Modern Contemporary Art
MODERN STYLE
The late 19th and early 20th centuries saw sweeping social change and major scientific advances — both of which contributed to a new aesthetic: modernism. Rejecting the rigidity of Victorian artistic conventions, modernists sought a new means of expression. References to the natural world and ornate classical embellishments gave way to the sleek simplicity of the Machine Age. Architect Philip Johnson characterized the hallmarks of modernism as “machine-like simplicity, smoothness or surface [and] avoidance of ornament.”
Early practitioners of modernist design include the De Stijl (“The Style”) group, founded in the Netherlands in 1917, and the Bauhaus School, founded two years later in Germany.
Followers of both groups produced sleek, spare designs — many of which became icons of daily life in the 20th century. The modernists rejected both natural and historical references and relied primarily on industrial materials such as metal, glass, plywood, and, later, plastics. While Bauhaus principals Marcel Breuer and Ludwig Mies van der Rohe created furniture from mass-produced, chrome-plated steel, American visionaries like Charles and Ray Eames worked in materials as novel as molded plywood and fiberglass. Today, Breuer’s Wassily chair, Mies van der Rohe’s Barcelona chair — crafted with his romantic partner, designer Lilly Reich — and the Eames lounge chair are emblems of progressive design and vintage originals are prized cornerstones of collections.
It’s difficult to overstate the influence that modernism continues to wield over designers and architects — and equally difficult to overstate how revolutionary it was when it first appeared a century ago. But because modernist furniture designs are so simple, they can blend in seamlessly with just about any type of décor. Don’t overlook them.
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Style: Modern
Period: 21st Century and Contemporary
Framed Mixed Media Abstract on Paper #8 by Giancarlo Mustich
Located in Chicago, IL
A contemporary abstract mixed media drawing on paper by Italian artist Giancarlo Mustich. This piece was professionally framed in a black wood frame ...
Category
2010s Italian Modern Contemporary Art
Materials
Paper, Wood
Nude Painting by Jenna Snyder-Phillips, Black Ink Drawing on Paper, No Frame
Located in New York, NY
Nude painting by Jenna Snyder-Phillips. Black ink on hard paper. Art work is from 2012.
Artist is educated in Italy.
Category
21st Century and Contemporary American Modern Contemporary Art
Materials
Acrylic
Andrew Mandolene, Color Crash, Hard Edge Abstract Modern Painting, 2020
Located in Cathedral City, CA
Andrew Mandolene
”Color Crash”
Acrylic on canvas
Framed
Dimension:
Unframed - 18" W 24" H
As framed - 19.5" W 25.5" H
Signed at lower right AM 20.
ANDREW MANDOLENE (b. 1960)
Andrew Mandolene is one of those rare talents, who hadn’t picked up a paint brush in 40 years since graduating from The Art Institute of Pittsburgh. After a successful career as an Art Director, he determinedly took to the canvas in 2020 as though he had been painting for years developing a style that he felt certain defined him as a unique artist. Mandolene’s style of painting evolves from his sensibility of scale, form and color. The tension felt in his compositions combined with that strong color sense keeps him up at night with excitement. His creative space is shared in a Palm Springs warehouse with his other passion...classic car collecting...
Category
2010s American Modern Contemporary Art
Materials
Canvas, Acrylic, Wood
Framed Mixed Media Abstract on Paper #5 by Giancarlo Mustich
Located in Chicago, IL
A contemporary abstract mixed media drawing on paper by Italian artist Giancarlo Mustich. This piece was professionally framed in a black wood frame ...
Category
2010s Italian Modern Contemporary Art
Materials
Paper, Wood
Huai-Qing Wang "The Families 1" Diptych with 2 Etchings, 2012
Located in Barcelona, Barcelona
Huai-Qing Wang "The Families 1"
Diptych with 2 etchings, 2012
Edition 60
75 x 95 cm. (each)
Number of the edition might be different as we have more than one available.
Category
2010s Chinese Modern Contemporary Art
Materials
Paper
Painting Yellow Contemporary Geometric Futuristic Acrylic Spray on Wood A-11
By Las Animas
Located in Seville, ES
"ATLAS 09"
"Atlas" proposes a disruptive vision of the space-time concept, as a reflection between the ancestral and the comic, making us wander about the connection between both ...
