Paintings

Ludovico Gignoux " Market in Paris " Oil painting on canvas signed very good condition early 20th century without frame. Measures : 60 cm x 4...

Summer Town Scene by Maurice Mazeilie (French, 1924-2021) watercolor painting on artist paper, unframed signed lower right stamped verso painting: 14.75 inches x 10.75 inches A delightful original painting by the 20th century French Impressionist artist, Maurice Mazeilie. The painting has excellent provenance having come from the artists estate sale in Paris. Mazeilie lived and worked in Montmartre, with a studio on the famous Place du Tertre. His love of the coast led him to also maintain a studio on the Brittany coastline. Born in Clichy, Hauts-de-Seine, Paris in early 1924, Mazeilie painted coastal scenes in Brittany, Parisian landscapes...

Adam and Eve II, 50” X 48”, Oil on Canvas MIRA PARK BIOGRAPHY Mira Park is a painter from Korea, currently based in Fort Lee, New Jersey. After a career in fashion design from ...

The painting depicts the Greenland ice sheet with several icebergs. One of Eva's last big project was to paint motifs from the arctic. This painting is from her estate and there...

Fishing Boats on Rocky Coast by Maurice Mazeilie (French, 1924-2021) watercolor painting on artist paper, unframed unsigned stamped verso one figure in foreground with two furth...

Provence Mountains by Maurice Mazeilie (French, 1924-2021) watercolor painting on artist paper, unframed unsigned stamped verso painting: 13.75 inches x 10 inches A delightful original painting by the 20th century French Impressionist artist, Maurice Mazeilie. The painting has excellent provenance having come from the artists estate sale in Paris. Mazeilie lived and worked in Montmartre, with a studio on the famous Place du Tertre. His love of the coast led him to also maintain a studio on the Brittany coastline. Born in Clichy, Hauts-de-Seine, Paris in early 1924, Mazeilie painted coastal scenes in Brittany, Parisian landscapes...

Artist: Elisabeth Hahn (German 1924-2021), Elisabeth Hahn was born in Dortmund, Germany, where she began her artistic studies. In 1953, she moved to Paris. She continued her stud...

Large Oil With Flowers Signed By Terence Alexander VERY DECORATIVE OIL ON CANVAS BY TERENCE ALEXANDER, CIRCA 1950. MEASURES 146X115 AND 122X91 CM

Decorative wall panel handmade by the artist manufactured using the scagliola technique. Tha Coloured Abstract subject dictated by the imagination ( in relief) emerges from the backg...

Oil painting by Hermann Muth, Berlin City Palace Oil on canvas, view of the Berlin City Palace with the pharmacy wing. signed lower right H. Muth. Herman...

Well executed oil on paper beach scene by J Winston Lawler. Virginian painter of his local scenes. Matted without a frame. In excellent vintage condition. One of many paintings by j....

Charles Dix 1970's Modernist Post Modern Original Acrylic Impasto Painting Art Signed A rare signed painting by artist Charles Dix. This beautiful artwork features the artists’ sign...

Paris, the River Seine, working barges and figures by Maurice Mazeilie (French, 1924-2021) Watercolor painting on artist paper, unframed Unsigned Stamped verso painting: 11.75 inches x 8.75 inches A delightful original painting by the 20th century French Impressionist artist, Maurice Mazeilie. The painting has excellent provenance having come from the artists estate sale in Paris. Mazeilie lived and worked in Montmartre, with a studio on the famous Place du Tertre. His love of the coast led him to also maintain a studio on the Brittany coastline. Born in Clichy, Hauts-de-Seine, Paris in early 1924, Mazeilie painted coastal scenes in Brittany, Parisian landscapes...

Figures in a Country village street by Maurice Mazeilie (French, 1924-2021) watercolor painting on artist paper, unframed unsigned stamped verso painting: 11 inches x 15 inche...

