Cabinets

Small sideboard / cabinet produced in the 70s by Defour, Belgium. The front is decorated with a graphical op-art pattern carved into the wood. The cabinet has two shelves inside. Sta...

Simon Russell for Kartell 8 drawer stacking file cabinet, 1970s. Incredible, eight drawer, stacking file cabinet, by Simon Russell for Kartell, circa 197...

A Chinese Art Deco period two-toned black lacquer side cabinet from the early 20th century, with bamboo design and petite burl wood panels. Created in China during the Art Deco perio...

This elegant and wood, metal, and copper cabinet adorned with blackened copper low-relief motifs is created with expert construction by the design duo Rooms Studio from Tbilisi, Georgia. Each door of the handmade black metal cabinet features a striking hand-carved relief showcasing traditional Georgian and Soviet iconography with a beautiful patina, making the blackened metallic and copper cabinet an exquisite piece for any home. The interior behind the unique doors of each of the 9 compartments is finished in a cheerful salmon color, in contrast to the dark exterior. About the Design Studio: Works of Rooms Studio refer to the sculptural forms and abundant materials in juxtaposition with the feminine instincts. Born and raised in Tbilisi, Georgia, the duo behind the Rooms, Nata Janberidze and Keti Toloraia, lean towards preserving the inherited craftsmanship techniques unique to the region. Massive wood and stone objects are handcrafted using traditional techniques to create raw and symbolic forms often rooted in the designers' childhood memories. Growing up in a culturally diverse environment, where the two worlds - Western and Eastern collide, remarkably influenced their design language. Over the years, Rooms has created eight independent collections and collaborations equally memorable and representative of the duo's perpetual mission to bring life to omitted elements of a former life. Through their series of works, Janberidze and Toloraia try to examine the boundaries between the public and private. Experiencing adolescent years in the 90s - a significant decade of cultural and societal shifts - their work is a narrative of personal experiences of womanhood. By contrasting the new feminine monumental shapes with architectural brutality, Rooms challenges the status quo and also bridges the conventional and contemporary design with a confluence of female energy. The work of Rooms Studio has concerned itself with questions of nomenclature since the Tbilisi-based design atelier was co-founded by Nata Janberidze and Keti Toloraia in 2007. Take, for instance, the studio’s name: in adopting the basic unit of interior space as the title of their practice, Janberidze and Toloraia also emphasized the emotional force of interiority and inner life in determining their creative output. The studio’s largest U.S. exhibition to date, Distant Symphony expands upon this impulse to focus inward. The title is again a chief concern—some of the objects included here were designed during the global pandemic, under a regime of forced isolation that made the studio’s typically collective work process untenable. The pieces shown here are the results of Rooms’ search for a way forward. The first room, an antechamber of sorts, evokes the intimate quality of a private home. Shown here are trinkets and personal effects chosen by Janberidze and Toloraia for their emotive qualities; a low background noise emphasizes the climate of urban domesticity. The ensuing gallery space features highlights of Rooms’ recent design output. Here, the subtle scent of organic materials provides a sensory indication of the atelier’s interest in dichotomies: natural and man-made, personal and collective, local and cosmopolitan.   In light of the global circumstances, Janberidze and Toloraia felt it was especially important to pursue collaborative work. Rooms invited three artists—Shotiko Aptsiauri, Salome Chigalashvili and Mariana Chkonia—to conduct a dialogue and shared design process. As such, this exhibition is a kind of polyphonic meditation on a need for solitude and desire for companionship. The practice of polyphonic singing, essential to Georgian folk culture, is reinterpreted here as a design endeavor. Chigilashvili, working with unprocessed yarn, interpreted folk motifs by adapting embroidery to the scale of furniture with expansive stitches applied to painted boards...

This Art Deco small sideboard was produced in France in the 1940s. The structure, the base and the top are black lacquered, some of the frames and the interiors are in maple, the mi...

The fluted bar cabinet by R & Y Augousti is a sleek and geometric design. The black pen shell inlaid piece provides great utility while retaining a ...

Italian post modern black wood corner cabinet on wheels with shelf and bottle rack, 1980 Corner cabinet on wheels in black painted wood with triangular base with rounded corners, hi...

Vintage Gobelin set of clutch handbag and coin purse, black base with floral embroidery on both sides, enameled brass frame and chain strap. The interior is lined in black silk with ...

