Ceramic Lighting

Shard lamps (pair) by Sotis Filippides stoneware (grog clay) and 24-carat gold Measures: Lamp base approximate 45cm height - total height with lamp s...

A very good quality 19th century Japanese Imari vase or lamp. Having classical Imari colors of oranges and blues, depicting flowers, motifs, and inset panels of children playing and ...

Wonderful pair of richly painted, parcel-gilt, former gas lamps on hand-cast gilt bronze bases. Now wired for U.S. current.

Pair antique French Bisque porcelain and bronze D' Ore wall sconces, Circa 1860-1880.

This table lamp is a 19th century Famille rose vase lamp, it has been made in china circa 1880. The mount is in brass, and the porcelain in hand painted. USA PLUG ADAPTATOR WILL BE ...

Tora, a ceramic pendant lamp in matte pastel colors, draws its inspiration from Arab lanterns and old oil lamps. Designed to be used individually as well...

A stunning of pair of blue and white bronze-mounted lamps, wired for US, circa 1880. Total height with the shades / 22".

A fine pair of French 19th-20th century Louis XV style gilt bronze and Faience porcelain three-light candelabra table lamps. The ovoid porcelain urn hand decorated in floral burgundy...

A stunning pair of ceramic vessels as custom-made lamps. Beautiful turquoise form with geometric motifs highlighted in gold. Accents in Lucite and solid brass. Custom-made brass peta...

A remarkable two-tier bronze six-light French Hollywood Regency chandelier, the upper part inspired by Wiener Werkstätte Art Deco designs showing three male nude figures supporting a...

A Wonderful French bronze & amethyst crystal Louis XV Style porcelain flowers, basket form chandelier with ribbon & bow top< having 6 candelabra lights each taking 40 watts per socket.

Pair of lamps in Paris porcelain and bronze, baluster shaped and red and green in color, the red part decorated with crests, the green part decorated with scraps of ribbons. Base and...

A circa 1960's Italian light fixture with porcelain pendants and interior lights. Measurements: Diameter: 24" Drop: 52"

Genie lamps (pair) by Sotis Filippides stoneware (grog clay) and 24-carat gold Measures: Lamp base approximate 40cm height, total height with lamp sh...

A 19th century French gilt bronze and crystal Aesthetic seven-light chandelier France, circa 1880 Perfectly working and ready to be hung.

Antique French Gold Bronze and Cut Crystal Chandelier With Dresden Porcelain Flowers, Circa 1890. 10 Lights

This stunning pair of vintage Sevres porcelain wall sconces date from the early 19th century & feature fine hand painted porcelain scenes wit...

21st Century desk lamp in golden bronze and with porcelain base decorated with sky with clouds and pure gold decorations. The metal parts are finely chiselled. The joint on the bar a...

21st Century desk lamp in golden bronze and with porcelain base decorated with gold silk. The metal parts are finely chiselled. The joint on the bar allows you to direct the light so...

3 Lights billiard chandelier in porcelain and patinated gold bronze. The parts in porcelain are decorated in pure gold decorations. The metal parts are in patinated gold bronze. Eac...

Floral bronze mounts and drip glazed porcelain.

Housing two lights each. These will be rewired with certified US UL sockets for the USA and appropriate sockets for all other countries and ready to hang. Adorning big handmade white...

Pair of Chinese porcelain and French Chinoiserie style gilt bronze candelabra Chinese and French, 19th Century Height 72cm, width 47cm, depth 35cm This superb pair of candelabra...

A Spectacular large 19th century blue Sevres porcelain and gilt bronze multi arm double tier chandelier of exquisite craftsmanship. The main body of this unique blue Sevres porcelain...

