Engraved Furniture

Leather trunk Spanish, 17th century Boiled Leather, wood and iron Measures: 22 x 53 x 32 cm. Provenance : - collection Metz-Noblat, Château de Clevant, France Rectangular trunk of the form and size of a small suitcase with wrought iron hinges and lock-plate. Wood, covered with leather, cut and embossed with every surface of the thick cow hide covered in interlace, zoomorphic features. The construction method is boiled leather, often referred to by its French translation cuir-bouilli: a process used to change flexible, vegetable-tanned leather into rigid, moulded objects. For shaping of the vegetable-tanned leather, heat and moisture were used, as indicated by the term boiled leather. No written medieval sources describing the production of decorated cuir bouilli objects survive, so knowledge of the process relies on the important studies of the Scottish leather historian John William Waterer. A large range of methods, materials and techniques could be used in various combinations. The vegetable-tanned leather, made supple with moisture and heat, was stuffed, shaped and nailed to the rigid wooden coffer support. The stuffing material was probably modeled beeswax or stearin wax. To shape the leather, to create its topography, « Cushions » were made by lacing a thread through an awl hole and attaching the flexible leather and stuffing to the rigid wooden support on the bottom. Then the decoration was done: lines were incised through the upper layer of the leather (epidermis) with different thicknesses of knives or needles. Contours were created with deep v-shaped cuts, decoration with thin incision and final details with a needle point. For the incision and pouncing stage, the leather was probably kept heated and moistened for suppleness. Once dry, the leather would be hard and rigid. the saturated leather is worked over a form, possibly even damp sand, with the pattern shaped using bone or wooden tools. Compare to metal, leather was lighter and it offered protection from cuts and punctures. Cuir bouilli objects were produced by specialist leather workers and needed skillful craftsmanship. The surface is filled with roundels shaped foliages enclosing animals, lions and peacocks. The foliate arabesques creating a vegetal connection tweet the animals create the impression of a lush verdant space . The vegetal pattern here employed in combination with geometrical pattern came from the pre-islamic artistic traditions of the Byzantine and Sasanian empires. An aspect of Islamic geometry Is the basic symmetrical repetition and mirroring of the shapes that create a sense of harmony. The decoration of this truck is inspired by the islamic « arabesque » a form of vegetal ornament composed of spirals, intertwining plants and abstract curvilinear motifs. An arabesque character is given to the birds of the decorations through extreme stylisation. This arabesque maintained the classical tradition of median symmetry, freedom in Detail and heterogeneity of ornament. The presence of the peacocks is a paradisiacal allusion: in popular Islamic literature they were among the original inhabitants of the garden of Paradise expelled with Adam and Eve. Peacock as a decorative motif may have originated in the West, despite their eastern provenance. There was an ancient belief that the flesh and feathers of peacock do not decay. This led to the peacock becoming a christian symbol for Christ’s resurrection. Renowned for their decorative wall hangings, seventeenth-century Spanish leatherworkers also produced utilitarian objects, such as this trunk. A similar trunk is on display at the Metropolitan museum of art ( 09.158.1). Related literature : Davies L. 2006. Cuir bouilli. Conservation of leather and related materials, 94-102, Oxford: elsevier Butterworth-Heinemann Grabar, Oleg. The Mediation of Ornament. Princeton: Princeton University Press, 1992 Gabriela Germana Roquez, "El mueble en el Peru en el siglo XVIII...

Title: Antique Primate Engraving of a Sapajou Atèle Hybride and Macaque Domestique - 19th Century Description: This exquisite antique print captures two fascinating primate species,...

Knight of the Seraphim Order: Rare 18th-Century Engraving of Swedish Nobility This hand-colored engraving showcases a "Ritter des Seraphinen Ordens" (Knight of the Seraphim Order)...

A classically-shaped ewer, with wheel-cut engraving showing a cocoa plant and a dragon fly. Stourbridge glass refers to glassware produced in the town of Stourbridge, located in the...

Title: Marriage and Infant Rituals among the Mexicans, Engraving from 1734 Description: This richly detailed 18th-century copperplate engraving, published in 1723, offers a fascinat...

