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Post-Modern Scientific Instruments

POSTMODERN STYLE

Postmodern design was a short-lived movement that manifested itself chiefly in Italy and the United States in the early 1980s. The characteristics of vintage postmodern furniture and other postmodern objects and decor for the home included loud-patterned, usually plastic surfaces; strange proportions, vibrant colors and weird angles; and a vague-at-best relationship between form and function.

ORIGINS OF POSTMODERN FURNITURE DESIGN

  • Emerges during the 1960s; popularity explodes during the ’80s
  • A reaction to prevailing conventions of modernism by mainly American architects
  • Architect Robert Venturi critiques modern architecture in his Complexity and Contradiction in Architecture (1966)
  • Theorist Charles Jencks, who championed architecture filled with allusions and cultural references, writes The Language of Post-Modern Architecture (1977)
  • Italian design collective the Memphis Group, also known as Memphis Milano, meets for the first time (1980) 
  • Memphis collective debuts more than 50 objects and furnishings at Salone del Milano (1981)
  • Interest in style declines, minimalism gains steam

CHARACTERISTICS OF POSTMODERN FURNITURE DESIGN

  • Dizzying graphic patterns and an emphasis on loud, off-the-wall colors
  • Use of plastic and laminates, glass, metal and marble; lacquered and painted wood 
  • Unconventional proportions and abundant ornamentation
  • Playful nods to Art Deco and Pop art

POSTMODERN FURNITURE DESIGNERS TO KNOW

VINTAGE POSTMODERN FURNITURE ON 1STDIBS

Critics derided postmodern design as a grandstanding bid for attention and nothing of consequence. Decades later, the fact that postmodernism still has the power to provoke thoughts, along with other reactions, proves they were not entirely correct.

Postmodern design began as an architectural critique. Starting in the 1960s, a small cadre of mainly American architects began to argue that modernism, once high-minded and even noble in its goals, had become stale, stagnant and blandly corporate. Later, in Milan, a cohort of creators led by Ettore Sottsass and Alessandro Mendinia onetime mentor to Sottsass and a key figure in the Italian Radical movement — brought the discussion to bear on design.

Sottsass, an industrial designer, philosopher and provocateur, gathered a core group of young designers into a collective in 1980 they called Memphis. Members of the Memphis Group,  which would come to include Martine Bedin, Michael Graves, Marco Zanini, Shiro Kuramata, Michele de Lucchi and Matteo Thun, saw design as a means of communication, and they wanted it to shout. That it did: The first Memphis collection appeared in 1981 in Milan and broke all the modernist taboos, embracing irony, kitsch, wild ornamentation and bad taste.

Memphis works remain icons of postmodernism: the Sottsass Casablanca bookcase, with its leopard-print plastic veneer; de Lucchi’s First chair, which has been described as having the look of an electronics component; Martine Bedin’s Super lamp: a pull-toy puppy on a power-cord leash. Even though it preceded the Memphis Group’s formal launch, Sottsass’s iconic Ultrafragola mirror — in its conspicuously curved plastic shell with radical pops of pink neon — proves striking in any space and embodies many of the collective’s postmodern ideals. 

After the initial Memphis show caused an uproar, the postmodern movement within furniture and interior design quickly took off in America. (Memphis fell out of fashion when the Reagan era gave way to cool 1990’s minimalism.) The architect Robert Venturi had by then already begun a series of plywood chairs for Knoll Inc., with beefy, exaggerated silhouettes of traditional styles such as Queen Anne and Chippendale. In 1982, the new firm Swid Powell enlisted a group of top American architects, including Frank Gehry, Richard Meier, Stanley Tigerman and Venturi to create postmodern tableware in silver, ceramic and glass.

On 1stDibs, the vintage postmodern furniture collection includes chairs, coffee tables, sofas, decorative objects, table lamps and more.

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Style: Post-Modern
1986 Enorme Telephone Handset by Ettore Sottsass
Located in Brooklyn, NY
A perfectly postmodern telephone handset designed by the Memphis Milano master, Ettore Sottsass, and produced in 1986. The Enorme telephone was the result of a collaboration between...
Category

Late 20th Century Post-Modern Scientific Instruments

Materials

Plastic

Postmodern Funnytime 105 Kitchen Timer by Roberto Pezzetta for Wikidue
Located in Brooklyn, NY
A whimsical Italian postmodern multicolor kitchen timer designed by Roberto Pezzetta for WikiDue. Stacked green, red and yellow discs give it a fun Me...
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Late 20th Century Post-Modern Scientific Instruments

