Brazilian Lounge Chairs

A black leatherette, floral-printed fabric and dark-stained wood lounge chair designed and produced in Brazil, c. 1960s. Small 1.2” horizontal tear on left armrest (facing chair). V...

An iconic design by one of the founding fathers of Brazilian Modernism, the T invertido Lounge chair or commonly known as the Oxford lounge chair (unmarked) by Jorge Zalszupin feels ...

A classic in the style of Mies Van Der Rohe, this chair has a seat and back cushions that adapt to fit the curve of frame, which is welded in single-piece construction from flat bar ...

Stylish metal frame and shiny black upholstery makes for a sophisticated vintage lounge chair by Brazilian master Jorge Zalszupin.

The Costela armchair is an iconic Brazilian Mid-Century Modern piece. It was designed by Martin Eisler (1913 - 1977) in 1953 and manufactured by the c...

This pair of armchairs, created in the 1970s by the designer Percival Lafer is extremely comfortable and is capable of bringing a sense of personality and style to any decor. The str...

Introducing an ultra-rare "Amazonas" lounge chair designed by the incomparable Jean Gillon for Italma Wood Art. This now iconic chair is the epitome of Brazilian or Tropical Modern D...

This beautiful pair of MP-01 armchairs, made of iron covered with Brazilian hardwood, designed and produced in 1961 by the master Percival Lafer, was the first piece created by the d...

The rare MP-43 armchair, made of Brazilian hardwood, is another great example of the imaginative and innovative production of designer and architect Percival Lafer. With its chro...

A black-painted iron and grey fabric lounge chair designed by Carlo Hauner and produced by Forma S.A. Brazil, 1950s. Moderate oxidation to iron legs. Fabric in fair condition, likel...

Designed by Sergio Rodrigues (1927-2014) in 1973 and produced by Oca, the Kilin armchair is composed of two sides and two crosspieces, with the back and seat made from a unique piece...

Comfortable Brazilian Lounge Chair designed in the manner of Percival Lafer, Sergio Rodrigues and Jean Gillon. Solid Hardwood frame with cushions in a high quality soft ochre Leather...

A pair of green velvet and black-painted wood lounge chairs designed and produced in Brazil, c. 1950s. Minor wear to wooden legs, mainly at bottom of legs. Reupholstered at some poi...

JOSE ZANINE DE CALDAS (1919-2001). Pair of armchairs model “H.” Manufactured by Moveis Artísticos Z. Brazil, 1949. Marine plywood, fabric upholstery. Measuremenents 58 cm x 50 cm x 80 H cm. Literature: Habitat, nº9, Sao Paulo 1952. José Zanine Caldas (Belmonte, Bahia, 1918 - Vitória, Espírito Santo, 2001) was an architect and designer. Caldas stands out on the national architecture in Brazil for his exploration of the constructive qualities of Brazilian woods, defining his work with a warm rustic ambience, working on both high-end residential projects and also popular constructions. Never actually training as an architect, he starting working in the 1940s as a designer at Severo & Villares and as a member of the National Artistic Historical Heritage Service (Sphan). He opens a maquet studio in Rio de Janeiro, where he worked between 1941 and 1948, and, at the suggestion of Oswaldo Bratke (1907-1997), moved the studio to São Paulo, from 1949 to 1955. The studio served important modern architects of the two cities, and was responsible for most of the models presented in the book Modern Architecture in Brazil, 1956, by Henrique E. Mindlin (1911-1971).. During the 1940s, he also began developing and researching at the Institute of Technological Research of the University of São Paulo (IPT/USP), and was first introduced to plywood. In 1949, he founded the Fábrica Móveis Artísticos Z, with the objective of producing large-scale industrialized furniture, good quaility and afforable, the furniture was to be materialized using plywood sheets. This method minimized material waste and the need for artisan skills, as the parts were mechanically produced and the use of labor was only needed for the assembling of the furniture. His time at Móveis Artísticos Z, in 1953 was rather short lived and left the company in 1953 and instead worked on landscape projects until 1958 in São Paulo, when he moved to Brasília, where he built his first house, also in 1958, and coordinated the construction of others until 1964. Appointed by Rocha Miranda to Darcy Ribeiro (1922-1997), he joined the University of Brasília (UnB) in 1962 and taught modeling classes until 1964, when he lost his position due to the military coup. He set off and travelled through Latin America and Africa, an experience that had a remarkable effect on his work. On return to Brazil he built his second house, the first of a series of projects in the Joatinga region of Rio de Janeiro. In 1968, he moved to Nova Viçosa, Bahia, and opened a workshop, which ran up until 1980. His experience in the Bahian city was shaped by his renewed love and contact with nature, and he began working closely with environmentalists. In one of these collaborations, he participated in the project of an environmental reserve with the artist Frans Krajcberg (1921-2017) for whom he also designed a studio in 1971. The furniture he designed during this period, is reflective of his ecological sensitivity, his works were constructed with crude logs of wood, whose twisted lines inspire his drawings. It is also in Nova Viçosa that the architect builds the Casa dos Triângulos (1970) and casa da Beira do Rio (1970), in which he adopted a very artisanal construction system with typical woods of the region. According to the historian and architecture critic Roberto Conduru, Caldas' performance was relevant for the diffusion of environmental values in architectural projects: a "taste for the alternative and the rustic was disseminated throughout the Brazilian territory [...], encouraged by environmental preservation campaigns, by the wear and tear of the current models in reinforced concrete and by the re-emergence of the regionalist ideal in the international panorama"1. Between 1970 and 1978, he kept an office in Rio de Janeiro, where he returned in 1982. In 1975, the filmmaker Antonio Carlos da Fontoura made the film Arquitetura de Morar, about the houses of Joatinga, with a soundtrack by Tom Jobim (1927-1993), for whom Caldas designed a house. Two years later, the architect's work was exhibited at the Museum of Modern Art of Rio de Janeiro (MAM/RJ), at the São Paulo Museum of Art Assis Chateaubriand (Masp) in Belo Horizonte, and the following year at Solar do Unhão, in Salvador. Between 1980 and 1982 The Helium House Olga Jr was designed and built in São Paulo. Caldas outlined the plans for the construction sourcing the all the wood, the actual assembly of the house was carried out by the owner. The house, is defined by wooden structure that stands out from the fence walls, the clay tile roof of wide eaves and the demolition materials that give the building the feeling of rusticity, warmth and nostalgia. The house was similar to those built in the 1970s for Eurico Ficher and Pedro Valente, in Joatinga. In 1983, Calders founded the Center for the Development of Applications of The Woods of Brazil (DAM), and gave it to UnB in 1985. During this period, he proposed the creation of the Escola do Fazer, a teaching center focused on the use of wood for the construction of houses, furniture and utilitarian objects for the low-income population. Despite the fact that much of Calders early work was centered around building houses for the elite, in the 1980s the designer dedicates himself the DAM where he rigorously researches popular housing based on artisan construction processes and whereby the users participate in the construction process. At the Brasília unit, he developed prototypes of popular houses with eucalyptus logs as a structure and sealing in soil-cement, betting on an ideal of self-construction already tested at Casa do Nilo, in São Gonçalo, Rio de Janeiro. From that moment on, as occurred with his the furniture designs, Caldas adopts the use of crude wood logs rolled...

