Gilt Vitrines

An impressive pair of Louis XVI style gilt bronze mounted mahogany vitrines by François Linke. French, circa 1890. Signed to the reverse of the bronze mounts ‘LINKE’. Each ...

A Fine Louis XV Style Gilt-Bronze Mounted Table Vitrine by François Linke. French, circa 1900. Linke Index Number 131. The lockplate signed 'F.Linke', the mounts variousl...

20th century elegant French Louis XVI style showcase Solid beech wood, beige / cream frame and partially gold-plated. Upright rectangular, three-sided, facet-cut glazed, single-do...

Rare aesthetic movement showcase, opening in its upper part by two beveled glass doors framed by brass moldings, in its lower part by two door panels in carved walnut decorated with blooming branches and gilded bronze ornaments representing dragons and birds. The sides are carved, like wicker woven. This showcase is topped by an important carved and gilded walnut cornice depicting a Fô Dog in its center, with a protective power, and rests on elephant head with overtuned trunk shaped feet. This type of elephant head with overtuned trunk shaped feet is a characteristic of the Maison Giroux, which can be found on many objects they produced. Aesthetic movement cabinet, signed Maison Alphonse Giroux...

A Fine Louis XV Style Gilt-Bronze Mounted Bombé Vitrine With Vernis Martin Panels, by François Linke. French, Circa 1900. Signed 'F. Linke' to one bronze mount. The reverse ...

Pair of antique ormolu mounted vitrine cabinets by L'Escalier de Cristal French, Late 19th Century Height 178cm, width 105cm, depth 55cm Crafted in the late 19th century, this exqu...

A large and unique antique French Louis XVI style gilt bronze-mounted bombe shaped Malachite vitrine cabinet of superb quality embellished with fine curved single glass door...

Very fine French cabinet by Paul Sormani. Louis XVI design with very fine gilt bronze mounts. Signed P Sormani. Illuminated.

An elegant Louis XVI style gilt bronze mounted mahogany vitrine attributed to Maison Krieger. The bombé front door opening to two glass shelves, flanked by convex glazed sides and r...

An Exceptional Early 20th Century Louis XVI Style Gilt Bronze Mounted Parquetry Vitrine By François Linke François Linke – Index no. 458 The fleur de pêcher marble top above a scro...

Midcentury Hollywood Regency "twisted rope" effect metal gold finish 4-tier étagère shelves display unit vitrine.

The splendid showcase vitrine, made of solid wood, dates back to the end of the 19th century. Made in France by a master cabinet maker of great ability, it’s in Louis XVI style. The ...

A fine 19th century French viewing cabinet by G. Durand . Very fine mahogany vitrine with fine fire gilt bronze dore mounts . Three glass shelves. Stamped G. Durand several times o...

An Exceptional Late 19th Century Louis XV Style Gilt Bronze Mounted Mahogany Vitrine By François Linke François Linke – Variant to Index no. 1552 The shaped fleur de pecher marble ...

These elegant display cabinets (or vitrines) were crafted in the late 19th century by the leading ébéniste (cabinetmaker) of the period, François Linke (French, 1855-1946). Linke was...

An important pair of Louis XVI style gilt-bronze mounted vitrines with wedgwood Jasperware plaques, by Joseph-Emmanuel Zwiener. French, circa 1880. Stamped 'NZ', 'NZ.309' and 'ZJ' to the reverse of the bronze mounts. Signed to the reverse of the lockplate 'Mon THEAU THIEFFINE Succ./SERRURIER PARIS'. This rare pair of vitrines, each have a shaped Carrera marble top above a frieze centred by a round classical Jasperware plaque flanked by gilt-bronze putti figures and scrolling acanthus running pattern. Below is a gilt-bronze framed bevelled glass door above a panel centred by a finely modelled Jasperware plaque of a putto representing the seasons. The door is flanked to either side by gilt-bronze monnaie pattern and headed by a pair of exceptionally fine female canephor figures. The shaped sides have corresponding bevelled glass panels and the vitrine is raised on tapering fluted legs. The distinctive canephor figures, finely cast as female caryatids with ringlets in their hair and supporting baskets of fruit upon their heads, is a distinctive and celebrated model unique to Zwiener. Many of Zwieners bronzes are executed in the Louis XV style, with flowers and scrolling acanthus leaves and an emphasis on asymmetry, typical of the work of his bronze sculptor Léon Messagé. The mounts employed on this rare pair of vitrines however sees Zwiener creating his own up-to-date reinterpretation of the Louis XVI style, drawing inspiration from established Louis XVI models such as those designed by Weisweiler for Marie-Antoinette's Dressing table. [See Mestdagh, p.305]. A second distinctive feature of the vitrines is the finely modelled Wedgwood Jasperware plaques incorporated in the frieze of each vitrine and beneath the doors. Wedgwood exhibited at nearly all of the Universal Exhibitions held in 19th century France, displaying amongst other pieces, plaques specifically intended to be mounted on to furniture. The first vitrine displays to the frieze a finely modelled plaque in the classical style, depicting a group of putti at play, one being pushed on a swing, while another plays a trumpet and a small attentive dog watches from below. Beneath the glass panelled door a larger Jasperware plaque is incorporated depicting a putto figure with a garland of flowers, emblematic of spring. The second vitrine has a classical plaque...

