Natural Fiber Chairs

Set of 4 chairs model CH24 in oak and Danish rope, designed by Hans Wegner in 1950 for Carl Hansen and those produced in 1973. This iconic model also known as the "Wishbone chair" has been recognized by many professionals as the perfect chair...

Set of 4 Brutalist DePuydt (attr) heavy oak dining chairs with pointed footing that compliment the matching dining table( T416-316), listed sepa...

Poul Kjaerholm pair of PK22 easy chairs in dull chromium-plated steel and cane. Executed by E. Kold Christensen, Denmark.

Near pair of 19th century French rattan armchairs in good condition.

Iconic vintage Eva chair by Bruno Mathsson from the early 1940's. Labelled with the designer year 1941 and makers signature. Original pape...

Handsome pair of black lacquered armchairs or side chairs with woven rope seats and backs, in the overall manner of Francis Jourdain and with woven rope in the style of Audoux & Mine...

Vintage Adrien Audoux & Frida Minet lounge chair from France, 1950s. Beautiful curved bentwood arms with dark stain on wood. All original rope seat in great condition with nice patin...

Manufactured by Fango. Colombia, 2023 Yaré fiber and metal structure. Measurements 46 x 56 x 90h cm 18,1 x 22 x 35,4h in Provenance Fango Studio, Medellín, Colombia. Exhibitions Casavells 2023. Concept The Ibuju collection projects the synergy of designing and storytelling, an essential intention of Fango’s creative director, Francisco Jaramillo. The series stems from concern over the indiscriminate logging and overuse of the native woods from the endangered green lung of planet earth, the Amazon, a jungle increasingly fading from the world. Looking for alternatives to build functional furniture in native materials, Jaramillo and the weavers of Fango discovered the renewable Yaré fiber. Yaré is a fiber commonly called “vine", a root that grows around the trunks of trees in the Colombian Amazon. These fibers are used by local indigenous communities in southern Colombia for handcrafted weaving, which inspired Jaramillo to translate the native aesthetics and geometries of primitive wooden...

An American classical New England style stenciled rocking chair made in the manner of Lambert Hitchcock. The chair is richly painted on the ba...

Gio Ponti 646 "Leggera" dining chairs for Cassina, black ash-wood and rope seat, Italy, 1952, set of ten. The model 646 "Leggera" is an icon of chair...

A low fireside chair (chauffeuse) or stool in stained oak attributed to Charles Duduouyt, with turned, truncated cone-shaped legs floating over rece...

Guillerme et Chambron SET OF 4 chairs Edition Votre Maison, circa 1970. Wood and straws are in good condition.

Armchair model 4488 designed by Kaare Klint for Rud. Rasmussen, Denmark, 1930s. Mahogany, ebony, cane, and black horsehair upholstery with cognac leather piping. Klint thought...

Turned chairs — sometimes called thrown chairs or spindle chairs — represent a style of Elizabethan or Jacobean turned furniture that had a vogue in late 16th and early 17th century England, New England and Holland. The technique was carried on to the 20th century and was widespread in Europe as well, where craftsmen created durable pieces for various interiors and purposes. These chairs were designed by French designer, Charles Dudouyt, who originally created this pair of small carved chairs as ‘fireside’ chairs, hence the “chaises basses...

Chaise Longue Cherlon by Camilo Andres Rodriguez Marquez (aka CarmWorks) Rattan / Burnt wood or natural Each piece is made to order and hand crafted by the artist. Dimension...

Cute pair of Italian midcentury wicker lounge chairs, 1960s. Very elegant shapes made with the ultimate handcraft. The new cushions are upholstered with stunning Dedar Italy ...

Young Manufacturing mid century walnut cane back dining chairs - Set of 6 The captains' chairs measure: 22.75 wide x 22 deep x 39.5 hi...

Spectacular set of six coral toned wicker rattan dining chairs made by McGuire in the California organic modern taste. These rare chairs feature a rattan frame covered with woven wic...

Cuban-born Clara Porset was a pioneer for modern design in Mexico. Having studied architecture in New York and then Paris, she finally settled in Mexico devoting her life to championing her mutually enriching vision of modernity and tradition. A fierce proponent of historical craft traditions, Clara Porset created wholly contemporary versions of the classic Mexican vernacular forms including the colonial butaque chair...

Elegant pair of Italian Mid-Century Modern Rattan and bamboo side chairs or lounge chairs. They have a classic X-form leg structure and are constructed using rattan slatting arranged...

Rare and unique pair of vintage Italian Mid-Century Modern bamboo or rattan and leather sling chairs attributed to designer Tito Agnoli for Bonacina, Italy, 1960s. In very good vinta...

