Engraved Furniture

This vase is from the renowned Austrian glass manufacturer Riedel, an artist's edition depicting the goddess Flora. The vase is signed Riedel on the base, monogrammed by the artist,...

Early 19th Century Botanical Engraving by John Curtis – Hand Coloured Natural History Plate An original early 19th-century hand-coloured botanical engraving from the celebrated natural history publications of John Curtis (1791–1862), one of Britain’s most respected botanical and entomological illustrators. This beautifully detailed plate illustrates a flowering plant in scientific profile, showing bloom structure, leaves, buds, and root system with precision typical of early Victorian natural history illustration. Curtis’s work bridges science and art — created for study, yet prized today for its elegance and balance. These engravings formed part of the golden age of British botanical publishing, when artists collaborated with engravers and colourists to produce plates that were both accurate and visually refined. Each impression was printed from an engraved plate and then carefully coloured by hand, meaning no two examples are ever exactly identical. The composition has the clarity collectors seek: • Central botanical specimen • Naturalistic colour palette • Fine line engraving • Period scientific titling This makes it ideal as a single framed piece or as part of a gallery wall of antique botanical studies. About John Curtis John Curtis was a leading figure in British natural history illustration. He is best known for British Entomology and botanical works that combined taxonomic accuracy with graceful composition. His engravings are held in major museum collections and remain highly collectible in the decorative arts market. Period Early 19th century, circa 1820–1840. Technique Copperplate engraving with original hand colouring on laid paper. Condition Good antique condition consistent with age. Light toning and minor handling marks may be present, as expected with early 19th-century works on paper. Please see the images. Why Collect Curtis Botanical Prints...

Antique Costume Print Lady of Chio Greek Island Dress Jefferys 1749 This finely detailed engraving depicts a lady of Chio, an island in the archipelago, presented in traditional attire. Published by Thomas Jefferys in 1749, the print reflects European interest in Greek island culture. The figure is adorned in a richly layered costume with embroidered apron and elaborate headpiece. The subtle hand coloring enhances the soft reds, creams, and greens, creating a harmonious and refined composition. As part of an ethnographic series, this print combines artistic elegance with cultural insight. Condition: Good condition with age-related toning and light spotting. Minor marginal wear and small losses. Plate mark visible. Framing tips: A warm wood or black frame with a generous mat enhances the delicate details and vertical composition. Special note: This is an original 18th-century engraving, not a reproduction. All items we offer are authentic period works of art over 100 years old. The print is sold unframed; any framed images are shown for presentation and interior inspiration only and may not always be on scale with the original. Technique: Engraving with original hand color Maker: Thomas Jefferys, London, 1749 Keywords: antique print, chio, greek island costume, ethnographic print, 18th century engraving, thomas jefferys, mediterranean dress...

