Ormolu Furniture

A most impressive French early 19th century Empire st. flame Mahogany and Ormolu center table, circa 1815. This high quality circular table is raised on ball supports which conceal t...

A spectacular and extremely high quality French 19th century Louis XVI st. Ormolu and Baccarat Crystal Marie Antoinette chandelier. This fantastic eight arm twenty light chandelier i...

Pair of monumental gilt bronze and glass floor standing candelabra Crafted in the neoclassical style, this pair of floor-standing candelab...

A Palatial very fine and rare pair of French 19th century Louis XV style Ormolu and Malachite Pedestal side tables, attributed to Frédéric-Eugène Piat (French, 1827-1903), the bronze...

A very fine French 19th-early 20th century Louis XV style mahogany, tulipwood, parquetry and ormolu mounted oval gueridon side table with a Brêche Violette marble top, attributed to François Linke (1855-1946). The inset oval Brêche Violette marble top with a gilt-bronze surround, above a lozenge parquetry frieze with foliate ormolu mounts, with a drawer to one side, on cabriole legs headed by clasps and joined by an 'X'-shaped stretcher centered by a finial, on scroll sabots. Unsigned. Circa: Paris, 1900. François Linke (1855-1946) was one of the most celebrated ébénistes of his time. Born in Pankraz, Bohemia, Linke moved to Paris in 1875 and six years later established independent ateliers at 170, rue de Faubourg St. Antoine. As was the practice among contemporaries and noteworthy predecessors, such as Alfred Beurdeley and Henry Dasson, Linke initially produced furniture derived from styles popular during the 18th century ancien régime. By 1900, his worldwide reputation as an individualistic master of high quality furniture was already established. However, with a huge display, placing his extravagant pieces in room settings and winning the Médaille d'Or for his Grand Bureau, Linke's participation in the Paris 1900 exhibition...

Pair of circa 1815 English Regency period side chairs attributed to renowned cabinetmakers Morel & Hughes having parcel-gilt and gilt-metal mounted rosewood 'klismos-form' frames; th...

Fine Quality Pair of French Napoleon lll Style Gilt Bronze heavy gauge Twin Arm Electric Wall Candle Sconces Lights, of very generous proportions and outstanding quality. Made by the...

A Belle Epoque Gilt-Bronze Mounted Mahogany Vitrine Cabinet by François Linke. Of large proportions with central arched glazed door flanked to each side by a recessed glazed door....

Charles X Style French Ormolu-Mounted Optic Cut Crystal Casket Box, Signed Lehmann France, circa 1900–1920 A fine French crystal and gilt bronze ca...

Pair of French antique Vernis Martin commodes by Durand French, c. 1880 Height 95cm, width 131cm, depth 49.5cm This exceptional pair of 19th ce...

A sensational French 19th century transitional st. mahogany, ormolu, and Sarrancolin marble commode. The three drawer chest is raised by handsome cabriole legs with elegant, high qua...

This extraordinary Art Nouveau vase attibuted to Wilhelm Kralik Sohn is a stunning example of Bohemian craftsmanship from the late 19th century. Crafted from iridescent green glass...

A fine French 19th-20th century Louis XV style gilt bronze mounted satinwood and tulipwood Bois Satiné and Bois de Bout floral Marquetry two-drawer commode of bombé serpentine form, ...

Three-piece Louis XV Rococo style porcelain and ormolu clock set French, late 19th century Clock: Height 82cm, width 62, depth 28cm Candelabra: Height 76cm, diameter 22cm Compr...

Pair of English Regency framed ormolu portrait plaques of St. Paul & Socrates Exceptional quality and casting, beautifully framed with convex glass. Each plaque is mounted in a circu...

A stunning and high quality French Turn of the Century Louis XVI st. Mahogany and Ormolu dining table, attributed to Maison Jansen. This exceptional oval table is raised by elegant c...

An exceptional and supremely refined large French Louis XVI style Ormolu and White Marble Clock Garniture, dating to the 19th century and proudly retailed by the esteemed Tiffany & C...

Housing six lights, star prisms throughout with crystal prisms and rare grape cluster prisms. This will be rewired with certified US UL sockets for the United States and appropriate ...

These exceptional, large pair of red marble and gilt bronze candelabra is opulently decorated finely-cast neoclassical style decorations. Each candelabrum is formed as a red marble vase...

