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Cream End Table by Ettore Sottsass for Memphis Milano Collection

$1,733.80per item

About

Cream end table in plastic laminate by Ettore Sottsass for Memphis Milano collection Additional information: End table in plastic laminate. Collection: Memphis Milano Designer: Ettore Sottsass Year: 1984 Dimensions: W 50, D 50, H 40 cm The product is purchased with authenticity certificate and guarantee stamp. Pricing: price does not include VAT Ettore Sottsass was an Italian architect and designer. His work included furniture, jewelry, glass, lighting, home and office objects, as well as many buildings and interiors. He grew up in Turin and graduated in Architecture from the Politecnico di Torino in 1939. In 1947, in Milan, he founded his architecture and industrial design studio, where he began to create work using various media. In 1956, Sottsass went to New York and began to work in George Nelson’s design studio. Back in Italy, he established major collaboration projects with Poltronova (1957) and Olivetti (1958). From the late ’60s and throughout the ’70s he collaborated with Superstudio and Archizoom Associati, within the Radical movement, until the foundation of Memphis Group in 1981, of which he was a founding member. In the mid-’80s, with Sottsass Associati, mainly an architecture studio, he also designed elaborate shops and showrooms, company identities, exhibitions, interiors, Japanese consumer electronics, and furniture of all kinds. Ettore Sottsass was presented numerous international awards, winning the ADI Compasso d’Oro in 1959. His work is on show in the permanent collections of many museums around the world such as the Metropolitan Museum of Art in New York, the Centre G. Pompidou in Paris, and the Victoria & Albert Museum in London Memphis is the great cultural phenomenon of the 1980s that revolutionized creative and commercial logics in design. Born from the idea of Ettore Sottsass and a group of young designers and architects, in Milan, coupled in the years by famous designers from the international scene, Memphis turned upside down all of the existing parameters on living. Ettore Sottsass as the backbone of the group, design gained a new concept and expression through new shapes, materials and patterns, expanding the creative limits of the industry. Memphis became a symbol of New Design. Its influence is still clear in various sectors of production and beyond.

Details

  • Creator
    Memphis Milano (Manufacturer),Ettore Sottsass (Designer)
  • Dimensions
    Height: 15.75 in. (40 cm)Width: 19.69 in. (50 cm)Depth: 19.69 in. (50 cm)
  • Materials and Techniques
    Plastic,Laminated
  • Period
    2010-
  • Date of Manufacture
    1984
  • Production Type
    New & Custom(Current Production)
  • Estimated Production Time
    Available Now
  • Condition
  • Seller Location
    Pregnana Milanese, IT
  • Reference Number
    1stDibs: LU4830124109242

Shipping & Returns

  • Shipping
    Rates vary by destination and complexity. We recommend this shipping type based on item size, type and fragility.
    Customs Duties & Taxes May Apply.
    Ships From: Pregnana Milanese, Italy
  • Return Policy

    This item cannot be returned.

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About the Designer

Ettore Sottsass

An architect, industrial designer, philosopher and provocateur, Ettore Sottsass led a revolution in the aesthetics and technology of modern design in the late 20th century.Sottsass was the oldest member of the Memphis Group — a design collective, formed in Milan in 1980, whose irreverent, spirited members included Alessandro Mendini, Michele de Lucchi, Michael Graves and Shiro Kuramata. All had grown disillusioned by the staid, black-and-brown “corporatized” modernism that had become endemic in the 1970s. Memphis (the name stemmed from the title of a Bob Dylan song) countered with bold, brash, colorful, yet quirkily minimal designs for furniture, glassware, ceramics and metalwork. They mocked high-status by building furniture with inexpensive materials such as plastic laminates, decorated to resemble exotic finishes such as animal skins. Their work was both functional and — as intended — shocking. Even as it preceded the Memphis Group's formal launch, Sottsass's iconic Ultrafragola mirror — in its conspicuously curved plastic shell and radical pops of pink neon — embodies many of the collective's postmodern ideals.Sottsass's most-recognized designs appeared in the first Memphis collection, issued in 1981 — notably the multihued, angular Carlton room divider and Casablanca bookcase. As pieces on 1stDibs demonstrate, however, Sottsass is at his most imaginative and expressive in smaller, secondary furnishings such as lamps and chandeliers, and in table pieces and glassware that have playful and sculptural qualities.It was as an artist that Ettore Sottsass was celebrated in his life, in exhibitions at the Los Angeles County Museum of Art, in 2006, and the Philadelphia Museum of Art a year later. Even then Sottsass’s work prompted critical debate. And for a man whose greatest pleasure was in astonishing, delighting and ruffling feathers, perhaps there was no greater accolade. That the work remains so revolutionary and bold — that it breaks with convention so sharply it will never be considered mainstream — is a testament to his genius.
About the Seller
4.9 / 5
Located in Pregnana Milanese, Italy
Recognized Seller
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Established in 2019
1stDibs seller since 2019
73 sales on 1stDibs
Typical response time: 4 hours
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