The map of Batavia (modern-day Jakarta) from 1681, attributed to Frederick de Wit holds significant historical importance for several reasons: Historical Context 1. Colonial Era: This map dates back to the Dutch colonial era when Batavia served as the administrative and commercial hub of the Dutch East India Company (VOC). The VOC was a powerful trading entity that played a crucial role in the global spice trade and colonization in Southeast Asia. 2. Strategic Importance: Batavia was strategically located on the northwestern coast of Java, providing the Dutch with a critical base for their maritime operations. The city became the center of Dutch political and military control in the region. Cartographic Significance 1. Detailed Urban Layout: The map meticulously details the layout of Batavia, including its fortifications, canals, streets, and significant buildings. This level of detail provides insights into the urban planning and architectural styles of the period. 2. Military Engineering: The fortifications shown on the map illustrate the advanced military engineering techniques used by the Dutch to protect their valuable colony. The walls, bastions, and moats indicate the strategic considerations taken to defend against potential invasions. 3. Maritime Activity: The depiction of ships in the harbor highlights Batavia's role as a major maritime center. The VOC's fleets were essential for trade routes connecting Europe, Africa, and Asia, making Batavia a crucial node in global commerce. Artistic and Cultural Value 1. Artistic Elements: The decorative elements, such as the lion holding a shield and the intricate cartouches, reflect the artistic trends of Dutch Golden Age cartography. These embellishments were not only informative but also served to display the cartographer's skill and the map's prestige. 2. Cultural Exchange: Maps like this one provide evidence of cultural exchange between the Dutch and the indigenous populations of Java. The blending of Dutch and local influences can be seen in various aspects of the map and the architecture of the city. Rarity and Preservation 1. Rarity: Maps from the 17th century, especially those in good condition, are relatively rare and highly valued by collectors and historians. Each map provides a unique snapshot of historical geography and urban development. 2. Preservation of History: This map serves as a historical document, preserving knowledge about Batavia's cityscape, infrastructure, and colonial governance. It helps historians and scholars understand the socio-economic and political dynamics of the period. Conclusion The map of Batavia from 1681 is special due to its detailed depiction of one of the most important colonial cities in Southeast Asia during the Dutch Golden Age. It reflects the strategic, economic, and cultural significance of Batavia, serving as a valuable resource for understanding the history of Dutch colonialism and its global impact. The map's artistry and precision make it an important artifact in the history of cartography. --------------- The map is an original and historical map of Batavia (present-day Jakarta) on the island of Java, dated 1681. There are several details to consider when evaluating its origins and possible authorship: 1. **Style and Detail**: The intricate details and style are reminiscent of maps created by Frederick de Wit, a prominent Dutch cartographer and engraver of the 17th century. He was known for his detailed city maps and sea charts. 2. **Lack of Signature**: The absence of "F. de Wit, Excudit" could indicate either an omission or a different engraver. However, it is essential to note that some maps from that period were reproduced or copied by other engravers and cartographers. This was not uncommon, as map-making was a collaborative effort, and copies of popular maps were frequently made. 3. **Map Characteristics**: - The depiction of ships and the detailed fortifications are typical of Dutch cartography in the late 17th century. - The decorative elements, such as the lion holding a shield, are also characteristic of Dutch map engravers. 4. **Other Possible Engravers**: While Frederick de Wit is a strong candidate, other notable Dutch engravers from that period include Joan Blaeu and Willem Janszoon Blaeu. They also produced highly detailed maps and could potentially be the creators or inspirers of this map. To determine the precise authorship, you might consider: - **Comparing** this map with other confirmed works of Frederick de Wit and his contemporaries to identify stylistic similarities and differences. - **Historical Records**: Consulting historical records or publications related to Dutch cartography in the 17th century might provide more context or even direct references to this particular map. If you have access to additional details or higher-resolution images of specific sections, it might help further pinpoint the map's origin and authorship. ------------- Frederick de Wit (1629–1706) was a prominent Dutch cartographer, engraver, and publisher known for his detailed and decorative maps, atlases, and globes. He played a significant role in the Dutch Golden Age of cartography, contributing to the wealth of geographic knowledge and artistic achievement during this period. Here are key aspects of his life and work: ### Biography - **Early Life**: Frederick de Wit was born in Gouda, Netherlands, in 1629. Little is known about his early years, but he moved to Amsterdam, the epicenter of Dutch cartography, in the mid-17th century. - **Career Beginnings**: De Wit began his career as an engraver and publisher, initially producing maps that were reissues of earlier works by other cartographers, such as Joan Blaeu and Willem Janszoon Blaeu. ### Contributions to Cartography - **Mapmaking**: De Wit was known for his meticulous attention to detail and artistic flair. He produced a wide range of maps, including world maps, regional maps, city plans, and maritime charts...

Antique British Military Portrait Print – Sikh War Generals, c.1850 A refined and highly decorative mid-19th century engraving featuring a c...