Pair of large Japanese Porcelain Cone Shape Vases with Imari decoration Important mounts in ormolu and gilded metal, the base decorated with a laurel wreath, the upper part of falling leaves and a frieze of knotted ribbon. The mounts signed Gagneau, 115 R. Lafayette. Circa 1860 With their original aluminium bulb cover and original gilding Vase it self Height 47 cm The Gagneau Company is one of the most famous lighting factories in Paris in the nine-teenth century, established in 1800 at 25 rue d'Enghien in Paris and later at 115 rue de Lafayette. She has participated in many exhibitions throughout this century. She began in 1819 with the Exposition des Produits de l'Industrie and later participated in the Universal Exhibitions where she was part of the jury in the category of art bronzes (class 25) at the Universal Exhibition in Paris in 1889. "Imari" was simply the trans-shipment port for Arita wares, from where they went to the for-eign trading outposts at Nagasaki. It was the kilns at Arita which formed the heart of the Japanese porcelain industry. Arita's kilns were set up in the 17th century, after kaolin was discovered in 1616. A popular legend attributes the discovery to an immigrant Korean potter, Yi Sam-Pyeong (1579–1655), although most historians consider this doubtful. After the discovery, some kilns began to produce revised Korean-style blue and white porcelains, known as Early Imari, or "Shoki-Imari". In the mid-17th century, there were also many Chinese refugees in northern Kyushu due to the turmoil in China, and it is said that one of them brought the overglaze enamel coloring technique to Arita. Thus Shoki-Imari developed into Ko-Kutani, Imari, and later Kakiemon, which are sometimes taken as a wider group of Imari wares. Ko-Kutani was produced around 1650 for both export and domestic market.Kutani Ware is characterized by vivid green, blue, purple, yellow and red colors in bold designs of landscapes and nature. Blue and white porcelain pieces continued to be produced and they are called Ai-Kutani. Ko-Kutani Imari for the export market usually adopted Chinese design structure such as kraak style, whereas Ai-Kutani for the domestic market were highly unique in design and are ac-cordingly valued very much among collectors. Ko-Kutani style evolved into Kakiemon-style Imari, which was produced for about 50 years around 1700. Kakiemon was characterized by crisp lines, and bright blue, red and green designs of dramatically stylized floral and bird scenes. Imari achieved its technical and aes-thetic peak in the Kakiemon style, and it dominated the European market. Blue and white Kakiemon is called Ai-Kakiemon. The Kakiemon style transformed into Kinrande in the 18th century, using underglaze blue and overglaze red and gold enamels, and later additional colors. Imari began to be exported to Europe when the Chinese kilns at Jingdezhen were damaged in the political chaos and the new Qing dynasty government halted trade in 1656–1684. Ex-ports to Europe were made through the Dutch East India Company, and in Europe the des-ignation "Imari porcelain" connotes Arita wares of mostly Kinrande Imari. Export of Imari to Europe stopped in mid-18th century when China resumed export to Europe, since Imari was not able to compete against Chinese products due to high labor costs. By that time, however, both Imari and Kakiemon styles were already so popular among Eu-ropeans that the Chinese export porcelain copied both, a type known as Chinese Imari. At the same time, European kilns, such as Meissen and English potteries such as Johnson Bros. and (Royal) Crown Derby, also imitated the Imari and Kakiemon styles. Export of Imari surged again in late 19th century (Meiji era) when Japonism flourished in Europe.Thus, in the western world today, two kinds of true Japanese Imari can...

We are offering a pair of vintage circa late 1930's/early 1940's Gladding McBean & Co. high fired ceramic table lamps with heavy ornamental fitments of warm patinated bronze. Covere...

These exquisite wall lights were created in the late 19th century by the famous bronzier, Henri Vian (French, 1860-1905). These wall lights are stamped ‘HV 955’ for Henri Vian, along with ‘BY’ for the prestigious Beurdeley furniture-making workshop (French, founded 1818). Vian purchased several bronze models that were created by Beurdeley when the company closed in 1895. These lights were most likely cast from a Beurdeley model. Typical of both Beurdeley’s and Vian’s work, these lights are designed in an 18th century Louis XVI (Neoclassical) style. The wall lights feature gilt bronze (ormolu) backplates which are designed to look like ribbons, tied in bows and ending in tassels. These ribbons support gilt bronze oval frames...

A small French porcelain table lamp with brass base, in the Empire style, circa early-20th century, France. This small French porcelain lamp, ...

This is a pair of signed, French antique gilt bronze twin arm candle wall sconces from a famous European Pottery and ceramic maker. These are quite rare as most of their works were table wear...

12-lights chandelier in light-green porcelain and bronze in burnished. Each object is handcrafted and the care for every detail makes each item unique in its kind. The lampshades are...

A pair of fine glazed blue porcelain gilt bronze-mounted table lamps, France, early 20th century. Porcelain vase raised on beautifully elaborate bronze base. Both porcelain vases are...

French Louis XV-Style (19th Century) bronze dore 8-arm chandelier featuring a Baroque scroll form frame and sculptural cobalt porcelain body with 3 applied bronze fleur de lis decora...

Fully functional. height adjustable from 45cm to 100cm. Each E27 socket. Works with 220V and 110V. Wiring is suitable for all countries.

Pair of Antique 19th Century French Dore Bronze and Wedgewood Urn Lamps. Shades Not included.

A charming and most decorative French 19th century Louis XVI st. patinated bronze, pressed metal and Saxe porcelain chandelier. The six arm chandelier is centered by a lovely floral ...

