Austrian Wall Decorations

Modern painting in three pieces, Triptychon by Maria Sturm. Oil on pressboard shows the motif "The decades of Life". Literature: Heinrich Fuchs, Die österr. Maler des 20. Jahrhunder...

Art Deco floral still life painting in the manner of Biedermeier - Oil on canvas by Emil Fiala (1869-1960) motif Gladioli in a glass vase. Signed by Emil Fiala Emil Fiala had many e...

Art Deco painting still life motif fruits in a bowl painted with watercolors by Emil Fiala, 1930s. Emil Fiala (1869-1960) was a member of the Austrian Künstlerbund formerly Hagenbund...

Mid Century Modern vintage curved lettering made of black wrought iron designed and made for a pastry shop in Austria, circa 1950. The lettering was newly ...

Art deco green colored glazed vintage tile, which shows a motif with a violinist. An amazing vintage tile designed by Michael Powolny, circa 1925, ...

Modernist Painting Suggestiveness by Peter Sengl 1985 Austria This painting by Peter Sengl was named suggestiveness. Also the painting is signed and dated. Peter Sengl was born 1945...

Very cute small jardiniere to hang in the wall. In Meissen Germany porcelain, circa 1840, Excellent quality. Model snowball, the little bird and the ...

Charcoal drawing by art student.

Professionally Framed Wooden Gold frame, poster ,Prof. Dr. Paul Pfurtscheller,Sauria lacerta agilis, 1904. Hand drawn by Austrian zoologist, printed and used for Swedish school , ...

This late 19th-century Vienna porcelain charger beautifully illustrates a pivotal scene from Shakespeare's "Othello," depicting Othello addressing the Duke and Senate to justify his ...

Enrique viii and Ana Bolena a pair of hanging plates hand painted - Porcelain perfect condition (unrestored) with natural wear 19th century

Art Deco poster design man in dressing gown by Theodor Kindel. Gouache on paper laid on board. Unframed. Austria 1920/1940. Theodor Kindel was a well known graphic artist who worked ...

Original vintage travel and winter sports poster for Austria / Autriche featuring a great image of a skier leaning against a doorway holding his ski poles with his skis against the d...

This is a beautiful pair of mounted antlers! They are from a red deer stag. They are native to Southeast Asia and are one of the largest species of deer in the world. This pair is mo...

Ernst Degasperi Etching "Zum LIcht" Number 43/65 from 1972. Print only 30 x 35cm Aluminum frame with glass front.

Carl Auböck Patinated #4982-2 Wall Hooks, Austria 2022.  

Etching, Watercolor 43x33cm created 2015 Wolfgang Glechner was born in 1951 in Braunau am Inn. He is an autodidact. Since 1998 (according to his own developed "separation color theory") strongly colored paintings in oil and acrylic. Years ago he started as an working as an llustrator, working primarily black and white pen and ink drawings...

Ernst Fuchs (1930 - 2015) "Head of a cherub", created in 1982 Color silkscreen, ed. 200 pieces, signed and numbered Dimensions 67.7 cm x 45 cm Ernst Fuchs was born on February 13, 1930 in Vienna Ottakring as the only child of Maximilian and Leopoldine Fuchs; his father was of Jewish descent, which is why his grandfather and father emigrated to the USA and Shanghai in 1938 after the annexation of Austria by the Third Reich. To protect little Ernst from anti-Semitic hostility, it was decided to baptize him according to the Roman Catholic rite in 1942. The 12-year-old Ernst Fuchs was allowed to choose his own baptismal name and chose Ernst Peter Paul, in honor of the painter Peter Paul Rubens, whom he admired at the time. Around the same time, his godmother's brother, the painter and restorer Alois Schiemann, taught him the basics of drawing and painting. Until the age of 15, he attended the St. Anna painting school in Vienna, where he was taught sculpture and painting by Emmy Steinböck and Fritz Fröhlich. After the war, Ernst Fuchs was finally able to take up his longed-for studies at the Academy of Fine Arts in Vienna, which he had previously been denied for racist reasons. His teachers were first Robin Andersen, then Albert Paris Gütersloh. While still a student, he was allowed to hold his first solo exhibition in Paris in 1949, and soon afterwards, in 1950, he also moved to the French capital. Ernst Fuchst traveled through Europe and the USA for six years before taking an extended stay at the Dormition Monastery on Mount Zion in Israel in 1957 to study icon painting in depth. He finally returned to Vienna in 1962, where he founded the Vienna School of Fantastic Realism with former fellow students, of which he himself was to become the most important representative. The early years in particular were characterized by a strong surrealism; mythical and religious symbols in particular appealed to Ernst Fuchs and permeated his work. Later, Fuchs turned increasingly to Mannerism. Ernst Fuchs' artistic spectrum broadened over the years: he sang and recorded various albums, which, like the majority of his paintings, were inspired by mystical motifs, and he designed stage sets for such famous operas as Wagner's Parsifal and Lohengrin or Mozart's Die Zauberflöte. Ernst Fuchs also wrote philosophical treatises. He repeatedly collaborated with other artists, including the musicians Klaus Schulze...

