Art Nouveau Furniture

French Art Nouveau Inlaid Side Table by Émile Gallé, Thistle Motif, France, circa 1885–1890. A rare, genuine and exquisite French Art Nouveau small table designed by Émile Gallé (Na...

Rare Loetz Witwe glass vase decoration Rubin Phänomen Genre 6893 out of the famous workshop in Klostermuehle/ Bohemia around 1899. This very early décor shows a ruby red casing, abov...

A set of eight highly-carved Art Nouveau dining chairs, France late 19th century or early 20th. Featuring chocolate-brown leather seats with brass tacking. Carved backs, legs, feet. ...

French Art Nouveau Inkwell by Pierre-Adrien Dalpayrat, France, circa 1890. A rare and exquisite Art Nouveau inkwell by renowned French ceramist Pierre-Adrien Dalpayrat (1844–1910). This finely crafted piece showcases Dalpayrat’s signature red copper-glazed stoneware, especially rich and luminous near the base. Elegantly mounted in pewter, the design exemplifies the organic flow and refined detail of the Art Nouveau period. Dimensions: Height: 3.54 in. (9 cm) Diameter: 5.12 in. (13 cm) Materials: Stoneware with pewter mount Condition: Excellent+++++, museum-quality preservation Markings: Incised signature "Dalpayrat 1500" under the base (see photo) This inkwell is a collectible example of French ceramic art at the turn of the century—perfect for collectors of Art Nouveau, 19th-century French ceramics, or the works of Dalpayrat. Adrien Dalpayrat (1844–1910): A Pioneer of French Ceramic Innovation Adrien Dalpayrat was a French ceramicist and researcher who played a key role in the revival of stoneware at the end of the 19th century. Born in 1844 in Limoges, Dalpayrat studied drawing and porcelain painting in his hometown before beginning his professional career at the Jules Vieillard faience factory in Bordeaux. There, he met his wife, Marie Tallerie, with whom he had two sons—Albert and Adolphe—who would later become his primary collaborators. Throughout his early career, Dalpayrat worked for several major ceramic manufacturers, including Ashwin (Valentine), Fouquet (Toulouse), François Blanc (Monaco), and Léon Sazerat (Limoges). In 1889, seeking greater independence, he moved to the Paris region and established his own studio in Bourg-la-Reine. Collaborations and Artistic Evolution Dalpayrat’s creative vision expanded through his collaboration with sculptor Alphonse Voisin-Delacroix. Together, they explored neo-Gothic and Palissy-inspired motifs, creating a remarkable ceramic bestiary. Following Voisin-Delacroix’s death in 1893, Dalpayrat partnered with Adèle Lesbros, which marked a shift in his work toward simpler, more refined vase forms influenced by Japonism. Japanese art had been introduced to France during the 1867 Universal Exhibition, but it wasn’t until the 1878 Exhibition, particularly through the ceremonial stoneware used in the Japanese tea ceremony, that Japonism truly captivated French artists. This influence led Dalpayrat to create vessels with organic, vegetal, and animal-inspired forms. Technical Mastery: The Secrets of Copper Red Among all the ceramists of his time who sought to replicate the elusive Chinese “sang de boeuf” (oxblood) glaze, Adrien Dalpayrat was arguably the most successful. He didn’t simply reproduce the legendary copper red—he transformed it. By manipulating glaze thickness, firing temperature, atmosphere, and copper oxide content, he developed a unique palette of flamed and mottled red glazes that became his signature: the renowned Dalpayrat red. He further enriched his pieces by introducing streaks and inclusions of turquoise, blue, green, and yellow—freeing the red glaze from monochromy and turning it into an expressive, living surface. His work pushed stoneware beyond function into expressive art, merging form and glaze in bold, sculptural harmony. Beyond Ceramics: Bronze Mounts and Architectural Works Dalpayrat also collaborated with renowned jewelers such as Ernest Cardeilhac and Keller to produce pieces mounted in gilt bronze, blending ceramics with decorative arts at the highest level. In an effort to make his work more accessible, he opened a second faience workshop focused on simpler, more affordable pieces inspired by Nevers and Rouen ware. However, this venture faced financial difficulties and closed by 1900. The main family studio followed in 1906 as the popularity of Art Nouveau declined. Dalpayrat then returned to Limoges, devoting his final years to painting and drawing until his death in 1910. Legacy and Recognition Despite financial struggles during his lifetime, Dalpayrat’s ceramics were widely acclaimed at major international exhibitions: Bronze medal, World's Columbian Exposition, Chicago (1893) Silver medal, Antwerp International Exhibition (1894) Gold medal, Exposition Universelle, Paris (1900) Today, his work is part of prestigious museum collections. In 2020, the Petit Palais in Paris acquired a large bird motif vase created in collaboration with Voisin-Delacroix, now on view in Room...