A Very Impressive & Superbly Cast Patinated Bronze Bust of George Stephenson, of generous proportions. Mid Nineteenth Century. Engraved E W Wyon Sculptor and dated 1858 also engraved DELPECH RED. Dressed in classical draperies and looking slightly to the left, ending on its original circular socle on spreading base. Condition: Good original untouched condition, nice surface patination, very small scratch on his chest, see image. Height: (an impressive, entire) 13" (33cm). Width: (at widest shoulders) 9.25” (23.5cm). Depth: (at base) 4.75” (12cm). Location: Dublin City, Ireland. Affordable fixed charge Worldwide Store to door shipping. George Stephenson 1781– 1848) was a British Civil and Mechanical Engineer during the Industrial Revolution. Renowned as the "Father of Railways", Stephenson was considered by the Victorian people as a great example of diligent application and thirst for improvement. His chosen rail gauge, sometimes called "Stephenson gauge", was the basis for the 4 feet 8+1⁄2 inches (1.435 m) standard gauge used by most of the world's railways. Pioneered by Stephenson, rail transport was one of the most important technological inventions of the 19th century and a key component of the Industrial Revolution. Built by George and his son Robert’s company Robert Stephenson...

French Louis XV style (circa 1880) transitional style gilt bronze mounted kingwood & satinwood 3 drawer commode with floral inlaid design and a fleur de peche...

A most powerful and of the highest quality French First Empire period, Circa. 1805, "Secretaire Abattant'. The secretary is solid Cuban mahogany and fire gilded ormolu mounts with tw...

Two Austrian purple cut glass and gilt bronze lamps Austrian, Early 20th Century Height 40cm, width 11cm, depth 11cm These lamps are truly exceptional antique pieces of Austrian design. They were created in the early 20th century, in the refined Neoclassical style which was in fashion at the time. They are crafted from fine purple amethyst crystal glass and gilt bronze (ormolu). The stems of the lamps are shaped like classical campagna vases...

A very fine quality pair of French ormolu-mounted jewelled Sèvres porcelain lidded vases. Having classical romantic scenes and landscapes set between the cobalt blue, the gilded ormo...

This large clock set, which is comprised of a mantel clock and pair of flanking candelabra, is designed in the style of Sèvres Porcelain manufactory goods. In the manner of Sèvres Po...

A fine quality antique French Louis XV marquetry inlaid rosewood and ormolu jardiniere, wine cooler, side table, circa 1860. The table with a removeable lid with twin gilt bronze roc...

Presenting a magnificent pair of French Maurin green marble urns and covers exuding opulence and grandeur in the Louis XVI style, dating from the late 19th to early 20th century. Ea...

An impressive and most stately Baltic 19th century Louis XVI st. Ormolu and Crystal chandelier. This truly stunning twenty light chandelier is centered by an inverted topie shaped bo...

A fine Regency chandelier of tent and basket design with double ormolu bands issuing six diamond cut glass candle nozzles, the chandelier is hung with double cut rectangular spangles...

A very good quality late 19th century French Louis XVI style mahogany bureau plat, in the manner of Francoise Linke. Having an inset leather top, gilded ormolu mouldings, three friez...

An elegant pair of French 19th century Louis XVI st. Mahogany, ormolu and white Carrara marble consoles. Each freestanding console is raised by circular tapered feet with fine topie ...

A Large and Important Early 20th Century Gilt Bronze Twenty Four Light Empire Style Chandelier The wonderful casted all bronze frame decorated with empire designs, with bronze chai...

A good quality pair of Chinese 19th century Famille rose vases / lamps. Each with a blue and yellow ground, panels depicting exotic birds and flowers. Gilded ormolu lids and bases in...

