Maarten Baas Signed Limited Edition Arne Jacobsen Series 7 Chair

Furniture designer Maarten Baas doesn't subscribe to conformist notions of beauty and symmetry. He finds appeal in the character of aged patinas and wear from usage. As such, Baas doesn't seek to create furniture or decorative objects that are perfectly proportioned — for proof, look no further than to the unconventional cabinets of his Close Parity collection or the chairs with oddly shaped backrests he designed for Lensvelt.

Baas breaks unspoken rules, and his influential work is as much art as it is functional design — he’s garnered support from likeminded creatives in his field such as Phillippe Starck and Marcel Wanders, and explores how he might put unusual materials to work such as clay or charred wood in the construction of his chairs and table lamps. 

Baas was born in Germany and grew up in the Netherlands. After graduating high school, he began his studies at the Design Academy in Eindhoven. Before he had even graduated, Baas made an impression on instructors and students alike with his graduation project. 

Using pieces of secondhand furniture he had procured online — some of which was manufactured by IKEA — Baas scorched the wood all the way through with a blowtorch. He soon found a way to preserve the wood once it was burned through, and this led to his inaugural Smoke series. The chairs and a lighting fixture from this line were put into production by Moooi, a furniture brand Wanders cofounded with Revised’s Casper Vissers in 2001. Hospitality guru Ian Schrager got in touch, and a pool table from the collection was custom-made by Baas for the Gramercy Park Hotel.

Since Smoke, Baas has produced numerous pieces, with his best-known efforts involving the repurposing of existing furniture and modifying it to look the way he wants. Ever the innovator, Baas introduced a series of clock designs as part of an art installation that began to take shape in 2009 at the Salone Del Mobile in Milan.

The designer’s clocks see an incorporation of video and other technology. Each piece, such as the ten-foot tall model installed at Amsterdam’s Schiphol Airport in 2016, presents the illusion of human figures toiling to keep time behind its face by way of a 12-hour recorded performance. 

Baas’s works are held in the collections of many notable museums, including the Metropolitan Museum of Art in New York City. 

Find Maarten Baas seating, tables and lighting on 1stDibs.

The eye-catching work of the Danish architect and designer Arne Jacobsen often introduces new collectors to mid-20th century furniture. With their fluid lines and sculptural presence, Jacobsen’s signature pieces — the elegant Swan chair and the cozy-yet-cutting edge Egg chair, both first presented in 1958 — are iconic representations of both the striking aesthetic of the designers of the era and their concomitant attention to practicality and comfort. Jacobsen designed furniture that had both gravitas and groove.

Though Jacobsen is a paragon of Danish modernism, his approach to design was the least “Danish” of those who are counted as his peers. The designs of Hans Wegner, Finn Juhl, Børge Mogensen and others grew out of their studies as cabinetmakers. They prized skilled craftsmanship and their primary material was carved, turned and joined wood. Jacobsen was first and foremost an architect, and while he shared his colleagues’ devotion to quality of construction, he was far more open to other materials such as metal and fiberglass.

Many of Jacobsen’s best-known pieces had their origin in architectural commissions. His molded-plywood, three-legged Ant chair (1952) was first designed for the cafeteria of a pharmaceutical company headquarters. The tall-backed Oxford chair was made for the use of dons at St. Catherine’s College, Oxford, whose Jacobsen-designed campus opened in 1962 (while still under construction). The Swan, Egg and Drop chairs and the AJ desk lamp were all created as part of Jacobsen’s plan for the SAS Royal Copenhagen Hotel, which opened in 1960. (The hotel has since been redecorated, but one guest room has been preserved with all-Jacobsen accoutrements.)

To Jacobsen’s mind, the chief merit of any design was practicality. He designed the first stainless-steel cutlery set made by the Danish silver company Georg Jensen; Jacobsen’s best-selling chair — the plywood Series 7 — was created to provide lightweight, stackable seating for modern eat-in kitchens. But as you will see from the objects on 1stDibs, style never took a backseat to function in Arne Jacobsen’s work. His work merits a place in any modern design collection.

Find authentic Arne Jacobsen chairs, tables, sofas and other furniture on 1stDibs.