Lounge Chairs

Art Deco style lounge chairs, red leather and wood veneer. Leather and wood has some normal wear.

This French Louis XVI Recamier stretches nearly seven feet to woo the owner to relaxation. Heavily detailed carvings accentuated by giltwood which t...

Pair of Leon Krier 'Aries' lounge chairs Model 51510, Luxembourg / Italy, 1993 by Georgetti.  

Original cane and black finish, stamped Thonet. Beautiful lines.

Phantom in dark grey / black. Original Phantom chair/table in plastic including marks and stamps. Multiuse chair, bench, table designed by Verner Panton....

Beautifully carved 19th century West Indies rosewood plantation chair.

- made in Czechoslovakia - made of wood, fabric - good, original condition.

Design folding chair designed by Tord Björklund for Ikea in 1991. The model is called Hestra. Made from thick jeans fabric, wooden frame and met...

"Egget", an iconic armchair designed by the legendary Arne Jacobsen and produced by Fritz Hansen, is a masterpiece of Danish furniture design. The chair, also known as model 3316, i...

Influences from Mexico, Japan and Stickley are rendered in solid wood using traditional tongue and groove joinery. This sculptural 3-legged contemporary armchair is comfortable because the high arms ergonomically support the body above a 14-high seat. First made by the designer in Laredo, Texas studio in 1994, they are now made to order in Guadalajara, Mexico as signed editions. These chairs are made from Rosa Morada wood and finished with several coats of matte lacquer and wax. The finish will withstand covered outdoor conditions, avoiding direct sunlight and water. Rosa Morada trees grow from central Mexico down through tropical Central America and are sustainably harvested by permit and then kiln dried to 10%. Bio: Peter Glassford was born in Texas where he graduated with a degree in Sculpture from the University of Texas at Austin. Currently he lives in Guadalajara, Mexico with his wife Isabel Moncada, a lighting designer. Together, they founded Glassford Moncada...

A pair of "Cinema" lounge chairs. A millennial Classic designed 1994 by the Swedish designer Gunilla Allard. This pair were made in the original materials, chromed steel and black le...

Pair of Dakota Jackson lounge chairs. Comes with one ottoman. Chairs has a wood base. Newly upholstered.

John Pollard Seddon attributed, probably made by C. Seddon in collaboration with Kenton and Co. A well designed architectural Gothic Revival oak upholstered nursing or low chair wit...

The Victorian adjustable folding iron lounge chair is capable of several upright positions or in a flat position. The outdoor chair can also act as an armchair without the folding le...

Magnificent pair of very comfortable and strong lounge chairs or armchairs mod. S3001 designed by Christoph Zschocke in 1990s and produced by Thonet...

One of four De Sede 'DS-14' armchairs in a warm high quality cognac brown leather with a solid Teak base, designed in 1989 and manufactured between 1989 and 1997. The chairs are in g...

Rocking chair Mama by Baleri Italy in beige leather design by Denis Santachiara 1995. This marvellous and unusual rocking armchair impresses with ist high level comfort, excellent ma...

Circa 1890 Rare Teak and leather lounge chair that was formerly used in a Tea Estate in India. Hand made with pull out leaves that transform into leg rests and can be tucked back ...

Sculptural solid wooden lounge chair. The laquer has turned a bit white trough the years, but this gives a nice patina to the chair.

An Aesthetic Movement Anglo-Japanese mahogany armchair with sweeping arms and vertical supports below following down past the seat forming lattice wo...

Solid walnut frame, pegged construction, carved wood frame, upholstered seat and back - upholstery worn and will need to be replaced. Rear leg shows minor loss at base, as pictured. ...

A magnificent pair of 19th-20th century Louis XVI style giltwood open armchairs of exceptional quality and scale. Each of the armchairs with elongated oval backs, carved frame bander...

English mid-19th century Gainsborough mahogany lounging chair with carved cabriole legs, arms and seat rail. This elegant and comfortable lounging chair is freshly upholstered in a v...

This Biedermeier 90 collection, Milo Baughman did with Thayer Coggin in the is one of the last collections Milo and Coggin did together in the 1990's. Milo Baughman believed the midcentury style needed to be warmed up a bit. For admirers of Biedermeier furniture, the neoclassical style that flourished in Austria and Germany from 1815-1830, the choices are few: scarce and expensive antique pieces and now, Milo Baughman's Biedermeier 90 collection for Thayer Coggin, a furniture maker in High Point, N.C. ''When I teach the history of modern design, I start with Biedermeier, because it's the first indication that there would be a new philosophy in design, furniture designed to be more honest and simple,'' said Mr. Baughman, who has designed furniture for Thayer Coggin since 1953 and also teaches design at Brigham Young University in Provo, Utah. The 27-piece collection, which includes consoles, tables and upholstered seating, captures the spirit of Biedermeier design with honey-colored wood veneers, neoclassical fluted columns and natural steel finishes. - Ref NYTIMES, 8/10/1989 “Eurostyle started out as a fairly valid design statement,” says Milo Baughman, a highly regarded veteran furniture designer who teaches at Brigham Young University in Provo, Utah. ''But when it was reduced to more commercial levels and picked up too quickly by people who make cheap furniture...