Category
21st Century and Contemporary Spanish Modern Contemporary Art
Materials
Acrylic, Wood
Andrew Mandolene, Teal Time, Diptych, Hard Edge Abstract Modern Painting, 2020
Located in Cathedral City, CA
Andrew Mandolene
”Teal Time”
Acrylic on canvas
Unframed Diptych
Due to the size of this painting it is recommended to hang on D-rings. D-rings are mounted on the stretcher on back of painting for hanging purposes,
ANDREW MANDOLENE (b. 1960)
Andrew Mandolene is one of those rare talents, who hadn’t picked up a paint brush in 40 years since graduating from The Art Institute of Pittsburgh. After a successful career as an Art Director, he determinedly took to the canvas in 2020 as though he had been painting for years developing a style that he felt certain defined him as a unique artist. Mandolene’s style of painting evolves from his sensibility of scale, form and color. The tension felt in his compositions combined with that strong color sense keeps him up at night with excitement. His creative space is shared in a Palm Springs warehouse with his other passion...classic car collecting...
Category
2010s American Modern Contemporary Art
Materials
Canvas, Acrylic, Wood
Abstract Figurative Painting, Untitled, Acrylic on Canvas
Located in Chicago, IL
This beautiful one-of-a-kind painting was produced in 2015 by the late Artist, Larry Roberts. Larry was an abstract figurative, Expressionist and impressionist painter. He was a true...
Category
21st Century and Contemporary American Modern Contemporary Art
Materials
Canvas, Acrylic
Richard Hirsch Encaustic Painting of Nothing #75, 2021
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #75 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY.
(Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105)
Richard Hirsch brief bio:
In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence.
In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades.
Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics...
Category
21st Century and Contemporary American Modern Contemporary Art
Materials
Clay, Organic Material
Framed Oil Painting on Board by Sara Skaaning
Located in New York, NY
Oil painting on board by Sara Skaaning.
Based in the Island Mon, Denmark, the visual artist Sara Skaaning starts from her surroundings that twists and transforms until completely di...
Category
21st Century and Contemporary Danish Modern Contemporary Art
Materials
Wood, Paint
Andrew Mandolene, Green Garden, Hard Edge Abstract Modern Painting, 2020
Located in Cathedral City, CA
Andrew Mandolene
”Green Garden”
Acrylic on canvas
Unframed
Dimensions:
24" w 36" h
Signed at lower right AM 20.
ANDREW MANDOLENE (b. 1960)
Andrew Mandolene is one of those rare talents, who hadn’t picked up a paint brush in 40 years since graduating from The Art Institute of Pittsburgh. After a successful career as an Art Director, he determinedly took to the canvas in 2020 as though he had been painting for years developing a style that he felt certain defined him as a unique artist. Mandolene’s style of painting evolves from his sensibility of scale, form and color. The tension felt in his compositions combined with that strong color sense keeps him up at night with excitement. His creative space is shared in a Palm Springs warehouse with his other passion.Classic car collecting...
Category
2010s American Modern Contemporary Art
Materials
Canvas, Acrylic, Wood
Set of 2 Walljewel by Lisette Rützou
Located in Geneve, CH
Set of 2 Walljewel by Lisette Rützou
Dimensions: 15 x H 42 cm
Materials: rose, green and white onyx
Lisette Rützou’s design is motivated by an urge to articulate a story. Inspi...
Category
2010s Danish Modern Contemporary Art
Materials
Onyx
Andrew Mandolene, Pink Prowess, Abstract Hard Edge Painting, 2020
Located in Cathedral City, CA
Andrew Mandolene
”Pink Prowess”
Acrylic on canvas
Framed
Dimensions:
unframed - 24" w 36" h
as framed - 25.5" w 37.5" h
Signed at lower right AM 20.
ANDREW MANDOLENE (b. 1960)
Andrew Mandolene is one of those rare talents, who hadn’t picked up a paint brush in 40 years since graduating from The Art Institute of Pittsburgh. After a successful career as an Art Director, he determinedly took to the canvas in 2020 as though he had been painting for years developing a style that he felt certain defined him as a unique artist. Mandolene’s style of painting evolves from his sensibility of scale, form and color. The tension felt in his compositions combined with that strong color sense keeps him up at night with excitement. His creative space is shared in a Palm Springs warehouse with his other passion...classic car collecting...
