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Oxford High Back Swivel Lounge Chair by Fritz Hansen

$2,500

About

This stunning high back slipper chair was originally designed for professors at St. Catherines College in Oxford. A sleek design with a high curvy backrest ensuring maximum comfort. This stylish chair swivels making it perfect as a comfortable desk chair or lounge chair in any room. White leather upholstery and a chrome base add to the allure. Designed by Fritz Hansen for Arne Jacobsen, Republic of Fritz Hansen. Please confirm item location (NY or NJ).

Details

  • Creator
    Fritz Hansen (Designer),Arne Jacobsen (Designer)
  • Design
  • Dimensions
    Height: 51.5 in. (130.81 cm)Width: 19 in. (48.26 cm)Depth: 23.5 in. (59.69 cm)Seat Height: 18.5 in. (46.99 cm)
  • Style
    Mid-Century Modern (In the Style Of)
  • Materials and Techniques
  • Place of Origin
  • Period
  • Date of Manufacture
    2006
  • Condition
    Wear consistent with age and use. age appropriate wear, light oxidation on base, some scuffs and indents on leather.
  • Seller Location
    Brooklyn, NY
  • Reference Number
    Seller: 1261-0697NJc1stDibs: LU921810766101

Shipping & Returns

  • Shipping
    Rates vary by destination and complexity. We recommend this shipping type based on item size, type and fragility.
    Ships From: Neptune City, NJ
  • Return Policy

    A return for this item may be initiated within 2 days of delivery.

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About Fritz Hansen (Designer)

When the Copenhagen-based furniture maker Fritz Hansen opened for business more than 140 years ago, the company — which today styles itself The Republic of Fritz Hansen — adhered to the traditional, time-honored Danish values of craftsmanship in woodworking and joinery. Yet thanks to the postwar innovations of Arne Jacobsen and others, Fritz Hansen would become the country’s leader in modernist design using new, forward-looking materials and methods.


Fritz Hansen started his company in 1872, specializing in the manufacture of small furniture parts. In 1915, the firm became the first in Denmark to make chairs using steam-bent wood (a technique most familiar from birch used in the ubiquitous café chairs by Austrian maker Thonet). At the time, Fritz Hansen was best known for seating that featured curved legs and curlicue splats and referenced 18th-century Chippendale designs. In the next few decades, the company promoted simple, plain chairs with slatted backs and cane or rush seats designed by such proto-modernist masters as Kaare Klint and Søren Hansen. Still, the most aesthetically striking piece Fritz Hansen produced in the first half of the 20th century was arguably the China chair of 1944 by Hans Wegner — and that piece, with its yoke-shaped bentwood back- and armrest, was based on seating manufactured in China during the Ming dynasty. (Wegner was moved by portraits he’d seen of Danish merchants in the Chinese chairs.) 


Everything changed in 1952 with Arne Jacobsen’s Ant chair. The collaboration between the architect and Fritz Hansen officially originated in 1934 — that year, Jacobsen created his inaugural piece for the manufacturer, the solid beechwood Bellevue chair for a restaurant commission. The Ant chair, however, was the breakthrough. Designed by Jacobsen for the cafeteria of a Danish healthcare company called Novo Nordisk, the Ant was composed of a seat and backrest formed from a single piece of molded plywood attached, in its original iteration, to three tubular metal legs. Its silhouette suggests the shape of the insect’s body, and the lightweight, stackable chair and its biomorphic form became an international hit.


Jacobsen followed with more plywood successes, such as the Grand Prix chair of 1957. The following year he designed the SAS Royal Hotel in Copenhagen and its furnishings, including the Egg chair and the Swan chair. Those two upholstered pieces, with their lush, organic frames made of fiberglass-reinforced polyurethane, have become the two chairs most emblematic of mid-20th-century cool. Moreover, the Egg and Swan led Fritz Hansen to fully embrace new man-made materials, like foam, plastic and steel wire used to realize the avant-garde creations of later generations of designers with whom the firm collaborated, such as Piet Hein, Jørn Utzon (the architect of the Sydney Opera House) and Verner Panton. If the Fritz Hansen of 1872 would not now recognize his company, today’s connoisseurs certainly do.


About the Seller
4.9 / 5
Located in Brooklyn, NY
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
1stDibs seller since 2011
2,529 sales on 1stDibs
Typical response time: 4 hours
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