A very good pair of Regency rosewood lyre-shaped library armchairs. Upholstered in figured blue material with loose squab seat cushions, the chairs have tall shaped and curved backs ...

E W Godwin, attributed, probably made by Collinson and Lock. Stamped underneath 2085. An Anglo-Japanese walnut circular parlour chair with fan shap...

Victorian carved walnut cabriole leg armchair standing on beautifully carved cabriole legs to the front and the back legs being outswept, the castors are original. The arms have been...

E W Godwin style of, an Anglo-Japanese nursing chair with subtle carved details to the back, turned front legs united by a lower gallery to the front and sides with three angled turn...

Created for Chicago and Orlando's Disney Quest in 1995, the "Armillry Chair" is a stunning contribution to the world of the design. Crafted from the geniu...

Pair of Redele lounge chairs by Gerrit Rietveld for Cassina. The chairs have the original upholstery.

An unusual 19th century relining dark oak Childs chair. American, circa 1880. The back with an iron bar that allows the back to recline in an adjustab...

A very fine 19th century Chinese Qing dynasty solid rosewood armchair or lounge chair with marble seat. Distinguished by a hand-carved pierced back ...

Pair of Italian benches from the Charles X era. Furniture carved in walnut with seats covered in fabric with floral decorations (not original, replaced d...

E W Godwin, attributed, probably made by Collinson and Lock. An Anglo-Japanese walnut circular parlor chair with fan shaped arms on bulbous turned legs un...

Unique and impressive armchair with green upholstery. This stunning chair is as strong and stabile as the day it was made and the woodwork is in excellent condition also. The solid...

Pair of Genoese armchairs from the mid-19th century. Furniture carved in walnut wood of Louis XVI line finely chiselled with feral ornament in the upper part (see photo). Armchairs f...

A pair of late Napoleon III fauteuils or armchairs in a hardwood with a burnished gold overtone. In the Louis XV style, chair frames offer carved cabriole legs with escargot feet, sc...

Swiveling sculptural "Cork Screw Chair" by Vladimir Kagan, American, 1992 (retains original "Directional" label).

An elegant and unusual country French late 19th century Louis XVI style honey colored oak lounge chair. Upholstered on all sides with a handsome blue and yellow fabric. Raised on six...

Jas Shoolbred. In the style of Morris and Co, after a design by Phillip Webb. A reclining armchair professionally upholstered in a Morris and Co. Vine p...

An ultra sleek matching pair of slipper chairs made by Cappellini in Italy. They feature minimal steel frames and red fabric cushions. Very comfortable chairs. Price includes the pai...

An iconic, visually stunning modern design armchair by Andrea Branzi in a matt anodized steel frame with a molded beech wood back support and arm structure in the form of reverse rib...

Detailed carving on exposed wood of antique armchair. Newly upholstered in rich blue and white Ikat fabric with nailhead trim. Turned stretchers and deep seating.

De Sede from Switzerland manufactured this elegant armchair. Black select leather and a sculptural shape. Feet made of polished aluminium We have 2 chairs in stock.

A 19th century French Voltaire Armchair with a faux rosewood painted finish. This imposing lounge chair has a wide well-sprung seat pad sitting on pl...

Victorian hand carved oak Gothic revival side throne chair with woven cane wicker back and needle point seat, circa 1860.

Late 19th century pair of majestic French Empire mahogany fauteuils (open armchairs) finished in a rich black lacquered color. This pair of chairs consist of a top rail leading down ...

This very comfortable and exclusive lounge chair was designed by Frans Schulte for De Sede in the 1990s. The chair comes with thick Blue leather upholstery, cushions (neck and loan) ...

These amazing fully restored pair of Michael Wolk sculptural swivel side or lounge chairs are stunning. These were designs by Michael Work for Directional in 1997. They have been new...

