Rococo Furniture

This is a beautiful pair of Derby porcelain candlestick figures of a bagpiper and a lady with lute, made between 1759 and 1769, which was the Rococo era. The pair is one of Derby's f...

We are offering you this lovely Meissen purple Indian serving bowl. It has detailed paintings of pink flowers with some purple and gold accents ...

Very rare 19th century Meissen porcelain group: Harlequin and Columbine seated side by side on a rock and teasing each other: Harlequin in brown playing card patterned jacket, pink striped trousers, black buckled shoes and mask fully covering his face, his left leg crossed over his right and his right hand with blue hat on Columbine's knee holding a sausage in his left raised hand, Columbine reaching for the mask with her left hand, raising a hand mirror with her right. The young woman is wearing a small feather hat, a fitted jacket with a red and blue diamond pattern, a long white skirt...

Rococo Style Porcelain Cherub and Metal Three-Light Chandelier, Germany, circa the 1970s. Beautiful Rococo-style metal chandelier, adorned with porcelain flowers and three porcelain...

Maiolica sugar bowl Antonio Ferretti Manufacture Lodi, Circa 1770-1780 Maiolica polychrome decorated “a piccolo fuoco” (third fire). It measures 3.54 x 4.52 x 3.54 in (9 x 11,5 x 9 cm) Weight: 0.394 lb (0.179 kg) State of conservation: small and slight chips on the edges. The small sugar bowl has a swollen and ribbed body resting on a flat base. The cap-shaped lid follows the rib of the container and is topped with a small knob in the shape of a two-colored fruit. The sugar bowl is painted “a piccolo fuoco” (third fire) with the characteristic floral motif of bunches and isolated semis. An example which closely corresponds to this one is kept at the Civic Museum in Lodi (G. Gregorietti, Maioliche di Lodi, Milano e Pavia, Catalogo della Mostra, Milano, 1964 n. 137). This decorative style represented a strong point of the Lodi factory, which established itself thanks to the vivid nature of the colors made possible by the introduction of a new technique perfected by Paul Hannong in Strasbourg and later introduced by Antonio Ferretti to Italy. The production process, called “piccolo fuoco” (third fire), allowed the use of a greater number of colors than in the past; in particular, the purple of Cassius, a red made from gold chloride, was introduced. Its use allowed for many more tones and shades, from pink to purple. The Ferretti family started their maiolica manufacturing business in Lodi in 1725. The forefather Simpliciano started the business by purchasing an ancient furnace in 1725 and, indeed, we have evidence of the full activity of the furnaces starting from April of the same year (Novasconi-Ferrari-Corvi, 1964, p. 26 n. 4). Simpliciano started a production of excellence also thanks to the ownership of clay quarries in Stradella, not far from Pavia. The production was so successful that in 1726 a decree of the Turin Chamber came to prohibit the importation of foreign ceramics, especially from Lodi, to protect internal production (G. Lise, La ceramica a Lodi, Lodi 1981, p. 59). In its initial stages, the manufacture produced maolicas painted with the “a gran fuoco” (double fire) technique, often in turquoise monochrome, with ornamentation derived from compositional modules in vogue in Rouen in France. This was also thanks to the collaboration of painters like Giorgio Giacinto Rossetti, who placed his name on the best specimens next to the initials of the factory. In 1748 Simpliciano made his will (Gelmini, 1995, p. 30) appointing his son Giuseppe Antonio (known as Antonio) as universal heir. After 1750, when Simpliciano passed away, Antonio was directly involved in the maiolica factory, increasing its fortunes and achieving a reputation on a European level. Particularly important was the aforementioned introduction in 1760 of the innovative “a piccolo fuoco” (third fire) processing, which, expanding the ornamental repertoire with Saxon-inspired floral themes, was able to commercially compete with the German porcelains that had one of its most renowned offerings in the naturalistic Deutsche Blumen. Antonio Ferretti understood and promoted this technique and this decoration, proposing it in a fresher and more corrective version, less linked to botanical tables, both with or without contour lines, as well as in purple or green monochrome. After efforts to introduce more industrial production techniques to the sector succeeded, even the Ferretti manufacture, in the last decade of the eighteenth century, started heading towards decline despite its attempts to adapt production to neoclassical tastes. In 1796 the Napoleonic battle for the conquest of the Lodi bridge over the Adda definitively compromised the furnaces. Production resumed, albeit in a rather stunted manner, until Antonio's death on 29 December 1810. (M. L. Gelmini, pp. 28-30, 38, 43 sgg., 130-136 (for Simpliciano); pp. 31 sgg., 45-47, 142-192 (for Antonio). Bibliography G. Gregorietti, Maioliche di Lodi Milano e Pavia Catalogo della Mostra, Milano, 1964 n. 137; C. Baroni, Storia delle ceramiche nel Lodigiano, in Archivio storico per la città e i comuni del circondario e della diocesi di Lodi, XXXIV (1915), pp. 118, 124, 142; XXXV (1916), pp. 5-8; C. Baroni, La maiolica antica di Lodi, in Archivio storico lombardo, LVIII (1931), pp. 453-455; L. Ciboldi, La maiolica lodigiana, in Archivio storico lodigiano, LXXX (1953), pp. 25 sgg.; S. Levy, Maioliche settecentesche lombarde e venete, Milano 1962, pp. 17 sgg.; A. Novasconi - S. Ferrari - S. Corvi, La ceramica lodigiana, Lodi 1964, ad Indicem; Maioliche di Lodi, Milano e Pavia (catal.), Milano 1964, p. 17; O. Ferrari - G. Scavizzi, Maioliche italiane del Seicento e del Settecento, Milano 1965, pp. 26 sgg.; G. C. Sciolla, Lodi. Museo civico, Bologna 1977, pp. 69-85 passim; G. Lise, La ceramica a Lodi, Lodi 1981; M. Vitali, in Storia dell'arte ceramica...

