Authentic Stool E60 in Lacquered Birch with Laminate Seat by Alvar Aalto & Artek For Sale
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Authentic Stool E60 in Lacquered Birch with Laminate Seat by Alvar Aalto & Artek

About

Projecting a sense of relaxed familiarity, Stool E60 is equally suited to the home, public buildings, and educational facilities. The legs are mounted directly to the underside of the round seat without the need for complicated connecting elements. Thanks to its geometry, the stool can be stacked to save space in a spiraling tower sculpture. In the late 1920s, architect and designer Alvar Aalto began experimenting with bending wood. In collaboration with furniture manufacturer Otto Korhonen, the Finnish master developed a ground-breaking process that resulted in the L-leg. To create the L-leg, cuts are made in the end of a piece of wood, with the slits extending just below the level of the planned bend. Wood veneer strips are then inserted and glued. This simplifies the bending process and increases the stability of the component. Aalto called the L-leg “the little sister of the architectural column,” and its arrival announced a break with longstanding traditions of furniture production. Patented by Aalto in 1933, this technique meant that the warm, organic qualities of wood could be used to form stable hardwearing designs. Its system of standard components enabled the creation of more than 50 versatile products. For non-US pricing, please inquire stating your country of residence. We will respond with an updated price and estimated lead-time. 

Additional Options

Because our product is hand-made in Finland, additional colors, finishes and sizes are available with an added production lead-time. Please inquire for more information about the variations we offer.

Details

  • Condition
    New
  • Dimensions
    H 17.25 in. x W 15 in. x D 15 in.H 43.82 cm x W 38.1 cm x D 38.1 cm
  • Seller Location
    New York, NY
  • Seller Reference Number
    280 003 52 Q
  • Reference Number
    LU3601310422853
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About Alvar Aalto (Designer)

An architect and designer, Alvar Aalto deserves an immense share of the credit for bringing Scandinavian modernism to a prominent place in the global arena. In both his buildings and in his furnishings — which range from chairs, tables and lighting to table- and glassware — Aalto’s sensitivity to the natural world and to organic forms and materials tempered the hardness of rationalist design.

     Relatively few Aalto buildings exist outside Finland. (Just four exist in the United States, and only one — the sinuous 1945 Baker House dormitory at M.I.T. — is easily visited.) International attention came to Aalto, whose surname translates to English as “wave,” primarily through his furniture.

     Instead of the tubular metal framing favored by the Bauhaus designers and Le Corbusier, Aalto insisted on wood. His aesthetic is best represented by the “Paimio chair,” developed in 1930 as part of his overall design of a Finnish tuberculosis sanatorium. Comfortable, yet light enough to be easily moved by patients, the chair’s frame is composed of two laminated birch loops; the seat and back are formed from a single sheet of plywood that scrolls under at the headrest and beneath the knees, creating a sort of pillow effect. Aalto’s use of plywood had enormous influence on Charles Eames, Arne Jacobsen, Marcel Breuer and others who later came to the material.

     Concerned with keeping up standards of quality in the production of his designs, Aalto formed the still-extant company Artek in 1935, along with his wife, Aino Aalto, whose glass designs were made by the firm. In the latter medium, in 1936 the Aaltos together created the iconic, undulating “Savoy vase,” so-called for the luxe Helsinki restaurant for which the piece was designed. Artek also produced Aalto lighting designs, many of which — such as the “Angel’s Wing” floor lamp and the “Beehive” pendant — incorporate a signature Aalto detail: shades made of concentric enameled-metal rings graduated down in diameter. The effect of the technique is essential Alvar Aalto: at once precise, simple, and somehow poetic.

About The Maker

Artek was founded in Helsinki in 1935 by four young idealists: Alvar and Aino Aalto, Maire Gullichsen, and Nils-Gustav Hahl. Their goal was “to sell furniture and to promote a modern culture of living by exhibitions and other educational means.” The name Artek is a synthesis of "art" and ‘technology’ – concepts central to the international modernist movement that came to prominence in the 1920s. It was Walter Gropius, a key proponent of modernism, who coined the motto ‘art and technology – a new unity.’ Technology was understood to include science and industrial production methods, while the conception of art extended beyond the fine arts to encompass architecture and design. Modernism aimed to achieve a fruitful union of these two spheres. This same aspiration guided the founders of Artek in their naming of the company. In keeping with the radical spirit of its founders, Artek today remains an innovative player in the world of modern design, developing new products at the intersection of design, architecture, and art. The Artek collection consists of furniture, lighting, and accessories designed by Finnish masters and leading international designers. It stands for clarity, functionality, and poetic simplicity.

About the Seller

3 / 5
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1stdibs seller since 2018
Located in New York, NY
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