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George Nakashima Spindleback Sofa in American Walnut and Bicolor Mohair

$87,000
£66,350.90
€76,453.50
CA$124,277.26
A$136,628.72
CHF 70,625.50
MX$1,634,849.74
NOK 891,631.03
SEK 835,929.03
DKK 570,997.53

About the Item

George Nakashima for George Nakashima Studio, sofa, American black walnut, reupholstered in bicolor mohair, United States, 1959 Designed by George Nakashima, this sofa was specially commissioned in 1959. It is made from American black walnut, and like much of Nakashima’s work, the wood doesn’t play a supporting role; it is the central character. The shape is broad and low-slung, grounded, yet not heavy due to the space underneath and the evenly spaced slats through which the air can escape. A lightness that keeps it from feeling blocky. The overall geometry is restrained, but not rigid. The backrest and seat form a long, uninterrupted plane. The arms are thick, carved from slabs that feel both precise and organic. There’s no excess. Every part of the form feels considered; nothing ornamental, nothing more than what’s needed. The wood grain moves along the surface like slow water. Nakashima didn’t hide the knots or lines; he emphasized them. He let the material speak, not just through texture but through shape. The design is guided by the wood, not imposed upon it. Shaped with respect, it reflects a deep collaboration between maker and material. The cushions add to the sofa’s natural appeal - newly upholstered in mohair, with camel beige and charcoal blue tones. It’s a subtle combination but rich. Guided by nature, Nakashima created a piece that combines enduring quality with a timeless design; proof that sensitivity to material can lead to lasting relevance. George Nakashima (1905-1990) was a well-known woodworker, architect and furniture designer from Japanese descendants. He was born in Spokane, Washington and enrolled in the University of Washington program in architecture. After his graduation in 1931, he decided to live his life as a bohemian in France. Afterwards, he spent some time in North Africa and eventually settled in Japan for some time. There, he started working for Antonin Raymond, who was an American architect. While working for Raymond, Nakashima extensively toured Japan while trying to understand the Japanese architecture and design. Around 1940, Nakashima decided to leave Japan and returned to the US. However, like many others with a Japanese ancestry, he was interned during World War Two and sent to Camp Minidoka in Idaho. There, Nakashima met a master woodcarver who tutored him in Japanese crafting techniques. From him, he learned to master traditional Japanese hand tools and joinery techniques. From here onwards, he began to use woodworking with discipline and patience, striving towards perfection in his designs. In 1943, he was released from the camp and invited by Antonin Raymond to live in his farm in New Hope, Pennsylvania. During this period, New Hope formed the home port for many great designers such as Phillip Lloyd Powell and Paul Evans. Nakashima was a very spiritual and philosophical designer. The basis of Nakashima's work was derived from his practice of integral yoga. Therefore, primary goal of Nakashima's work was to live in harmony with nature rather than to destroy it for their own use. Above all, Nakashima wanted to embody a message to all modern societies that we must constantly remember the eternal in all that we do. He often said of his own work that he gave trees a second life. His designs are known for their exquisite craftsmanship and are often 'signed' with dovetails and butterfly connections. With these ideas in mind, Nakashima created his own style based on Japanese designs and shop practices, combined with the American and International Modern Styles. Therefore, he became one of the best 20th century American Art furniture designers.
  • Creator:
    George Nakashima (Designer),George Nakashima Studio (Workshop/Studio)
  • Dimensions:
    Height: 31.5 in (80 cm)Width: 101.58 in (258 cm)Depth: 35.04 in (89 cm)Seat Height: 16.15 in (41 cm)
  • Style:
    Mid-Century Modern (Of the Period)
  • Materials and Techniques:
  • Place of Origin:
  • Period:
  • Date of Manufacture:
    1959
  • Condition:
    Wear consistent with age and use. Every item Morentz offers is checked by our team of 30 craftspeople in our in-house workshop. Special restoration or reupholstery requests can be done. Check ‘About the item’ or ask our design specialists for detailed information on the condition.
  • Seller Location:
    Waalwijk, NL
  • Reference Number:
    Seller: 501108851stDibs: LU933145246292

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