Hans J. Wegner Halyard Chair, 1950 for GETAMA

In its broad form and wealth of hard angles, Hans J. Wegner’s Flag Halyard chair is one of the more visually flamboyant pieces to emerge from Danish mid-century modernism. Legend has it that Wegner (1914–2007) conceptualized the piece in 1950 while on vacation at the beach, molding its seat out of sand and attaching a bit of halyard — rope typically used on sailboats — that he found nearby.

Danish brand Getama picked up the chair for production, an undoubtedly difficult task given the piece’s suspension construction and unusual combination of materials.

The original Flag Halyard consists of chrome-plated steel, woven rope, linen and a sheepskin throw; subsequent models incorporate leather cushions. But Wegner, who established his studio in 1943 after graduating from the Royal Danish Academy of Fine Arts and working for Arne Jacobsen and Erik Møller on furniture for Aarhus City Hall in 1938, was never one to shy away from unconventional material or construction — and an early apprenticeship with master cabinetmaker H.F. Stahlberg instilled in him a devotion to fine details.

Around the same time that Wegner created the Flag Halyard chair, he developed the widely beloved Wishbone chair and an armchair in 1949 commonly known as “The Chair,” which earned him international recognition when it was used in the 1960 U.S. presidential debate between Richard Nixon and John F. Kennedy. Compared to these two seats, the Flag Halyard is a delightfully experimental marriage of material. Today, it’s manufactured by PP Møbler.

Best known for his chairs and seating pieces — though a master of many furniture types like sofas and tables — Hans Wegner was a prolific designer whose elegant, often ebullient, forms and devotion to the finest methods in joinery made "Danish Modern" a popular byword for stylish, well-made furniture in the mid-20th century.

Wegner considered himself a carpenter first and a furniture designer second. Like his peers Arne Jacobsen and Finn Juhl, Wegner believed that striking aesthetics in furniture were based on a foundation of practicality: a chair must be comfortable and sturdy before it is chic.

In keeping with that tenet, several of Wegner’s best chair designs, seen in dealer listings below, have their roots in traditional seating forms. The Peacock chair (designed in 1947) is a throne-like adaptation of the Windsor chair; pieces from the China chair series (begun in 1944) as well as the 1949 Wishbone chair, with its distinctive Y-shaped back splat, are derived from 17th-century Ming seating pieces, as is the upholstered Ox chair (1960). Wegner’s comfy Papa Bear chair (1951) is an almost surreally re-scaled English wingback chair.

Wegner’s most representative piece, the Round chair (1949), gained a footnote in political history when it was used on the TV stage of the first Kennedy-Nixon debate of 1960. That chair, along with Wegner’s more bravura designs, for example the 1963 Shell chair, with its curved surfboard-shaped seat, bring a quietly sculptural presence to a room. Wegner was a designer who revered his primary material — wood — and it shows. His wood gathers patina and character with age; every Hans Wegner piece testifies to the life it has led.