Fishing Boats on the beach by Maurice Mazeilie (French, 1924-2021) Watercolor painting on artist paper, unframed unsigned Stamped verso Double ...

Painting size - 9.5 x 5.5 x .25 inches frame size - 17 x 13 x 2.75 inches George Blackie Sticks (1843-1936) Landscape painter in oil and watercolor. Son of James Sticks. The most distinguished member of the Sticks family of artists. Born in Newcastle. He had early artistic training as a designer in stained glass manufactory of William Wailes. He was placed under tuition of William Bell...

Town View to the sea, figures on steps. by Maurice Mazeilie (French, 1924-2021). watercolor painting on artist paper, unframed. Unsigned Stamped verso Painting: 9 inches x 12 inches. A delightful original painting by the 20th century French Impressionist artist, Maurice Mazeilie. The painting has excellent provenance having come from the artists estate sale in Paris. Mazeilie lived and worked in Montmartre, with a studio on the famous Place du Tertre. His love of the coast led him to also maintain a studio on the Brittany coastline. Born in Clichy, Hauts-de-Seine, Paris in early 1924, Mazeilie painted coastal scenes in Brittany, Parisian landscapes...

A large scale abstract mixed media painting on canvas by Chicago artist Maxine Snider, 1990s. Signed en verso. Maxine Snider is a Chicago artist and d...

Figures by a Coastal Inlet by Maurice Mazeilie (French, 1924-2021) watercolor painting on artist paper, unframed signed front lower right and initialled lower left stamped and si...

Steven Colucci’s iconoclastic approach to performance and the visual arts have not only long blurred the boundaries between these disciplines, but have challenged its most basic assumptions. The title of this show references a most rudimentary dance move --the plié --and our assumptions of what to expect in relation to this. Also the suggestion that we can simply press a button and a preconceived outcome will be courteously delivered --a form of prefabricated belief in itself. Steven Colucci’s artwork turns such basic assumptions on their heads. Finding early inspiration in the New York school of abstract expressionists such as Jackson Pollock with his action painting, and then further by his professor --a then young Vito Acconci while studying at the School of Visual Arts, Steven Colucci went from exploring the raw existentialist experimentation of New York’s early painting and performance scenes, to investigating the other end of the spectrum --the rigorously measured and controlled disciplines of pantomime and ballet; studying in Paris under the tutelage of world-famous Marcelle Marceau, and engaging with the concepts of dramatic movement pioneer and intellectual Etienne Decroux. Colucci has explained the difference between the extremes of pantomime and dance as being that pantomime forces movement via an internal capacity --movement directed inward to the core of one’s self --a source requiring extreme mental and physical control. Dance by contrast is an external expression; likewise requiring great precision, although instead an extension of self or sentiment that projects outwardly. While such historical ‘movement’ disciplines serve as foundation blocks for Steven’s artistic explorations, it is the realm in between that he is best known for his contributions --an experimental movement and performance art that simultaneously honors, yet defiantly refutes tradition; rejecting a compartmentalization regarding art and movement, yet incorporating its elements into his own brand of experimental pastiche. Colucci’s performance works manifest as eerily candy-coated and familiar, yet incorporate unexpected jags of the uncanny throughout, exploiting a sort of coulrophobia in the viewer; an exploration of a cumulative artifice that binds human nature against its darker tendencies; highlighting traditions of artifice itself - the fabricated systemologies that necessitate compartmentalization in the first place. It is evident in Steven Colucci’s paintings that he has established a uniquely distinctive pictorial vocabulary; a strong allusion to --or moreso an extension of --his performance works. Colucci’s paintings depict a sort of kinetic spectrum, or as he refers to them “a technical expression of physicality and movement”. Whereas the French performance and visual artist Yves Klein used the human body as a “paint brush” to demarcate his paintings and thereby signify a residue of performance, Colucci’s utilization of nonsensical numbers and number sequences taken from dance scores, as well as heat- induced image abstraction depicting traces of movement likewise inform his vocabulary. In the strand of the choreographed, yet incorporating moments of chance, Colucci’s paintings represent an over arching structure; a rhythm of being and state, yet detail erratic moments --moments that denote a certain frailty --the edge of human stamina. Colucci’s paintings dually represent a form of gestural abstraction --and also the reverse of this --a unique anthropomorphization of varying states of movement – that sometimes present as a temperature induced color field, at others are juxtapositions of movement and depictions of physical gestural images themselves. Colucci’s use of vernacular and found materials such as cardboard evoke his mastery of set design, and also reference a sort of collective experience of urbanity and the ephemeral. Such contradictions seem to permeate not only Steven Colucci’s artwork, but also are reflected in his person – one who grew up in New York’s Bronx during a zeitgeist moment in visual and performing arts in the 1960s – one who shifts with ease from happenings and experiments in New York City, to his meticulously choreographed megaproductions at Lincoln Center or starring in the Paris ballet...