A Louis XV Style Gilt-Bronze Mounted Vernis Martin Vitrine Cabinet. The spreading pediment centred by a rocaille clasp and flanked by exotic busts. The central three-quarter glazed ...

The stunning cabinet in the Napoleon III style and of the sam period, featuring inlaid Boulle work panels of brass and fine scarlet tortoise shell, with cast ormolu mounts depicting ...

Unique vitrine by Jules Leleu in mahogany marquetry, patinated metal and gilt bronze Numbered 33774 5697. Provenance: This vitrine was created for Mr. Renondin and is entered ...

A fine quality late 19th Century French Louis XV style Mahogany vitrine, having its original Fleur De Pecher marble top, gilded ormolu mounts, a single glazed door opening to access ...

Elegant French Ornamental display case, gilded bronze, Louis XV Solid wood decorated with gold-plated bronze fittings. Arched shape, below on three sides lavishly painted Watteau pa...

A stunning French Louis XV-style vitrine dating from the late 19th century, combining elegance, functionality, and fine craftsmanship. This display cabinet features a graceful serpen...

A Fantastic Pair of Late 19th Century Louis XVI Style Gilt Bronze Mounted Demilune Vitrines By Paul Sormani Paul Sormani Each with balustrade galleries and raised on spiral decorat...

A monumental antique Louis XV style gilt bronze mounted vitrine cabinet by Manoy of Brussels. This large and impressive vitrine features marquetry inlays, four glazed doors and exten...

A fine late 19th century calamander wood vitrine cabinet, the top, and front veneered in calamander wood and the sides ebonised, the front and corners ...

Large late 19th century french neoclassical gilt metal mounted vitrine Measures: Height 184cm, width 121cm, depth 46cm This excellent display cabinet is a large late nineteenth c...

A very good quality large and imposing 19th century French vitrine, in the style of Louis XVI. Having wonderful gilded ormolu plume and foliate mounts, serpentine glazed doors to the...

A good quality pair of 19th century French ebonized display cabinets, having classical gilded ormolu mounts. Adjustable glass shelves and mirror backs within, raised on plinth bases ...

Antique French marble topped vitrine in the Empire style French, 19th century Measures: Height 132cm, width 72cm, depth 47cm This antique mahogany vitrine was made in France and...

A rare and important pair of Louis XVI style gilt bronze-mounted vitrines de Milieu by Paul Sormani. Signed to the locks ‘P. SORMANI, PARIS, 10 ru...

A Late 19th Century Gilt Bronze Mounted Louis XVI Style Vitrine By Paul Sormani Paul Sormani Bronze gallery above a centered glass door, flanked by glass panels, four bronze mount...

A fine Louis XVI style gilt bronze mounted mahogany vitrine, by Alfred Louis Beurdeley. French, circa 1880. Stamped to the carcass ‘A. Beurdeley à Paris’. This fine mahogany...

Beautiful and elegant mid 20th century Tuscan showcase / vitrine cabinet , in a lacquered, gilded and hand painted wood with very pleasant floral decorations. Two part body display c...

This stunning early 19th-century mahogany wood three-part French display china cabinet is a true testament to exquisite craftsmanship and timeless elegance. With its gracefully curve...

Exceptional, rare empire nutwood display cabinet or vitrine from the mid 19th century in North Germany - the "second empire" period. As part of the inventory of a stately mansion, th...