Exquisite set of 20 glasses composed of 5 types of glasses made from solid glass and with a large golden rim with wonderful engraved abstract adornments. This set reflects the timele...

Art Deco “Bell of the Ball” Chrome & Wood Bell Cocktail Shaker—15th Anniversary Presentation, 1946 Dimensions: 11" H x 6" Diameter; Handle Height: 6" This delightful mid-century co...

Royal House Antiques Royal House Antiques is delighted to offer for sale this super rare and highly collectable suite of twelve original Copper plate engravings dating to 1643 by Ioachimus Sandrart after the original by Joachim Von Sandrart the Elder depicting the months of the year These are a suite that will never come up for sale again, dating to 1643 they are 381 years old, the copper engraving print outlines clearly visible, each piece signed to the bottom left Ioachimus Sandart Pinxit and to the bottom right what looks like I Suijderhoef jculjit These are a highly coveted and important suite of mid 17th century prints, they wouldn’t look out of place in the finest library or museums The condition is perfect, they are mounted with full margins, on museum board with golf leaf slips and hand made 22ct gold leaf side edges Dimensions each Height:- 53.5cm Width:- 43.5cm Depth:- 2cm Please note all measurements are taken at the widest point, if you would like any additional or specific measurements please ask Joachim von Sandrart (12 May 1606 – 14 October 1688) was a German Baroque art-historian and painter, active in Amsterdam during the Dutch Golden Age. He is most significant for his collection of biographies of Dutch and German artists the Teutsche Academie,[1] published between 1675 and 1680. Sandrart was born in Frankfurt am Main, but the family originated from Mons.[2][3] According to his dictionary of art called the Teutsche Academie, he learned to read and write from the son of Theodor de Bry, Johann Theodoor de Brie and his associate Matthäus Merian, but at age 15 was so eager to learn more of the art of engraving, that he walked from Frankfurt to Prague to become a pupil of Aegidius Sadeler of the Sadeler family. Sadeler in turn urged him to paint, whereupon he travelled to Utrecht in 1625 to become a pupil of Gerrit van Honthorst, and through him he met Rubens when he brought a visit to Honthorst in 1627, to recruit him for collaboration on part of his Marie de' Medici cycle. Honthorst took Sandrart along with him when he travelled to London. There he worked with Honthorst and spent time making copies of Holbein portraits for the portrait gallery of Henry Howard, 22nd Earl of Arundel. Making all of those copies only served to arouse more curiosity in the young adventurer, and in 1627 Sandrart booked a passage on a ship from London to Venice, where he was welcomed by Jan Lis (whose Bentvueghels bent name was "Pan"), and Nicolas Régnier.[4] He then set out for Bologna, where he was met by his uncle on his mother's side Michael le Blond, a celebrated engraver. With him, he crossed the mountains to Florence, and from there on to Rome, where they met Pieter van Laer (whose bent name was "Bamboccio"). After a few years he undertook a tour of Italy, traveling to Naples, where he drew studies of Mount Vesuvius, believed to be the entrance to the Elysian fields described by Virgil. From there he traveled to Malta and beyond, searching for literary sights to see and paint, and wherever he went he paid his way by selling portraits. Only when he was done traveling did he finally return to Frankfurt, where he married Johanna de Milkau in 1637. Afraid of political unrest and plague, he moved to Amsterdam with his wife in 1637. In Amsterdam he worked as a painter of genre works, and portraits. He won a very good following as a painter, winning a lucrative commission for a large commemorative piece for the state visit by Maria of Medici in 1638, which hangs in the Rijksmuseum. This piece was commissioned by the Bicker Company of the Amsterdam schutterij, and shows the members posing around a bust of Maria of Medici, with a poem by Joost van den Vondel hanging below it. The state visit was a big deal for Amsterdam, as it meant the first formal recognition of the Dutch Republic of the seven provinces by France. However, Maria herself was fleeing Richelieu at the time and never returned to France. This piece cemented his reputation as a leading painter, and in 1645 Sandrart decided to cash in and go home when he received an inheritance in Stockau, outside Ingolstadt, he sold his things and moved there. He received 3000 guilders for 2 books of his Italian drawings, that according to Houbraken were resold in his lifetime for 4555 guilders. Though he rebuilt the old homestead...