Byron Gálvez Mexican modernism artwork blue mixed media on paper Byron mix media Measures: 25.75 x 19.75 Preowned vintage art unrestored See images provided.   

Antique Victorian watercolor portrait painting of a young boy in a blue outfit, seated on a pink cloth covered chair. Measures: 11.75” x 0.5” x 16” / Sa...

In PS series. PS series explores the effects of powdered charcoal with encaustic wax. Art Dimensions: 46 x 58 H inches Framed Dimensions: 47 W x 59 H inches. Maple float frame with gold leaf. Commission lead time is 12 weeks. John O'Hara (American, b. 1963) i s a self-taught artist from St. Louis and is known for his large-scale abstract decorative pieces. His medium of choice is encaustic—a mixture of pigments and beeswax and he allows the material to dictate color, line and texture. His works often feature natural and organic forms and incorporate both figural and abstract elements. O'Hara began his art career in 2018 and collectors and designers quickly took notice. O'Hara, co-founder of Forsyth, is known for his Vinyl series, Tar series, Brands series, Botanical series, Daisies series, Sardinia series, Square Dance series, and Get Your Shit Together series. His work is included in both public and private collections around the world. A few notables include: Michael Kors Collection store in London as well as the Michael Kors showrooms in Milan, Paris, and New York Maison de la Luz, the luxury hotel by Atelier Ace and designed by AD100 design firm Studio Shamshiri...

Georges Pierre Guinegault (1893 – 1952) – Reclining nude oil on canvas – 1950 ca. 50 cm x 100 cm without frame 62 cm x 112 cm with frame Signed lower center, original white lacquered frame. Georges-Pierre Guinegault Georges Guinegault...

A signed Vernon Howe Bailey Signed lithograph of a building under construction in New York City in the classical style, on heavy weight paper. Vernon Howe Bailey was an American arti...

Bomolo oil on canvas abstract painting signed bottom right 1960. Known in it's day as Airport Art, Local Artists would sell their paintings to Tourists. Ma...

Artist/ School: Norman A. Olley ( British, 20th Century, 1908-1996), dated 1992, signed to the front and inscribed verso Title - Scots Pine in a Cornish Farmyard, depicting chicke...

Vintage circa late 20th century gouache on thin paper of woman by Marilyn Lanfear (1930-2020) Texas. Part of the series Portrait of Mona ( from a photo...

Summer street in shade by Maurice Mazeilie (French, 1924-2021) watercolor painting on artist paper, unframed signed verso stamped and signed verso painting: 7 inches x 9.75 in...

Figures walking by the Beach by Maurice Mazeilie (French, 1924-2021) watercolor painting on artist paper, unframed initialled lower right stamped verso Measures: Painting: 14.5 inches x 10.75 inches A delightful original painting by the 20th century French Impressionist artist, Maurice Mazeilie. The painting has excellent provenance having come from the artists estate sale in Paris. Mazeilie lived and worked in Montmartre, with a studio on the famous Place du Tertre. His love of the coast led him to also maintain a studio on the Brittany coastline. Born in Clichy, Hauts-de-Seine, Paris in early 1924, Mazeilie painted coastal scenes in Brittany, Parisian landscapes...