A fine 19th century Louis XVI mahogany and gilt bronze mounted vitrine . Signed Francois Linke . Locks also signed . Original Breccia marble top

This is an Empire style gilt bronze mounted wood, glass and marble top heavy and large vitrine/curio cabinet. The wide tapered rectangular vitrine has four glass walls framed with wood. The front door is one of them and it is beveled. It is decorated with a gilt mounted bronze garland of roses, mixed of flowers and foliage at the top and bottom area. At the top center, there is a gilt bronze shell and at the bottom a Wedgwood light blue porcelain round plaque with a cherub that is carving a piece of stone. Above the plaque, a large gilt bronze bow is decorating the curio cabinet. There are scrolls of acanthus leaves adorning each side of the upper top corners of the door. A gilt bronze swag made of laurel leaves branches with a bow in the center embellish the frieze of each one of the sides, and its corners are also decorated with scrolls of acanthus leaves with a garland of buds hanging from them. There are also some gilt beads chain ornaments decorating the wood part of the sides. The cornice is adorned with a bronze border made of carved acanthus leaves. The upper part of the curio cabinet is covered by a heavy light pink with grey veins marble top. To support the vitrine there are four gilt heavy bronze lion paws decorated with large acanthus leaves and a pair of laurel branches at the upper part of them. These acanthus leaves are spreading toward the lower front border and forming an arc. There are four adjustable thick glass shelves inside the curio cabinet and a lower one made of wood that is covered with a light yellow color Damask fabric. A metal lockplate has inscribed Mon Krieger...

A very fine French Louis XV style ormolu and jasperware-mounted mahogany single door vitrine, attributed to François Linke (1855-1946). The two upper front corners surmounted with or...

A fantastic quality late 19th century Louis XVI style gilt bronze mounted Vernis Martin vitrine cabinet By François Linke A pierced bronze gallery above a bronze mount of a female ...

A very fine quality French Louis XVI style gilt bronze ormolu mounted matched kingwood display cabinet / vitrine by the luxurious Parisian furniture maker Maison Krieger (1826-1910) Exquisitely hand-crafted in France in the early 20th century, exceptionally executed in sophisticated King Louis 16th taste, having a dramatically veined marble top, over glazed glass front and side panels, opening to single glass shelf and mirrored back, over ribbed cabinet...

A fine French 19th century Louis XV Style gilt bronze-mounted and "Vernis Martin" style bombé tulipwood veneered vitrine cabinet with a Breche d' Alep marble top. The serpentine fron...

Elevate your living space with this Antique Louis XV Style Bronze-Mounted Curio Vitrine Cabinet, a piece of furniture that exudes elegance, craftsmanship...

Majestic French vitrine Napoleon III in transition style Paris. Rich in extremely finely chiselled, fire-gilt decorative bronze fittings. Mahogany on solid softwood. High-angled, o...

French 18th century Louis XV Transition period cube marquetry vitrine showcase or library A fine small 18th century Louis XV/Transitional period vitr...

19th century, French wood showcase with gilt bronze This valuable showcase or vitrine was made in Paris in the second half of the 19th century, when there were great blacksmiths and...

A fine gilt-bronze mounted mahogany table vitrine by Georges-Francois Alix. French, circa 1890. Stamped to the underside and to the reverse of th...

A French Louis XV Style 'Belle Époque' Vitrine Cabinet Giltwood Carved Vitrine. The three panel curio cabinet, the center one with bowed-front glass, with twin side-doors and carved ...

A very fine French Belle Époque 19th century tulipwood and gilt bronze-mounted Vernis Martin decorated Vitrine by Louis Majorelle (French, 1859-1926). The single door case with a hand-painted board depicting a garden courting scene surmounted with ormolu wreaths and a banded frame. The top with a pierced gilt bronze gallery above an ormolu royal tassel trim flanked by a pair of female masks above crossed torches and flames, cross flutes, a tambourine, a pan flute, ribbons and a tassel. Raised of four cabriolet legs with corner ormolu wreaths and leaves ending with hooves, Paris, circa 1990. The back bears the original Majorelle label that reads: "Louis Majorelle, Fabrique a Nancy, 3 Rue Girardel. Depot. 56 Rue de Paradis, Paris." Louis-Jean-Sylvestre Majorelle, usually known simply as Louis Majorelle, (26 September 1859 – 15 January 1926) was a French decorator and furniture designer who manufactured his own designs, in the French tradition of the ébéniste. He was one of the outstanding designers of furniture in the Art Nouveau style, and after 1901 formally served as one of the vice-presidents of the École de Nancy. The Majorelle firm's factory was designed by famous École de Nancy architect Lucien Weissenburger (1860 – 1929) and located at 6, rue du Vieil-Aître in the western part of Nancy. In the 1880s Majorelle turned out pastiches of Louis XV furniture styles...