This 19th century Tansu is composed by two overlapping parts. The front has one small door at the center with half-face hinge; the lock can be opened by a key. The decorations here are quite sober, there are iron inserts at the corners and small handles on the front. This Tansu is finished in brown, made by keyaki wood.

Charder Overlay Glass Art Deco glass origin France French cameo glass vase. The Vase is one of the glass vases with this strange and charming long, tall neck shape that I have pers...

Faithful replica of the neo-Renaissance Town Hall of Liberec, Czech Republic as a wooden architectural model, which shows up with many details in every single corner.

This exceptional antique silver amulet from Iran exemplifies the refined craftsmanship and spiritual depth of Persian Jewish heritage. Shaped in an elegant, lobed diamond form with delicately contoured edges, the amulet is engraved with intricate detail, reflecting both artistic sophistication and religious devotion. At the center, a stylized cartouche is inscribed with Hebrew text, likely invoking divine names or protective blessings — a hallmark of traditional Jewish amulets. Surrounding the central panel, a beautifully flowing engraved border in the form of a pointed arch or mihrab motif lends the piece a sacred architectural presence, often interpreted as a symbolic gateway to divine protection. Further floral and foliate elements are engraved into the design, subtly blending nature with mysticism. Additional Hebrew inscriptions encircle the inner medallion and appear along the edges, each rendered in clean, carefully etched lines. The amulet features four suspension loops — one at each cardinal point — suggesting it may have once been sewn onto clothing, hung in a home, or worn as a protective charm close to the body. Rich in symbolism and cultural meaning, this rare Iranian silver...

This charming and historically significant German pewter Passover plate, crafted circa 1810, is a poignant example of early European Judaica created with humble yet heartfelt means. ...

Dance of the Bayadères – Sonnerat Engraving Depicting Indian Temple Dancers, 1806 This lively engraving titled *Danse des Bayadères* (Dance of the Bayadères) is plate number 9 from ...

Set of three English polished steel and brass fire place tools with decorative urn finials and foliage handles. Set consist of pierced floral shovel, tong, and brass tipped poker for...

A splendid and rare Amazon indigenous wamara wood Macana war-club Southern-Guyana or Northern Brazil, Wapitxana group of the Aruak peoples, 18th century, possibly earlier Measure: H. 43 cm The deep patina of the club present, and the residue on the part where it was held, attest to its great age. This unusually large Macana is decorated with several incised whitened anthropomorphic and human figures, a decoration only found on one other documented club in the British Museum, which is illustrated in: Hjalmar Stolpe, Amazon Indian...

According to Eleanor Garvey "The Artist and the Book" (p. 122) this work is "perhaps the most harmonious of Maillol's illustrated books." Aristide MAILLOL, illus.; LONGUS author Daphnis and Chloe; A Most Sweet, and Pleasant Pastoral Romance for Young Ladies, translated out of the Greek of Longus by Geo. Thornley. London: A. Zwemmer [printed in Paris by Philippe Gonin], 1937. Limited Edition. 8vo, 7 3/4 x 5 1/2 in. (200 x 132 mm); pp. vi, 211,colophon,12; Copy 21 of 250 numbered copies on hand-made Maillol paper and SIGNED BY THE ARTIST on the colophon, with 52 original woodcuts, and 4 woodcut initials, printed in bistre; leading and bottom edges deckled. Full vellum with laced-in thongs, gilt lettering on spine, faint; pencil notations and tipped in label from earlier booksellers on inside front cover, edges stained on first 2 and last 2 blanks. EXTRA SUITE of 45 WOODCUTS in a separate vellum portfolio, printed in black. Fine copy in simple cardboard slipcase. Colophon: "Aristide Maillol engraved with his own hand the wood-cuts which illustrate this book, The text is that of Thronley's translation of 1657, revised and augmented. Philippe Gonin of Paris undertook the achievement of this work, and printed it on his hand-press, for A. Zwemmer, London. Paris December 7th, 1937", followed by MAILLOL'S SIGNATURE IN PENCIL. Garvey 174; Garvey Wick 22; BNF32393010 Condition: FINE An ancient Greek novel written during the Roman Empire, the only known work of the 2nd century AD Greek novelist and romance writer Longus, translated by George Thornley...