Category
2010s American Modern Contemporary Art
Materials
Canvas, Acrylic, Wood
Andrew Mandolene, Grey Gig, Hard Edge Abstract Modern Painting, 2020
Located in Cathedral City, CA
Andrew Mandolene
”Grey Gig”
Acrylic on canvas
Framed
Dimension:
Unframed - 36" W 48" H
As framed - 37.25" W 49.25" H
Signed at lower right AM, 20.
ANDREW MANDOLENE (b. 1960).
Andrew Mandolene is one of those rare talents, who hadn’t picked up a paint brush in 40 years since graduating from The Art Institute of Pittsburgh. After a successful career as an Art Director, he determinedly took to the canvas in 2020 as though he had been painting for years developing a style that he felt certain defined him as a unique artist. Mandolene’s style of painting evolves from his sensibility of scale, form and color. The tension felt in his compositions combined with that strong color sense keeps him up at night with excitement. His creative space is shared in a Palm Springs warehouse with his other passion...classic car collecting...
Category
2010s American Modern Contemporary Art
Materials
Canvas, Acrylic, Wood
Sea Shells & Water Bottle on Lacquer Tray, Oil on Panel, Still Life Painting
Located in Chicago, IL
This delicately rendered still life painting presents the viewer with a collection of objects to contemplate. Four sea shells of varying shape and size and a water bottle are arrange...
Category
2010s American Modern Contemporary Art
Materials
Paint
Sand Resin Art Wall by Paola Valle
By Paola Valle
Located in Ciudad De México, MX
It is a geometric, simple and contemporary piece with a lot of personality that will complement any space.
You can hang the piece on a wall or place it on a table and lean it against the wall.
Material:
Base:beige traslucid resin in satin finish.
Spheres: traslucid beige resin with marbleized...
Category
2010s Mexican Modern Contemporary Art
Materials
Resin
Andrew Mandolene, Pink Purge, Abstract Hard Edge Painting, 2020
Located in Cathedral City, CA
Andrew Mandolene
”Pink Purge”
Acrylic on canvas
Unframed
Signed at lower right AM, 20.
Due to the Size of this painting it is recommended to hang on D-rings. D-rings are mounted on the stretcher on back of painting for hanging purposes,
ANDREW MANDOLENE (b. 1960)
Andrew Mandolene is one of those rare talents, who hadn’t picked up a paint brush in 40 years since graduating from The Art Institute of Pittsburgh. After a successful career as an Art Director, he determinedly took to the canvas in 2020 as though he had been painting for years developing a style that he felt certain defined him as a unique artist. Mandolene’s style of painting evolves from his sensibility of scale, form and color. The tension felt in his compositions combined with that strong color sense keeps him up at night with excitement. His creative space is shared in a Palm Springs warehouse with his other passion.Classic car collecting...
Category
2010s American Modern Contemporary Art
Materials
Canvas, Acrylic
Resin Art Round Panel 23"
Located in Westport, CT
Resin art panel colored with pigments and ink multi-layered process which result in an organic expression of shapes.
The outcome is always unsuspected. Each piece is unique and canno...
Category
2010s Modern Contemporary Art
Materials
Resin
Frieze, Antinous, Contemporary Art Decorative Sculpture by Eduard Locota
Located in Timisoara, RO
From extremely detailed 3D scans of the most important classical sculptures of all times, Eduard Locota has digitally sliced and extracted the essential portion of the artwork, then ...
Category
21st Century and Contemporary Balkan Modern Contemporary Art
Materials
Ceramic, Acrylic, Fiberglass
Stump Speech, #4: Unique Wall-Mounted Sculpture in Copper by TJ Volonis
By TJ Volonis
Located in Brooklyn, NY
Title: Stump Speech, #4
Year: 2013
A to-scale rendering of the cross section of a tree discovered in Prospect Park, Brooklyn, comprising hundreds of c...
Category
21st Century and Contemporary American Modern Contemporary Art
Materials
Copper
Contemporary Italian Modern Abstract Wall Art White Gold Royal Blue Oil Painting
Located in New York, NY
Bring color and an energized feel to your interior with this contemporary Italian Oil Painting on Board. By unknown artist, the abst...