Nizwa mixed clay floor lamp resting on a circular bronze base. Barracuda edition, made in Portugal.

A very massive impressively decorated 19th century porcelain Chinese jar converted to a lamp with three bulbs and enamel paintings of birds and flowers and braches with blossoms. The...

Hanging ceiling lamp with handmade metallic chandelier design with twenty-four translucent white, engraved porcelain lampshades. Beauty of the night. Such is the name of the plant whose petals reflect the moonlight, thus acquiring the magical property of glowing in the dark. This striking species provides the inspiration for the Belle de Nuit...

A stunning 19th century famille rose porcelain lamp adorned with intricate Louis XVI style bronze dore mounts. With florals and roosters. Two sockets with pull chains. Vase itself is...

This whimsical, charming, and bespoke creations are produced from various mediums and often incorporate repurposed, found, memorabilia, or recycled elements such as mosaic, bits of m...

This charming porcelain and bronze chandelier with its lovely flowers is sure to please. It would look very nice in a ladies' dressing room or any intimate space, such as a half-bath.

A gold-plated sculptural Hollywood Regency style table lamp from the 1970s in the shape of a horse chess piece. Made of ceramic by Behrend Firenze, Italy. Signed on its underneath. In good condition, no damages, marginal signs of age in the gold-plating, please see the images. Comes with a black professionally refurbished lampshade with golden interior, identical to the original, we used the original frame. In the style of the Tommaso Barbi Cobra...

A fine Pair of 19th century Japanese Imari Porcelain and French Gilt-Bronze Mounted Thirteen-Light Celadon Torchere Candelabra. The bottle-shaped Japonisme vases with a Royal red background, decorated with parcel-gilt and black soaring eagles in the hunt within a forestall scene. Each Vase fitted and surmounted with a French 19th century Louis XV Style 13-Light scrolled candelabrum and all raised on a circular pierced gilt-bronze plinth. circa: 1880. Imari Porcelain (????) is the name for Japanese porcelain wares made in the town of Arita, in the former Hizen Province, northwestern Kyushu. They were exported to Europe extensively from the port of Imari, Saga, between the second half of the 17th century and the first half of the 18th century. The Japanese as well as Europeans called them Imari. In Japanese, these porcelains are also known as Arita-yaki (???). Imari or Arita porcelain has been continously produced up through the present day. Characteristics Though there are many types of Imari, Westerners' conception of Imari in the popular sense is associated only with a type of Imari produced and exported in large quantity in mid-17th century. This type is called Kinrande. Kinrande Imari is colored porcelain with cobalt blue underglaze and red and gold overglaze. The color combination was not seen in China at that time. Traditional Ming dynasty color porcelain used dominantly red and green, probably due to scarcity of gold in China, whereas gold was abundant in Japan in those days. The subject matter of Imari is diverse, ranging from foliage and flowers to people, scenery and abstractions. Some Imari design structures such as kraak style were adopted from China, but most designs were uniquely Japanese owing to the rich Japanese tradition of paintings and costume design. The porcelain has a gritty texture on the bases, where it is not covered by glaze. There is also blue and white Imari. Kakiemon style Imari is another type of Imari, but it tends to be categorized separately in Europe. History "Imari" was simply the trans-shipment port for Arita wares. It was the kilns at Arita which formed the heart of the Japanese porcelain industry. Arita's kilns were set up in the 17th century, when kaolin was discovered in 1616 by the immigrant Korean potter, Yi Sam-pyeong (1579–1655). (He may also be known by the name, "Kanage Sambei".) Yi Sam-Pyeong, along with his extended family of 180 persons, left Korea on the offer of a privileged position in Japan. This decision was made after the occurrence of certain Japanese invasions of Korea. After Yi Sam-Pyeong's discovery, his kilns began to produce revised Korean-style blue and white porcelains, known as "Shoki-Imari". In the mid-17th century there were also a lot of Chinese refugees in Northern Kyushu due to the turmoil on Chinese continent, and it is said one of them brought coloring technique to Arita. Thus Shoki-Imari developed into Ko-KutaniImari. Ko-Kutani was produced around 1650 for both export and domestic market. Blue and white porcelain continued to be produced and they are called Ai-Kutani. Ko-Kutani Imari for the export market usually adopted Chinese design structure such as kraak style, whereas Ai-Kutani for the domestic market were highly unique in design and are accordingly valued very much among collectors. Ko-Kutani style evolved into Kakiemon style Imari, which was produced for about 50 years around 1700. Imari achieved its technical and aesthetic peak in Kakiemon style, and it dominated European market. Blue and white Kakiemon is called Ai-Kakiemon. Kakiemon style transformed into Kinrande in the 18th century. Kinrande used blue underglaze and red and gold overglaze, and later some other colors. Imari began to be exported to Europe because the Chinese kilns at Ching-te-Chen were damaged in the political chaos and the new Qing dynasty government stopped trade in 1656–1684. Exports to Europe were made through the Dutch East India Company, but the designation "Imari Porcelain" in Europe connotes Arita wares of mostly Kinrande Imari. Export of Imari to Europe stopped in mid-18th century when China began export to Europe again, since Imari was not able to compete against China due to high labor cost. By that time, however, both Imari and Kakiemon style were already so popular among Europeans, Chinese export porcelain copied both Imari and Kakiemon style, which is called Chinese Imari. At the same time, European kilns, such as Meisen also tried to copy Imari and Kakiemon. Export of Imari surged again in late 19th century (Meiji era) when Japonism flourished in Europe. Thus in western world today, two kinds of Imari can...