An exceptional, fine and impressive antique George II Newcastle sterling silver coffee pot, an addition to our Georgian silver teaware collection. This exceptional antique George II Newcastle sterling silver coffee pot has a baluster shaped form onto a circular domed spreading foot. One side of the body of this 18th century coffee pot...

Late 19th century Arts & Crafts style silver mounted walking stick English, 1893 Height 90cm, diameter 3.5cm Expertly crafted in 1893, this antique walking stick embodies the es...

Superb carved marble bust depicting a young woman with delicate features, characteristic of the Art Nouveau aesthetic. Her gentle expression and wavy hairstyle reveal the sculptor’s...

Cruet set made by Daniel & Arter for Bailey Banks & Biddle. Here we are offering a beautiful & elegant late Victorian silver & hand-cut glass six bottle cruet in its original stand. This rare piece was made in Birmingham England, circa 1890-1900 by the maker's and silversmiths of Daniel & Arter. This set was retailed in America by the Bailey Banks & Biddle, a luxury company based in Philadelphia and New York City. Bailey Banks & Biddle Bailey Banks & Biddle is an American jewelry firm that formed in 1832 and quickly became a recognized leader in jewelry fashion. The firm developed a reputation for offering high quality, well-designed jewelry as evidenced by its commissions to design the first 40,000 Purple Hearts for the United States military as well as to create the Naval Academy and West Point class rings. Bailey Biddle & Banks, was originally known as Bailey & Kitchen. Was founded at 136 Chestnut Street, Philadelphia, on September 20, 1832, by Joseph Trowbridge Bailey and Andrew B. Kitchen. This makes Bailey Banks & Biddle the Oldest Nationwide Jeweler in America and quickly became a recognized leader in the jewelry fashion. By the late 19th century, the firm’s reputation was solidified as one of the country’s leading jewelers and go-to source for all manner of fine things. The partnership was dissolved in November 1846. It was reformed with new partners as Bailey & Co. in 1841, and on March 1, 1878, again re-established as Bailey Banks & Biddle. From about 1852-1862, the company made its own silver; they were principally supplied by Taylor and Lawrie before 1852, and from about 1862-1870, by George B...

An exceptional, fine and impressive, rare set of five antique Georgian English sterling silver bottle labels or tickets made by Hester Bateman, part of our wine related silverware collection These exceptional and collectable George III sterling silver bottle labels have a neoclassical urn shaped form. These antique silver labels or tickets are further ornamented with a bright cut engraved and pin struck ribbon bow designs accented with suspended leaf festoons. The body of each label is engraved with the individual wine or spirit: 'Port', 'Geneva', 'Claret', 'Rum' and 'Madeira'. These Georgian silver bottle labels are suspended by two ring loops to the corners of the urn designs and connected by silver round link chains. These fine bottle labels, crafted by the renowned female London silversmith Hester Bateman, are an exceptional example of their type. Condition These antique silver bottle labels or tickets are an exceptional gauge of silver, exceptional quality and in exceptional condition, for their type. The bright cut engraved decoration is crisp. These antique wine labels...

Antique Costume Print Lady of Macedonia Traditional Dress Jefferys 1749 This elegant engraving presents a lady of Macedonia in traditional dress, capturing regional identity through...

Antique Costume Print Young Lady of Naxos Archipelago Jefferys 1749 This charming engraving depicts a young lady of Naxos, an island in the archipelago, shown in traditional attire....

Blaeu Map of Walachia, Servia, Bulgaria, Romania, circa 1640 This is an original antique map titled “Walachia, Servia, Bulgaria, Romania,” published by Joan Blaeu in Amsterdam betwe...

Albany New York Hudson River View – Antique Steel Engraving 19th Century Description: This finely engraved mid-19th century view depicts Albany, the historic capital of the state of...

RODEN BROTHERS - Fine quality rare Edwardian antique sterling silver grooming set - heavy weight - featuring engraved and chased over-all scrolling...