Title: African and Moorish Women in Traditional Dress – Rare 1734 Costume Engraving Description: This finely detailed copperplate engraving from 1734 presents four distinct portraya...

Knight of the Teutonic Order: 1791 Hand-Colored Engraving in Ceremonial Dress This finely detailed hand-colored engraving, titled "Ritter des deutschen Ordens" (Knight of the Teut...

Pair of straw marquetry sconces, designed and entirely made by a talented French artist, using ancient technics of straw marquetry and innovating methods. Totally non flammable of co...

French 18th Century Jacques Rigaud engraving of Hotel De Ville. The dimension is the sight of the image. This item is ready to be framed to your liking ...

Engraved with Roses From our Decorative collection, we are delighted to offer this Sterling Silver Mirror by William Comyns. The Silver Mirror of shaped form fitted with the origin...

A pair of late 19th century French gilt bronze sconces with beveled mirror backplate and two lights

Imposing lyre secrétaire in the manner of Vienna Biedermeier. Ebonized partially bird’s-eye maple veneer on solid pinewood. Inframed with maple root c...

18th Century Engraving of Ornate French Cannons from Diderot’s Encyclopédie, circa 1770 This exceptional 18th-century engraving, titled Fonte des Cano...

The engraving titled "America" was part of a series representing the four continents, published by Johann Georg Hertel in Augsburg during the mid-18th century. The series includes al...

Pair of neoclassical alabaster and polychrome scagliola urns, Florentine workshop, last quarter del XVIII secolo. Provenance: dukes of Fitz-James and heirs. This rare pair of neocl...

A marvelous objet d'art is this exquisite Louis XVI-era étui. Crafted entirely of green and yellow gold, this stunning octagonal vessel bears an exceptional, engraved Neoclassical de...

19th century Bohemian engraved glass goblet and cover Bohemian, Late 19th Century Height 29cm, diameter 10cm This exquisite Bohemian goblet is crafted from finely detailed engraved...

The lid and underside showing a fine engine-turned surface, the hinged lid decorated with a foliate cast border opening to a richly gilded interior housing an exceptionally fine hand-pierced & foliate engraved hinged grille. The interior bearing impressed Birmingham hallmark, date mark for 1835 & makers marks for Joseph Willmore...

Large neoclassical beveled mirror with carved and acid engraved mirror frame, floral and vegetal patterns (Some missing glass screw heads). Spain, Major...

Suspension / chandelier in acid-etched “cloud” glass. Acid etched with geometric shapes. Modernist Art Deco, circa 1930. In very good condition. New electricity. Dimensions: heigh...

An art-glass vase designed by Laila Von Wendel for Strömbergshyttan . This is a fabulous highly decorative glass vase created in Sweden by the art glass company of Strömbergshyttan,...

Each Mitsuko Piano Bench is unique and unrepeatable due to the texture, grain and natural coloring of the rosewood. Personalization: Your Kaunus Piano Bench can be personalized by e...

Antique Print of Dodo and Trumpeter Bird, Plate 688–689, c. 18th Century This antique ornithological engraving features two rare and historically significant bird species: the “Träg...

This urn is extremely fine due to the workmanship and fine Engraving. The handles are curved an upward shaped arc. It has a fine engraving in an armoral design depicting stars And a ...

18th century Small golden box in octagonal shape, which is engraved in fine details and all the sides have different images! It is a lovely locket where you may keep your tiny treasu...

This antique German cut crystal and .800 silver lidded pitcher was made by a Julius Merz in circa 1900 in the period Edwardian style. The collar and...

