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Ettore Sottsass Tony Table Post-Modern Italy, circa 1970

About the Item

A fine example of the work of Ettore Sottsass, the Tony 3 table was imagined by the famous designer in 1979. This piece was published by Anthology Quartett around 1984. It is characterized by an oval tray enveloping a square, and is distinguished by its coating in melamine abet laminati red, blue and also embellished with the famous "vermicellian" motif. The condition is good with minor rub-offs, one little nick. Dimensions per piece are: 39.37" x 23.62" x 17.71"
  • Creator:
    Anthologie Quartett 1 (Manufacturer),Ettore Sottsass (Designer)
  • Dimensions:
    Height: 17.71 in (44.99 cm)Width: 23.62 in (60 cm)Depth: 39.37 in (100 cm)
  • Style:
    Post-Modern (Of the Period)
  • Materials and Techniques:
    Plastic,Wood,Laminated
  • Place of Origin:
  • Period:
  • Date of Manufacture:
    circa 1975
  • Condition:
    Wear consistent with age and use. The condition is good with minor rub-offs.
  • Seller Location:
    Vienna, AT
  • Reference Number:
    1stDibs: LU993542388712

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Rare pair of vintage 'Westside' armchairs by Ettore Sottsass for Knoll, 1983 in good condition. We have these on sale now! (original price was $9500) Iconic west side designed by Ettore Sottsass in 1983. Stylish and very comfortable oversized chairs in 3 different shades of red and violet on heavy enameled steel feet. The lounge chairs still have their original upholstery which is astonishingly well preserved. Overall they are in good to very good original condition with no major flaws and ready to use. One arm-rest shows a bit of slight deformation. Labelled Knoll at the bottom. Dimensions are H.30.7" x W.38.2 x D.29.52". Seating height is 14.17 cm. Provenance: derives from a Villa in Vienna. These will sell as a pair only and will ship crated and internationally. We do offer white glove service in NYC and LA. In 1983, two years after the founding of Memphis, Sottsass splintered off from his collective to partner with Knoll Studio, creating the Eastside and Westside collections. Inspired by his lifelong love of Viennese Biedermeier chairs, characterized by plush seats with clean lines and minimal adornment, the collection consisted of geometric sofas and lounge chairs in color-blocked upholsteries. In spite of his iconoclasm, Sottsass had a deep appreciation of ancient art and architecture—particularly Sumerian, Assyrian and Chinese—resulting in the decision to shoot the collection against the backdrop of the Great Pyramids of Giza.
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