A classic in the style of Mies Van Der Rohe, this chair and ottoman has a seat and back cushions that adapt to fit the curve of frame, which is welded in single-piece construction fr...

A pair of black-lacquered iron and grey fabric lounge chairs designed and produced in Brazil, c. 1950s. Reupholstered at some point in recent history. Very light oxidation to some m...

This stunning pair of armchairs, designed by Martin Eisler & Carlo Hauner in Brazil during the 1960s, is a perfect example of mid-century modern style. With their clean lines and min...

Very beautiful and special lounge chair attributed to Brazil 1970. The chair is made of curved brown plywood and has a cow leather seat supported by a firm back and with brown leather pillow...

Available today, this Brazilian Modern Chaise Lounge in Wood & Off White Boucle, 1950s is nothing less than spectacular. Indulge in the artistic beauty of this sculptural chaise lo...

Lounge Chair in Peroba Wood and Fabric bij Rino Levi, Brazil, 1950's The chair features a solid wooden frame with sculpted armrests and spindle details on the sides and back. The wo...

The MP-05 armchair is an exceptional example of the creative vision of the Brazilian architect and designer Percival Lafer. Originally designed as a variation on the MP-03 armchair, ...

First introduced in 1961, this iconic chair has remained an emblem of sophistication and style. The Sheriff lounge chair exemplifies Rodrigues' ability to harmoniously blend contemporary design with a touch of Brazilian charm...

Designed and manufactured in the 1950s, this lounge chair was built in solid wood. It has been fully restored and is in great condition, with new upholstery made with Bossa Fabrics.

Crafted from the innovative mind of Geraldo de Barros, this lounge chair is a testament to the mid-century modern design movement that swept through Brazil, marrying the principles o...

Jorge Zalszupin (1922-2020), Brazilian architect and designer, founded the furniture design and manufacturing company L'Atelier in São Paulo, Brazil, in the 1950s. It became a benchm...

Step into the vibrant world of 1970s Brazilian design with this exquisite pair of lounge chairs, crafted by Móveis Cimo. Each chair features a harmonious blend of exotic wood and sle...

A "Concha" lounge chair by Martin Eisler, produced by Forma Brazil, 1950. The structure is made of solid iron and covered by foam to shap...

Operating in São Paulo during the late 1960s and early 1970s, Indústria de Móveis Pailar was founded by Luiz Laufer, who also designed the company’s furniture. Located at 1087 Raul P...

This big Lounge Armchair is from the 1970. It is made of Pau Ferro wood and aniline cognac leather. Underneath the cushion are saddle leather straps. The design has references to ...

A pair of black-painted wood and iron lounge chairs designed and produced in Brazil, c. 1950s. Design after model "Costella" by Carlo Hauner & Martin Eisler that was produced by mul...