6-Lights chandelier in ivory porcelain and patinated golden bronze. Each object is handcrafted and the care for every detail makes each item unique in its kind. The lampshades are in...

An exquisite patinated bronzed antique gold gilt Tole chandelier with 32 intricately hand crafted pink porcelain roses. Six arms & lights, Italian mid 20th Century with newer hardwir...

Two Bitossi table lamps, ceramic with 24k metallic glaze. The Bitossi factory mixed 24-karat gold to their gold glazes to achieve the right luster. Original paper label which read: '...

A pair of large French table lamps - huge vase lamps Material: Porcelain - Ceramic Design : Robert Kostka France (Marked with label) Producer: In the style of Longwy Style: Vintage, ...

Gorgeous, French 1940s bronze, crystal and porcelain chandelier in the provincial style. The chandelier consists of a bronze frame decorated with an abundance of flowers made of f...

Pair of French figural bronze and porcelain Sevres two arm foliage with ribbon wall sconces. Pair are candle powered but can be electrified if desir...

Hanging ceiling lamp with handmade metallic chandelier design with twelve translucent white, engraved porcelain lampshades. Beauty of the night. Such is the name of the plant whose petals reflect the moonlight, thus acquiring the magical property of glowing in the dark. This striking species provides the inspiration for the Belle de Nuit...

Antique 19th Century French Celadon "Pate Sur Pate" Porcelain and Gold Bronze table lamp.

Pair of French gilt bronze-mounted Canton porcelain lamps. The bodies are decorated with polychrome cartouches of Chinese court scenes, flowers, fruits, butterflies etc. France circ...

This antique table lamp with a solid bronze mount from Rosenthal dates back to around 1910. The porcelain body, reminiscent of a Chinese ginger jar, featuring a stunning runny glaze ...

Pair of French Rococo style gilt bronze and porcelain flower table lamps. This absolutely adorable pair of French Rococo-style two-light table l...

5-lights Lantern in white porcelain with pure gold decorations and white silk and gold patinated bronze. The glasses are engraved by hand. Each object is handcrafted and the care for...

Sun lamp in white, gold and tan enameled ceramic, sculptural floor or table lamp bringing to your space an amazing light experience when the night falls, and a stunning sculptural presence during the day. Approximate dimensions: Height 80 cm x diameter 75 cm. Signed on the base by the artist, delivered with a “Certificate of Authenticity”. Georges Pelletier (1938) is a great contemporary artist exploring the fields of ceramics and lighting, since the 1950s. Born in Brusels in 1938. At the tender age of 12 he enrolls in the École du Pioulier, founded by Célestin Freinet and located in Vence in the South of France. Here he learns free and modern art and discovers drawing and ceramics. During this period Pelletier starts showing solidarity and relief based on the principle of equality. This formation lends him a unique artistic identity. Georges Pelletier arrives to Paris in 1953 and continues with his drawing studies at l’Académie Charpentier meanwhile he still frequents Fernand Léger’s workshop. He enrolls the school of Métiers d’Art in 1955. Pelletier deepens into the world of ceramics during his time at Claude Pantzer’s workshop and the Potiers d’Accolay where he meets Raphael Giarusso...

With elaborate bronze mounts that may polish over a Chinese verte porcelain vase. Unsure of condition of the vase. No cracks visible. From a Bellevue Avenu...

1930s Art Deco ceramic lamp depicting a stag, doe, and mountain goat amid a weeping willow/foliage by the renowned ceramic studio, Atelier Primavera, an extension of Le Printemps Dep...