The Ashby console’s magnificent design encapsulates Lemon's ethos perfectly - beautifully crafted, simple but memorable, functional as well as beautiful....

The Arianne bar cabinet by R&Y Augousti is one of a kind statement piece. The overall piece is inlaid in black pen shell accentuated with intricate bronze-patina brass details that h...

Mid-Century fold out bar cabinet that opens with two doors in the front and two-fold out pieces on the top. Made in walnut with an off-white formica.

What could the design of a storage cabinet be like today? This is the question DriadeLab, Driade’s observatory on contemporary lifestyles, asked itself when it started to research in...

WALL BOX was born from the concept of creating a modular shelf system, which would easily change its visual image. The Backplate of the box is removable as it is attached with magnets. This means that one can choose to mix and match colours. By rotating the WALL BOX 90 degrees, the effect of the light entering the box changes The back plate of the box is removable as it’s attached with magnets. Mix and match colors to create a dynamic flow with a setup of wall boxes in different color combinations. And because of the open side of the box, you can, by rotating the Wall BOX, change the light and visual image. Use it for your records or to show off your book collection. The box is made out of powder coated steel and is available in three different colours: Ash Grey, Ceder Green and Navy Blue. The back is made out of powder coated steel and is available in the following colours: Ash Grey, Ceder Green, Fig Purple, Indian Red, Navy Blue and Turmeric Yellow. If a Navy Blue Wall BOX is purchased a Navy Blue back plate will follow. If a Cedar Green...

The Mikado Collection is inspired by the game "Pick a stick" we used to play in childhood. And this vitrine "Mikado Display Case" is a beautiful way of flaunting those collectibles t...

Circa 1920. We offer this beautiful antique cashier bank teller or post office cage window. Made in solid brass with fantastic patina. Great vintage condit...

Mid-Century Modern Italian Romeo Rega chrome and brass framed vitrine with smoked glasses. The inner part of the vetrine has a glass shelf.

WALL BOX was born from the concept of creating a modular shelf system, which would easily change its visual image. The Backplate of the box is rem...

French Art Deco bar cabinet from the 1930s. Strict and clear design with stepped lines. No hardware except the door hinges. The door simply clicks into place at the top and can al...

A vintage console cabinet with antiqued glass panels, by American creator/manufacturer Niermann Weeks. This stylish buffet is adorned in beauti...

An awesome early medical cabinet, ready to hold your unusual treasures!

Ello 1970s black glass cabinet with chrome trim. Black glass top and front with chrome hardware and side. Opens to reveal a single shelf compartment.

What could the design of a storage cabinet be like today? This is the question DriadeLab, Driade’s observatory on contemporary lifestyles, asked itself when it started to research in...

Brutalist style and 1950s design cabinet: An eyecatcher with geometrical and harmonious lines, composed of 2 graphic panels doors opening on shelves and airy black metal feet.

The Black bar cabinet by Ercole Home has a wenge wood finish on oak. Handcut glass mosaics in black that spread across the front surface and sides,...

Driade presents the first project designed by Driade Lab, the company’s research centre and creative core.Ercole e Afrodite are storage units featuring anthropomorphic lines with a p...

Vintage Industrial metal steel rustic "Lyon" open file sorting storage unit. Army green with eight shelves, eleven compartments wide. Each compartment is 3" wide by 3 1/2" high. Th...

Driade presents the first project designed by Driade Lab, the company’s research centre and creative core.Ercole e Afrodite are storage units featuring anthropomorphic lines with a p...

A sleek and stylish pair of Mid-Century Modern glass front bookcases on hairpin legs By Paul McCobb for Winchendon Furniture, "Planner Group" USA, 1950s Solid birch in black lacqu...

A late 19th Century English painted cabinet in the Japanese style. Measurements: Height: 41.5" Width: 18.75" Depth: 15.25".

What happens when the precision of master craftsmanship challenges the supremacy of steel? When human hands push the limits of an unyielding material? Iron rods molded by turning, tw...

Armored jewelry chest with pullout / pull-out necklace bars. Available in three finishing variations. See information below for details of finish...

