Castiglioni for Flos in Italy in the 1960s. in white metal and opal glass. This fantastic lamp was designed by Castiglioni for Arteluc...

Beautiful pendant lamp called "black and white 83" of the Italian mid-century with opal white glass bowl and aluminum diffusor. Made in Italy, designed in 1965 by Achille and Pier G...

Listed for sale is a Gun Table Lamp made with an chromed die-cast aluminum base and a black plasticized paper shade silkscreened on the inside. The lamp was ...

Model 'Light Ball' small size Wall or Ceiling Lamp by Achille Castiglioni & Pier Giacomo for Flos, 1960s, Italy Minimal design Very high quality. Fully functional. Lamps are in ve...

Incredibly rare first edition of the famous "Light Ball" applique by Castiglioni in white metal and opal glass. This fantastic lamp was designed by Castiglioni for Arteluce and produced in Italy by Flos in the 1960s. This fantastic lamp was designed by Castiglioni for Arteluce and produced in Italy by Flos in the 1960s. This fantastic light is unique because of the materials, made of white enameled metal and opal glass. It can be mounted on the wall or on the ceiling. The wall light has been tested, it uses an E27 light bulb. It is signed on the backplate by both Arteluce and Flos. A fantastic piece that will grace a mid-century living room or bathroom. Measures (cms): diameter - 42 height - 32 Literature: Casa Amica, 27 June 1972, p. 105 Octagon 30 September 1973, p. 149 Sergio Polano, Achille Castiglioni all the works, Electa, Milano, 2001, p. 224 Giuliana Gramigna, repertoire 1950-2000, Allemandi, Torino, 2003, p. 121. The beginnings of Flos (meaning “flower” in Latin) blossomed from a brilliant idea: to create objects, starting with a light bulb, that would change the way of life for both the Italian market and the foreign markets. Dino Gavina and the small Eisenkeil manufacturing facility in Merano, had already been creating furniture alongside design masters such as Achille and Pier Giacomo Castiglioni, Afra and Tobia Scarpa. But by the early 1960s, Gavina became convinced the time had come to create new lamps. Using the same technology – conceived in the USA and tested at Eisenkeil – used for the Cocoon lampthe Castiglioni brothers and the Scarpa duo began creating lamps such as the Taraxacum or the Fantasma, with many other beautiful and surprising lamps to follow. And so, from day one, Flos was already reinventing the idea of artificial lighting. Achille Castiglioni (born February 16, 1918, Milan–died December 2, 2002, Milan) was a prolific furniture, lighting, and product Italian designer renown for his ironic, joyful, creative and functional designs that, at times, intersected with ideas explored by conceptual artists. Achille Castiglioni was born into a family with deep appreciation for the arts, as he was the third son of sculptor and coin engraver Giannino Castiglioni and his wife Livia Bolla. He first studied the classics at the Liceo Classico Giuseppe Parini, but then switched to study art at the Accademia di Belle Arti di Brera in Milan. In 1937, he decided to follow the steps of his two elder brothers, architects Livio and Pier Giacomo Castiglioni, by enrolling in the Faculty of Architecture at the Politecnico di Milano, graduating in 1944–after having to interrupt his studies when he was stationed in Greece and Sicily during World War II. In 1944, immediately after graduating, Achille Castiglioni joined his brothers Livio and Pier Giacomo in the design studio that they had founded with Livio’s classmate Luigi Caccia Dominioni in 1937 in Milan. Fortunately for Achille, from the very beginning Livio and Pier Giacomo