1960s Finn Juhl Diplomat Series Desk with 6 drawers in Rosewood

Along with Hans Wegner, Arne Jacobsen and Børge Mogensen, Finn Juhl was one of the great masters of mid-20th-century Danish design. Juhl was the first among that group to have his work promoted overseas, bringing the character of the nation’s furnishings — and the inherent principles of grace, craftsmanship and utility on which they were based — to an international audience. 

A stylistic maverick, Juhl embraced expressive, free-flowing shapes in chair, credenzas and sofa designs much earlier than his colleagues, yet even his quietest pieces incorporate supple, curving forms that are at once elegant and ergonomic.

As a young man, Juhl hoped to become an art historian, but his father steered him into a more practical course of study in architecture. He began designing furniture in the late 1930s, a discipline in which, despite his education, Juhl was self-taught, and quite proud of the fact. 

Juhl’s earliest works, designed in the late 1930s, are perhaps his most idiosyncratic. The influence of modern art is clear in his 1939 Pelican chair: an almost Surrealist take on the classic wing chair. Critics reviled the piece, however; one said it looked like a "tired walrus." Juhl had tempered his creativity by 1945, when the workshop of Danish cabinetmaker Niels Vodder began to issue his designs. Yet Juhl’s now-classic NV 45 armchair still demonstrates panache, with a seat that floats above the chair’s teak frame.

Juhl first exhibited his work in the United States in 1950, championed by Edgar Kaufmann Jr., an influential design critic and scion of America’s most prominent family of modern architecture and design patrons. (Kaufmann’s father commissioned Frank Lloyd Wright’s design of the house “Fallingwater.”) 

Juhl quickly won a following for such signature designs as the supremely comfortable Chieftan lounge chair, the Judas table — a piece ornamented with stylish inlaid silver plaquettes — and the biomorphic Baker sofa. After an article authored by Kaufmann on Juhl and his work appeared in the U.S.-based magazine Interiors in 1948, he began receiving American commissions. 

Kaufmann commissioned Juhl to create the exhibition design for, and contribute pieces to, the 1951 edition of the Good Design shows he organized for MoMA and Chicago’s Merchandise Mart. Baker Furniture asked Juhl to design for the firm, and he produced a collection of chairs, tables and cabinets, and, later, the 1957 sofa. 

Scandinavian modernist seating, such as the chairs and sofas Juhl created for Baker, became immensely popular in postwar America, as the seeds of the Scandinavian style that Juhl sowed took root and spread in the United States. Juhl and his work featured prominently in the landmark show “Design from Scandinavia,” which opened in 1954 at the Virginia Museum of Fine Arts and traveled to 24 museums in the U.S. and Canada; over three years, it was seen by more than a million people.

Juhl’s furniture — as well as his ceramics, tableware and accessories — has an air of relaxed sophistication and elegance that is unique in the realm of mid-century design.

Find vintage Finn Juhl armchairs, coffee tables, desks and other furniture for sale on 1stDibs.

While Poul Cadovius is most famous for his modular floating shelving system, his career in design didn’t actually start with wall units.

Born just outside of Copenhagen in 1911, Cadovius began manufacturing window treatments in the 1940s with his partner, Hother Brønner. He soon turned his focus from Venetian blinds to furniture, finding success designing svelte pieces in teak, a richly colored hardwood favored by the Danish mid-century modernists.

In 1945, Cadovius founded the furniture manufacturer Royal System with his designs, including the 1948 Royal System shelving unit, a space-saving solution that underscored Cadovius’s penchant for problem-solving in a multifunctional way. Rather than balance shelves on wooden or metal legs, it held them to the wall with brackets.

Cadovius followed the Royal System shelving unit with the System Ultra in 1957, the System Cado in 1960 and the System Abstracta, which was installed throughout the exhibition halls of the 1962 Cologne Furniture Fair. All expanded on his idea of wall-mounted shelving that saved space while offering functionality, allowing for limitless combinations of storage, shelves, work surfaces and other units. The Royal System proved to be especially popular and is still produced by Danish furniture brand dk3 today, with early models continuing to be in demand.

Along with the shelving systems, Cadovius designed everything from lounge chairs to mushroom-shaped bus shelters, and he held over 400 patents. In addition to being a designer, he was also an entrepreneur with an eye for opportunity, such as purchasing Danish manufacturer France & Søn in the mid-1960s and folded it into Cado, a company he founded years earlier. He used this as an occasion to experiment with his designs, conceiving such unusual pieces as an aluminum-based dining table topped with rosewood and hand-painted by artist Susan Fjedldoe Mygge.

Cadovius’s innovations in shelving continued throughout his career, with examples like the sculptural Butterfly shelf and vertical pieces mixing shelving and storage. In 2018, to celebrate the 70th anniversary of the Royal System, dk3 reissued the celebrated shelving system as well as a more compact version reimagined for 21st-century homes.

Find a collection of vintage Poul Cadovius storage cabinets, seating and other furniture on 1stDibs.