Tiffany Gold and Yellow Opalescent "Turtleback" Tile Chandelier

This enchanting pair of Tiffany Studios New York "hanging globe" chandeliers are composed of two reticulated glass shades. Tiffany’s idea of blowing glass through openwork bronze had evolved in the 1890s with a series of Byzantine revival fuel lamps. The technique was popularized by 19th-century Muranese Glassmakers Salvati as a derivation of the Ancient Roman cage cup (vasa diatreta). In the 4th century, Roman glassmakers encased blown glass vessels in a delicate cage of glass. In Tiffany’s version, glass is blown through an ogival pattern cage. Originating in 11th-century Byzantine textiles, the ogival pattern became established in Italy, Ottoman Turkey, North Africa, and as far west as the Balkans. Product Details: Item #: L-20851 Artist: Tiffany Studios New York Country: United States Circa: 1900 Dimensions: 7.5” length, 18" length (with chain) Materials: Favrile Glass, bronze Literature: A similar example is pictured in Tiffany Lamps and Metalware by Alastair Duncan, pg 290, illustration number 135. Macklowe Gallery Curator's Notes: Tiffany’s globe...

This Tiffany Studios New York "Five-Light" chandelier, features five golden iridescent Favrile tulip shades suspended along with loosely interlocking, he...

Among the most visually alluring and technically excellent of all Tiffany Studios New York's desk accessories, the exciting design for this refined but robustly rounded inkwell features green blown glass in pinched triangular forms that appear to dance in perfectly coordinated movement around the circumference of the piece. The negative space between the blown green glass appears in the form of stylized flowers with Minimalist linear accents in patinated bronze. Artist: Tiffany Studios New York Country: United States circa 1900 Dimensions: 3.75" height, 6.25" diameter Materials: Leaded glass, bronze Signed: "Tiffany Studios New York 25055” along with the Tiffany Studios monogram...

This Tiffany Studios New York "Oriental Poppy" leaded glass and patinated bronze floor lamp was designed circa 1913. Surmounted by a bronze cap with hogtail finial and geometric piercing, this shade depicts a profusion of deep red and crimson poppies with intense blue centers and hints of amber pollen on a blue green ground of foliage and blue sky streaked with cloud, while the lower rim is bounded by a high relief rippled green glass border. The poppies are depicted in various stages of development from seed pods, to buds on the verge of opening, to blossoms in full flower, and the effect is realized by the use of mottled, streaked and granite glass in a range of painstakingly chosen hues, tones and degrees of intensity and transparency, resulting in the powerful evocation of a three-dimensional naturalism. The shade is raised on a patinated bronze "Senior" floor base. The lamp is a tour-de-force creation reflecting the combined vision of Louis Tiffany and his women collaborators, working together to express ideals of naturalism and impressionism through the decorative arts. Item #: L-21814 Artist: Tiffany Studios New York Country: United States Circa: 1910 Dimensions: 26" diameter, 77" height. Materials: Leaded Glass, Bronze Shade Signed: Tiffany Studios New York 24045 Base Signed: Tiffany Studios New York 376 Literature: Dr. E. Neustadt, Lamps of Tiffany, New York, 1970, pp. 36, no. 35 (base model); 160, no. 224 (shade model) R. Koch, Louis C. Tiffany’s Glass, Bronzes, Lamps, New York, 1971, p. 191, nos. 7 (shade and base model), and 8-9 (base model) L. Buffet-Challié, Le Modern Style, Paris, 1975, p. 181, no. 4 (base model) A. Duncan, Tiffany at Auction, New York, 1981, pp. 100, no. 272 (base model); 104, no. 281 (base model); 148, no. 390 (base model); 222, no. 643 (base model); 223, nos. 647 (base model), 648 (shade model) and 649 (base model) P. Crist, Tiffany Lamps: A History, Mosaic Shades, Volume I, Santa Fe Springs, 2023, pp. 142, no. 5-135 (base model); 179, no. 6-111 (base model); 224, no. 7-114 (base model); 225, no. 7-118 (shade and base model); 260, no. 8-120 (shade and base model); 270, no. 9-18 (base model); 272, no. 9-23 (base model); 276, no. 9-36 (base model); 290, nos. 9-87 and 88 (base model); 294, nos. 9-101 and 102 (base model) A. Duncan, Tiffany Lamps and Metalware, Woodbridge, Suffolk, 2019, pp. 227, no. 884 (shade model); 229, nos. 893-895 (base model) Macklowe Gallery Curator's Notes: With its complex composition and bold pigmentation across the spectrum, the Oriental Poppy lamp...