Elaborately crafted porcelain group from the 19th century: A couple of gardeners and two boys harvesting apples, dressed in rural Rococo robes with fine decorations, a boy standing at the top end of the ladder leaning against the tree and picking apples, below them the gardener couple, the female catching them in her apron held high while the beau reaches an apple to her mouth, a boy sitting behind the tree and taking an apple from the full hat standing next to him on a tree stump. On a round meadow base with three-dimensional foliage and gold-heightened rocaille decoration. Designer: JOHANN JOACHIM KÄNDLER (1706 - 1775) was chief sculptor at the Meissen manufactory from 1742 to 1775. He is the most famous modeller Meissen manufactory ever had and created famous series such as Shepherd Figurines, Comedian's Children, Gardener Children (with Acier), Paris Town Criers (with Reinicke and Meyer) , Gallant Figurines, etc. Kaendler designed model 1755...

This fantastic clock garniture is a truly exceptional piece of design, which takes after the elegant beauty of the work of the Sevres porcelain Manufactory. Comprising a set of three...

Mid Century Modern vintage pitcher from porcelain in white and pink pastel color tones by the famed Italian porcelain manufacture Capodimonte 1950s Italy. The amazing porcelain pitc...

This is a rare and beautiful figure of Venus with two doves, made by the bow porcelain factory between 1756 and 1764. We see Venus standing holding her robe with one hand, a flower p...

This item is a big 19th century Viennese porcelain centerpiece bowl or jardinière beautifully enameled in rich colors with floral sprays and gilt highlights. This stunning Rococo pie...

Luxury pillow created from exquisite and rare vintage Irish Linen by Irish designer Katie Larmour. Made from quality vintage, pure, 100% Irish Linen made from the flax plant, from an unused roll. Both textured and sumptuous to touch. Each cushion is handmade in Ireland. Lined in organic cotton, and finished with a concealed zip. 20x20" square feather...

A fine antique porcelain Neuosier pattern fruit bowl. By KPM (Königliche Porzellan-Manufaktur). The bowl has a bouquet of purple & white pan...

A fine KPM porcelain basket. With reticulated or pierced sides, twin handles, and a hand-painted floral spray to the center. Simply a wonderful porcelain basket! Date: Late 19th or Early 20th Century Overall Condition It is in overall good, as-pictured, used estate condition with some very fine & light surface scratches and other signs of expected light wear consistent with age. Maker: KPM Porcelain Marks: Base bears a blue underglaze factor scepter mark, an iron-red orb mark, hand-painted cyphers and numbers, an impressed cyphers, and a cut slash...

Maiolica flower pot “a mezzaluna” decorated with trompe l’oeil Pasquale Rubati Factory Milan, 1770 circa It measures: 4.7 in (cm 12) X 5 in (...

A French gilded brass Rococo chandelier. This is an excellent quality and very large piece it is very heavy and has a superb aged finish, the piece ha...

Meissen porcelain group from the time of origin: Four children in festive, rural rococo clothing on a three-part rocaille base: on the central raised pedestal a girl with a basket o...

Rosenthal Classic Rose coffee service for six people in hand painted porcelain with romantic scenes, Mid-20th century. Consisting of six coffee cup...

An attractive pair of small baroque style brass girandole mirrors of fine quality. The decorative frames comprised of intertwined leafy scrolls surmounted by a sun maiden. Each mirro...