"Girl in Mirror" Wall Sculpture by Marc Sijan USA, Later 20th Century  "Girl in Mirror" wall sculpture by renowned Serbian-American artist Marc Sijan, crafted in the late 20th centu...

Pair of Anglo-Indian Engraved Brass Jardinieres with Exotic Animal Motifs, India, Circa 1880 A striking pair of late 19th-century Anglo-Indian brass jardinieres, richly hand-worked ...

A pair of circa 1900's Caldwell one light sconces with engraved body

Antique Surinam & Guiana Map Blaeu c.1642 – Amazon, El Dorado A highly decorative and evocative 17th-century map of Guiana and the Amazon region by Willem Blaeu, one of the most cel...

Enhance your table setting with this vintage English Silver Plate Framed Top Cut Glass Serving Bowl by E.P.N.S., a stunning combination of craftsmanship and timeless design. The exte...

Junction of the Rhone and Saone, Roman Ruins near Lyons – Hullmandel Lithograph, c.1835 A refined and atmospheric 19th-century lithograph titled Junction of the Rhone and Saone, Rom...

Pair of round tables in Empire style with three ebonized "ram's foot" legs with carved and gilded details representing typical elements of the Emp...

17th Century Blaeu Map of France, Gallia, Hand Colored, c.1642 Description: A beautifully engraved and highly decorative map of France, titled “Gallia,” published by Willem Jansz. B...

France / 1920 / Vase / glass, mirror glass and wood / Art Deco Some small wear marks A striking example of early French Art Deco craftsmanship, this 1920s vase showcases the refined...

This is an exquisite example of the amazing workmanship of the iconic English Glassmaker Stevens and Williams. The hand blown crystal decanter is wheel cut in a Narcissus Daffodil pa...

Antique Map North America, Levasseur, Texas Republic, c.1842–45 This highly decorative 19th-century map of North America, Amérique Septentrionale, was ...

Museum quality, highly significant candelabra in Louis XV style. Unusual, finely engraved, cast bronze. Strongly adorned middle shaft, with six fully moulded puttos and three birds....

Fully handmade medieval style solid sterling silver jug. The body is oval and shaped embossed grooves. The base, separated from the rest of the body by a bushing, is round with the s...

Winner of the DNA Paris Design Awards 2023. This MW05 "Pattern" sofa is a unique piece, manufactured in France. It was produced as a single copy by its designer, Olivier Santini. The...

A 19th century engraving of a young Mozart playing the harpsichord in the court of Hapsburg Emperor Francis I featuring the Emperor and a number of cou...

Japonesque mixed metal copper tray. Made by Gorham in Providence in 1882. Lobed and rectangular with curved sides. Applied copper and silver ornament: Tree with blossoming branches a...

Antique Map Staten Island Nova Zembla Barentsz Arctic 1598 Polar Bear This rare and historically important engraving depicts Staten Eyland (Staten Island) off the coast of Nova Zemb...

Title: Pyramids of Biahmu, Obelisk of Biggig, and Lake Moeris – Egypt Engraving, 1776 Description: This 1776 engraving depicts a collection of plans and views relating to the pyrami...

Each panel is handmade in the artist’s studio, available in several sizes (S, M, L) and can be displayed individually or as part of a composition. DREVO by Victoria Yakusha is a ser...

Pair of Stig Blomberg table lamps from the 1970s by the Swedish artist Stig Blomberg. The pair has each expressionist lion heads embedded on the sides of the lamps very detailed on ...

