Art Nouveau Furniture

Classic and famous version of the bentwood (beech) chair by Thonet, Vienna 1880-1883. Stained bent beech, original surface. Old if not original caneing. Rarer and more beautiful with...

An early inventive (not to mention shapelier) version of the ubiquitous Ice Cream Parlor Chair. Note that the two circular loops are looped twi...

"Taureau Debout" by Rosa Bonheur. An excellent late 19th Century French animalier bronze study of a standing bull with fine hand chased surface that accentuates the muscle definition of the subject, signed Rosa B. ADDITIONAL INFORMATION Measures: Width: 32 cm Height: 18 cm Depth: 11cm Condition: Excellent Original Condition Circa: 1870 Materials: Bronze Book reference: Animals in Bronze by Christopher Payne Page no. 174 DESCRIPTION Bonheur, Rosa (1822-1899) The most popular artist of nineteenth-century France, Rosa Bonheur was also one of the first renowned painters of animals and the first woman awarded the Grand Cross by the French Legion of Honor. A professional artist with a successful career, Bonheur lived in two consecutive committed relationships with women. Born on March 16, 1822 in Bordeaux, Marie Rosalie Bonheur was the oldest of the four children of Raimond Oscar Bonheur (1796-1849) and Sophie Marquis. Bonheur's father was an art teacher who came from a poor family, while her mother, a musician, had descended from a middle-class family and had been her husband's art student. Bonheur's father, who taught drawing and landscape painting, was an ardent member of the utopian Saint Simeon society. The group held idealistic beliefs about the reform of work, property, marriage, and the role of women in society. Most importantly, for the artist's future, the Saint Simeons questioned traditional gender norms and firmly believed in the equality of women. While teaching artistic techniques to his oldest daughter, Raimond Bonheur also encouraged her independence and taught her to consider art as a career. In 1828 Raimond Bonheur joined the Saint Simeons at their retreat outside Paris. Sophie and the children joined him in Paris the following year. Four years later, however, Raimond abandoned his family to live in isolation with his fellow Saint Simeons. Sophie Bonheur died in 1833 at the age of thirty-six. Rosa was only eleven years old when her mother died, but she was aware of the heavy price her mother paid for married life with a man who was more dedicated to his own ideals than to meeting his family's needs. Rosa also saw that her mother's marriage led to poverty and her death from exhaustion. After her mother's death, Bonheur was taken in by the Micas family who resided nearby. Mme Micas and Bonheur's mother had been friends. When Mme Bonheur died, the Micas family paid Raimond Bonheur's debts and cared for Rosa. Their daughther, Nathalie, who would later become an amateur inventor and unschooled veterinarian, and Rosa became enamored with each other. When Rosa Bonheur began her career as a professional artist, she had already been trained by her father who had allowed her to study in all male classes. Rosa also learned by sketching masterworks at the Louvre from the age of fourteen, and later, by studying with Léon Cogniet. From the very beginning, Bonheur's favorite subject was animals. She learned their anatomy completely by dissecting them in local slaughterhouses. She also visited the horse market two times a week. Study of animals by direct observation led to the formation of the realist style in which Bonheur worked. It was for such work that Bonheur obtained written permission from the French government to wear men's slacks. Her working attire also consisted of a loose smock and heavy boots that protected her feet from the dangerous environment in which she painted. The style of dress that the artist adopted for work and home may well have been influenced by her father's attire, which was based on St. Simeonian clothing experiments. Bonheur also cropped her hair, perhaps to facilitate her work. She did, however, always wear dresses for social occasions because she knew that appropriate dress would further her career. Bonheur earned a successful living as a painter of animals. She exhibited at the annual Paris Salon regularly from the age of nineteen in 1841 through 1853, when she was thirty-one. She won the salon's gold medal at the age of twenty-six in 1848 and was commissioned by the French government to paint Plowing on the Nivernais in 1849. In the same year Bonheur and her sister Juliette became directors of l'École gratuite de dessin pour les jeunes filles, a post their father had once held. Bonheur completed her most renowned work, The Horse Fair, in 1855. The successful representation of percherons (a breed native to Normandy) was purchased by Ernest Gambart, a London art dealer whose gallery specialized in work by French artists. He exhibited The Horse Fair in London where Bonheur visited with Nathalie. Queen Victoria requested a private viewing of the painting at Windsor Castle. It would later be purchased in 1887 by Cornelius Vanderbilt and donated to the new Metropolitan Museum of Art in New York City. Bonheur's trip to England allowed her to meet Charles Eastlake, then President of the Royal Academy, John Ruskin, the English writer and critic, and Edwin Landseer, the British animalier. She also toured the English and Scottish countrysides and executed some paintings based on her observations of new breeds of animals found there. Gambart made engravings of Bonheur's work, including The Horse Fair, and sold them in England, Europe, and the United States. Bonheur became one of the most renowned painters of the time. Little girls, such as Anna Klumpke in the United States, even had dolls in her likeness, much as American girls played with Shirley Temple dolls...

Being offered is an exquisite pair of sterling silver Art Nouveau (extra large) serving spoons by R. Blackington of Massachusetts. The handles have blossoming flowers and vines wrap...