I would like to present you with this stunning Meissen purple Indian round cake stand or platter. It would be perfect to serve delicious beautiful cakes to your special guests. It could also be used as a round serving platter for cookies, pastries, appetizers and side dishes. It has detailed paintings of pink flowers with some purple and gold accents on a white ground. The detail of the painting on this cake plate is beautifully done. It has a gold border. Inside the gold border is an intricate pink design accented with gold dots. This is one of my favorite Meissen patterns. It is definitely eye catching, and would make a stunning addition to any table setting. The pink and gold tones of the pattern are not only beautiful and intricate, but they give a bright and cheerful feeling to any dinner service. This Meissen round platter is 10.75 inches in diameter. Price of this beautiful Meissen cake...

I would like to offer you this lovely Meissen purple Indian bowl in this unusual square shape. It has detailed paintings of pink flowers with so...

A French Louie XIV style glass lantern. The bell-shape body is suspended from 3 lengths of brass chain secured to the brass rim with pierced gallery edge....

French Rococo gilded eight-light chandelier, the striking contrast of glass daisies with the gilt finish creates an organic feel and texture. Fabricated from a painted steel frame, w...

A very fine set of 4 antique Meissen porcelain salt cellars. Modelled after salts originally designed for the Sulkowski service by Johann Frie...

German Saxony porcelain figural group - porcelain coach Volkstedt porcelain carriage entitled Royal princess ride Depiction of a courtly scene. The...

Magnificent Antique French Rococo style 19th century very heavy CAST BRASS Fireplace Fender. Please note the pierced "lattice" design as well as the shells throughout which are crisp...

An exceptionally fine Minton porcelain garniture, circa 1830. Each rococo style vase, painted with exotic birds, within elaborate scroll borders, the...

I would like to offer you this beautiful large round platter in the Meissen purple Indian pattern. It has detailed paintings of pink flow...

Hollywood Regency Italian Rococo Revival two-light sconces, 1960s-1970s, each with reticulated scrolling gilt metal mounts on a gilt metal cage frame issuing three arms, the whole hu...

Maiolica pitcher Antonio Ferretti Manufacture Lodi, circa 1770-1780 Maiolica polychrome decorated “a piccolo fuoco” (third fire). It measures 8.66 x 8.66 x 4.33 in (22 x 22 x 11 ...

This piece is a superb example of the work of the Meissen porcelain manufactory. Modelled by E. A. Leuteritz in the 19th century based upon earlier models, it is a group piece, showi...

Elaborate porcelain group of the 19th century: Young mother in elaborate Rococo clothing, seated on a magnificent Louis XVI-style armchair, resting her left foot on a low pedestal, ...

A very fine and exquisitely hand painted French porcelain cabinet plate with a scene titled Grande Cascade du Bois de Boulogne made by Lahoche et Pannier...

French Rococo rustic eight-light chandelier, the striking contrast of glass daisies with the gilt finish creates an organic feel and texture. Fabricated from a painted steel frame, w...

Very rare figurine from the former manufacturer Frankenthal. The young man, dressed in Rococo style: black knee breeches, white stockings, fitted, white, striped jacket with puffed ...

Antique Aubusson rug France, 1870 Beige and pink floral design Dimensional border 21'4" x 12'10".  

Two sets with two pairs in each set of wall sconces in the manner of Maison Baguès. Each sconce has three candle style bulb holders and is decorated with clear and amber colored crystals and glass. The sconces are made from iron and painted in gold color with added patina. They are both in working condition. The lightbulbs used are e14 which are found both in Europe and the United States. Showed with naked lightbulbs but small lampshades...

78172 Vintage Persian Shirfar Tabriz Rug 08'01 x 12'00. Fashioned by the skilled expertise of Shir Far, a respected master weaver originating from Tabriz...

Pair of polychrome Capodimonte porcelain figurines, a man with basket of grapes and a girl with a basket of flowers, both with round gil...

Italian Venetian style brass hand mirror with round Capodimonte porcelain on back and filigree handle (19/20th Century).  

I want to offer you this rare exquisite set of sixteen Coalport plates Each plate is painted with beautiful scenery of different castles, churches, palaces, lochs, valleys and bridge...

A fine Meissen gravy or sauce boat. By the Meissen Porcelain Manufactory. Having tin handles, two spouts, and an integral undertray. In the Neu Brandenstein...

Finest Viennese Enamel work from around 1880: Body in the form of an elliptical cylinder, designed like an advertising column: stepped base, faceplate and all covers made of fire-gi...