An extraordinary Louis XV period (1715-1774) French ormolu mounted tulipwood and kingwood marquetry bombé sauteuse commode by master Parisian ébéniste André-Antoine Lardin. circa late 1740s In our 40+ years we have not came across a chest of drawers that captures our attention like this one! Exquisitely hand-crafted in Paris in the mid-18th century, exceptionally executed in opulent and luxurious period King Louis 15th taste, featuring a curvacious serpentine-front bombe-form solid wood case fitted with two drawers, adorned with finely chased, chiseled and gilded bronze doré mounts, including rare and most distinctive sculptural fiolated scroll Rocaille handles, flanking ornate keyhole escutcheons with original key included. In absolutely stunning rare and exotic precious tulipwood and kingwood veneer work with striking warm rich highly figured grain patterns, elegant floral marquetry inlays and fascinating early sunburst panels. Topped with the original serpentine shaped Brèche de Médous marble-top with stepped molded edge. The Breccia de Médous is extracted in the towns of Médous and Asté, near Bagnères-de-Bigorre in the Hautes-Pyrénées. This dramatic breccia is composed of angular elements of contrasting colors ranging from black to yellow to gray creating a bold but subdued visual display. Signed, retaining the original LARDIN blind stamp to top proper-right rear post underneath marble. André-Antoine Lardin (1724-1790) is a celebrated Master Cabinetmaker, earning maître in 1750, and particularly respected for his extraordinary woodworking veneer - marquetry work. - PROVENANCE / ACQUISITION: From the important collection of Loyd-Paxton, Dallas, Texas. Property from the magnificent Estate of Mr. and Mrs. Robert Morris Graham Sr., El Paso, Texas, but also with homes in Dallas, Texas and Pebble Beach, California. Acquired from the highly reputable auction house Heritage Auctions, Dallas, Texas. 2024 Furniture & Decorative Art Featuring The Collection of Mrs. Henry Ford II Signature Auction Catalog #8167 Loyd Paxton Gallery, Dallas, Texas. With one of the finest collections in the world and prominent customers to match, including Sir Elton John, Truman Capote, Saudi Prince Faisal, and the Sultan of Brunei. Rare French antiques from Loyd-Paxton made their way into Versailles when it underwent renovations, and the Metropolitan Museum of Art in New York purchased furnishings, including a dazzling Louis XIV Boulle desk that had been owned by the Sun King himself. Betty Jo Graham might not hold celebrity status but her remarkable life and many contributions to American history and the arts community of El Paso, Texas, make her deserving of the limelight nonetheless. Affectionately known to her friends as BJ, led a remarkable life that intertwined a deep passion for music with significant contributions to her community and country. BJ embarked on her vocal journey at the age of 12, studying under the esteemed Mini Ferguson Owens at the University of Wichita. Her pursuit of musical excellence continued in the same institution, where she later attended college. BJ's life was not solely dedicated to music; she also played a vital role in American history. During the tumultuous times of World War II, she contributed her skills to the Cessna AT-17 training program, a crucial effort in preparing pilots for combat. She worked as an electrical wiring diagram analyst for Boeing Engineering Development on the iconic Enola Gay project in 1956. BJ's heart always remained with music. She continued to refine her vocal skills with notable figures such as Maude Douglas Tweedy in New York City and John Charles Thomas in Apple Valley, California. Her love story with Robert Morris Graham Sr., whom she married in 1975, was filled with shared adventures and travels across the globe, living in places from Dallas, Texas, to Pebble Beach, California, and El Paso, Texas. As a trustee of the El Paso Symphony Orchestra and a board member of the El Paso Symphony Youth Orchestra and El Paso Pro-Musica, she played a pivotal role in nurturing the musical landscape of her community. Her support extended to various causes, including the El Paso Opera, Holocaust Museum, Museum of Art, and many more, showcasing her belief in the transformative power of art and culture. Betty Jo Graham's journey through life reflects a profound dedication to her passions, community, and the arts. Her legacy, marked by her music, history, and philanthropy contributions, inspires and impacts many, ensuring that her melodious spirit will be remembered and cherished for future generations. After traveling the globe and living in cities across the country, Graham and her husband, Robert Morris Graham Sr., eventually settled in El Paso, where she served as a trustee of the El Paso Symphony Orchestra and a board member of the El Paso Symphony Youth Orchestra and El Paso Pro-Musica. Though Graham had a lifelong passion for music and played a pivotal role in nurturing the musical landscape of her community, her philanthropy extended to various causes, including the El Paso Opera, El Paso Holocaust Museum and El Paso Museum of Art, showcasing her belief in the power of art and culture. A patron of the arts, Graham was also a collector of fine jewelry, with a particular fondness for eye-catching, statement-making rings, necklaces, earrings and more, and Heritage was honored to present Property from the Estate of Mrs. Betty Jo “B.J.” Graham as part of its Spring Fine Jewelry Signature Auction. Inscription to placard on reverse: FROM THE COLLECTION OF LOYD-PAXTON DALLAS, TEXAS Signatures: Original blind stamped LARDIN to top of rear post. Bronzes not removed to inspect for foundry marks. - DIMENSIONS: (approx) 33" High, 42" Wide, 20.75" Deep - CONDITION REPORT: Overall a superb example, especially considering its nearly 300 years old. Beautifully aged warm patina, antique wood glow and lustrous sheen. Strong, sturdy, stable, structurally sound. Evidence of restorations, likely by Loyd-Paxton, including high-quality bespoke upholstered drawer lining. Typical wear commensurate with age, use, handling and exposure, including minor nicks to edge, age splits scattered throughout body, expected antique character and charm. Marble top is in great shape. Accompanied by two working keys. Overall outstanding presence, delivered cleaned, waxed, with hand rubbed polished patina, ready for immediate use and generational enjoyment! - INTERESTING ADDITIONAL INFORMATION: This elegant commode typifies the fashion for furniture mounted with exotic and rare woods, exquisite marquetry-work, and decadent Rococo bronzes. Andre Antoine Lardin, also known as N.B. Lardin was born in 1724 and died on 10 August 1790. He held his master's title from 1 July 1750 and was particularly respected for the exceptional quality of his veneering / marquetry. A well known and regarded maître ébéniste, Lardin’s career is somewhat thinly documented, most likely due to the upheaval and record destruction during the Revolution, notably when the guilds in Paris and elsewhere were abolished in 1791. Lardin worked for various marchand-mercier (furniture dealers) and probably also for a private clientele. He ran his workshop first in the Rue de Charenton and from 1770 in the Rue Saint-Nicolas. His two sons, André Antoine II and Louis François, worked with him for some time and the second-named became his successor in the Rue Saint-Nicolas. Lardin is known to have worked for the marchands André-François Carré, this superb commode having almost most certainly been commissioned through the intervention of one of these fashionable dealers. The marchand-mercier André-François Carré, is recorded rue Froidmanteau, "Magasin de glaces, porcelaine ébénisterie et curiosités pour les cabinets d'histoire naturelle." Carré also worked with two vernisseurs (vernis Martin): Porchon and Prévost. All of Lardin's furniture is classic in form and decor, well crafted and mostly veneered in rosewoods or violet wood. Lardin worked in the taste of the time with geometric patterns, cartouche fields and simulated fluting. Furniture with elaborate inlays such as birds, trophies, urns, landscapes, or flowers and sunburts such as this stunning example appear more rarely. The stamp JME stands for Jures Menuisiers Ebeniste and notes the guild affiliation of the master. The Corporation des Menuisiers-Ébénistes was a French craft guild which was concerned with the profession of woodworking. Some JME stamps are worn down from the marble slab over the years and no longer apparent, but in this case lacking the JME stamp is likely indicative of work made prior to reaching maître ébéniste (master cabinetmaker), denoting an early and exceedingly scarce example. Eighteenth century French furniture...

