Rare Otto Schulz Floor Lamp in Birch Wood, Josef Frank Shade, Boet, Sweden, 1928

Throughout his career as an interior and furniture designer, publisher and founder of the Swedish furniture company Boet, Otto Schultz was a key figure in promoting mid-century modern Scandinavian design.

Born in Germany in 1882, Schultz moved to Sweden in 1907, where he became interested in designing furniture and interiors. In 1920, Schultz founded his furniture company Boet in Gothenburg, where he created functional and traditional designs featuring quintessential elements of Scandinavian furnishings. Around the same time, Schultz started the design and living magazine Boet, which published articles and profiles highlighting Sweden’s most influential architects and designers. He served as Boet’s publisher and editor until 1938.

During the 1930s, Schultz created a range of opulent Scandinavian modern and neoclassical furniture, including cabinets, secretaires and side tables, using fine woods like elm, birch, mahogany and walnut. Many of his pieces showcased his patented use of decorative nails called Bopoint. 

He was best known for the Schultz lounge chair, which he designed in 1936. Its voluptuous design featured a generous seat and a large, curved backrest and it was upholstered with a luxurious blend of alpaca and wool. The Schultz chair was highly popular in Sweden in the 1940s. While Boet originally produced it, Swedish furniture manufacturer Jio Möbler took over its production in 1941.

Schultz operated Boet until his retirement in 1950. He died in 1970. Today, Schultz’s pieces are favorites among interior designers and collectors seeking a mix of modern Scandinavian simplicity and lavish decorative style.

On 1stDibs, discover vintage Otto Schultz seating, storage cabinets and case pieces, tables and more.

Austrian architect and furniture and fabric designer Josef Frank was a leading voice for a gentle, humane modernism. His advocacy of warm, comfortable, eclectically styled environments was highly influential in his adopted country of Sweden, and it’s now widely regarded as a harbinger of the backlash against doctrinaire modernism and the embrace of the homespun that occurred in the late 1960s.

The son of a successful Viennese textile manufacturer, Frank studied architecture at Vienna University of Technology, graduating in 1910. From the first years of his practice, he marched counter to the orderly, symmetrical architectural layouts and decors prescribed by contemporaries such as Adolf Loos.

Frank drafted rooms of varying shapes and called for flexible interior-design arrangements. His furniture pieces are light and easy to move — and his chairs are always made of wood, most often with lushly curved steam-bent arms and slatted backs. Frank openly loathed the tubular steel furnishings and “machine for living” aesthetic promoted by Le Corbusier and Ludwig Mies van der Rohe and other Bauhaus principals. “The home must not be a mere efficient machine,” Frank once said. “It must offer comfort, rest and coziness…. There are no puritan principles in good interior decoration.”

Frank — who was Jewish — sensed the dire implications of the rise of Nazism in Germany and Austria, and in 1933 he moved to Stockholm with his Swedish wife, Anna. He became the design chief for the furnishings maker Svenskt Tenn and found a perfect match culturally for his brand of simple, relaxed and bright creations. Like many modernists — notably Charles and Ray Eames and Alexander Girard — Frank had a deep love of folk art, which influenced his designs for a wide array of colorful, richly patterned upholstery fabrics, many based on the classic “Tree of Life” motif.

In all his designs, Frank took inspiration from a broad variety of sources. In his furniture, one can discern traces of Asian patterns, Rococo, Italian Renaissance, Scandinavian handicrafts and even Chippendale pieces. As such, the work of Frank — the friendly modernist — is at home in any type of décor.

Find vintage Josef Frank pillows, armchairs, floor lamps and other furniture on 1stDibs.