This Plate comes from the book On The Rock Published by Montez press in 2016. The plates are a collaboration between the founders of Figure Ground on how to interrogate text into image. 16 plates traveled through Europe as part of a book tour. We are offering them in a limited edition printed on Aluminum in large format. This one is called Swaying In Developer Chemicals showing an overlay of all the design proposals for St. Peters Cathedral. Each plate is related to a scene and some lines from the book. Plate 003: SWAYING IN DEVELOPER CHEMICALS "At the end of the ambulatory, his vision is an unfinished photograph swaying in developer chemicals, still blurry and out of focus...

French Painting Hardcover collectible art book by Charles Stuckey– January 1, 1997 by Charles Stuckey (Author) Hardcover · 320 page Stuckey examines...

Steven Colucci’s iconoclastic approach to performance and the visual arts have not only long blurred the boundaries between these disciplines, but have challenged its most basic assumptions. The title of this show references a most rudimentary dance move --the plié --and our assumptions of what to expect in relation to this. Also the suggestion that we can simply press a button and a preconceived outcome will be courteously delivered --a form of prefabricated belief in itself. Steven Colucci’s artwork turns such basic assumptions on their heads. Finding early inspiration in the New York school of abstract expressionists such as Jackson Pollock with his action painting, and then further by his professor --a then young Vito Acconci while studying at the School of Visual Arts, Steven Colucci went from exploring the raw existentialist experimentation of New York’s early painting and performance scenes, to investigating the other end of the spectrum --the rigorously measured and controlled disciplines of pantomime and ballet; studying in Paris under the tutelage of world-famous Marcelle Marceau, and engaging with the concepts of dramatic movement pioneer and intellectual Etienne Decroux. Colucci has explained the difference between the extremes of pantomime and dance as being that pantomime forces movement via an internal capacity --movement directed inward to the core of one’s self --a source requiring extreme mental and physical control. Dance by contrast is an external expression; likewise requiring great precision, although instead an extension of self or sentiment that projects outwardly. While such historical ‘movement’ disciplines serve as foundation blocks for Steven’s artistic explorations, it is the realm in between that he is best known for his contributions --an experimental movement and performance art that simultaneously honors, yet defiantly refutes tradition; rejecting a compartmentalization regarding art and movement, yet incorporating its elements into his own brand of experimental pastiche. Colucci’s performance works manifest as eerily candy-coated and familiar, yet incorporate unexpected jags of the uncanny throughout, exploiting a sort of coulrophobia in the viewer; an exploration of a cumulative artifice that binds human nature against its darker tendencies; highlighting traditions of artifice itself - the fabricated systemologies that necessitate compartmentalization in the first place. It is evident in Steven Colucci’s paintings that he has established a uniquely distinctive pictorial vocabulary; a strong allusion to --or moreso an extension of --his performance works. Colucci’s paintings depict a sort of kinetic spectrum, or as he refers to them “a technical expression of physicality and movement”. Whereas the French performance and visual artist Yves Klein used the human body as a “paint brush” to demarcate his paintings and thereby signify a residue of performance, Colucci’s utilization of nonsensical numbers and number sequences taken from dance scores, as well as heat- induced image abstraction depicting traces of movement likewise inform his vocabulary. In the strand of the choreographed, yet incorporating moments of chance, Colucci’s paintings represent an over arching structure; a rhythm of being and state, yet detail erratic moments --moments that denote a certain frailty --the edge of human stamina. Colucci’s paintings dually represent a form of gestural abstraction --and also the reverse of this --a unique anthropomorphization of varying states of movement – that sometimes present as a temperature induced color field, at others are juxtapositions of movement and depictions of physical gestural images themselves. Colucci’s use of vernacular and found materials such as cardboard evoke his mastery of set design, and also reference a sort of collective experience of urbanity and the ephemeral. Such contradictions seem to permeate not only Steven Colucci’s artwork, but also are reflected in his person – one who grew up in New York’s Bronx during a zeitgeist moment in visual and performing arts in the 1960s – one who shifts with ease from happenings and experiments in New York City, to his meticulously choreographed megaproductions at Lincoln Center or starring in the Paris ballet...