This is a monumental French pair of antique Louis XVI Revival gilded ormolu quadruple branch wall lights, mid-20th century in date.   A large pair of very ormolu wall sconces, each w...

An elegant and intricately detailed pair of French 19th century Louis XV st. Sévres Porcelain and Ormolu lamps. Each most elegant vase mounted into a lamp is raised by pierced foliat...

A fine mid-19th century French Neo-Classical st. mahogany Psyche mirror. The whole is raised on four C scrolled legs fitted with ormolu casters joined by ...

Large Neoclassical Alabaster Lamp with Ormorlu and Bronze Motifs Sculptural solid gilt bronze koi fish and alabaster neoclassical design l...

This is a stylish antique Swedish birch Biedermeier sofa table with ebonized detail, circa 1820 in date. The table features a rectangular top w...

Louis XVI Style Ormolu Mounted White Marble Mantle Clock, 19th century, the circular white enamel barrel dial signed "Jacques LaCroix a Paris", the movement strike on bell, surmounte...

Late 19th century Regency Boulle-style ormolu and ebony wood bureau plat/desk by Mathieu Béfort (AKA: Béfort Jeune), France By: Mathieu Béfort, Béfort Jeune, André-Charles Boulle (i...

A beautiful classical clock made in the style of Louis XVI by Samuel Marti. Stunning ormolu (finely gilded bronze) mounted on a marble base. It is decorated with an inset laurel swag...

Elegant pair of ormolu-mounted brèche violette marble covered urns. Each of baluster shape. The dome cover with foliate ribbon finial with cast mounts handles and berry swags above a...

A charming French 19th century Neo-Classical Ormolu vanity mirror. This elegant swivel mirror is raised by a square stepped Ormolu base with a square mottled pedestal below. The pede...

This Fine french four glass mantel clock has a beautifully gilded case with thick bevelled glass panels and doors. the eight day movement with visible jewelled Brocot escapement is m...