Category
21st Century and Contemporary Italian Modern Contemporary Art
Materials
Gold
Richard Hirsch Encaustic Painting of Nothing #28, 2012
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #28 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY.
(Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105)
Richard Hirsch brief bio:
In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence.
In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades.
Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics...
Category
21st Century and Contemporary American Modern Contemporary Art
Materials
Clay, Organic Material
Richard Hirsch Encaustic Painting of Nothing #53, 2017
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #53 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY.
(Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105)
Richard Hirsch brief bio:
In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence.
In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades.
Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics...
Category
21st Century and Contemporary American Modern Contemporary Art
Materials
Clay, Organic Material
Don Williams Abstract “Still Life on Gold #6”
By Don Williams
Located in Oakland, CA
Don "Ace" Williams (Born 1941) is an active painter currently living in Sonoma, California. Williams is known for amazing photo realist landscapes, still life paintings, and suffused...
Category
2010s American Modern Contemporary Art
Materials
Acrylic
Abstract Oil Painting, "Nobody Could Sleep"
Located in Haddonfield, NJ
Nobody Could Sleep - Abstract painting by American artist Jim Condron
The painting is one of a series based on the Maryland landscape where Condron reside...
Category
2010s American Modern Contemporary Art
Materials
Canvas
Abstract Painting by Lana Sexton
By Lana Sexton
Located in Norwalk, CT
The blue depth of the sky and the bright orange of the earth blend together in an abstract, dense composition by artist Lana Sexton. Inspired by the desert landscape, this painting s...
Category
21st Century and Contemporary American Modern Contemporary Art
Materials
Acrylic
Richard Hirsch Encaustic Painting of Nothing #62, 2020
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #62 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY.
(Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105)
Richard Hirsch brief bio:
In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence.
In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades.
Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics...
Category
21st Century and Contemporary American Modern Contemporary Art
Materials
Clay, Organic Material
21st Century Dominique Samyn Framed Giclee "Mustang Series" Prints, a Pair
Located in Morristown, NJ
Early 21st century, a pair of framed giclee prints from the "Mustang Series" by Dominique Samyn (born 1952), Belgium and USA. The work with the horse looking to the right is titled "...
Category
Early 2000s American Modern Contemporary Art
Materials
Canvas, Jute, Wood
Richard Hirsch Encaustic Painting of Nothing #77, 2021
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #77 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY.
(Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105)
Richard Hirsch brief bio:
In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence.
In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades.
Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics...
Category
21st Century and Contemporary American Modern Contemporary Art
Materials
Clay, Organic Material
Modern Treason Wall Art Sculpture Piece Handmade in Portugal by Greenapple
Located in Lisboa, PT
Treason wall art piece, contemporary collection, handcrafted in Portugal - Europe by Greenapple.
Like a crumpled up piece of paper, Treason embodies ...
Category
21st Century and Contemporary Portuguese Modern Contemporary Art
Materials
Art Glass, Fiberglass, Paint
Richard Hirsch Encaustic Painting of Nothing #52, 2017
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #52 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY.
(Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105)
Richard Hirsch brief bio:
In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence.
In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades.
Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics...
Category
21st Century and Contemporary American Modern Contemporary Art
Materials
Clay, Organic Material
Original Modern Contemporary Red and White Painting in Antique Gilt Frame
Located in Houston, TX
Original Modern Contemporary acrylic painting in antique frame by Shannon Weir. Signed in bottom right. This beautiful original art was made in 2022, but ...
Category
2010s American Modern Contemporary Art
Materials
Wood, Giltwood, Paint
Original Acrylic Abstract Painting by Listed Artist Rick Orr
By Rick Orr
Located in Palm Springs, CA
Original acrylic abstract painting on board with a gilded wood frame, by American listed artist Rick Orr.
Measurements with frame: 17.5” Wide, 21.5” High, 1.5” Deep.
Category
2010s American Modern Contemporary Art
Materials
Acrylic, Giltwood
Richard Hirsch Encaustic Painting of Nothing #78, 2020
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #78 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY.
(Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105)
Richard Hirsch brief bio:
In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence.
In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades.
Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics...
Category
21st Century and Contemporary American Modern Contemporary Art
Materials
Clay, Organic Material
"All That Jazz" Large Mixed Media Art by Esther Ritz
Located in Dallas, TX
Esther Ritz, born New York City, has been working as an abstract painter and contemporary artist in Dallas for the last 20 years. She is represented at the...