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Plastic

1986 Enorme Telephone Handset by Ettore Sottsass
Located in Brooklyn, NY
A perfectly postmodern telephone handset designed by the Memphis Milano master, Ettore Sottsass, and produced in 1986. The Enorme telephone was the result of a collaboration between Sottsass and David Kelley, founder of the design firm IDEO. Sottsass created the conceptual design, and Kelley and his team were responsible for the engineering and detail design. To produce the telephone, the two formed the Enorme Corporation with Jean Pigozzi. Examples of this phone design are found in the collections of The Metropolitan Museum of Art, the Museum of Modern Art, RISD Museum, and the Los Angeles County Museum. In vintage condition with wear consistent with age and use. This is the handset only and it has not been tested. Molded manufacturer's mark on handset and base: "Designed by Ettore Sottsass Enorme...
Category

Late 20th Century Post-Modern Scientific Instruments

Materials

Plastic

1980s Green Bang & Olufsen Beocom 2000 Phone
Located in Brooklyn, NY
Designed in 1986 Lone and Gideon Lindinger-Lowy, the Bang & Olufsen Beocom 2000 telephone is Danish design at its finest, and the epitome of 1980s high-tec...
Category

Late 20th Century Post-Modern Scientific Instruments

Materials

Plastic

1986 Gray and Black Enorme Telephone by Ettore Sottsass for Enorme
Located in Brooklyn, NY
A perfectly postmodern telephone designed by the Memphis Milano master, Ettore Sottsass, and produced in 1986. The Enorme phone was produced in another color way but this is the much rarer gray and black version. The Enorme telephone was the result of a collaboration between Sottsass and David Kelley, founder of the design firm IDEO. Sottsass created the conceptual design, and Kelley and his team were responsible for the engineering and detail design. To produce the telephone, the two formed the Enorme Corporation with Jean Pigozzi. Examples of this phone design are found in the collections of The Metropolitan Museum of Art, the Museum of Modern Art, RISD Museum, and the Los Angeles County Museum. In good vintage condition with wear consistent with age and use. Works great! Molded manufacturer's mark on handset and base: "Designed by Ettore Sottsass Enorme...
Category

Late 20th Century Post-Modern Scientific Instruments

Materials

Plastic

1980s Black Bang & Olufsen Beocom 2000 Phone
Located in Brooklyn, NY
Designed in 1986 by Lone and Gideon Lindinger-Lowy, the Bang & Olufsen Beocom 2000 telephone is Danish design at its finest, and the epitome of 1980s high-...
Category

Late 20th Century Post-Modern Scientific Instruments

Materials

Plastic

1986 Enorme Telephone by Ettore Sottsass for Enorme
Located in Brooklyn, NY
A perfectly postmodern telephone designed by the Memphis Milano master, Ettore Sottsass, and produced in 1986. The Enorme telephone was the result of ...
Category

Late 20th Century Post-Modern Scientific Instruments

Materials

Metal

Rainbow SP019 Softphone, Design by Canetti Group for Canetti
Located in FERROL, ES
Rainbow SP019 Softphone, design by Canetti Group for Canetti. Made of multicolored foam. Has some wear to bottom buttons. Measures: 22x7x3 cm.
Category

1990s Chinese Post-Modern Scientific Instruments

Materials

Foam, Rubber

Vintage Yves Saint Laurent Sunglasses
Located in North Hollywood, CA
Vintage Yves Saint Laurent sunglasses. Vintage 1990s oval YSL sunglasses, vintage Yves St Laurent silver sunglasses, brown lens, YSL. These sharp ...
Category

Late 20th Century Italian Post-Modern Scientific Instruments

Materials

Resin

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Post-modern scientific instruments for sale on 1stDibs.

Find a broad range of unique Post-Modern scientific instruments for sale on 1stDibs. Many of these items were first offered in the Late 20th Century, but contemporary artisans have continued to produce works inspired by this style. If you’re looking to add vintage scientific instruments created in this style to your space, the works available on 1stDibs include more furniture and collectibles and other home furnishings, frequently crafted with plastic, metal and other materials. If you’re shopping for used Post-Modern scientific instruments made in a specific country, there are Asia, China, and East Asia pieces for sale on 1stDibs. While there are many designers and brands associated with original scientific instruments, popular names associated with this style include Ettore Sottsass, Lone and Gideon Lindinger-Loewy, Bang & Olufsen, and Canetti. It’s true that these talented designers have at times inspired knockoffs, but our experienced specialists have partnered with only top vetted sellers to offer authentic pieces that come with a buyer protection guarantee. Prices for scientific instruments differ depending upon multiple factors, including designer, materials, construction methods, condition and provenance. On 1stDibs, the price for these items starts at $175 and tops out at $950 while the average work can sell for $275.

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