A Mid-Century Modern PP550 ‘Peacock’ chair designed by Hans Wegner in 1947 for Johannes Hansen. Modeled after a traditional American Windsor chair, Hans Wegner’s Peacock chair strips the form to reveal its construction while retaining aesthetic, decorative impact. The chair reveals a modernist approach to designing around the human body and using natural materials, with one exception. The “rush” seat is actually made of paper cord: when the chair was first designed in 1947, shortages caused by World War II prevented Wegner from using jute. Fellow designer Finn Juhl gave the nickname of ‘Peacock,’ seeing the chair’s flattened spindles and magnificent arc resembling the bird’s plumage. Dimensions: 41 3/4 in. H × 27 1/2 in. W × 20 1/2 in. D Seat: 22 1/2 in. x 19 3/4 in. x 12 in. at back Floor to top of seat: 14 in. Top of seat to arm rest: 10 1/8 in. Seat to top head rest: 31 3/4 in. Condition: Excellent, with some minor wear throughout. Shallow chip on top of chair back measuring 1/2 inch long. Chair back’s sixth and seventh spindle from right slightly loose. Lamination along top of chair back slightly worn. Literature: 40 years of Danish furniture design: 1947-1956, ed. Grete Jalk, vol. 3 (Copenhagen: Lindhardt og Ringhof, 1987), pp. 15-17. Arne Karlsen...

19th C childs ladder back chair with original rush seat. The seat is so beautiful. Pristine condition.     

A fantastic set of rare ''Coloniale'' dining chairs made by ''Figli di Sanguineti'' in Chiavari during the 1960s. This model appeared in the Sanguineti catalogues in the early '60s a...

4 Beautiful chairs with a rattan seat and black coated metal base. (1920-2010) Dirk van Sliedregt, important furniture designer, interior architect, teacher. Fit perfectly with...

Set of 2 original highback dining chairs designed by Hans Vollmer and manufactured by Prag-Rudniker Korbfabrikation in 1902, Vienna Lit. 1902 DAS INTERIEUR III Hauptteil Seite 181...

Offering One of our recent palm beach estate fine furniture acquisitions of a set of (6) mid century French wingback cane dining chairs by Mariano Garcia of Spain Approximate Meas...

This is a wonderful pair of rattan and bamboo armchairs with a high back for placement on a porch, sunroom, or garden, made in Italy in the Mid-20th Century. Stylish and in very good...

This set comprises six chairs produced in the 1960s, with authorship still in research by our team. In the market flow, many small manufacturers were inspired by the vanguard production, with Brazilian materials and the "modern values" of the form itself. The chairs have rectangular forms, widespread in other pieces designed and produced during the period. Pieces are composed of solid Rosewood structures, with cane seats and backrests. Wood and cane restoration services...

Caviúna chair designed by Ernesto Hauner for Ernesto Hauner Decorações (E.H.D.) in 1968, a company that opened that same year after selling its shares in Móveis Artesanal...

Fantastic set of four dining chairs in bamboo and Vienna straw, designed in Italy in the 70's and attributed to Vivai del Sud. These incredible chairs are a wonderful example of ...

A mid-century modern PP550 ‘Peacock’ chair designed by Hans Wegner in 1947 for Johannes Hansen. Modeled after a traditional American Windsor chair, Hans Wegner’s Peacock chair strips the form to reveal its construction while retaining aesthetic, decorative impact. The chair reveals a modernist approach to designing around the human body and using natural materials, with one exception. The “rush” seat is actually made of paper cord: when the chair was first designed in 1947, shortages caused by World War II prevented Wegner from using jute. Fellow designer Finn Juhl gave the nickname of ‘Peacock,’ seeing the chair’s flattened spindles and magnificent arc resembling the bird’s plumage. Dimensions: 41 3/4 in. H × 27 1/2 in. W × 20 1/2 in. D Seat: 22 1/2 in. x 19 3/4 in. x 12 in. at back Floor to top of seat: 14 in. Top of seat to arm rest: 10 1/8 in. Seat to top head rest: 31 3/4 in. Condition: Excellent, with some minor wear throughout. Gap between arm and chair back measuring approximately 1/4 inch. Some light water staining on both arms. Wood split to one seat joint measuring 3/8 and 5/8 inches on either side. Four deeper scratches on back. Area of staining on bottom chair rung measuring 2 3/4 inches long. Chair back’s fifth spindle from right with wood chip measuring 1 inch long. Chair back’s sixth spindle from left loose. Literature: 40 years of Danish furniture design: 1947-1956, ed. Grete Jalk, vol. 3 (Copenhagen: Lindhardt og Ringhof, 1987), pp. 15-17. Arne Karlsen...