Elegant 19th-century French display case made of precious wood finely marquetry with exotic geometric motifs, inlaid with mother-of-pearl, and richly adorned with gilded bronze. The...

Rococo vitrine cabinet from the 1760s, of Stockholm quality. The cabinet features mouth-blown glass panes from the period. The interior is painted in a terracotta hue, while the exte...

Magnificent Louis XVI style showcase in mahogany veneer with rich, very finely chiseled gilded bronze ornamentation. Opening two large doors on the front separated by a glass frame. Beveled windows on the front as well as on the sides. Mirror bottom and three thick glazed...

Splendid vitrine in the style of Frederick the great. Solid beechwood, finely carved, gilded and hand-painted. Cambered and three -sided glazed bo...

A very well made Sinuous French Vitrine Cabinet topped with a Colorful veined Marble in Pinks, Browns and White. The Cabinet has French type motifs of Bundled Reed corner supports ...

This exquisite French Louis XVI style gilt wood vitrine, crafted by the esteemed Geo. C. Flint Co. of New York, radiates the elegance and refined taste characteristic of the early 20...

Large fine quality 19th century Louis XVI marble top mirrored vitrine/display cabinet. Two individual single door top and bottom mirrored cabinet sect...

A very good quality pair of late 19th century French mahogany bow fronted display cabinets, each with a gallery to the top, gilded ormolu foliate and molded mounts, central doors with a glass shelf within, a frieze drawer above a shelf beneath with a paneled back and raised on elegant cabriole legs. Signed; Paul Sormani (1817-1877), one the most important cabinetmakers of the 19th century, was born in Venice. Having trained as a cabinetmaker, he moved to Paris where he opened his first shop in 1847 specializing in furniture made in the Louis XV and Louis XVI style. When she decorated her palace, Empress Eugenie, the wife of Emperor Napoleon III, who was particularly fond of furniture in the 18th century styles, engaged Sormani to create spectacular pieces to compliment her period examples. Sormani was able to meet the Empress’s high standards with the excellent quality of the cabinet work, bronze mounts, use of lacquer and unusual marbles. Sormani’s firm was a maker of fine “meubles de luxe”, (deluxe furniture) whose work was described in the 1867 Exposition Universelle catalogue as “toute sa production revele une qualite d’execution de tout premier ordre”. He received a medal of premiere classe at the Exposition Universelle of 1855, followed by another medal at the 1862 exposition in London The workshop also made eclectic furniture...

Beautiful and elegant Louis XVI style showcase in amaranth wood and light wood veneer delimited by green tinted nets, presenting a superb ornamentation of very finely chiseled gilded...

Solid beech wood with plastically carved paws feet. Multiple scalloped frame, above cambered, vierschübiges body framed by solid corner glazing. Three-sided glazed, one-door showcase...