Stunning Loetz glass vase by Koloman Moser for E. Bakalowits made in Klostermuehle/ Bohemia, circa 1899. This rare Bohemian glass vase was designed by none other than world-famous Au...

Limited edition vintage lithographic reproduction poster of "A Gaiety Girl" by Dudley Hardy, featuring a dancing female silhouette in white on a scarlet ground, published in 1968 by ...

19th French Majolica Pink Daisy Plate Delphin Massier.

solid mahogany with polished finish, original brown leather; decorative knobs; strikingly high backrest with stylised decoration in bas-relief; rear legs curved, forelegs tapering do...

French Majolica Purple Wild Rose Plate Delphin Massier Circa 1890.

Emile Galle acid-etched Cameo Glass Vase. Technique involves multiple layers of colored glass, with designs created by etching away layers. His work gained significant recognition ...

Originally used in a French brasserie during the late nineteenth century, this white enameled cast iron bistro table or cafe table features a solid white oval marble top with grey ve...

This is an original antique oil on canvas landscape painting estimated to be from the late 1900s. The painting displays a romantic scenery in the forest with a small arched bridge c...

French purple Majolica Cache Pot Delphin Massier circa 1890. Height / 5.8 inches. Diameter / 6 inches.

Art Nouveau Stained Glass Lantern, France, Circa 1890–1900 – Vintage Iron & Stained Glass Lighting This magnificent French Art Nouveau stain...

This is a good quality hand made hardwood lidded box with fine quality hand carved floral themes, which we date to the late 19th C / early 20th C Art Nouveau period, Circa 1900. The...

Bottle Decanter made in yellow amber glass enameled with flowers and a butterfly by Emile Gallé in the 1890s. Engraved signature. Perfect condition. Exceptional enamel. He...

Antique Junghans Brass and Walnut Wood Alarm Clock – Pre-1900, Roman Numerals, Dual Subdials, Decorative Ring Top. Identical model exhibited at Canadian Museum of History. Model and variants illustrated in the 1898 Junghans Grossuhr Catalogue, page 29. Step back in time with this exquisite antique alarm...

Large French Majolica tulip Cache Pot Jérôme Massier Circa 1890 Height / 7 inches. Diameter / 10 inches.

Daum Nancy bonbonnière "Cyclamens" circa 1898 A "Cyclamens" multi-layered opalescent glass bonbonniere Acid-etched and enameled design of cyclamen flowers on a frosted pink and gree...

This is a late 19th century French carved oak Art Nouveau china cabinet. It has wonderful sinewy foliage and flowers framing the sides with a...

A set of two silver plated figural flatware knife rests in the form of Animals, circa 1890s, European. Nice addition to every table or just for your collection. Tarnished and beautif...

Gorgeous antique metal money bank. A beautiful decorative item in metal with a lock. Made in Austria, circa 1880s or older. Nice addition to any collection, desktop, living room or c...

Antique silver plated coffee pot by Christofle made in France, 19th century. Christofle France is a legendary French brand founded in ...

Popular in the 19th century, domed glass displays offered protection for portico clocks and flora & fauna specimens without compromising visibility. Inside this cloche is an oval eas...

Rare Set of 5 Small 19th Century Majolica Flowers Vases Delphin Massier. 2 pansies, 2 wild roses , 1 daisy. Table vases decorations , very rare form and size. Around 4 inches height ...

Pair of 19th century faux bamboo pine bedside cabinets from France. The tops are made from marble, and are removable for shipping. The cabinets are made from wonderfully warm pitch...

Émile Gallé (1846-1904) Miniature baluster shape vase in opaque pink tinted glass and painted enamel applied in cabochons. Byzantine-inspired design hand-painted in polychrome enamel...

Re-bound set of six consecutive issues of the renowned French magazine La Plume devoted to the work of Art Nouveau artist and graphic designer Alphonse Mucha. Founded in 1889 by Leon...

Oyster plate in Majolica, in white and Green color. France, 19th century.  

William Hutton and Sons Silver From our Silver collection, we are delighted to present this fine pair of Sterling Silver Fox Boot Pulls by the renowned maker William Hutton & Sons....

