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Finn Juhl Pair of No. 45 Easy Chairs

About

Once described as the most beautiful chair in the world, the number 45 chair is certainly one of Finn Juhl's most important designs. Acknowledged as the father of Danish modern design, the architect worked closely with cabinetmaker Niels Vodder to develop his innovative designs. The 45 chair was groundbreaking for the separation of the seat and back from the frame of the chair. Inspired by abstract modern art, Juhl designed a sculpted frame with graceful fluid lines that required the advanced skills of a seasoned craftsman. In 1951 Finn Juhl visited Baker Furniture; impressed with the skill of their wood workers, he licensed his designs to be manufactured in the US. This pair have beautiful frames of walnut which have been professionally restored and are upholstered in a period leatherette. A design this beautiful and comfortable truly deserves it's status as an important icon of Mid-Century Modern Danish design.

Details

  • Condition
    Good. Very good condition. Frames restored, vintage upholstery.
  • Dimensions

    H 33 in. x W 28 in. x D 32 in.

    H 83.82 cm x W 71.12 cm x D 81.28 cm

  • Seat height
    17 in. (43.18 cm)
  • Seller location
    Highland, IN
  • Sold As
    Set of 2
  • Reference number
    LU90915497133

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About Finn Juhl (Designer)

Along with Hans Wegner, Arne Jacobsen and Børge Mogensen, Finn Juhl was one of the great masters of mid-20th-century Danish design. Juhl was the first among that group to have his work promoted overseas, bringing the character of the nation’s furnishings — and the inherent principles of grace, craftsmanship and utility on which they were based — to an international audience. A stylistic maverick, Juhl embraced expressive, free-flowing shapes in chair and sofa designs much earlier than his colleagues, yet even his quietest pieces incorporate supple, curving forms that are at once elegant and ergonomic.

     As a young man, Juhl hoped to become an art historian, but his father steered him into a more practical course of study in architecture. He began designing furniture in the late 1930s, a discipline in which, despite his education, Juhl was self-taught, and quite proud of the fact. His earliest works, designed in the late 1930s, are perhaps his most idiosyncratic. The influence of contemporary art is clear in Juhl's 1939 “Pelican” chair: an almost Surrealist take on the classic wing chair. Critics reviled the piece, however; one said it looked like a "tired walrus." Juhl had tempered his creativity by 1945, when the Danish furniture-making firm Niels Vodder began to issue his designs. Yet his now-classic “NV 45” armchair still demonstrates panache, with a seat that floats above the chair’s teak frame.

     Juhl first exhibited his work in the United States in 1950, championed by Edgar Kaufmann Jr., an influential design critic and scion of America’s most prominent family of modern architecture and design patrons. (Kaufmann’s father commissioned Frank Lloyd Wright’s design of the house “Fallingwater.”) Juhl quickly won a following for such signature designs as the supremely comfortable “Chieftan” lounge chair, the biomorphic “Baker” sofa, and the “Judas” table, a piece ornamented with stylish inlaid silver plaquettes. As you will see from the offerings on these pages, Finn Juhl’s furniture — as well as his lighting, ceramics, tableware and accessories — has an air of relaxed sophistication and elegance that is unique in the realm of mid-20th- century design.

About the Seller

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Located in Highland, IN
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