19th Century Botanical Engravings: A Timeless Art Form The Legacy of John Curtis and 19th-Century Botanical Engravings 🖋 Provenance Story – 19th Century Botanical Engravings with ...

Jameson Coffee Table is made from solid ash, with solid brass inlay. The table is hand chamfered and finished to give the finest finish. We do offer for the item to be made from othe...

Splendid pair of blown red crystal bottles with golden engravings depicting hunting scenes, made with great skill and precision. Every detail, from the plants to the lawn, is rendere...

title: 18th-Century Map of Southern Austria, Carinthia, Carniola, and Styria by Robert de Vaugondy Description: This finely engraved 18th-century map by Gilles Robert de Vaugondy ...

This elegant and ornate antique silver plated tray with ornate handles was created in France, circa 1870. Recently re-silvered, the tray wit...

Bird’s-Eye View of Sloten in Friesland by Nicolaes van Geelkercken, ca. 1616 This captivating hand-colored engraving presents an early 17th-century bird’s-eye view of the fortified ...

Antique Fruit Prints by Poiteau and Turpin, Hand-Colored Botanical Engravings Description: This exquisite compilation features three antique bot...

Elegant English brass serpentine fireplace fender with a decorative pierced gallery, single row of beading, and terminating on a molded edge base....

Forget-me-not is more than just a wall light; it’s a testament to our deep love for flowers and nature. Inspired by the delicate beauty of forget-me-not flowers and Georgia O’Keeffe’...

A marble base, that quickly charge your phone, with a touch of magic. A circle, a stone, realized with the care that marble requires. A powerful wireless charging technology ensures an efficient and reliable power delivery. The result is a magical object, with a natural feel, a piece of art that wonderfully fits on any table or bedside table, or everywhere you imagine. Designed and manufactured in Italy, 100% Italian marble - 15w power supply included in the box. - Integrated cable: 90cm (3ft) - Base diameter: Ø 12cm (4,72in) Compatible with all Qi-enabled devices. iPhone 12 / 12 Pro / 12 Pro Max / 12 Mini / iPhone 11...

A selection of 37 window-mounted, hand coloured views around Regent’s Park in a super-luxurious bespoke Sotheran’s binding. Chunky square format (25x25cm) bound in crushed red moroc...

Map of the Persian Empire by Nicolas Sanson, hand-colored, circa 1683 This finely detailed and delicately hand-colored map titled *L'Empire du Sophy des Perses* presents a late 17th...

This handcolored copperplate engraving from Friedrich Johann Bertuch’s "Bilderbuch für Kinder" (Picture Book for Children) beautifully illustrates various stages in the life cycle of...

The two 19th century engravings of the town of Naestved and Estate of Herlufsholm are hand-colored and dated circa 1820s. The engravings are made by Heinrich Gustav Ferdinand Holm, ...

Finely engraved antique Persian Miniature copper tray from 19th century Qajar dynasty. Perfectly balanced design with a wide outer rim, del...

One can only describe this amazing centerpiece as "Monumental" both in scale and design! When you view the workmanship and detail of this piece, you can only stand back and admire th...

Art Nouveau glass perfume with engraved silver overlay. Made by Gorham in Providence, ca 1900. Globular with short neck and everted rim in si...

Title: 1806 Engraving: Sacred Lingam, Symbol of Shiva in Hindu Worship Description: This detailed antique print, titled "Lingam," illustrates a sacred Shiva Lingam, a revered anicon...

An Italian enamelled snuff box. Colorful box, created in Italy, back in the 1920. It was crafted in an octagonal shape with neoclassical and renaissance Revival motifs in solid .8...

Framed large black and white engraving of sea shells by Lister. This very rare copper engraving is from Martin Lister's work Historiae sive synopsis m...

Clear and purple cut-glass chandelier in the Belle Époque style Continental, 20th Century Height 74cm, diameter 76cm This opulent chandelier is crafted in the lavish Belle Époque s...

What a fabulous grouping of 15 hand blown Venetian champagne coupes and also perfect for your favorite martini! Each one is engraved with gra...