What could the design of a storage cabinet be like today? This is the question DriadeLab, Driade’s observatory on contemporary lifestyles, asked itself when it started to research into this project. The result was Ziqqurat:a cabinet made up of different boxes that can be piled up to create everchanging forms. This system, constructive in all respects, can be used to create arrangements of three different sizes depending on the space available.The project’s source of inspiration, ancient sumerian pyramids, is no random choice: it is such a strong theme that it even gave its name to the cabinet. In 2020 Driade, the aesthetic laboratory par excellence, proposed an expansion of the Ziqqurat collection in the iconic patterns: romantic in the floral version with tassels or pop in the white and black geometric version with black handle. The collection is therefore enriched with new 'must have' pieces that are added to the three-heighted modular container and to the vertical one: small cabinet and extra small...

The Kuro cabinet’s character and personality are the aftereffects of highly developed applications of industrial design materials into the surface design of this piece, making it an ...

Metal Patchwork "wave" cabinet / dry bar, Bespoke manner of Paul Evans,,, Wonderful hand crafted cabinet,,Painted wave design,,Rivited , patchwork metal,,,raised steel,, Amazing qual...

The traces of time are drawn one on top of another, infused into the changing skin of the rigorous metal forms that define these cabinets and chests. Like the tide (marea in Italian)...

A very decorative Regency period ebonised, brass inlaid and ormolu-mounted cabinet, with mirrored doors and Calacatta viola marble top, in the manner of James Newton. English, c. 1815 Why we like it One of the most elegant designs from the early 19th century, inspired by the ancient Egyptian motifs. The brass ball-feet and ormolu mounted columns are rare and unusual features, and the beautifully oxidised mirror plates and antique marble tops add to their timeless elegance. Attribution Designed in the early 19th century ‘antique’ manner, popularised by Percier and Fontaine and relate to patterns for 'Chiffoniers' and 'Drawing Room' pier tables published in George Smith's Collection of Designs for Household Furniture, 1808, pls. 114 and 122. Ebonised in the Egyptian taste and with the stylised palm-flowered pillars, relating to those of tripod torcheres in Thomas Hope's Household Furniture and Interior Decoration, 1807, pl. 22. Identical columns and ball-feet are seen on a group of pier cabinets, including a pair, sold Sotheby’s London, 29 June 2005, Lot 125, which is traditionally associated with the output of the London firm of James Newton. He labelled a suite of very similar chiffoniers sold from the collection of Maureen, Marchioness of Dufferin and Ava, Christie's, London, 25 March 1999, lots 320-321. While stylistically these cabinets relate to the pieces ascribed to James Newton, their constructional features, such as the use of cedar linings for the secretaire fittings, is relevant to the practice of another highly esteemed London firm of the Regency period, John McLean and Son. James Newton (1773-1821) Upholder and cabinet maker, trained in the celebrated workshops of Lawrence Fell and William Turton - business rivals of the great Thomas Chippendale - and, in the tradition of ambitious men, married the daughter of the latter, which in part accounts for his meteoric rise to prominence; executing commissions, inter alia, for Matthew Boulton at Soho House, the Earl of Jersey at Osterley, and Sir Gilbert Heathcote; familiar with the fashions of the Regency period, he is listed as a subscriber to Thomas Sheraton’s 1803 ‘Cabinet Dictionary’; a pair of chairs with close concordances to a design of Thomas Hope’s Household Furniture’ (plate 22), and bearing his label may be viewed at the Royal Pavilion Brighton...

A very well made, quality drinks trolley with mirrored top, sides and doors. The gilt metal gallery top has small finials in each corner. Four scrolled ends with gilt metal decoration...

What could the design of a storage cabinet be like today? This is the question DriadeLab, Driade’s observatory on contemporary lifestyles, asked itself when it started to research in...

This cabinet has three doors and it is made of lava stone marquetry on top and sides. The front is made of shagreen with brass edges. The feet are in brushed brass. The interior ...

This sideboard with lacquered wooden structure, available in 9 colors. The sliding doors, with book like opening system, are silk-screen printed...

These versatile industrial-inspired cabinets bring strength and character to any space with their over-sized blackened steel and glass doors, fra...

Pure design with a special magnetic closing. The family of three Atena boxes made with eco-friendly and washable regenerated leather is perfect for a modern closet...

"The Garden of Hidden" Cabinet with artistic intervention by João Figueiredo Bespoke / Customizable Identical shapes with different sizes and finishings. All RAL colors available. (M...

‘Partu’ is the Walmajarri word for ‘skin’ and is Johnny Nargoodah and Trent Jansen's latest collaborative project experimenting with this combination ...

Weave W133-Black Black sideboard, made of solid birchwood and laminated birchveneér. Modern yet Classic, bold yet modest the cabinet serves as a great example of Scandinavian contem...