Original vintage men's fashion advertising poster for the Jawo department store in Vienna featuring stylised text in bold red, white and yellow aga...

Viennese enamel painting of a tavern scene, circa 1875.

A very good quality late 19th century Vienna porcelain charger, depicting a classical Greek mythilogical scene. Batch 81. 63104 ANYZ

Ernst Fuchs (1930 - 2015) "Head of a cherub", created in 1982 Color silkscreen, ed. 200 pieces, signed and numbered Dimensions 67.7 cm x 45 cm Ernst Fuchs was born on February 13, 1930 in Vienna Ottakring as the only child of Maximilian and Leopoldine Fuchs; his father was of Jewish descent, which is why his grandfather and father emigrated to the USA and Shanghai in 1938 after the annexation of Austria by the Third Reich. To protect little Ernst from anti-Semitic hostility, it was decided to baptize him according to the Roman Catholic rite in 1942. The 12-year-old Ernst Fuchs was allowed to choose his own baptismal name and chose Ernst Peter Paul, in honor of the painter Peter Paul Rubens, whom he admired at the time. Around the same time, his godmother's brother, the painter and restorer Alois Schiemann, taught him the basics of drawing and painting. Until the age of 15, he attended the St. Anna painting school in Vienna, where he was taught sculpture and painting by Emmy Steinböck and Fritz Fröhlich. After the war, Ernst Fuchs was finally able to take up his longed-for studies at the Academy of Fine Arts in Vienna, which he had previously been denied for racist reasons. His teachers were first Robin Andersen, then Albert Paris Gütersloh. While still a student, he was allowed to hold his first solo exhibition in Paris in 1949, and soon afterwards, in 1950, he also moved to the French capital. Ernst Fuchst traveled through Europe and the USA for six years before taking an extended stay at the Dormition Monastery on Mount Zion in Israel in 1957 to study icon painting in depth. He finally returned to Vienna in 1962, where he founded the Vienna School of Fantastic Realism with former fellow students, of which he himself was to become the most important representative. The early years in particular were characterized by a strong surrealism; mythical and religious symbols in particular appealed to Ernst Fuchs and permeated his work. Later, Fuchs turned increasingly to Mannerism. Ernst Fuchs' artistic spectrum broadened over the years: he sang and recorded various albums, which, like the majority of his paintings, were inspired by mystical motifs, and he designed stage sets for such famous operas as Wagner's Parsifal and Lohengrin or Mozart's Die Zauberflöte. Ernst Fuchs also wrote philosophical treatises. He repeatedly collaborated with other artists, including the musicians Klaus Schulze...

Ceramic wall mask by Goldscheider. Vienna, circa 1950.

Original vintage winter travel poster for Otztal Tyrol Austria featuring a fun skiing illustration of pink mittens on top of ski poles holding a snowman with the title tied in a ribb...

These two porcelain plaques have been expertly painted to show portraits of a young girl and a young boy, and are set within circular brass frames. The girl wears a light blue coat...

Framed archival Giclée print on Hahnemühle Fine Art Baryta paper by Austrian photographer Clemens Kois. Framed dimensions: 46.5” x 33” x 1.5”. Unframed dimensions: 44” x 30.5”. This...

O/1668 - The photos don't show the sophistication of these old WMF little plats, ( model 365 and 365) because there is the reflection of the light on the metal. Alloy of silver, lead and copper . Perfect to present sweets or for business cards and mail. Suitable also hanging under two wall lights , with fabric fans...

Exquisitely carved small bas-relief after a painting by Hans Holbein the Younger (1497–1543) Signed P. Nocker. Peter Nocker, Austrian, (1826-1880) (see Benezit dictionary of artists)

We are delighted to offer for sale this lovely Portrait of the Infanta Margarita Teresa Juan Bautista Martínez del Mazo (Queen of Spain) A very sweet ...

20th century amphora wall plaque of a girl with doll, we currently have four of the amphora plaques available.

This is a beautiful pair of mounted antlers! They are from a red deer stag. They are native to Southeast Asia and are one of the largest species of deer in the world. This pair is mo...

Mid Century Modern landscape green painting watercolor by Max Dättl (1894-1989) A delicate and delightful landscape watercolor painting on fibre board shows a motif in Lower Austria ...

Set of three silver plate plaques, signed "Dan Stocker", Vienna, circa 1920.

Early Deer Antler Mount On Black Forest Carved Wood Plaque.

Artist: Johannes Bleau Age: 1650 - 1700 Medium: Print on Paper Unframed Dimensions: 19 1/2" x 23" Overall Dimensions: TITLE: Circa 1654 Map of Levinia Vice Comitatus the Provin...

A very well executed early 19th century pastel portrait of a gentleman sitting at his desk. He is portrayed from the waist up, his left hand holding a book...