Category
21st Century and Contemporary Modern Contemporary Art
Materials
Textile, Canvas, Paint
Handwoven Telephone Wire Accent, Bordeaux
Located in Jersey City, NJ
It is said that this stunning art form started with the African night shift security workers being bored on duty. They brought these weaving skills back to their villages and shared ...
Category
2010s South African Modern Contemporary Art
Materials
Wire
Dusk Resin Art Wall by Paola Valle
By Paola Valle
Located in Ciudad De México, MX
It is a geometric, simple and contemporary piece with a lot of personality that will complement any space.
You can hang the piece on a wall or place it on a table and lean it agains...
Category
2010s Mexican Modern Contemporary Art
Materials
Resin
Richard Hirsch Encaustic Painting of Nothing #63, 2020
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #63 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY.
(Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105)
Richard Hirsch brief bio:
In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence.
In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades.
Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics...
Category
21st Century and Contemporary American Modern Contemporary Art
Materials
Clay, Organic Material
Confetti Resin Wall Art by Paola Valle
By Paola Valle
Located in Ciudad De México, MX
It is a geometric, simple and contemporary piece with a lot of personality. It will add a playful and colorful touch to your kids room.
You can hang the piece on a wall or place it ...
Category
2010s Mexican Modern Contemporary Art
Materials
Resin
Richard Hirsch Encaustic Painting of Nothing #50, 2017
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #50 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY.
(Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105)
Richard Hirsch brief bio:
In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence.
In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades.
Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics...
Category
21st Century and Contemporary American Modern Contemporary Art
Materials
Clay, Organic Material
Small Contemporary Naive Painting of Chestnut Horse Matted and Framed
Located in Morristown, NJ
A small and engaging contemporary painting of a chestnut horse in a pastoral setting. The colors in this unsigned painting are fresh and vibrant. The...
Category
2010s American Modern Contemporary Art
Materials
Glass, Wood, Paint, Paper
Large Green, Pink, & White Abstract Acrylic Painting on Canvas by John Link
By John Link
Located in Greensboro, NC
Large Vibrant Green, Pink, & White Abstract Acrylic and Alkyd Resin Painting on Canvas by John Link titled "Precession" 2007.
Painting on canvas by the La...
Category
Early 2000s North American Modern Contemporary Art
Materials
Canvas, Resin, Acrylic
De Ente Et Essentia VI embroidery on Canvas Wall Art, 2022, by Ela Fidalgo
Located in Ibiza, Spain
Acrylic, wool and cotton embroidery and patchwork on canvas.
Ela Fidalgo has developed her technique using embroidery, acrylic, fabrics, oil and waxes. Her work includes painting, s...
Category
2010s European Modern Contemporary Art
Materials
Wool, Cotton, Acrylic
Richard Hirsch Encaustic Painting of Nothing #54, 2017
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #54 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Paint...
Category
21st Century and Contemporary American Modern Contemporary Art
Materials
Clay, Organic Material
Modern Art Silkscreen Print Inspired by “Rothko” Signed / Numbered Edition
Located in Palm Springs, CA
Obviously inspired by Rothko but made modern with a beautiful gold metallic addition in shades of blue from navy to light blue. Entitled “Blue Stratus” it is #32/3600 numbered editio...
Category
2010s American Modern Contemporary Art
Materials
Paper
Psychedelic Sconce by Andres Monnier
Located in Geneve, CH
Psychedelic sconce by Andres Monnier
Dimensions: D 10 x W 130 x H 30 cm.
Materials: black marble
Andrés Monnier, born in Guadalajara but based in E...
Category
2010s Mexican Modern Contemporary Art
Materials
Marble
Richard Hirsch Encaustic Painting of Nothing #55, 2017
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #55 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY.
(Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105)
Richard Hirsch brief bio:
In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence.
In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades.
Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics...
Category
21st Century and Contemporary American Modern Contemporary Art
Materials
Clay, Organic Material
‘the Pose’ Pastel and Watercolor Male Nude Fiona Macpherson
By Fiona MacPherson
Located in Montreal, QC
Pastel and watercolor on paper male nude; titled: “The Pose” signed by the artist lower right corner: Fiona MacPherson. Measure: Approximate 40” H x 30” W x 1.5” D.