4 French design armchairs. These armchairs were designed by designer Charles Dudouyt in the 1930s. They are made up of a solid oak structure and a seat in woven rye straw. The wood ...

Scandinavian chair 'Shanghai' by Norr11 Designed by Rune Krojgaard & Knut Bendik Humlevik, 2011 Model in the picture: Frame: Light Smoked Oak Seat: Natural Rattan Available as well with paper cord, french rattan or various upholsteries Dimensions: W. 58,5 cm D. 57,7 cm H. 79,5 cm S.H. 45 cm Arm rest 65 cm A modern interpretation of the ancient Chinese Horseshoe Chair. The Shanghai Chair...

Stool model 927 designed by Josef Frank for Svenskt Tenn, Sweden, 1950s. Mahogany and rattan. Measures: H: 43 cm W: 43 cm D: 28 cm Josef Frank was a true European, he was also a pioneer of what would become classic 20th century Swedish design and the “Scandinavian Design Style”. Austrian- born Frank started his design career as an architect after having trained at the Technische Hochschule in Vienna between 1903 and 1910. After his training he went on to teach at Kunstgewerbeschule (The Viennese School of Arts and crafts) where he developed and espoused the new school of modernist thinking towards Architecture and Design that was coming to fruition in Vienna at the time. He also went on to lead the Vienna Werkbund throughout the 1920s. This was a truly progressive group of Architects and Designers who set about improving the daily lives of Austrian people through modernist design and architecture in partnership with Arts and Crafts ideals and construction. Frank’s leadership of the Werkbund had already cemented his place at the forefront of European design. Frank’s time in Vienna was typified by his design for the “Die Wohnung” exhibition of the Deutscher Werkbund in Stuttgart, 1927 where he exhibited along side his contemporaries at the forefront of design, such as the likes of Le Corbusier and Walter Gropius. Here he showed a specially designed pair of flat-roofed reinforced concrete houses in what is now seen as a typical modernist style. What separated Frank’s house from the other 32 houses of the exhibition was the interior and furniture inside the building. It was described as “Neo-Classical” and filled with an eclectic mix of period pieces, modern design and pieces designed by Frank himself that seemed to cross the two worlds. This was a complete opposite direction to that which his fellow Architects were travelling in with their pared back and angular aesthetics. Frank said of his own work: “The house is not a work of art, simply a place where one lives,” and by this reasoning Frank rejected the regimental mechanisation of the living space that his contemporaries believed in, instead he set about creating congenial and spontaneous interiors. Frank’s practice saw him placing the bright colours and the soft forms of nature back into the furnishings and interiors that he thought modernism sorely mist. Frank, along with Oskar Walch set up Haus und Garten in Vienna in 1925. This was Frank’s first commercial foray into furniture and home furnishings and the company went on to become the most influential furnishing house in Vienna with a riotous depth of colour and interesting shapes becoming the trademark of their design. However this success was to come to an end with rise of Nazism in Vienna in the early 1930’s. Frank was Jewish, and he and his wife Anna decided they would leave Vienna for her motherland: Sweden, in 1933. Frank continued to design for Haus and Garten, visiting Vienna occasionally and designing the pieces that would continue to be the company’s best sellers long after Frank was forced to hand the company over in 1938 after the Third Reich annexation of Austria. When Josef and Anna had moved to Sweden Frank had struck up a working relationship with Design shop owner Estrid Ericson. Ericson was the proprietor of Svenskt Tenn that at this point was a successful interiors shop in Stockholm with the royal warrant of appointment to the Swedish Royal Household. In 1935 Frank had become the chief designer for Svenskt Tenn and had set about putting all of his creative effort into his designs for the company. At the World Expositions in Paris in 1937 and New York in 1939 the world saw for the first time the wealth of products that Frank had been working on, ranging from candlesticks to cabinets, there was not a domestic object that Frank had not subjected to his colourful, comfortable and organic style of Modernism. Frank’s new school of Modernism championed ideas such as chairs having a freeing, open back and that “If one desires the room to be comfortable…all pieces of furniture should allow for a free view of the separating line between the floor and the wall. A cabinet without legs breaks this line and thus reduces the feeling of space.” A world-wide audience tired of classic Modernism’s furniture with solid planes and aggressive forms leapt upon these ideas and Franks natural and bright designs for Svenskt Tenn became internationally desired. Frank created over 2000 designs for Svenskt Tenn and his products continue to be the core of their brand. Frank’s rejections of tubular metal and heavy lacquers within his furniture have insured his unique light form of Modernism continues to influence and flourish today. His natural toned mahogany and walnut pieces along with his tactile leather covered and brightly shaded lighting still bring the forms of nature back into the home. Original Frank pieces are now increasingly rare, highly desirable and are the epitome of “Scandinavian Design”. Renowned Designer and Academic Isle Crawford...