decided to focus almost entirely on designing exhibitions, furniture, housewares, and appliances since architectural commissions were difficult to come by during the war. This product-design focus, and the deep fraternal bound among the three brothers, would later allow the young Achille to experiment early in his career with emerging techniques and new materials that could communicate a fresh aesthetic sensibility suited for the positive outlook of the post-war European market. The Castiglioni brothers’ important collaboration with Phonola and Brionvega In 1940, Pier Giacomo Castiglioni, Livio Castiglioni, and Luigi Caccia Dominioni, in collaboration withe the Phonola company, presented in the VII Triennale di Milano (Milan Triennial), titled Exhibition of the Radio, a research study of radio devices that included the Fimi Phonola 547 radio, the first radio encased in Bakelite instead of wood. Shortly after the exhibition, Luigi Caccia Dominioni suspended his professional activity to serve in the military during World War II and left the studio. The development of the FImi Phonola 547 radio would prove fruitful for the three brothers, as it allowed Livio Castiglioni to cement his role as the leading design consultant for Phonola from 1940 until 1960, and for Brionvega, from 1960 until 1964. These relationships brought in further collaboration among the three brothers, and would eventually result in several designs for radio and sound appliances with innovative materials and shapes for which Achille Castiglioni played a key role, such as the RR 226 stereo system for Brinovega (1965), the radio phonograph RR 126 for Brinovega (1965), and the radio and record player RR 128 for Brionvega (1966) In 1952, Livio decided to build his own practice, independent from Achille and Pier Giacomo, to pursue a deeper exploration of radio waves, music, and technology. But the three brothers would continued to collaborate closely in several projects, and the partnership between Achille and Pier Giacomo became so tight that from 1952 until 1968, when Pier Giacomo died, they co-authored most of their designs. Achille Castiglioni Long Career as Light Designer During this period, the Castiglioni brothers participated in the Italian Exhibition of Furniture (RIMA), where they successfully introduced a series of curved-plywood furniture, and presented important designs, such as the Tubino lamp (1949), originally produced by Italian light maker Arteluce from 1949 until 1974, and reintroduced by FLOS since the late 1970s; and the Luminator lamp (1955), originally produced by Gilardi & Barzaghi, but reintroduced by FLOS in the late 1960s. A new, successful, and long-lasting collaboration developed in 1960, when Pier Giacomo and Achille Castiglioni were reached by entrepreneurial Italian designer Dino Gavina and business man Arturo Eisenkeil with the idea to create a completely new kind of lighting fixtures utilizing a polyamide. The material, which they called “cocoon,” in the hands of the Castiglioni brothers would become a popular and iconic innovation in the 1960s and serve as the successful foundation of Italian lighting company FLOS–founded by Gavina and Eisenkeil in 1962. Pier Giacomo and Achille Castiglioni designed a series of “cocoon” lights utilizing the spray-on polyamide plastic as a coating layer onto a metal frame. Among the most popular Castiglioni “cocoon” lights are: the Taraxacum and the Viscontea ceiling lamps (1960), and the Gatto table lamp (1961). Other of the important lamp designs by Pier Giacomo and Achille Castiglioni for FLOS are the Beehive -or Splügen Braü lamp (1961), Toio –or Toy lamp...