Category
21st Century and Contemporary British Modern Contemporary Art
Large Contemporary Mixed Media Artwork by Niro Vasali
Located in Dallas, TX
Bold, contemporary artwork by Italian artist Niro Vasali. Vasali works in contrasts, pitting strong against weak, producing a tension at the center of each...
Category
21st Century and Contemporary Modern Contemporary Art
Materials
Canvas, Wood, Paint
Parachute Print I by Brooke Vandever
Located in Chicago, IL
A captivating still life print photographed by Brooke Vandever and styled by Kimberly Swedelius. This photograph is printed on archival matte paper + available in a variety of sizes....
Category
2010s American Modern Contemporary Art
Materials
Paper
Resin Art Panel
Located in Westport, CT
Resin art panel colored with pigments and ink multi-layered process which result in an organic expression of shapes. Measure: diameter: 39.75".
The outcome...
Category
2010s Modern Contemporary Art
Materials
Resin
Richard Hirsch Encaustic Painting of Nothing #61, 2021
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #61 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Paint...
Category
21st Century and Contemporary American Modern Contemporary Art
Materials
Clay, Organic Material
Lisbon Blue & White Tiles Wall Art, Gold Leaf, Handmade Portugal Lusitanus Home
Located in Lisboa, PT
Alfama Wall Art, Lusitanus Home Collection, Handcrafted in Portugal - Europe by Lusitanus Home.
Alfama wall art has an exclusive hand-painted design by Greenapple, inspired by the P...
Category
21st Century and Contemporary Portuguese Modern Contemporary Art
Materials
Glass, Mirror, Wood
Contemporary Pop Art 'Hot Wheels, Mongoose vs. Snake' Oil & Paper on Canvas
Located in Nantucket, MA
Contemporary oil and paper on canvas 'Hot Wheels - Mongoose vs. Snake' painting based on vintage packaging and advertisement materials. By Danny O'Conner an...
Category
21st Century and Contemporary American Modern Contemporary Art
Materials
Canvas, Acrylic, Wood, Paint, Paper
Richard Hirsch Encaustic Painting of Nothing #26, 2012
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #28 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY.
(Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105)
Richard Hirsch brief bio:
In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence.
In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades.
Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics...
Category
21st Century and Contemporary American Modern Contemporary Art
Materials
Clay, Organic Material
Richard Hirsch Encaustic Painting of Nothing #40, 2014
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #40 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY.
(Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105)
Richard Hirsch brief bio:
In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence.
In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades.
Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics...
Category
21st Century and Contemporary American Modern Contemporary Art
Materials
Clay, Organic Material
Collage' Digital Fine Art Print, By William Mongommery 1/1
Located in Jupiter, FL
Collage is by, William Phelps Montgomery, signed and dated. William Phelps Montgomery was born in August 1948. The son of art historians, he grew up on the Henry Francis Dupont Winte...
Category
21st Century and Contemporary American Modern Contemporary Art
Materials
Plexiglass, Paper
Richard Hirsch Encaustic Painting of Nothing #44, 2015
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #44 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Paint...
Category
21st Century and Contemporary American Modern Contemporary Art
Materials
Clay, Organic Material
Modern contemporary art for sale on 1stDibs.
Find a broad range of unique Modern contemporary art for sale on 1stDibs. Many of these items were first offered in the 21st Century and Contemporary, but contemporary artisans have continued to produce works inspired by this style. If you’re looking to add vintage contemporary art created in this style to your space, the works available on 1stDibs include wall decorations, decorative objects, mirrors and other home furnishings, frequently crafted with metal, glass and other materials. If you’re shopping for used Modern contemporary art made in a specific country, there are Europe, Italy, and Portugal pieces for sale on 1stDibs. While there are many designers and brands associated with original contemporary art, popular names associated with this style include sicis, Louise Heighes, Las Animas, and Sabrina Landini. It’s true that these talented designers have at times inspired knockoffs, but our experienced specialists have partnered with only top vetted sellers to offer authentic pieces that come with a buyer protection guarantee. Prices for contemporary art differ depending upon multiple factors, including designer, materials, construction methods, condition and provenance. On 1stDibs, the price for these items starts at $110 and tops out at $191,803 while the average work can sell for $3,868.
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