This “Boby” trolley or portable storage system was designed by Joe Colombo in 1969. A very handy trolley made of ABS plastic. It has many storage options such as the fold-out shelves...

A refined showcase of craftsmanship, this captivating bar cabinet will make a bold statement in a modern interior. Fashioned of Canaletto walnut wood lacquered with a glossy black po...

Sicis is delighted to welcome you at ‘Home’. The classically inspired extent in contemporary plays an eclectic style, elegant and refined. Interiors express personality. A constant...

Handcrafted by master craftsmen using prized tulipwood, this display cabinet brings a sophisticated, classic statement into any modern home. The inner storage unit in light walnut is revealed through the glass sides and three glass doors equipped with double hook closure. Six drawers split the shelving unit into two sections, the three wide shelves...

With slate top over a pair of doors, caster feet. Manufactured by Henredon.

Designed in 1969, Joe Colombo’s iconic "Boby 3" portable storage system was produced by Italian manufacturer Bieffeplast makes savvy use of space with its swivel design. This compact caddy is featured in the collection of the Museum of Modern Art in New York, but it’s perfect at home in domestic settings, offering ample storage with swing-out drawer trays provide and cubby holes for taller items. A one-of-a-kind piece that will complete a studio or a midcentury office. Measures (cm): height - 74 depth - 41 width - 43 Born in Milan in 1930, designer Cesare Colombo—who went by Joe—was the second of three brothers. His father, Giuseppe, was an industrialist who inherited a ribbon factory and turned it into an electrical conductor manufacturer. Colombo came to design relatively late, having spent most of his twenties pursuing painting and sculpture. He studied at the Accademia di Belle Arti in Brera, Milan, in the early 1950s. While there, he joined the Movimento Nucleare, an avant-garde art movement founded by Enrico Baj and Sergio Dangelo in 1951. Spurred on by international anxiety surrounding the nuclear bomb, this group of painters aimed to break free of the static boundaries of traditional painting. In 1953, Colombo made his first foray into design by creating a decorative ceiling for a Milan jazz club. In 1954, he made a series of television shrines for the Milan Trienniale. Inspired by these experiences, Colombo enrolled as an architecture student at Milan Polytechnic. When his father became ill in 1958, Colombo abandoned painting altogether; he and his younger brother, Gianni, took over the family business, using the factory as an experimental space for the latest production techniques and materials, including fiberglass, PVC, and polyethylene. In 1962, Colombo opened a design studio in Milan, from which he worked primarily on architectural commissions—including several ski lodges and mountain hotels—as well as product design. His furniture designs were characterized by optimistically bold, round forms, and he championed the notion of using modern technologies to create new design solutions. Colombo’s design career was cut tragically short in 1971 when he died of heart failure at age 41. However, he was remarkably prolific during his near decade as a designer. Notable projects include some of the most iconic designs of the 1960s, such as his 1963 Elda Armchair, made completely of fiberglass; the 1964 Ragno outdoor light, which doubled as a seat; the stackable Universale chair (1965/67), which came in varying heights and was created completely from polypropylene; his 1967 modular furniture series known as the Additional Living System, which was composed of different-size curved pieces that could be pinned together in various configurations to form chairs, sofas, or entire living areas, and which ultimately included the famous 1969 Tubo lounge chair; and the Optic alarm clock and Bobby trolley...

Polychrome Welded and patinated steel wall cabinet by Paul Evans for Directional. One shelf included inside.

A captivating combination of hues and refined materials, this stunning bar cabinet will make a splendid and majestic statement in a modern interio...

Beautiful and quality crafted cabinet with op-art doors designed by J. Batenburg for MI, Belgium 1969. These quality Belgian made furniture were definitely built during the late 60s ...

With its characterizing and intriguing shape, the LOVE cabinet is an expressive bill, a two-dimensional poster that speaks of love. The union between aesthetics and function makes th...

With its characterizing and intriguing shape, the LOVE cabinet is an expressive bill, a two-dimensional poster that speaks of love. The union between aest...

With its characterizing and intriguing shape, the LOVE cabinet is an expressive bill, a two-dimensional poster that speaks of love. The union between aesthetics and function makes th...

No screw no glue cabinet by Joost van Bleiswijk is the archetypal cabinet with a classic and iconic feel, but with a modern twist. It’s constructed from an innovative and eco-conscio...