Three sloops under full sail Oil on cardboard Characterful naive picture in the spirit of Alfred Wallis Board Length 41cm., 16" Height 25cm., 10" In th...

Large and impressive abstract art work by noted artist Anita Weschler. This piece is from her series of resin pieces done in the mid 20th C., it is in v...

A large scale abstract mixed media painting on canvas by Chicago artist Maxine Snider, 1990s. Signed en verso. Maxine Snider is a Chicago artist and d...

A very decorative work of art, circa 1965. Title unknown by Johnny Friedlaender German (1912–1992) Aquatint, signed in pencil on the lower right. Edition E.A. "Eppreuve d'Artist" A...

1930s vintage Ray Martinez oil on canvas rendering Of "WOMAN READING" Pablo Picasso. 1930s oil On canvas rendering by Artist Ray Martinez During Pablo Picasso's Surrealism period. The canvas is titled "Woman Reading". Signature bottom left hand corner of canvas. Artist Ray Martinez's oil on canvas painting using...

Piero Guccione (Italy, 1935-2018), “Oleandro in Controluce” (Oleander in Silhouette ), titled and signed lower margins, titled, signed and dated verso, ...

Elegant Chinese Export signed Silk paintings from the mid-century era. Excellent condition in gilt frames. Identical birds in differing hue and signature likely painted by different ...

Artist/ School: Norman A. Olley (British, 20th century, 1908-1996), 1993, signed to the front and inscribed verso Title - "Summer Evening by the Thames near Hampton Middlesex", a colourful busy scene of people enjoying boating and fishing on the river near London. Medium: pastel on thick layered card, unframed. A sheet of protective paper is attached to the upper edge, which we will leave in place to protect it until it is with its new owner for framing. Measures: Painting : 15.5 x 10.5 inches Provenance: all the paintings we have by this artist have come from a private UK collection of this artists work. Condition: The painting is in overall very good and sound condition. We have measured to exclude the unpainted edges. Artist: Norman Arthur Olley was born in 1908 to a British Army family stationed in Lucknow, Bengal India. His mother died there in 1911, and his father in 1936. Norman married in Gravesend Kent in 1937, and at the beginning of the war in 1939 he was an aircraft sheet metal worker. He and his wife to Surrey in the late 1940's -early 1950's where he was a long term member of the Thames Valley Arts Club and where he regularly exhibited his work. In 1951 his painting "View from Richmond Park" was held in high regard at a very well attended exhibition in Esher, Surrey. The East Molesey area was one of his favourite areas to paint, a 1953 Art...

Vintage Impressionist style watercolor painting - unsigned - untitled - unframed - original 'Eaton's - Toronto' label verso - Canada - mid 20th century. Excellent vintage conditio...

Brussels Tapestry is a mural of three separate panels hand painted on a silk blue background. Each panel consists of a collage of vignettes with figures, animals, boats, and towers....

