Jim Dine Signed Set of Four Pop Art Etchings "Four Kinds of Pubic Hair", 1971

A set of two large etchings by famed American artist Jim Dine (1935- ) titled "Blue (Diptych)" which appears to be based on his sublime 1980 painting "A Tree that Shatters the Dancing" which can be found in The Museum of Modern Art (MOMA), New York. Diptych etching with electric tools on two sheets of Rives BFK paper. Printed by Mitchell Friedman and Nicholas Dine. Published by Pace Editions, New York. D'Oench/Feinberg 89. The work is pencil-signed and dated 1981 by Dine and noted "P/P" for printer's proof (aside from a numbered edition of 29). Quite a rare and stunning set. Provenance: Property from the collection of Mitchell Friedman, master printer for Jim Dine 1974-1981. Along with such revered artists like Roy Lichtenstein...

An engaging work titled "Jeux de Gladiateurs" by famed Spanish artist Pablo Picasso. The etching was created in 1968. It is hand signed in pencil by Picasso and numbered 33/50, lowe...

Anne Youkeles (Austrian/American b. 1920) Op-Art Artist 3-D Geometric Serigraph Collage titled "New Perspective" signed, number 43/210 and dated 1971. In fine condition, not examined...

A set of three prints by influential American artist Elaine Sturtevant, studying circular motion and riffing/ripping (depending on your views on copyright) off the works of Robert Rauschenberg, Marcel Duchamp and Alexander Calder. Labelled and Each signed 'Sturtevant' and from an edition of 60. Sturtevant was born in Lakewood, Ohio (USA) and spent the first years of her artistic life working in New York - where in 1956, she began to manually reproduce paintings and objects created by her contemporaries with results that cannot immediately be identified from an original. Sturtevant intentionally turns the concept of originality on its head... All of her works are copies of the works of other artists; none is an original. She initially focused on works by such American artists as Roy Lichtenstein, Claes Oldenburg, Jasper Johns, and Andy Warhol. In the late 1960s, she concentrated on replicating works by Joseph Beuys and Duchamp. Since the early 1980s, she has focused on the next generation of artists, including Robert Gober, Anselm Kiefer, Paul McCarthy, and Felix Gonzalez-Torres. She masters painting, sculpture, photography and film in order to produce a full range of copies of her chosen artist's work. In most cases, her decision to start copying an artist happened before those artists achieved broader recognition. Nearly all of the artists she chose to copy are today considered iconic for their time or style. This has given rise to discussions amongst art critics on how it has been possible for Sturtevant to identify these now famous artists at such an early stage. A notable incident in her career emphasizes just *how* technically talented she is at assimilation and reproduction of an artistic style: In 1965 a Jasper Johns flag...