Model "Parter" Pair of XL Sconces by Achille Castiglioni for Flos, 1970s, Italy This lamp works with E27 light bulbs. Wired and suitable to use 110-220V in all countries. Please do...

Overlap, a contemporary pendant lamp by FLOS, is Michael Anastassiades’ tribute to the distinct cocoon wrapping technique that the Italian designer lighting company has won several h...

Red table lamp designed by Philippe Starck for FLOS in Italy in the 2000's. US adapter included.

Iconic floor side lamp Noce T designed by Achille Castiglioni and produced by Flos 1970s. It owes its name to the rounded shape that suggests a half walnut. T...

'Parter' Sconces by Achille Castiglioni for FLOS. Designed and manufactured in Italy, circa the 1970s. Opal white glass shells are paired with galvanized steel armatures. The sconces...

"Bollo" is a wall lamp by architect-designer Tobia Scarpa in the year 1978 and produced by Flos. It features a cream and black painted metal body and stand and a transparent prismati...

New old stock Flos Pendant lamp with opal glass bowl for diffused light. For concentrated light a polished aluminium reflector is fitted to the base ...

Tacci lamp, Achille and Pier Giacomo Castiglioni, Flos, 1970s. Taccia table lamp with base in polished and nickel-plated steel, and a black lacquered aluminum body. The adjustable l...

'Nictea' Pendant by Afra and Tobia Scarpa for Flos, Italy 1961 The Nictea lamp was created in 1961 and is famous for its unique and elegant design. It features a delicate, sculptura...

This modern and timeless design is a result of the collaboration between FLOS and acclaimed designer Phillippe Starck. Blending together two dynamic pieces—the FLOS 2017 design Bon Jour Lamps and the Versaille candleholder created by Baccarat—the Bon Jour Versailles...

Like his other designs, Piero Lissoni’s Mini Button is a brilliant display of function and minimalism that creates a powerful impact. This wall mount fixture provides diffused lighting suitable for indoor and covered outdoor use (IP44 rating, suitable for damp locations). There is a silicone elastomer dust and waterproof seal. The lamp body and wall fitting are die...

At first glance, Serena appears to be in motion—it is a leaf blown by a gentle breeze, dancing through a current of wind. Inspired by the simple beauty of nature, this piece features...

The serene, harmonious glow of the moon inspired this innovative and first-of-its-kind design from artist Jasper Morrison. Using revolutionary Edge Lighting...

In the hands of Philippe Starck, this iconic design received a modern update through the use of the latest technology and most innovative materials. Featuring a fluted glass shade that is perfectly suited to any design style, the Romeo Moon...

Biagio 282 table light is designed by Tobia Scarpa and Afra Bianchin Scarpa, 1968. Made by Flos, Milan H. 34 x 39 x 13.5 cm. Botticino marble. Mar...

Taraxacum 88 wall/ceiling lamp by Achille Castiglioni for Flos, Italy 1988. Taraxacum is the Latin term for dandelion. With a total of 15 lamps, the wall light is reminiscent of this widespread plant. Just like the seeds of the dandelion, three lamps are arranged on each of the five triangular aluminium surfaces of the Flos Taraxacum 88...

Pendant lamp designed by Tobia Scarpa for Flos Manufactured in the 1960s Large, texturized glass globe, diameter 35 cm E27 lamp socket The total length is 115 cm The lamp ...

The Italian D'e-light workspace Lamp by Philippe Starck for Flos has a sleek, modern, and multi-functional design. This light design has a space on top for s...

The masterful table lamp by Achille and Pier Giacomo Castiglioni gets a dazzling makeover. Collectors now have a new reason to cherish the Snoopy table lamp by Achille and Pier Gi...

Table Lamp by Afra and Tobia Scarpa for Flos c.1970's Italy. The lamp features a sculpted white Carrara marble body with a curved stone shade and arched base. The light source is ins...

The IC S Pendant Light from FLOS is a case study in balance. After watching a video clip of a contact juggler, designer Michael Anastassiades was inspired by the ...

Designed by Piero Lissoni in 2011, the Tight Light plays on the perspective of size with outstanding results. The main body of this wall lamp is made of white painted extruded alumin...

Formidable husband and wife team Tobia and Afra Scarpa met while studying architecture at the Univer­sity luav di Venezia in the 1950s. Their distinctive oeuvre, produced over half a...

Coordinates is a lighting system consisting of horizontal and vertical strip lights that form illuminated grid-like structures of various complexities. This collection of standard chandeliers of pared-down configurations that can be used in any setting. Newly added to the Coordinates collection: Wall-mounted sconces providing diffused light by composed of a horizontal bar (Wall 1) or vertical and horizontal bar (Wall 2). Each bar is composed of: extruded and processed aluminium body anodized in a champagne color; diffuser in platinum optical silicone; integrated LED strip (CRI 90). Behind the design: This design evolved from a commission for the feature lighting of the main dining area of the historic Four Seasons restaurant in New York City. The restaurant relocated and opened in 2018 with the interiors designed by São Paolo-based architect Isay Weinfeld...