Artist/ School: Norman A. Olley ( British, 20th Century, 1908-1996), 1995, signed to the front and inscribed verso Title - "The Challenge", an Incident Occurring During a Sketching Tour at Farnham, Yorkshire in 1945. With a rather angry looking bull tethered in the pasture, below the artist, one can only imagine the incident! Medium: watercolor with pen and ink on stiff watercolor paper, unframed Painting : 9.5 x 13.5 inches Provenance: all the paintings we have by this artist have come from a private UK collection of this artists work. Condition: The painting is in overall very good and sound condition. We have measured to exclude the unpainted white edges. Artist: Norman Arthur Olley was born in 1908 to a British Army family stationed in Lucknow, Bengal India. His mother died there in 1911, and his father in 1936. Norman married in Gravesend Kent in 1937, and at the beginning of the war in 1939 he was an aircraft sheet metal worker. He and his wife to Surrey in the late 1940's -early 1950's where he was a long term member of the Thames Valley Arts Club and where he regularly exhibited his work. In 1951 his painting "View from Richmond Park" was held in high regard at a very well attended exhibition in Esher, Surrey. The East Molesey area was one of his favourite areas to paint, a 1953 Art...

The 'Where Angels Dance' triptych is a monumental work by British artist Jessica Zoob (three canvases each W150cm x H120cm). It offers a tranquil place of...

Lovely large original oil on canvas still life painting of vase of flowers sitting on a table in front of a window next to a chair. Impressionist style with heavy impasto paint in colorful style. Housed in a thin modern silver gilt frame. Signed Mia

Eve, 34” X 56”, Oil on Canvas Painting MIRA PARK BIOGRAPHY Mira Park is a painter from Korea, currently based in Fort Lee, New Jersey. After a career in fashion design from compani...

A mixed media figurative painting by Gloria Kates. Born in New York, 1929 Gloria Haberman. Offered for sale is a figurative abstract painting on canvas by the American artist Gloria Kates (1929-unknown). The painting was part of a prominent Palm Beach, FL. estate, we were fortunate to be able to acquire it and so can you. Kates used great impasto texture techniques that create movement along with the use of strong hues. The painting is framed, wired and ready to hang. More about the Artist: Gloria Kates studied classical piano at the Juilliard School of Music, 1935-40, and the Manhattan School of Music, 1940-46. She also studied music theory in 1942-46. She was an art teacher at the Barns...

Fantastic subject and easy to live with. Written on the reverse in pen is "Viking Grave from the Stone Age at highest point in the landscape". And, another stretcher also reads "Vi...

Large Industrial oil on canvas titled ‘Pilkington Glass’ by exhibited, St Helens born artist, Tony Garner. Tony’s work has been exhibited in numerous...

A silver wired basket holds several large seashells as well as various architectural tools. The varied textures, shapes and colors of the objects ar...

Beautiful oversized Lee Reynolds acrylic floral painting with texture on canvas. Painting has a gold metal frame and is signed in bottom left c...

“Abstraction” Painting by Pascal Simonpietri , 1995 Gouache on framed paper. Studio stamp lower right. Dimensions: Height 100 x 60cm Originally from Corsica, Pascal Simonpietri translates through his writing his admiration for expressionism into an instinctive pictorial gesture. His vocabulary, his tangy playful figures, his signs speak of life as he imagines it, both tender and restless, but always generous like the broad spectrum of his palette. Through this sincere and authentic painting...

Adam and Eves, 54” X 52”, Oil on Canvas MIRA PARK BIOGRAPHY Mira Park is a painter from Korea, currently based in Fort Lee, New Jersey. After a career in fashion design from co...

Picasso and Portraiture: Representation and transformation By Rubin, William, Editor; with essays by Anne Baldassari. by Pablo Picasso, Anne Baldassari, Pierre Daix, Michael C. Fitzg...

This listing is for a beautiful set of 6 large Chinese Export Gouache (watercolor) Paintings on Rice/Pith Papers, It's called "Pua Gua" same as the meaning of "Fortune Teller" painted by George Mason...

Incredibly unique contemporary art piece. This mixed-media piece combines textile arts and painting. The painting appears to be a stylized seascape with the organic forms taking on a...

Painted by Dunbar Beck, one of America's most accomplished and successful muralists, this painting of a half-nude man floating over a succession of dancing couples below was one of a...