A fine French 19th-20th century kingwood and tulipwood marquetry and gilt-bronze mounted vitrine, in the manner of François Linke (1855-1946). The slender single door display cabinet with a red-velvet backing and bowed glass panels surmounted with acanthus and floral gilt-bronze mounts in the style of Léon Messagé (French, 1842-1901), the serpentine shaped front door with an ornate marquetry and ink colored panel depicting wreaths, ribbons and tied acantus leaves, all raised on four cabriolet legs ending with gilt-bronze paw-feet, Paris, circa 1900. Linke was born on 17 June 1855 in the small village of Pankraz, in what is now the Czech Republic. Records show that Linke served an apprenticeship with the master cabinet maker, Neumann, which he completed in 1877. Linke’s work book or Arbeits-Buch records that he was in Vienna from July 1872 to October 1873 at the time of the International Exhibition held there in 1873. He subsequently travelled to Prague, Budapest & Weimar before finally arriving in Paris in 1875. It is documented that he obtained employment with an unknown German cabinetmaker in Paris, and stylistic similarities, photographs and geographical proximity have led some to suggest that Emmanuel Zwiener was the most likely candidate. After a period back in his home town of Pankratz, he returned once and for all to Paris in 1877. In 1878 Paris hosted the third great International Exhibition, a remarkable success for a country ravaged by war only seven years earlier. It is known that the fledgling Linke workshops were active in the Faubourg St. Antoine as early as 1881, during this time he supplied furniture for other more established makers such as Jansen and Krieger. By 1889 another World’s Fair, as they were often referred to in America, took place in Paris. Monsieur Eiffel erected what has become the most iconic building in Paris for the exhibition and the atmosphere of wealth and confidence may well have encouraged Linke to think that he could contribute an important part to the next great exhibition. As early as 1892 this was decreed to take place at the end of the century, in an attempt to pre-empt Berlin from staging the last great show of the century. In 1892, Victor Champier (fr) one of the commissioners for the 1900 Paris Fair had appealed, “Create in the manner of the masters, do not copy what they have made”. It was an appeal against mere reproduction and Linke rose to this challenge in an unparalleled way with his unique display that was to include the Grand Bureau. Determined to outshine the competition at the Exhibition, Linke had set about creating the most ambitious pieces he could envisage, and more extravagant than had ever been displayed before. The items he exhibited marked a transition from the historicist interpretation of Louis XV and Louis XVI styles, an interpretation that was the mainstay of his nearest rivals, to something startlingly new and vital in its immediacy. [6] Together with Léon Messagé he developed a new style for the 1900 Exhibition that paid homage to the Louis XV rococo in the fluidity of its approach, but an approach fused with the lively flowing lines of the contemporary and progressive 'art nouveau'. The Art Journal reported in 1900 on Linke's stand: "The work of M. Linke ... was an example of what can be done by seeking inspiration amongst the classic examples of Louis XV and XVI without in any great sense copying these great works. M. Linke's work was original in the true sense of the word, and as such commended itself to the intelligent seeker after the really artistic things of the Exhibition. Wonderful talent was employed in producing the magnificent pieces of furniture displayed". Linke's stand would have appeared refreshingly new to contemporary onlookers, the traditional designs of the eighteenth century melting seamlessly into an exuberant naturalism. The 'Revue' described Linke's style as 'entièrement nouveaux' and noted "This opinion is universally accepted. Linke's stand is the biggest show in the history of art furniture in the year 1900". It is perhaps the most extraordinary and remarkable aspect of Linke’s personal history that he produced such expensive and luxurious furniture of exquisite quality for the 1900 exhibition without any commission or any potential buyer in mind. [9] At a time when other more established furniture businesses such as those of Beurdeley and Dasson were closing down, he made a huge investment in his stand and the furniture he supplied for it. Linke recognised that to move his business forward he needed to appeal to a more International clientele and the new emerging rich who were at this time amassing fortunes on an unprecedented scale. For this reason he gambled everything he had on his display for the 1900 exhibition. Had this not succeeded he would almost certainly have succumbed to bankruptcy. Linke’s notebook records visitors to his stand from England, Europe, the Americas, Egypt and Japan and including; the King of Sweden, three visits from the King of Belgium, Prince Radziwill, the Prince d’Arenberg, the Comte Alberic du Chastel, Miss Anna May Gould, the American heiress, distinguished furniture makers and the President of France Emile Loubet. This risky endeavour was a resounding success, and with his reputation established, La Maison Linke became the pre-eminent furniture house until outset of the Second World War. The technical brilliance of his work and the artistic change that it represented was never to be repeated. His showrooms expanded into prestigious premises in Paris, in the Place Vendôme as well as the Faubourg St. Antoine where his workshop had been established. He embarked on many important commissions in the years up to the outbreak of the First World War, making and designing furniture for leading international industrialists and bankers. After the 1914-1918 World War, Linke undertook the extraordinary commission to furnish the Ras al-Tin Palace in Alexandria for King Fuad of Egypt, possibly the largest single furniture commission ever conceived, eclipsing even Versailles. Linke flourished and remained active until the middle years of the 1930s and died in 1946 Léon Messagé (1842-1901) was a French sculptor, best known for his sculptural collaboration with François Linke for the 1900 Paris Exposition Universelle. Messagé was also responsible for much of the design and creative work for Roux et Brunet...

A fine and rare English 19th-20th century Chippendale style carved oak and parcel-gilt console vitrine. The narrow upper two-door vitrine crowned with a carved parcel-gilt peacock fe...