A Fine French 19th Century Louis XV Style Kingwood and Tulpwood Gilt-Bronze Mounted Vernis Martin Style Serpentine Meuble d'Appui (Side cabinet) with Marble Top. The triple-bombé single door body fitted with a Spanish Brocatelle marble top, the single front door centered with a painting depicting a park scene with a man seated across two ladies and a young man standing between them playing violin, the upper apron painting section depicting a lake scene with coastal trees, all surmounted with floral and acanthus ormolu mounts and raise on cabriolet legs with gilt-bronze sabots. Two interior wooden shelves. The lockplate stamped: "V.F. (Crossed keys...

Stunning French Sevres Soft Paste hand decorated Rich Celeste Blue Porcelain Portrait of French Dutchess of Fontanges enclosed within its original quite rare hand carve polished oak ...

A most elegant French 19th century Louis XV st. kingwood and ormolu coffee table. The square table is raised by slender cabriole legs with finely chased ormolu sabots and striking pi...

A Superb Coromandel-Veneered Mantle Clock The case constructed of very well-figured Coromandel giving the maximum amount of decorative effect, with gilt bronze accents; the plinth base of rectangular form, with everted stepped corners, and precisely chased gilt bronze figures, two representing Mercury-the god of travel and merchants with his winged helmet and coin purse in hand; the others representing Fortuna-the goddess of luck; the sides glazed, with mooresque arcaded pierced mounts enclosing a vase, in gilt bronze with overlapping palm trees above: the top of domed form with an octagonal platform, surmounted by an architectural dome, its engraved detail and structure reminiscent of Byzantine prototypes. The silvered chapter ring with Roman numerals for the hours, and within an arabesque dial divided into quadrants, with the key aperture at 6 o'clock. Below, the manual calendar, and a semi-circular thermometer. The dial signed by the retailer "Hunt & Roskell / London." The mechanism replaced with a one-year duration movement by Achille Brocot. English, circa 1860 A closely related clock, by Thomas Cole, though not bearing his signature, with a case of identical form and differing bronze decoration, previously with Butchoff. A third known coromandel-veneered example, also unsigned, is discussed by John...

A French Napoleon III serpentine console table or salon table in ebonized wood with elaborate and fine ormolu details. Four cabriolet legs, each leg decorated with an ormolu mount of...

FREE WORLDWIDE SHIPPING ON OUR COLLECTION OVAL SHAPE TABLE CLOCK WITH BRASS BRACKET From our European Ceramics collection, we are delighted to offer this Sevres Style Porcelain Tab...

This armoire is made in the Louis XVI style. Its made of walnut. Its has finely done Urns and botanicals inlaid on the front doors. The side doors are done in a parquetry and have he...

Reloj de sobremesa francés de una calidad excepcional. Se trata de una pieza de época Restauración/Carlos X (c. 1820-1830). Aunque mantiene la estructura del estilo Imperio, las fo...

Eloquent marquetry and faithful interpretation of the Louis XVI taste characterize this beautiful 19th century dressing table by Paul Sorma...

A fine 19th century and substantial ormolu clock, of Rococo balloon form, sweeping acanthus swags, scrolls and floral flourishes, which is topped by classical cornucopias. The clock ...

A stunning and unique French 19th century Louis XV st. ebony, tortoiseshell, brass, and leather Boulle st. desk. The desk is raised by four elegant cabriole legs with fine fitted fol...

An Italian Bronze and Ormolu Bacchic Figure, 19th Century Description: The ivy wreathed and bearded figure in languid contrapposto, leaning against a tree stump entwined in creeping...

Stunning Louis XV style ormolu tureen adorned with a charming plethora of cherubim Amazing details to this piece, the grape adorned rim, floral drapes, rosettes, arabesques and of co...

Grand ormolu and marble clock set by Raingo Frères and Salmson French, Late 19th Century Clock: Height 69cm, width 81cm, depth 23cm Candelabra: Height 80cm, width 34cm, depth 34cm This elegant clock set was created by Raingo Frères and Jean Jules Salmson (French, 1823–1902). Raingo Frères, founded in 1832, was famous for its astronomical clocks, one of which is now in the Windsor Castle collection. The set is complemented by bronzes from the renowned sculptor Salmson, a regular exhibitor at the Paris Salon. The garniture includes a central mantel clock and two matching eight-light candelabra, all expertly crafted from ormolu and white marble. The clock features a central column topped with a finely detailed sculptural group of bacchantes holding grapevine garlands, with cherubs draping them over large vases. The white enamel dial is framed by an acanthus ormolu mount and rests on a base with twin ormolu lion feet. The candelabra mirrors...

Pair of Monumental Large Japanese French Imari Porcelain Ormolu Candelabra Porcelain: Japanese, 18th Century Ormolu: French, Mid-19th Century Height 260cm, diameter 86cm This exce...