Pair of Italian 19th century Baroque carved arm throne chairs. The pair with figural carvings and putti sleeping on beds of leafs, attributed to Valentino Panciera Besarel (Venice, 1829-1902) in the manner of Andrea Brustolon (1662-1732). The ornately carved thrones, each flanked with figures of standing males supporting a branch-carved armrests with vines. Raised on cabriolet scrolled legs. Andrea Brustolon (20 July 1662–25 October 1732) was an Italian sculptor in wood. He is known for his furnishings in the Baroque style and devotional sculptures. Biography He was trained in a vigorous local tradition of sculpture in his native Belluno, in the Venetian terraferma, and in the studio of the Genoese sculptor Filippo Parodi, who was carrying out commissions at Padua and at Venice (1677). He spent the years 1678-1680 at Rome, where the High Baroque sculpture of Bernini and his contemporaries polished his style. Apart from that, the first phase of Brustolon's working career was spent in Venice, 1680–1685. Brustolon is documented at several Venetian churches where he executed decorative carving in such profusion that he must have quickly assembled a large studio of assistants. As with his contemporary in London, Grinling Gibbons almost all the high quality robust Baroque carving in Venice has been attributed to Brustolon at one time or another. In the Venetian Ghetto, at the Scola Levantina, Brustolon provided the woodwork for the synagogue on the piano nobile, where the carved, canopied bimah is supported on Solomonic columns, which Brustolon had seen in Bernini's baldacchino in the Basilica of St Peter's. His furniture included armchairs with figural sculptures that take the place of front legs and armrest supports, inspired by his experience of Bernini's Cathedra Petri. The gueridon, a tall Stand for a candelabrum, offered Brustolon unhampered possibilities for variations of the idea of a caryatid or atlas: the familiar Baroque painted and ebonized figural gueridons, endlessly reproduced since the 18th century, found their models in Brustolon's work. His secular commissions from Pietro Venier, of the Venier di San Vio family (a suite of forty sculptural pieces that can be seen in the Sala di Brustolon of the Ca' Rezzonico, Venice), from the Pisani of Strà, and from the Correr di San Simeone families encourage the attribution to him of some extravagantly rich undocumented moveable furniture. Andrea Brustolon's elaborate carved furniture aspired towards the condition of sculpture, such as the Dutch bases for console tables which look like enlargements of the work of the two Van Vianens, Paulus and Adam, perhaps the greatest Dutch silversmiths of the period. These carved pieces display the Baroque tendency to develop a form three-dimensionally in space. Brustolon's walnut, boxwood and ebony pieces transcend ordinary functional limitations of furniture; they are constructed of elaborately carved figures. The framework of Brustolon's chairs, side tables and gueridons were carved as gnarled tree branches, with further supports of putti and male figures carved in ebony. Backrests of the chairs, which were never touched in the rigidly upright posture that contemporary etiquette demanded, were carved with allegories of vanity, fire and music, etc. The most extravagant piece delivered for Pietro Venier was a large side table and vase-stand of box and ebony, designed as a single ensemble to display rare imported Japanese porcelain vases. The eclectic allegories include Hercules with the Hydra and Cerberus, males and reclining river-gods (see ref.). For the Correr, less extrovert chairs bear female nudes extended along the armrests. For the Pisani, he carved a suite of twelve chairs (now at the Palazzo Quirinale) with flowers, fruit, leaves and branches to symbolize the twelve months of the year. Work by Brustolon is at the Villa Pisani at Stra. In 1685 Brustolon returned to the house where he was born at Belluno, and from that time devoted himself mainly to tabernacles and devotional sculptures in walnut, boxwood or ivory. His polychromed ivory Corpus from a crucifix is in the Museo Civico di Belluno, which preserves some of Brustolon's preparatory drawings for frames to be carved with putti displaying emblems. A pair of boxwood sculptures, The Sacrifice of Abraham and Jacob Wrestling with the Angel...

Two large Biedermeier armchairs circa 1850 in a typical cream material with blue flowers. These two chairs are very comfortable chairs made from walnut. The Biedermeier period refe...

An attractive pair of restored carved walnut armchairs, Italy, circa 19th century. Each chair features a curved crest rail, padded back and seat covered in a new sturdy cotton fabric...

We're certain you won't find a more sublime example of these chairs anywhere. Even if you climbed into a time machine and stole a pair of Armillary chairs from Disney Quest...

A pair of French 19th-20th century Baroque style carved walnut and needlepoint upholstered hall throne armchairs with raised carved armrests and fluted conjoint legs. The tapestries ...

De Sede leather armchair DS 17. The leather is the DS Club leather a thick grey aniline leather. Great comfort and a classic timeless design by De Sede. In a ...

Pair of French 19th century Louis XVI style giltwood carved Boudoir side chairs. The low giltwood carved frames with a padded tapered backrest crowned with carved crossed flaming tor...

Elegant English late 19th-early 20th century Howard type upholstered club chair. Rolled and buttoned back and arms with a buttoned swell front and standing on turned mahogany legs wi...

Original neo-Renaissance armchair, circa 1870-1880. Massive dark oak, feet with lion paws connected by wide bridges. High backrest with plastic carvings with 2 lions. Seat and back c...