Purpleheart Desks and Writing Tables

Created circa 1912, during the transitional years between French Art Nouveau and Art Deco, this desk by Tony Selmersheim is fabricated in pearwood and satinwood, with inlays of purp...

Louis XVI Style Tulipwood and Purpleheart bureau plat. An original furnishing from the Waldorf Towers in New York City. Newly replaced tooled brown leather set...

A small desk with simple shapes that acquires sophistication through the different types of natural wood. Antonio interprets “una stanza” through his particular vision, creating “pi...

A very fine bureau plat in the manner of Edward Holmes Baldock. After a model by C.C. Saunier. English made, in the Louis XVth taste, constructed in kingwood, with purpleheart crossbanding and adorned with bleu celeste porcelain plaques with hand-painted floral decoration and extensive fire gilt bronze mounts; rising from cabriole legs with brass sabots and bronze enrichments, in the apron, the one large central drawer is flanked by two smaller drawers with twenty four ‘Sevres’ porcelain plaques enclosed in symmetrical gilt bronze boss studded frames, chased and with a sand form ground. The serpentine top framed with a conforming bronze guard...

Highly important and palatial Napoleon III Louis XV Revival Ormolu-Mounted Marquetry Bonheur Du Jour by Charles Guillaume Diehl, Designed by Jean Brandely, The Marquetry by E. Varlot, Paris. The rarity & importance of this magnificent piece cannot be overstated, it is without question one of the finest examples you will see. Originally commissioned for European nobility as a statement of love and marital grandeur. Incorporating the finest & rarest veneers and timbers of the time, including Harewood, Thuya, Purpleheart, palm wood and tulipwood. The beautifully shaped ormolu gallery on the top, gracefully curving outwards inset with fretted heart shapes highlight the incredible attention to detail that flow throughout this majestic piece. The upper section set either side with ormolu mounted fluted pilasters, aside two doors both individually set with masculine & feminine central marquetry panels of the most supreme quality, as you would expect from the master E. Varlot. The colors incorporated in the inlay are outstanding to behold, simply perfection. Opening to reveal the double top & bottom lock, engraved with Diehl's mark and address. Internally veneered in Rosewood of the richest color with one shelf. With two drawers below the doors, both veneered on the inside with Sycamore, one fitted for inkwells. The ormolu edged writing flap again centrally set with both a male & female figure now seated, holding hands with the lady holding a Mandoline, a true sign of happiness & love. The writing flap opening to reveal the original richly tooled velvet leather surface. The stand with one central frieze drawer, again lined inside with rosewood and with a top and bottom lock. On ormolu-mounted fluted legs. This grand Museum Quality masterpiece is in excellent condition for its age. Charles Guillaume Diehl (1811-1885) was of Germanic origins, he is considered among the most important & influential of cabinetmakers of the 19th century. He was born in Steinbach, Germany later moving to France, establishing his atelier in Paris in 1840, at the 3, Rue de Thorigny and then at the 170, Rue Saint...

The style of this standing desk is a mix between Japanese pagodas and modern skyscrapers. It is an artisanal piece consisting of: A curved top, with inlaid motifs and high-quality ...

A Library Centre Table in the Louis XVI Manner Constructed in amboyna, with purpleheart banding with gilt bronze mounts; of elliptical form, with gently everted angles; rising from ...