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Jean Prouvé Guéridon Bas Coffee Table in Natural Oak for Vitra

$3,675Asking Priceper item


Jean Prouvé Guéridon Bas coffee table in natural oak for Vitra. Designed in 1944, the Guéridon Bas is an early masterpiece by the French designer and engineer Jean Prouvé. Due to the wartime scarcity of metal, the Guéridon Bas was constructed almost entirely of solid wood components, giving it a sense of ease and refinement, brilliantly counterpointing the technical coolness of its design. The Guéridon Bas is comprised of a sturdy solid wood top positioned on three solid wood feet. The elements are connected to each other by means of a folded sheet metal construction. Price is per item. Executed in solid wood with oiled finish; available in natural or smoked oak (Western Europe, Poland) or American walnut (USA). In-stock lead time 13-14 weeks. Please note that inventory can change at any time. Out of stock lead time 16 weeks or more. Made to order.


  • Creator
    Jean Prouvé (Designer),Vitra (Maker)
  • Dimensions
    Height: 13.5 in. (34.29 cm)Diameter: 31.5 in. (80.01 cm)
  • Style
    Mid-Century Modern (Of the Period)
  • Materials and Techniques
  • Place of Origin
  • Period
  • Date of Manufacture
  • Production Type
    New & Custom(Re-Edition)
  • Condition
  • Seller Location
    Glendale, CA
  • Reference Number
    Seller: 212043001stDibs: LU1447212088661

Shipping & Returns

  • Shipping
    Rates vary by destination and complexity. We recommend this shipping type based on item size, type and fragility.
    Ships From: Glendale, CA
  • Return Policy

    A return for this item may be initiated within 1 day of delivery.

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About the Designer

Jean Prouvé

Engineer and metalsmith, self-taught designer and architect, manufacturer and teacher, Jean Prouvé was a key force in the evolution of 20th-century French design, introducing a style that combined economy of means and stylistic chic. Along with his frequent client and collaborator Le Corbusier and others, Prouvé, using his practical skills and his understanding of industrial materials, steered French modernism onto a path that fostered principled, democratic approaches to architecture and design. Prouvé was born in Nancy, a city with a deep association with the decorative arts. (It is home, for example, to the famed Daum crystal manufactory.) His father, Victor Prouvé, was a ceramist and a friend and co-worker of such stars of the Art Nouveau era as glass artist Émile Gallé and furniture maker Louis Majorelle. Jean Prouvé apprenticed to a blacksmith, studied engineering, and produced ironwork for such greats of French modernism as the architect Robert Mallet-Stevens. In 1931, he opened the firm Atelier Prouvé. There, he perfected techniques in folded metal that resulted in his Standard chair (1934) and other designs aimed at institutions such as schools and hospitals. During World War II, Prouvé was a member of the French Resistance, and his first postwar efforts were devoted to designing metal pre-fab housing for those left homeless by the conflict. In the 1950s, Prouvé would unite with Charlotte Perriand and Pierre Jeanneret (Le Corbusier’s cousin) on numerous design projects. In 1952, he and Perriand and artist Sonia Delaunay created pieces for the Cité Internationale Universitaire foundation in Paris, which included the colorful, segmented bookshelves that are likely Prouvé’s and Perriand’s best-known designs. The pair also collaborated on 1954’s Antony line of furniture, which again, like the works on 1stDibs, demonstrated a facility for combining material strength with lightness of form. Prouvé spent his latter decades mostly as a teacher. His work has recently won new appreciation: in 2008 the hotelier Andre Balazs purchased at auction (hammer price: just under $5 million) the Maison Tropicale, a 1951 architectural prototype house that could be shipped flat-packed, and was meant for use by Air France employees in the Congo. Other current Prouvé collectors include Brad Pitt, Larry Gagosian, Martha Stewart and the fashion designer Marc Jacobs. The rediscovery of Jean Prouvé — given not only the aesthetic and practical power of his designs, but also the social conscience his work represents — marks one of the signal “good” aspects of collecting vintage 20th century design. An appreciation of Jean Prouvé is an appreciation of human decency.
About the Seller
4.9 / 5
Located in Glendale, CA
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 2012
1stDibs seller since 2015
969 sales on 1stDibs
Typical response time: <1 hour
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