Available today, this Mid-Century Modern chair set made in Brazilian rosewood and caning designed by Joaquim Tenreiro in Brazil during the fifties is ...

A set of 1970's rattan lounge chairs, in very good vintage condition, ready to use in the house or in your poolhouse.

We offer a set of 6 authentic Jeanneret dining chairs. Normally they are always a bit different in size, so they normally never fit. This is a r...

This set of eight exquisitely crafted Cane chairs in Amendoim Wood, designed by Joaquim Tenreiro (1906-1992) in the 1960s, is a gorgeous example of his mastery of technical and const...

Pair of Maruni rope lounge chairs, circa 1950s, Japan. The chairs feature an ebonized beech wood frame and are contrasted by their camel tension ro...

This set of four Cesca chairs, designed by Marcel Breuer, is a true testament to the iconic Bauhaus movement of the 20th century. Manufactured in Italy by an unknown manufacturer cir...

Very nice and rare Wicker chair .Design by Teun Velthuizen for Urotan 1950s Holland Grey Metal wire base ,comes with a Wicker seat .What a great looking ch...

Very rare armchair in steel in rattan from Arthur Umanoff. Arthur Umanoff (1923–1985) is an American industrial designer who has designed furniture, lighting as well as interior ...

The influence of Chinese design on the West has been subtle, almost by osmosis, but we can see references in much of western art and design. Much of Europe has long had a magpie tradition of taking from the different cultures it has come into contact with in its past, furniture being no exception. Similar to European Chinoiseries, Britain formulated an Anglo-Chinese style that copied Chinese models yet adhered to British fashions affecting furniture design. The resulting aesthetic is quite unique and has evolved much in the past decades as demonstrated by these armchairs. These solid, exotic wood chairs...

The Cane Chair was designed in 1952 by Jacob Ruchti and produced by Branco & Preto, an architecture and design firm that opened in 1952 in São Paulo. Branco & Preto was one of Brazi...

Beautiful 18th century of the period Louis XVI Italian antique rustic armchair in solid walnut wood. The armchair is very simple and essential. Beautifully decoration in wood. The se...

Four different garden chairs made in cane having different shapes and structures. Authentic good condition with no restorations made. France, circa 1920.

Crafted with precision and care, the Emma chair is a testament to the rich heritage of Mexican craftsmanship. Each chair is a unique work of art, showcasing the skillful hands that bring to life through time-honored techniques. Experience a new level of comfort and resilience with the Emma Chair, designed to withstand the test of time. Its ergonomic design ensures a pleasant seating experience, making it the perfect addition to a complete dining set...

Pair of vintage square back Marcel Breuer Cesca carver chairs with characterful patina to the frames. Perfect to complete a dining set or use as desk or lounge chairs.

Edward Gardiner. An English Cotswold School early oak ladder back rush seat armchair. These ladder back chairs are steeped in history, their design ha...

The Aurora collection aka Dawn marks a new exiting moment in our design history, in where we dove deep in to the creativity unknown, to create a collection that would be able to hold...

Designed by Niels Otto Møller in 1974 for J.L. Møllers Møbelfabrik, these "Model 404" chairs have oak frames and paper cord seats. In original condition with visible wear, consistent...

Bob Dubois designed by Philippe Starck for Driade. This chair is a rare work made of wood and paper cord in Strack chairs. Collectable piece of 1980s Starck...

This chair is an iconic piece. It is raw in its simplicity and somehow has this strong, almost masculine attitude. There is also something deeply relaxing about this design but at th...

Set of eight wood, rattan and leather chairs by Casa Comte, Argentina 1940.

Six 19th century French carved walnut dining chairs in Louis XVI style, with hand-caned seats and backs. The chairs are raised on elegantly carved legs. All six are very stable as co...

Midcentury round bamboo and wicker ottoman stool. This pouf was designed by Franco Albini in Italy during the 1960s. This piece is fantastic as the rattan is shaped in a unique wa...

This set of eight chairs was designed by Joaquim Tenreiro (1906-1992) in the 1950s. These breathtaking chairs are made of solid rosewood, with slatted backs and cane seats. As wit...