This is a wonderful pair of figures of Arlecchino and Columbina, made by the Bow Porcelain factory in about 1758. These figures formed part of a series of the Commedia dell'Arte, a very popular series of theatrical figures that served as decoration at the dinner table in the 18th Century. The Bow Porcelain Factory was one of the first potteries in Britain to make soft paste porcelain, and most probably the very first to use bone ash, which later got perfected by Josiah Spode to what is now the universally used "bone china". Bow was the main competitor of the Chelsea Porcelain Factory, but where Chelsea made very fine slipcast porcelain, Bow made a different soft paste porcelain that tended to be softer and could be pressed into moulds. Bow served a larger public generally at lower prices. The factory was only in operation between 1743 and 1774, after which the tradition got incorporated into some of the later famous potteries such as Worcester and Derby. These figures were used to adorn the dinner table when dessert was served; groups of figures served to express something about the host, the guests, or to direct the conversation. The Italian Commedia Dell'Arte, a comical form of masked theatre, was very popular in those days and Bow copied many figures of the German Meissen series that were brought out in the decades before. This pair dates from about 1758, which was at the height of Bow's ability to make beautiful figurines often copied from Chelsea or Meissen. The pair is modelled after a Meissen pair by Kaendler. The porcelain is translucent with a beautiful milky glaze - Bow was probably the first pottery using bone in its porcelain recipe. Arlecchino (Harlequin) is playing the bagpipes, dressed in an odd costume of mismatched chintz and playing cards and wearing a funny black trumpet...

Pair of antique florally decorated porcelain lamps French, 19th century Measures: With shades: Height 101cm, width 49cm, depth 36cm Withou...

This is an antique girandole mirror dating to the turn of the 18th and 19th centuries, circa 1800. A super example, this wall mirror is fra...

A text-book example of Rhodes Studio decoration on a Wedgwood creamware blank. The shepherdess leans slightly, as though tipsy; typical of this studio. Prov: Kantar Collection. Exh...

Assortment of dishes Lombard manufacture 1770 – 1780 Circa Maiolica polychrome decorated “a piccolo fuoco” (third fire). Two large dishes: diameter 14.76 in (37.5 cm); weight 4.5...

A very beautiful Italian white and gold porcelain vanity bottle with bird design in the Rococo style, circa early-20th century, Italy. A white porcelain bottle...

Maiolica puerperal cup Antonio Ferretti Manufacture Lodi, Circa 1770 - 1780 Maiolica polychrome decorated “a piccolo fuoco” (third fire). It measures: 4.3 x 6.8 x 5.3 in (11 x 17,5 x 13,5 cm) Weight: 0.78 lb (358 g) State of conservation: some closed pass-through fêlures on the cup, barely visible on the outside. Some use chips on the edge of the lid, two of which are more marked. From about the mid-sixteenth century, the puerperal soup tureen or puerperal cup became one of the most popular wedding gifts in central Italy. As an auspicious symbol, it replaced the birth table (“desco da parto”) which, on the occasion of high-ranking marriages, from the thirteenth century, had been painted by famous artists, especially in Tuscany. In France this same tureen is called "écuelle de mariée", as it is given to spouses as a sign of fertility. During the eighteenth century this custom spread even outside Italy to all social levels. Depending on availability and rank, it was made of different materials: precious metals, maiolica, porcelain, glass, pewter, etc. Beginning in the mid-twentieth century, the custom of this symbolic homage gradually disappeared, although famous designers such as Gio Ponti and Giuseppe Gariboldi, even as recently as the 1940s, revisited a model of a small puerperal soup bowl for the Ginori and, also in Italy in 1940, in a national competition for young potters, one of the themes of the test was indeed a modern model of a puerperal cup as an auspicious gift. This particular cup was also called a "service cup" or "puerperal vase" or "stuffed cup" - the windows were sealed with straw to prevent drafts of air for women in labor. In the eighteenth century the line of the puerpera cup was simplified, so much so that it took the form of a small tureen with two handles - the typical broth cup...

Meissen Figurine group: Allegory of hearing (deriving from a series of five senses) Manufactory: Meissen Hallmarked: Blue Meissen Sword Mark with Pommels on Hilts Model Number 2...

Beautiful dish in Rococo style. Hand painted porcelain with motifs of flowers and birds. Marked and signed by the master decorator. Modern. The factory of Herend is, since 1826, one...

This French Le Tallec parcel-gilt blue-celeste ground porcelain soupière with lid and tray from the mid-20th century has an oval shape and is in the Rococo style. The piece is in the...

Finest Viennese Enamel Work from around 1880: Fire-gilded bronze, elongated oval bowl and arched foot painted with colored enamel with Watteau scenes and richly detailed arabesque d...

Enamel miniatures living room and piano set Origin Vienna, Austria Circa 1900 Enamel and bronze materials The piano is a music box (it works) The general condition is very good. ...

This French Sèvres-style porcelain plate from the 19th century is set in a gilt bronze mount, ormolu that features a Rococo base, rim and two handles with stylized foliage and C-scro...

1950s Rococo style headboard that is gold painted metal finish. Has a wonderful decorative pattern. Overall measures: 55 H x 60 W. From hole to ...

Inspiration: The grandfather table clock was born from the grandfather floor clock. This is a piece marked by great sentimental value becaus...

:: Scrolling oversized serrated leaves and arabesques paired with wreath design elements with hints of rococo stylization. Colors and shades include: An...