Ottoman Eunuch Costume Print, Hand-Colored Engraving, 1749 Description: A refined and highly decorative original hand-colored engraving depicting a White Eunuch of the Ottoman court, dated 1749. This elegant figure is shown in full ceremonial dress, wearing a tall, richly ornamented headdress and layered robes rendered in soft green tones with delicate detailing. The composition is characteristic of mid-18th century European costume studies, where figures are isolated against a clean background to emphasize the richness and structure of the garments. The engraving captures both the dignity of the subject and the European fascination with Ottoman court life during this period. The subtle hand coloring enhances the engraved linework without overpowering it, resulting in a balanced and sophisticated palette that works exceptionally well in modern interiors. The generous margins and visible plate mark further confirm the authenticity and quality of the impression. A highly decorative and historically engaging piece, ideal as a standalone accent or combined within a curated wall of costume prints. Interior mockups shown are for inspiration only. The print is an original antique and is sold unframed. Condition: Very good condition. Light age toning and minor spotting in the margins. Strong impression with original hand color. Plate mark clearly visible. Framing tips: Best presented in a dark walnut or ebonized frame with a wide ivory mat. Works beautifully as a single statement piece or in a vertical grouping. Technique: Engraving with original hand color Maker: Thomas Jefferys, London, 1749 Keywords: ottoman eunuch print, white eunuch engraving, ottoman costume, antique costume print, 18th century engraving, turkish costume print, oriental costume engraving, ottoman court figure, historical dress print, decorative antique print, jefferys engraving, exotic costume art, museum style print, collectible engraving, ottoman empire art

Antique California Landscape Print, Madelin Pass & Sacramento River, 1861 A finely executed 19th-century American landscape engraving titled West End of Madelin Pass, depicting ...

Each panel is handmade in the artist’s studio, available in several sizes (S, M, L) and can be displayed individually or as part of a composition. DREVO by Victoria Yakusha is a ser...

Antique Louvre Architectural Relief Engravings Pair – French Neoclassical Plates A refined pair of antique French architectural engravings depicting sculptural relief details from t...

Classical Warfare & Naval Battles, Set of 5 Antique Engravings, France c.1720 A striking and intellectually rich set of five original 18th-century French engravings depicting classi...

Antique Costume Print Crimean Tartar Archer, Jefferys 1749 This finely executed engraving portrays a Crimean Tartar archer, captured in a poised and dignified stance. Published by T...

Chinese Mandarin Officer of War, Antique Print, Jefferys 1749 This striking engraving portrays a Chinese Mandarin of War, emphasizing martial authority and ceremonial dress. Publish...

Sideboard two doors in engraved mirrors, from the 50s, French, flower decorations, there is a lack of glass plate on the front of the cabinet and on a foot, some chips. Furniture to ...

Pair of English brass and polished steel urn finial fire place andirons with decorative hand chase work, original wrought iron rear dog legs, and r...

Antique French Louvre Architectural Relief Engravings Pair, Neoclassical Ornament, c.1803 This refined pair of original French engravings presents sculptural relief designs from the...

Title: Camp of Israel and the Ceremony of the Red Heifer – Hand-Colored Optical Print, ca. 1770 This vivid hand-colored copperplate engraving titled “Vue du Camp d’Israel et de la C...

Sergio Bustamante Signed Sterling Silver Sun and Moon Link Bracelet, Mexico, 1980s Dimensions: 7.5" L x 0.5" W Weight: 32 grams Marks: “925 MEX” and “DB-925” (Sergio Bustamante maker's mark) A sculptural, celestial-themed bracelet by celebrated Mexican artist Sergio Bustamante, crafted in sterling silver. The piece features alternating links of expressive sun faces and crescent moons, each individually modeled with Bustamante’s signature surrealist features. The three-dimensional sun medallions radiate stylized flames, while the moons are cast with distinct facial features, gazing thoughtfully to the side. This work is clearly signed with the Bustamante hallmark “DB-925” on the reverse of each sun element and also marked “MEX 925.” The bracelet fastens securely with a hidden hook-style clasp, consistent with mid- to late-20th-century Mexican artisan jewelry. A superb and rare example of Bustamante's wearable art, this bracelet stands out for both its craftsmanship and its whimsical yet mystical iconography—perfect for collectors of Mexican modernism or celestial-themed adornments. Further Documentation: DB-925 MEX This is a known signature mark associated with Sergio Bustamante’s sterling...

