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Set of 12 wall lamps by Gae Aulenti & Livio Castiglioni for Stilnovo, 1970s

$8,715.12Asking Price


Set of 12 swiveling wall spots of chromed metal designed by Gae Aulenti and Livio Castiglioni for Stilnovo, 1970s. As described in a catalogue by Stilnovo these lamps by Gae Aulenti and Livio Castiglioni have been designed in various versions: "Three series of swiveling projectors having different projection, made of yellow or black Makrolon with chromed or white lacquered reflector. Every set includes the utilizations: ceiling or wall, rail track, recessed, suspension, table, floor; it uses paraboles allowing to obtain, together with a large range of bulbs, concentrated or widened beams." These lamps work best when used as wall lamps, however they can be used as ceiling lamps as well. The reflector is silver coloured. For sale as a set.


  • Creator
    Livio Castiglioni (Designer),Gae Aulenti (Designer),Stilnovo (Manufacturer)
  • Dimensions
    Height: 12.6 in. (32 cm)Width: 10.24 in. (26 cm)Depth: 6.7 in. (17 cm)
  • Sold As
    Set of 12
  • Style
    Mid-Century Modern (Of the Period)
  • Materials and Techniques
  • Place of Origin
  • Period
  • Date of Manufacture
  • Condition
    Wear consistent with age and use. The condition of most lamps is very good; a minority has some small but -not disturbing- spots.
  • Seller Location
    Rotterdam, NL
  • Reference Number
    1stDibs: LU2839318966472

Shipping & Returns

  • Shipping
    Rates vary by destination and complexity.
    Customs Duties & Taxes May Apply.
    Ships From: Rotterdam, Netherlands
  • Return Policy

    A return for this item may be initiated within 14 days of delivery.

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About the Designer

Gae Aulenti

The Italian architect and designer Gae Aulenti will forever be best remembered for her work with museums, in particular her 1980-86 renovation of a Beaux Arts Paris train station to create the galleries of the Musée d’Orsay. Aulenti — whose first name, short for Gaetana, is pronounced “guy” — should also be recalled for her tough intellectual spirit and for working steadily when few women found successful architectural careers in postwar Italy. After she graduated from the Milan Polytechic in 1954, Aulenti opened an architectural office. She also joined the staff of the progressive architectural magazine Casabella, whose editorial line was that the establishment, orthodox modernism of Le Corbusier and the Bauhaus, had outlived it usefulness. When their movement for fresh approaches to architecture and design received a sympathetic hearing, Aulenti found patrons — most prominently Gianni Agnelli, of Fiat, who later employed her to renovate the Palazzo Grassi in Venice for use as an arts exhibition space. Commissions for showrooms and other corporate spaces brought Aulenti to furniture design. She felt that furniture should never dominate a room. Her chairs and sofas — low-slung, with rounded enameled metal frames and ample seats — and tables, particularly her 1972 marble “Jumbo” coffee table for Knoll, project solidity and sturdiness. In lighting design, however, Aulenti is bravura. Each work has a marvelous sculptural presence. Pieces such as her “Pipistrello” table lamp and “Quadrifoglio” pendant are a perfect marriage of organically-shaped glass and high-tech fixtures. Others have a futuristic elegance—and some even have a touch of personality. Aulenti’s “Pileino” and “La Ruspa” table lamps each look almost like little robots. Her lighting pieces are an artful grace note in the career of a woman who believed in strength.
About the Seller
5 / 5
Located in Rotterdam, Netherlands
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