Mid-century Brazilian lounge chairs crafted from dark jacaranda, newly upholstered in black leather. The chair frames have been lightly restored with a natural oil finish and updated...

A complete "Cubo" living room suite by Jorge Zalszupin consisting of a sofa, pair of chairs, side table and coffee table. All upholstered in white le...

The Rodeio armchair is an iconic piece that perfectly represents the main characteristics of Brazilian design as a school. It is one of the most outstanding creations of Jean Gillon,...

The rare “Modulo” low easy chair with an ottoman was designed by Oscar and Anna Maria Niemeyer and manufactured by Tendo Brasileira in 1978. Both chair and ottoman are made in bent w...

About: Attention collectors: Introducing an incredibly rare set of two restored "Jangada" chairs with matching ottoman. Named the "Jangada" chair, after the small rustic fishing boat...

This pair of Imbuia Armchairs was manufactured in the 1960s by the Brazilian company Móveis Cimo, a pioneer in Brazilian furniture industrialization. This armchair is very charming,...

Designed and manufactured in the 1950s, these lounge chairs were built in Solid Pau Marfim Wood. The legs and backrest have a "V” shaped structure that resembles a boomerang. Solid w...

The pair of armchairs by Lina Bo Bardi (attributed.) is the Modern Brazilian mid century interpretation of European Modern design but with the twist of tropical wood, Peroba wood. St...

A pair of vintage rosewood lounge chairs designed by Sergio Rodrigues, made by Oca for Meia Pateca in Brazil, circa 1963. Modeled as "Tonico", these chairs were constructed with soli...

Fabulous Brazilian rosewood Jean Gillon Lounge Chair and Ottoman for Probel. This set is in remarkable vintage condition-came from a million dollar mansion in Washington D.C. The cha...

Sculptural qualities define this object. A vivid dynamic between the different volumes and surfaces, showing different qualities from different angles. Its expressive form offers a c...

A classic in the style of Mies Van Der Rohe, this chair has a seat and back cushions that adapt to fit the curve of frame, which is welded in single-piece construction from flat bar ...

Moyses B. Klajn for Moveis Leal, pair of lounge chairs, Brazilian hardwood, iron, reupholstered in linen "Menerbes" by Pierre Frey, Brazil, circa 1968 These exceptionally rare armch...

José Zanine Caldas for Móveis Artísticos Z factory, high back lounge chair, reupholstered in green mohair, lacquered wood, Brazil, circa 1950 This armchair is designed by the estee...

Simple and elegant pair of Mid-Century Modern lounge chairs in mahogany which are either by Percival Lafer or in the style of. In excellent vintage condition with minimal wear, ready...

This pair of mid-century lounge chairs, designed by the esteemed Brazilian design manufacturer Liceu de Artes e Ofícios, is a stunning representation of the innovative and refined cr...

Stunning and comfortable ‘Concha’ (shell) lounge chair designed by Carlo Hauner and Martin Eisler and manufactured by Forma Moveis, Brazil 1950. This chair has a solid steel structur...

The Odilon lounge chair is a robust and elegant piece of furniture that embodies the distinctive design characteristics of the Brazilian furniture designer Sergio Rodrigues. It featu...

This Soriana lounge chair is characterized by its substantial, bulbous form, enveloping the sitter in a voluminous, cushioned embrace. The use of soft, suede-like fabric in a rich, e...

This beautiful pair of armchairs designed by L'Atelier is a great example of the style of Brazilian midcentury furniture. The materials...

c. 1960s. Previously reupholstered in white leather. Rosewood frames. Foam is hard. Price is for the set. Contact us if you’d like to purchase a single item.

This mid-century lounge chair, designed by Italian-born Brazilian designer Giuseppe Scapinelli in the 1950s, exemplifies the bold yet elegant characteristics of his designs. Known fo...

This mp-87 lounge chair was designed in the 70s by the master Percival Lafer, besides being a rare piece, this design is a good example of his genius and unmistakable style! Super co...

The 'Vronka' chair by Sergio Rodrigues from the 1960s showcases a straightforward, structured design. Its frame is constructed from wood, with broad, flat arms that extend outward fr...

In the 1950s, most high-end furniture was custom-made upon special request for wealthy patrons. This holds for this pair of armchairs, originally from a private residence in Teresópo...

Móveis Drago, lounge chair, model ‘Novelty’, velvet Kvadrat – Harald 182, hardwood, coated steel, brass, Brazil, 1950s This 'novelty' lounge chair is cre...

Sculpted solid rosewood sling chair and ottoman from Brazil circa early 1960s. This example has a beautifully grained stacked rosewood frame and h...

A pair of Mid-century, Brazilian style rosewood sling chairs and hocker. Exemplary pieces of Brazilian mid-century modern design.

These individualistic chairs possess a look that is eternally relevant regardless of current trends, a charm that would likely be called ‘the mid-century modern style’. Even after de...

Hidden among Brazil's modern furniture heritage are pieces whose origins remain a mystery. These designs, beautifully crafted and steeped in the aesthetics of their time, are yet to ...