Classical Gods & Mythology, Set of 3 Antique Engravings – Montfaucon 1721 This cohesive set of three copper engravings originates from Bernard de Montfaucon’s seminal antiquarian pu...

Chacun Son Tour – Humorous Hand-Colored Etching by Boris O’Klein, ca. 1930s This delightful hand-colored etching and aquatint titled “Chacun Son Tour!” (translated as “Everyone Has ...

19th-Century Lithographs of Bears by C.C. G. Zool., Printed by La Haye & J. L. G. V. This set consists of two 19th-century lithographs depicting various bear species, originally pub...

Genealogy of the Founders of Rome – Giacomo Lauro Engraving, c.1612 A rare and visually engaging early 17th-century engraving by the Italian artist and antiquarian Giacomo Lauro, or...

This rare handmade Moroccan Hamsa pendant, crafted in 1880, is made of intricately engraved silver and features a three-dimensional lizard, a symbol of health, healing, and regenerat...

Made to Order Starburst Helena Mirror with Engraved Gilt Shell Motif at Top. the Mirror has a Dozen Beveled Antiqued Mirror Panels, the Frame Solid Wood and Steel Frame make Hanging...

19th Century French Bronze Figure of Cupid, Attributed to Auguste Moreau France, circa 1890 Unsigned A captivating 19th-century French bronze figure of Cupid, attributed to the reno...

Set of four antique hand-colored engravings. "Britannia Illustrata," the publication in which these prints originally appeared, was one of the most important topographical works of t...

According to Eleanor Garvey "The Artist and the Book" (p. 122) this work is "perhaps the most harmonious of Maillol's illustrated books." Aristide MAILLOL, illus.; LONGUS author Daphnis and Chloe; A Most Sweet, and Pleasant Pastoral Romance for Young Ladies, translated out of the Greek of Longus by Geo. Thornley. London: A. Zwemmer [printed in Paris by Philippe Gonin], 1937. Limited Edition. 8vo, 7 3/4 x 5 1/2 in. (200 x 132 mm); pp. vi, 211,colophon,12; Copy 21 of 250 numbered copies on hand-made Maillol paper and SIGNED BY THE ARTIST on the colophon, with 52 original woodcuts, and 4 woodcut initials, printed in bistre; leading and bottom edges deckled. Full vellum with laced-in thongs, gilt lettering on spine, faint; pencil notations and tipped in label from earlier booksellers on inside front cover, edges stained on first 2 and last 2 blanks. EXTRA SUITE of 45 WOODCUTS in a separate vellum portfolio, printed in black. Fine copy in simple cardboard slipcase. Colophon: "Aristide Maillol engraved with his own hand the wood-cuts which illustrate this book, The text is that of Thronley's translation of 1657, revised and augmented. Philippe Gonin of Paris undertook the achievement of this work, and printed it on his hand-press, for A. Zwemmer, London. Paris December 7th, 1937", followed by MAILLOL'S SIGNATURE IN PENCIL. Garvey 174; Garvey Wick 22; BNF32393010 Condition: FINE An ancient Greek novel written during the Roman Empire, the only known work of the 2nd century AD Greek novelist and romance writer Longus, translated by George Thornley...

Title: Natives of St. Mary’s and St. Lawrence Islands, from Pontanus’ Rerum et urbis Amstelodamensium historia, 1611 This striking early 17th-century engraving depicts the inhabitan...

Antique Entomology Prints, English Insects on Hazel & Elm, Albin 1720 Description: A charming and scientifically important pair of early 18th-century hand-colored engravings by Elea...

Large swiveling globe in plastered cardboard covered with printed paper. The meridian, attached to each pole, is in engraved brass. The base is in blackened turned wood. The colors a...

French golden engraved pocket watch key that would look great even just as a pendant on a proper chain. It has delicate engravings on the top and three surrounded small ruby stones t...