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Gaetano Table by Gae Aulenti for Zanotta, 1970

$3,900

About

Gaetano working table by Gae Aulenti for Zanotta with original glass top, supported by two black and red enameled metal folding working horses alike base. Documented: see Repertorio Italian design book at page # 385.

Details

  • Creator
    Zanotta (Manufacturer),Gae Aulenti (Designer)
  • Dimensions
    Height: 28 in. (71.12 cm)Width: 59 in. (149.86 cm)Depth: 29 in. (73.66 cm)
  • Style
    Mid-Century Modern (Of the Period)
  • Materials and Techniques
    Powder-CoatedMetal,TemperedGlass
  • Place of Origin
  • Period
  • Date of Manufacture
    1973
  • Condition
    Wear consistent with age and use. some minor scratching to the glass top, some minor loss to the red glass trim.
  • Seller Location
    Los Angeles, CA
  • Reference Number
    1stDibs: LU848713445972

Shipping & Returns

  • Shipping
    Rates vary by destination and complexity. We recommend this shipping type based on item size, type and fragility.
    Ships From: Los Angeles, CA
  • Return Policy

    A return for this item may be initiated within 14 days of delivery.

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If your item arrives not as described, we’ll work with you and the seller to make it right. Learn more

About Gae Aulenti (Designer)

The Italian architect and designer Gae Aulenti will forever be best remembered for her work with museums, in particular her 1980-86 renovation of a Beaux Arts Paris train station to create the galleries of the Musée d’Orsay. Aulenti — whose first name, short for Gaetana, is pronounced “guy” — should also be recalled for her tough intellectual spirit and for working steadily when few women found successful architectural careers in postwar Italy.

     After she graduated from the Milan Polytechic in 1954, Aulenti opened an architectural office. She also joined the staff of the progressive architectural magazine Casabella, whose editorial line was that the establishment, orthodox modernism of Le Corbusier and the Bauhaus, had outlived it usefulness. When their movement for fresh approaches to architecture and design received a sympathetic hearing, Aulenti found patrons — most prominently Gianni Agnelli, of Fiat, who later employed her to renovate the Palazzo Grassi in Venice for use as an arts exhibition space.

     Commissions for showrooms and other corporate spaces brought Aulenti to furniture design. She felt that furniture should never dominate a room. Her chairs and sofas — low-slung, with rounded enameled metal frames and ample seats — and tables, particularly her 1972 marble “Jumbo” coffee table for Knoll, project solidity and sturdiness. In lighting design, however, Aulenti is bravura. Each work has a marvelous sculptural presence. Pieces such as her “Pipistrello” table lamp and “Quadrifoglio” pendant are a perfect marriage of organically-shaped glass and high-tech fixtures. Others have a futuristic elegance—and some even have a touch of personality. Aulenti’s “Pileino” and “La Ruspa” table lamps each look almost like little robots. Her lighting pieces are an artful grace note in the career of a woman who believed in strength.

About the Seller
4.9 / 5
Located in Los Angeles, CA
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 2008
1stDibs seller since 2008
462 sales on 1stDibs
Typical response time: 1 hour
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