Beautiful musicienne par flora sculpt of Female playing the violin. Bronze on marble base signed "musicienne par flora sculpt" having beautiful patina.

A rare and very stylish Doulton Lambeth Marqueterie Ware brown marbled art pottery bowl by Lambeth’s first Art Director Wilton Parker Rix (Doulton Lambeth 1868-1897) and dating from ...

A vibrant Art Nouveau purple graduating to cream/ivory pair of deceptively heavy vases by Harrach decorated with raised gilding depicting blossoming branches - probably Prunus. Shape...

This emerald green-tinted blown glass wine decanter reflects the exceptional savoir-faire of the Daum manufactory in Nancy around 1900. Its subtly ribbed body adds a dynamic texture,...

A fabulous and cute Art Nouveau Candia (gold on clear) Papillon (Butterfly wing) vase. This iridised finish was first created by Loetz in 1898 and dates to around that period. The va...

A superb and stylish pair British Art Nouveau iridescent bronze glass vases by Thomas Webb and dating from around 1890-1910. The hand-blown glass v...

Majolica butterfly plate Josef Steidl Znaim, circa 1890.

An exceptional pair English Art Nouveau opalescent yellow uranium glass vases by James Powell & Sons and dating from around 1890. The vases stand on a w...

"Émile Gallé Game Table in Walnut and Marquetry of Veneered Wood with a Floral Thistle Motif (c. 1895). Émile Gallé’s game table is an exceptionally refined work of art, perfectly e...

A 19th century antique French patinated bronze tri-pod vase or urn featuring cherubs, foliage and torches. The vase rim or mouth is finely crafted in acanthus motif. Timeless and cla...

Art Nouveau period chandelier or lustre, French Wrought iron, colored white, blue, red and green glass. Made in the late 19th century. Height 59 cm 23.23 in, With extension 93 cm 36....

Pair of Rare Venetian Murano Bell Jar Lanterns with Etched Glass and Brass Details, circa 1900 An extraordinary and rare pair of antique Venetian bell jar lanterns, masterfully craf...

Sign: Galle Gallé World Famous for his innovative work in several areas of the decorative arts, including glass, furniture & ceramics, Emile Galle` (1846-1904) was born and died in t...

Rare and unusual Art Nouveau Arts and Crafts period figured oak and parcel gilt aquatic motifs wall mirror Circa 1890 Provenance: Estate of a Zigfield Follies, Broadway NYC actress T...

A Rare Art Nouveau Carved Secret Safe Book This is a very attractive piece, carved in walnut and cedar with inset brass hinges and banding When set on the bookshelf this looks like ...

19th century faux bamboo large wall mirror from France. The mirror frame is hand turned in the very popular faux bamboo style, which was indicative of the Art Nouveau period in Fran...

French Folding Brass Fan Fire Screen Peacock’s Tail Fire Guard This is a very attractive piece, the screen can be folded flat and sits neatly in its stan...

Art Nouveau four panel folding screen, Mahogany Frame, glass top floral patterned silk looking fabric bottom. H: 1.5 mtr W: 2.00 mtr fully extended

French Art Nouveau stained-glass lantern, France, 1890-1900. Stained-glass and iron. Hammered cathedral glass. Full height: 36.2"(92cm) can be shortened, Diameter: 14"(35.4cm). Deliv...

Antique Art Nouveau chalice shaped art glass vase created by the Loetz glassworks company, which was active during the late 19th and early 20th centuries, this vase represents a prime example of their artistic mastery. The vase features a cobalt blue ground that adds depth and richness to its overall appearance. Its surface showcases a captivating iridescent wave pattern, which adds a mesmerizing shimmer and dynamic quality to the glass. This iridescence is a hallmark of Loetz glassware and is achieved through the application of special techniques during the glassblowing process. The chalice-form of the vase gives it an elegant and graceful silhouette. This design creates a harmonious balance between the visually striking upper portion and the sturdy base. Loetz glasswares are renowned for their exceptional artistry and their ability to capture and play with light. The Phaenomen Genre 6893 vase, with its dark blue color and iridescent wave pattern, is no exception. When light interacts with the glass, it reveals a captivating range of colors and reflections, making it a visually stunning and attention-grabbing piece. As an antique Loetz glass vase...

A. De Remière, Friedrich Goldscheider Polychrome Patinated Terracotta Sculpture Friedrich Goldscheider: polychrome patinated terracotta sculpture ...

This lavish French Art Nouveau period (1880-1910) jewelry box is entirely chiseled, hammered and pierced with flowers and leaf patterns. This late 19th – early 20th century rectangul...

A stunning and fully documented Loetz Phaenomen Vase. This example is documented Phaenomen pattern PG 6893 and the colouring is called Mountain blue (green over a blue ground) - The ...

This is an outstanding "Royal Vienna" cabinet plate painted and signed by Wagner of a beautiful lady with long red hair. She has an Art Nouveau costume of a green flowing robe and a long sheer white...

