Murano Glass leaf wall sconce by André Arbus 1950s

French architect, sculptor and designer André Arbus was destined to become one of the 20th century’s finest furniture makers. According to him, the craft was in his blood. “I come from an old family of cabinetmakers,” he once said. “From father to son for a very long time. In other words, I was born in a cabinet-making workshop.”

Born in Toulouse in 1903, Arbus spent his childhood working in his father’s business which sold reproductions of 18th century French furniture. He later studied at the École des Beaux-Arts in Toulouse under sculptor Henry Parayre. 

After graduating, Arbus returned to work with his father as the business’s artistic director. When his father retired, Arbus transformed the company from selling furniture reproductions to one that produced his own formidable designs, including cocktail tables, sofa tables and floor lamps that merged neoclassicism with Art Deco and featured alluring modernist characteristics.

In 1925, Arbus exhibited at several shows, including the Salon des Artistes Décorateurs, Exposition des Arts Décoratifs, Salon d’Automne, the Gallery L’Epoque and won a medal at the International Exhibition of Modern Decorative and Industrial Arts, which brought the Art Deco style to the global stage.

Arbus moved to Paris in 1932, won the prestigious Premier Prix Blumenthal in 1934 and opened his own gallery in 1935. His sconces, chandeliers and dining room tables attracted a steady clientele of some of Paris’s wealthiest. Arbus exhibited at the 1939 World’s Fair in New York and, throughout the 1940s, received numerous notable commissions. The French government gave many of his pieces as gifts to visiting foreign heads of state. He furnished several luxury ocean liners, collaborated with Maison Veronese on a line of lighting fixtures and was tasked to build a jewel cabinet for Princess Elizabeth.

In 1946, Arbus participated in the refurbishment of the Élysée Palace and the Château de Rambouillet with fellow French architects and designers Louis Süe and Jean-Charles Moreux. 

Arbus focused on sculpture throughout the 1950s until he died in 1969, drawing inspiration from eminent sculptors such as Vadim Androusov and Sylva Bernt. Today, Arbus’s works can be found in museums around the world.

On 1stDibs, find a range of vintage André Arbus lighting, tables and seating.

Partnerships come and go within the community of glass-making artisans on the Venetian island of Murano, where business relationships seem as complex as the shifting alliances in the notoriously acrimonious Italian parliament. Formed in 1942 by members of families with centuries of experience in the craft, Barovier&Toso has proven to be one of the most enduring and prosperous Italian glass manufactories of recent decades. Under the nearly 50-year artistic directorship of cofounder Ercole Barovier (1889–1974), the company created buoyant traditional pieces such as chandeliers, sconces and other lighting fixtures, and it pioneered an array of innovative modernist glass designs with bold colors, patterns and surfaces.

The Barovier dynasty began in 1295, when Jacobello Barovier, mentioned in historical documents as a master glassblower, began pinching, cutting, blowing and twisting a molten mixture of sand and minerals into incandescent works of art. It remained entirely family-owned until the mid-20th century, when it merged with another glassworks to become Barovier&Toso.

To appeal to gentler, more conservative tastes, Barovier&Toso produced a range of lilting, sinuous lighting pieces that are often described as embodying “Liberty Style” — the Italian term for Art Nouveau, taken from the name of famed London department store Liberty & Co., which promoted 19th-century organic textile designs and Arts and Crafts-style furniture in the manner of William Morris. The hallmarks of the style in Barovier&Toso works are elements of glass in the shape of thick leaves, fronds and flower petals, deployed along with other naturalistic ornament in sconces, pendants and chandeliers.

Ercole Barovier began his personal aesthetic transition toward modernism in the 1930s with his Primavera series of vases and animal sculptures — idiosyncratic milky-white and clear glass filled with tiny bubbles and hairline interior fissures that he produced for Artisti Barovier, a firm headed by his father and uncle. Later, with Barovier&Toso, he would explore such novel styles as the mosaic-like Pezzato glass; fluid Spiral patterns; the pebbly textured Barbarico line and the complex, layered and highly colored abstractions of the Oriente series of vases and bowls.

Traditional or modern, Barovier&Toso — still under family control — has produced one of the finest and most diverse catalogues of Murano glass in the last 100 years.

Find antique Barovier&Toso chandeliers, serveware, decorative objects and more on 1stDibs.