Rare Pair of Art Nouveau Silver-Plated Vases by WMF (c.1900) A striking and rare pair of silver-plated Art Nouveau vases by WMF (Württe...

A bentwood rocker attributed to Thonet, late 19th or early 20th century. Featuring art nouveau whiplash curves and real wicker caning. Made in Poland (possibly at the Radomsk Thonet ...

This stunningly rendered Sumida Gawa Pottery Vase in Vermillion Red Glaze W/Clustered Sculptural Primates originates from Japan, Circa 1890. Features a vermillion red glaze with a vi...

French Majolica Candelstick signed HB Choisy Le Roi circa 1890.

19th century tortoise bamboo side table from France. The top and lower shelf are covered in original rush, surrounded by bamboo banded molding. The top is supported on splayed legs...

A fine & large antique Art Nouveau carved oak combination bookcase secretary/desk, 1890. The two part bookcase secretary with a stepped crown to the top section with three glazed doo...

Recently completely renovated

19th century tortoise bamboo side table from France. The top has bamboo banding around the edge of the rush covered top. The table is supported on splayed bamboo legs, joined by ba...

Small Cast Iron Sewing Machine 1890 Junker & Ruh Art Nouveau

Rare 19th French Majolica Asparagus Octogonal Plate signed Iris Longchamp. Iris, dragonfly and yellow daisies.

Stunning, practical and all hand-crafted dressing table with full-size beveled mirror. This museum quality AND condition piece of Art Nouveau furniture is a work of art at the same ...

Majolica palm leaf plate signed Villeroy & Boch, circa 1890.

A fabulous and cute Art Nouveau Candia (gold on clear) Papillon (Butterfly wing) vase. This iridised finish was first created by Loetz in 1898 and dates to around that period. The va...

A stunning set of opera or theatre glasses in original leather case. By Colmont FT Paris France, Circa 1890s Gorgeous Mother-of-pearl and abalone inset on brass cylindrical body w...

French Majolica pink daisy plate Orchies, circa 1890.

Exceptional late 19th century silvered Italian wall mirror from the island of Venetia around 1890. This elaborately made mirror impresses wi...

A gorgeous antique French Repousse gilt bronze three-compartment dresser box, jewelry box, or decorative box In the manner of Tiffany & Co. France, Circa Late 19th Century Measure...

Dragon Registration Number 51318 From our Silver collection, we are absolutely thrilled to introduce direct from the family a Dragon Table Lighter Gifted to Earnest ‘Bee’ Edwards. The lighter in the form of a dragon stood upon a flaming grenade with a tail formed from Blackbuck Antelope horn. The dragon stands with its mouth agape with the wick simulating the dragon breathing fire with a chained candle snuff. To the front of the dragons chest...

Fantastic Loetz Witwe glass vase with the decoration Crete Phaenomen 6893 made in the famous workshops in Klostermuehle/ Bohemia, circa 1898. This rare exe...

CIRCA 1890 Curved seat frame on four turned legs united by stretchers, with interlaced seat Excellent condition.

A luminous and exceptionally fine example of Louis Comfort Tiffany’s masterful glasswork, this Favrile glass vase dates to circa 1900. The vase features a graceful, elongated baluste...

Oversize Majolica purple pansy wall pocket Massier, circa 1880.

Antique French Majolica barbotine pitcher produced by La Faïencerie d'Onnaing in the late 19th or early 20th century. These pitchers, also called pichets or canettes, are known for t...

French Majolica daisy plate Orchies unsigned, circa 1890.

Fine Galle Cameo glass cabinet vase, with lavender cameo floral decoration, signed in the glass. Measure: The opening is 1.75" diameter.

Majolica butterfly plate Josef Steidl Znaim, circa 1890.

Late 19th century copper planter from France. The planter is oval in shape, and is fluted at the top, and is hand embossed with trees, leaves and fruit. The handles and feet are ha...

Art Nouveau bentwood wall coat rack to Thonet, Vienna, Viennese wall hanger Thonet was included in the production program of the company Gebrüder Thonet around the Year 1879. Origi...

This intricately painted 19th century French Art Nouveau Opaline Glass Vase is a beautiful specimen reflecting a period where impressionistic flair was incorporated into opaline glas...

Late 19th century tortoise bamboo side table from France. The top and lower shelf are covered with rush, which has normal signs of wear for age and use. The top is supported on spl...