A beautiful Art Nouveau Sugar and Creamer set of two pieces. The items are made of silver, 0.800, they will make a nice addition to any table. Their ...

An Art Nouveau lamp in bronze circa 1890,s. Was an original oil lamp that was converted long ago to electric. A very good job. Shade and hurricane are newer glass. Large 31 1/2" in t...

Established in 1853 by Miklós Zsolnay, Zsolnay began as a small business producing basic stoneware and earthenware. Ten years later Miklós’ son, Vilmos, joined the company and led it...

Rare large Ø 19.8 inches hand carved alabaster Art nouveau / Art Deco chandelier with floral ring displaying leaves. Straight from France this timeless antique is simply breathtaking...

E.G. Webster and Sons silver plate candlestick has three arms with flower shaped bobeche. The stem is done in shape of a standing woman in elegant, flowing dress, standing on a roun...

Pair of signed and numbered Gustave Asch porcelain vases crafted by Gustave Asch in the late 19th century. Each vase is highlighted with cascading wine grapes, branches and leaves, a...

"La Bodinière," Théatre de la Tour Eiffel by Jules Cheret The first printing, dated "93" at the lower right near the signature Catalogue raisonne: Broido 273.

A set of two silver plated figural flatware knife rests in the form of Animals, circa 1890s, European. Nice addition to every table or just for your collection. Tarnished and beautif...

Bohemian Ceramic Vase Designed by Nikolaus Kannhäuser Manufactured by Amphora Riessner Stellmacher & Kessel, Turn-Teplitz circa 1898 "ivory porce...

Model #4598. Hard Earthenware. Riessner, Stellmacher and Kessel (RSt&K), consistently marked pieces with the tradename “Amphora” by the late 1890s and became known by that name. The ...

Joseph d’Aste (1881-1945), Italian born sculptor who lived and worked in France. “Fete au village” (village celebration), gilt bronze on a marble base. S...

Beautiful antique pot with lid, barbotine or majolica pottery, the pot has the shape of a tree trunk and the handle of a branch, typical of the organic shapes and colours that are ty...

Established in 1853 by Miklós Zsolnay, Zsolnay began as a small business producing basic stoneware and earthenware. Ten years later Miklós’ son, Vilmos, joined the company and led it...

exceptional mahogany art nouveau shop facade it was created in 1886 for a Spanish pastry shop the glasses are curved and encrusted with art nouveau eleme...

Large French Majolica Carnation Cache Pot Jérôme Massier Fils , Circa 1890 Height / 9.3 inches. Diameter / 12 inches.

Wonderful 19th Century animalier bronze group of a standing ewe with her feeding lamb beneath her, the bronze with excellent rich brown patina and very fine hand chased surface detai...

Green blown glass vase characterized by bulbous elements in the body molding, decorated with green, silver, and gold enamels present on both the body and neck of the vase. The enamel...

Antique Art Nouveau Stained Glass Pink, Green, Red, Orange Windows w/ Jewels - a Pair. Item features a green stained glass border, multi-color scrolling design, 4 orange "jewels" per...

Original Antique Leaded-glass window depicting "Batavia, Queen of the East' & the Coat of Arms of Batavia, in wooden door, execution Atelier van Gebrand Glas 't Prinsenhof - Jan Scho...

Here we have a beautiful Austrian golden glass vase from the late 19th century art nouveau period. Has a stunning oily, iridescent finish. Made by Loetz, part of their "Candia Papill...

Colorful Majolica double vase with two parrots, the vase are decorated with painted pink flowers signed Delphin Massier, circa 1890.  

Box Style: Art Nouveau year: 1890 Country: Germany Materials: silver plated Several of the WMF objects can be seen in museums We have specialized in the sale of Art Deco and Art No...

19th Century French Majolica Brown Tulip Cache Pot. H / 6 inches , D/ 6.2 inches.

This a wonderful example of French Art[Nouveau furniture. This French Antique Bamboo & Lacquer Cabinet is Attributed to Perret Vibert, the famous cabinetmaker from the Art Nouveau pe...

Rare Large Majolica Heron Wall Applique Delphin Massier, circa 1880. 24 inches Lenght. 9.5 inches Height.

Gorgeous Antique mahogany wall cabinet etagere wall shelf display rack Japanese Chinese woodCarved 1890 1900 art nouveau rare Gabriel Viardot style ...

This antique cast figural ladies pedestal dresser mirror is unsigned, but presumed to have been made in France in circa 1890 in the period Art Nouveau style. The base of the mirror i...

An exceptional wrought iron lamp base. We believe this was probably a custom crafted gas newel post lamp originally. A considerable amount of skilled workmanship went into the iron work with an Art Nouveau design of acorns and oak leaves. The flame glass shade...

Late 19th or early 20th century glass lantern by Baccarat, France, signed in relife "Baccarat" and "Depose" It is decorated all around with floral motifs. At the moment it can hold a...

A entrancing late 19th century French Art Nouveau bronze bust entitled ‘Lucrece’, of a beautiful classical lady modeled in the Art Nouveau style with excellent rich brown variegated patina and smooth tactile surface detail. Signed E Villanis...