Old Original Engraving of Prussia on the Southeast Coast of the Baltic Sea, 1632

Antique print titled 'Military Costume of the Gothic Nations on the Western Coasts of the Baltic'. Old print of Baltic military costumes. Originates from 'The costume of the origin...

Antique map titled 'Carte du Golphe de Bothnie'. Original antique map of the Gulf of Bothnia, the northernmost arm of the Baltic Sea. It is situated between Finland's west coast ...

Antique map titled 'Kaart van de Zee Kust van Syrië (..)'. Old map of the coast of Syria and Phoenicia. Originates from the first Dutch editon of an interesting travel account of...

Antique map titled 'Basin of the Baltic'. Original antique map of Baltic Sea. With inset maps of Kiel, Stettin, Danzig and St Petersburg. This map originate...

Antique map titled 'Tabula Nova In qua accuratè demonstratur tota Navigatio ab Amstelodami Statione per Vada vulgo de Watten Hamburgum usq.' - Two maps with the Dutch and German North Sea coast of Friesland, with West Frisian Islands and below East Frisian Islands with inset map of the Elbe around Hamburg. With title and a scale cartouche. Map by Henricus Hondius...

Antique map titled 'The shores of The Baltic sea and of the Gulfs of Bothnia & Finland'. Original antique map of the Shores of the Baltic Sea. This map originates from ‘The Imperial ...

An 18th century copper plate hand-colored map entitled "Insulae Danicae in Mari Balthico Sitae utpote Zeelandia, Fionia, Langelandia, Lalandia, Falstria, Fembria Mona" created by Joh...

This original wood engraving is titled “The Restaurant of the House of Representatives, Washington, DC.” It was published as a double-page image, in the August 12, 1893 issue of the famous 19th century newspaper Harper’s Weekly. The print was illustrated by Charles Stanley Reinhardt. The House Restaurant, a unique part of life in the Capitol, has been in the same location since the 1857 Capitol Expansion. Congressional members’ busy work schedule made the availability of food on site a necessity. But the restaurant also served as an informal meeting spot for members to continue conversations and deal making. This 1893 print illustrates the convivial atmosphere. Details including elegantly dressed tables...

Presented here is an 1876 engraving of John B. Bachelder and James Walker’s Gettysburg. The Repulse of Longstreet’s Assault. The engraved scene depicts the decisive battle on the final day of the Battle of Gettysburg. Researched by the photographer and topographer John B. Bachelder and painted by James Walker, the original painting was created in 1870. This detailed engraving was done by H. B. Hall Jr. and published by James Drummond Ball. Otherwise called Pickett’s Charge, the battle occurred on July 3, 1863. Pickett’s corp commander, Lieutenant General James Longstreet was placed in charge of the attack despite his hesitations. Longstreet’s central role led to the title of the work, Repulse of Longstreet’s Assault. In an attempt to gain control of an important supply route, nine Confederate brigades charged across three-quarters of a mile of open ground against cannon fire to take Cemetery Ridge from the defending Union Army. Despite their overwhelming numbers, the Confederate forces were repelled with considerable casualties marking not only a decisive victory for the Union, but also the beginning of the slow defeat of Lee’s Army. The furthest the charging forces advanced before being repulsed would forever be known as the “High Water Mark of the Confederacy.” The Confederate army never recovered from the losses at Gettysburg and it effectively ended Lee’s campaign into Pennsylvania. The engraving gives the perspective from the Union rear, one that encompasses most of the battlefield, from Big Round Top on the left to the northern reaches of Cemetery Ridge on the right. The Confederate lines at Seminary Ridge are in the far distance, partially obscured by bursting shells. The image centers on the main Confederate assault, in the vicinity of what today are known as "The Copse" and "The Bloody Angle." The composition has elemen...

Print by engraving on copper plate Tav III TIX fig. 17-22 from the volume Navigazione; with frame 28 x 33. Some calculations are depicted. Very good condition. Shipping is insured by...

By John Pine considered the foremost heraldic and decorative engraver of his generation. Depicting the defeat of the Spanish by the English Fleet in 1588. These are after a set of tapestries that hung in the House of Commons...

This color print of On The March to the Sea by Felix O.C. Darley, and engraved by A.H. Ritchie, is a stunning portrayal of William T. Sherman’s notorious Georgia Campaign. Originally...